Серия книг «Norton Critical Editions» — 98 книг

Moll Flanders is one of the best-selling novels of all time.

This Norton Critical Edition is again based on the first edition text (1722), the only text known to be Defoe’s own. It is accompanied by detailed explanatory annotations and the editor’s essay outlining the novel’s textual history.

“Contexts” collects related documents on criminal transport, contemporary accounts of lives of crime, and colonial laws as they applied to servants, slaves, and runaways.

“Criticism” includes eleven interpretations by Juliet McMaster, Everett Zimmerman, Maximillian E. Novak, Henry Knight Miller, Ian A. Bell, Carol Kay, Paula B. Backscheider, John Rietz, Ann Louise Kibbie, John Richetti, and Ellen Pollak.

A Chronology and Selected Bibliography are also included.

Moll Flanders is one of the best-selling novels of all time.

This Norton Critical Edition is again based on the first edition text (1722), the only text known to be Defoe’s…

This Norton Critical Edition of one of Defoe’s most important works reprints the 1722 text, the only edition published in Defoe’s lifetime.

The authoritative text has been fully annotated and makes available a perennially popular novel, one that has often been mistaken for an actual eyewitness account of the last great plague in England.

"Backgrounds" encourages comparison of 1665 documents with those of the early 1720s, when England feared a new outbreak of the plague.

Included are official government orders and newspaper accounts as well as writings by Defoe, John Graunt, the College of Physicians, and others.

"Contexts" includes eight comparative pieces united by the theme of a community in crisis.

From Thucydides to Boccaccio to modern accounts by Albert Camus, Michel Foucault, and Susan Sontag, this collection represents some of the most celebrated observers and critics in western civilization who have seen what plagues reveal about human nature.

"Criticism" reprints seven of the best essays on the novel, including interpretations by Sir Walter Scott, Maximillian E. Novak, John J. Richetti, and John Bender, among others.

A Chronology and Selected Bibliography are also included.

This Norton Critical Edition of one of Defoe’s most important works reprints the 1722 text, the only edition published in Defoe’s lifetime.

The authoritative text has been…

The Second Edition of the Norton Critical Edition of Robinson Crusoe is based on the Shakespeare Head Press reprint of the first edition copy in the British Museum, with the "errata" listed by Defoe’s publisher, William Taylor, incorporated into the text.

Michael Shinagel has collated the reprint with all six authorized editions published by Taylor in 1719 to achieve a text that is faithful to Defoe's original edition. Annotations assist the reader with obscure words and idioms, biblical references, and nautical terms.

"Contexts" helps the reader understand the novel’s historical and religious significance. Included are four contemporary accounts of marooned men, Defoe’s autobiographical passages on the novel’s allegorical foundation, and aspects of the Puritan emblematic tradition essential for understanding the novel’s religious aspects.

"Eighteenth-and Nineteenth-Century Opinions" is a comprehensive study of early estimations by prominent literary and political figures, including Alexander Pope, Jean-Jacques Rousseau, Samuel Johnson, Samuel Taylor Coleridge, William Wordsworth, Edgar Allen Poe, Thomas Babington Macaulay, Charles Dickens, Karl Marx, and John Stuart Mill.

"Twentieth-Century Criticism" is a collection of fourteen essays (five of them new to the Second Edition) that presents a variety of perspectives on Robinson Crusoe by Virginia Woolf, Ian Watt, Eric Berne, Maximillian E. Novak, Frank Budgen, James Joyce, George A. Starr, J. Paul Hunter, James Sutherland, John J. Richetti, Leopold Damrosch, Jr., John Bender, Michael McKeon, and Carol Houlihan Flynn.

A Chronology of Defoe’s life and work and an updated Selected Bibliography are also included.

The Second Edition of the Norton Critical Edition of Robinson Crusoe is based on the Shakespeare Head Press reprint of the first edition copy in the British Museum, with the…

This Norton Critical Edition is the only edition available that includes both the 1890 Lippincott’s and the 1891 book versions of The Picture of Dorian Gray, allowing students to compare the two published versions with the editorial guidance of Michael Patrick Gillespie.

“Backgrounds” and “Reviews and Reactions” allow readers to gauge the novel’s sensational reception and to consider the heated public debate over art and morality that the novel engendered.

“Criticism” includes seven new essays on the novel that reflect key changes in interpretive theory in recent years and reveal the broad range of interpretive perspectives on Wilde and The Picture of Dorian Gray. Michael Patrick Gillespie, Simon Joyce, Donald L. Lawler, Sheldon W. Liebman, Maureen O’Connor, Elli Ragland-Sullivan, and John Paul Riquelme provide their varied assessments.

A Chronology and Selected Bibliography are also included.

This Norton Critical Edition is the only edition available that includes both the 1890 Lippincott’s and the 1891 book versions of The Picture of Dorian Gray, allowing students to…

revolutionary social and political commentary, North and South solidified Gaskell's place in the company of Victorian England's finest novelists. This Norton Critical Edition of her best-selling novel is annotated and edited by preeminent Gaskell scholar Alan Shelston.
"Contexts" includes contemporary reviews and correspondence related to North and South, along with the full text of Gaskell's 1850 short story "Lizzie Leigh," which, like North and South, is set in industrial Manchester and deals with strong working women. This topic is further addressed in Bessie Rayner Parkes's essay on Victorian working women.
"Criticism" collects eleven assessments of the novel, among them Louis Cazamian's 1904 study of industrial fiction and Hilary Schor's recent study of North and South in the context of discourse analysis.
A Chronology and Selected Bibliography are also included.
About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

revolutionary social and political commentary, North and South solidified Gaskell's place in the company of Victorian England's finest novelists. This Norton Critical Edition of…

Dubliners is arguably the best-known and most influential collection of short stories written in English, and has been since its publication in 1914.

Through what Joyce described as their "style of scrupulous meanness," the stories present a direct, sometimes searing view of Dublin in the early twentieth century. The text of this Norton Critical Edition is based on renowned Joyce scholar Hans Walter Gabler’s edited text and includes his editorial notes and the introduction to his scholarly edition, which details and discusses Dubliners’ complicated publication history. "Contexts" offers a rich collection of materials that bring the stories and the Irish capital to life for twenty-first century readers, including photographs, newspaper articles and advertising, early versions of two of the stories, and a satirical poem by Joyce about his publication woes. "Criticism" brings together eight illuminating essays on the most frequently taught stories in Dubliners―"Araby," "Eveline," "After the Race," "The Boarding House," "Counterpoints," "A Painful Case," and "The Dead." Contributors include David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng. 8 maps; 20 illustrations

Dubliners is arguably the best-known and most influential collection of short stories written in English, and has been since its publication in 1914.

Through what Joyce…

This Norton Critical Edition includes thirty-five of Katherine Mansfield’s short stories with explanatory annotations.

With the exception of the first four stories, all were written within a period of ten years. These stories, and the letters following, reflect the urgency of a writer who knew her time was limited. All but four of the texts of the stories reprinted here are versions that Mansfield herself revised or selected.

Twenty excerpts from Mansfield’s correspondence address the craft of writing and her own views on her work, subjects rarely broached in her many letters.

"Criticism" includes eighteen essays that collectively suggest the changing emphases in how Mansfield has been read by critics. Contributors include fellow writers Rebecca West, T. S. Eliot, Katherine Anne Porter, V. S. Pritchett, Elizabeth Bowen, and Frank O’ Connor, as well as biographers Claire Tomalin and Vincent O’Sullivan, among others.

A Selected Bibliography is also included.

This Norton Critical Edition includes thirty-five of Katherine Mansfield’s short stories with explanatory annotations.

With the exception of the first four stories, all were…

This Second Edition of Tennyson's In Memoriam represents a significant revision of its predecessor, taking into account major changes in the study of Tennyson's works in recent years. The editor has written a substantial Introduction that provides students with a historical and contextual overview, from In Memoriam'?, genesis to its publication and reception. The text of the poem is again that of the Eversley Edition of Tennyson's Works, published in 1901-8; it is accompanied by explanatory annotations.
"Criticism" collects thirteen essays — seven new to the Second Edition — that analyze the history and structure of the poem as well as present different readings of this seminal work. New contributors include Christopher Ricks, Edgar Finley Shannon, Jr., Timothy Peltason, Jeff Nunokawa, W.David Shaw, and Sarah Gates.
A Chronology, Selected Bibliography, and Index of First Lines are also included.

This Second Edition of Tennyson's In Memoriam represents a significant revision of its predecessor, taking into account major changes in the study of Tennyson's works in recent…

This Norton Critical Edition includes the most admired of Chaucer’s Canterbury Tales.

Each is presented in the original language, with normalized spelling and substantial annotations for modern readers. Among the new added to the Second Edition are the much-requested "Merchant’s Tale" and the "Tale of Sir Thopas." "Sources and Backgrounds" are included for the General Prologue and for most of the tales, enabling students to understand The Canterbury Tales in light of relevant medieval ideas and attitudes and inviting comparison between Chaucer’s work and his sources. "Criticism" includes nine essays, four of them new to this edition, by leading Chaucerians, among them F. R. H. DuBoulay, E. Talbot Donaldson, Barbara Nolani, and Lee Patterson. A Chronology and Selected Bibliography are also included.

This Norton Critical Edition includes the most admired of Chaucer’s Canterbury Tales.

Each is presented in the original language, with normalized spelling and substantial…

The Second Edition of this revered Norton Critical Edition is the most comprehensive introduction to Blake’s poetry and thought available.

In addition to a broad selection of the poems, the volume includes over 100 images (16 in color), emphasizing the centrality of pictorial representations to Blake’s verse. Biographical context is provided through dozens of excerpts from Blake’s notebook, letters, marginalia, and other writings. “Criticism” offers twenty wide-ranging commentaries by writers from Blake’s contemporaries to present-day critics, among them Samuel Taylor Coleridge, Northrop Frye, Allen Ginsberg, Morris Eaves, Harold Bloom, Alicia Ostriker, John Mee, Saree Makdisi, and Julia Wright. A section on Textual Technicalities, a Chronology of Blake’s life and work, a Selected Bibliography, and an Index of Titles and First Lines are also included.

The Second Edition of this revered Norton Critical Edition is the most comprehensive introduction to Blake’s poetry and thought available.

In addition to a broad selection of…

Ibsen ascended to the first ranks of European writers in the late nineteenth century and has remained there ever since.

The Norton Critical Edition includes five major plays spanning Ibsen’s long career in recent translations by Brian Johnston (Peer Gynt, The Wild Duck, and The Master Builder) and Brian Johnston and Rick Davis (A Doll House and Hedda Gabler). The translation of Peer Gynt appears for the first time in this Norton Critical Edition.

“Backgrounds” gives students an understanding of Ibsen’s creative process with selections from his correspondence and other writings. Twenty-seven documents have been collected and arranged by play, with a section of autobiographical writings at the end.

Ibsen’s plays continue to provoke diverse commentary. “Criticism” includes nineteen of the most important responses to Ibsen’s work, among them essays by Bernard Shaw, Sandra Saari, E. M. Forster, Hugh Kenner, and Joan Templeton.

A Chronology and Selected Bibliography are also included.

Ibsen ascended to the first ranks of European writers in the late nineteenth century and has remained there ever since.

The Norton Critical Edition includes five major plays…

Edgar Allan Poe’s works, with their gothic and often obsessive themes, have had a significant influence on American literature.

In this Norton Critical Edition, G. R. Thompson has fully introduced, annotated, and edited each text.

“Backgrounds and Contexts” includes fifty-seven carefully chosen documents that illuminate Poe’s prolific but short career, among them reviews, prefaces, and correspondence by Poe as well as thematic pieces dealing with Transcendentalism and alternative romanticism, sciences of the mind, sensation fiction, and the South and slavery.

Fourteen judiciously selected critical essays address Poe’s poetry, fiction, politics, and psychology. Contributors include Floyd Stovall, Robert C. McLean, Richard Wilbur, James W. Gargano, Joseph J. Moldenhauer, Paul John Eakin, Grace Farrell, Liahna Klenman Babener, Barton Levi St. Armand, Joseph N. Riddel, J. Gerald Kennedy, John Carlos Rowe, Terence Whalen, and John T. Irwin.

Edgar Allan Poe’s works, with their gothic and often obsessive themes, have had a significant influence on American literature.

In this Norton Critical Edition, G. R. Thompson…

Fairy tales shape our cultures and enrich our imaginations; their narrative stability and cultural durability are incontestable.

This Norton Critical Edition collects forty-four fairy tales, from the fifth century to the present. The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde.

"Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.

Fairy tales shape our cultures and enrich our imaginations; their narrative stability and cultural durability are incontestable.

This Norton Critical Edition collects…

Book DescriptionThis Norton Critical Edition of Nathaniel Hawthorne's most widely read novel appears during the bicentennial anniversary year of his birth. The text of The Scarlet Letter is based on the 1850 third edition, the first set in stereotype plates and the basis of subsequent printings in Hawthorne's lifetime. An invaluable selection of contextual material includes five Hawthorne stories that are closely related to The Scarlet Letter, along with relevant letters and notebook entries. A substantial excerpt from Hawthorne's campaign biography of Franklin Pierce offers a revealing glimpse at Hawthorne's political thought, especially regarding slavery and abolition. "Criticism" provides a comprehensive overview of early and modern commentary on The Scarlet Letter and the stories in this edition, including nineteenth-century reviews of the novel and critical essays by Robert S. Levine, Nina Baym, Larry J. Reynolds, and Jean Fagan Yellin. A Chronology and Selected Bibliography are also included. About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

Book DescriptionThis Norton Critical Edition of Nathaniel Hawthorne's most widely read novel appears during the bicentennial anniversary year of his birth. The text of The Scarlet…

Candide has been delighting readers since 1759 with its satiric wit, provocations, and warnings.

The novella has never been out of print and has been translated into every conceivable language. The text of this Norton Critical Edition remains that of Robert M. Adams’s superlative translation, accompanied by explanatory annotations.

Candide has been delighting readers since 1759 with its satiric wit, provocations, and warnings.

The novella has never been out of print and has been translated into every…

"The best Darwin anthology on the market" (Stephen Jay Gould, Harvard) has just become better, in this newly revised version of the now classic Norton Critical Edition, first published in 1970. The impact of Charles Darwin's work on Western civilization has been broad and deep. As much as anyone in the modern era, he changed human thought, and his influence is still felt in virtually all aspects of our lives. This new edition, larger and more varied than the previous ones, includes more of Darwin's own work and also presents the most recent research and scholarship on all aspects of Darwin's legacy. The biological sciences, as well as social thought, philosophy, ethics, religion, and literature, have all been shaped and reshaped by evolutionary concepts. Excerpts from the most important books and articles of recent years confirm this Darwinian heritage. New work by Richard Dawkins, Edward O. Wilson, Kevin Padian, Eugene C. Scott, Steven Pinker, Daniel Dennett, Michael Ruse, Frans de Waal, Noretta Koertge, George C. Williams, George Levine, Stephen Jay Gould, Gillian Beer, Ernst Mayr, and many others illuminates this exciting intellectual history. A wide-ranging new introduction by the editor provides context and coherence to this rich body of engaging material, much of which will be shaping human thought well into the new century. This edition will be useful to scientists and historians alike: "The Norton Darwin explains Darwinian evolution and illustrates the social and intellectual conflicts of the past two centuries better than any other book that I am aware of." (Charles Taylor, Professor of Biology, Ecology, and Evolution, University of California, Los Angeles) And it will be of great value to the humanities and social sciences as well: "The edition provides the sharpest and most exciting access to Darwin we have ever had. It shows all of us interested in the heart of our intellectual heritage how that heritage is sustained, manipulated, and honored." (James R. Kincaid, Aerol Arnold Professor of English, University of Southern California) A Selected Bibliography and an Index are included.

"The best Darwin anthology on the market" (Stephen Jay Gould, Harvard) has just become better, in this newly revised version of the now classic Norton Critical Edition, first…

This long-awaited Norton Critical Edition of Sir Gawain and the Green Knight includes Marie Borroff’s celebrated, newly revised verse translation with supporting materials not to be found in any other single volume.

The text is accompanied by a detailed introduction, an essay on the metrical form, the translator’s note, marginal glosses, and explanatory annotations to assist readers in the study of this canonical Arthurian romance.

“Contexts” presents two French tales of Sir Gawain and a passage from the Alliterative Morte Arthure, also translated by Marie Borroff, as well as three selections from the original Middle English poem.

“Criticism” collects ten interpretive essays on the poem’s central themes. Contributors include Alain Renoir, Marie Borroff, J. A. Burrow, A. Kent Hieatt, W. A. Davenport, Ralph Hanna III, Lynn Staley Johnson, Jonathan Nicholls, Geraldine Heng, and Leo Carruthers.

A Chronology of important historical and literary dates and a Selected Bibliography are also included.

This long-awaited Norton Critical Edition of Sir Gawain and the Green Knight includes Marie Borroff’s celebrated, newly revised verse translation with supporting materials not to…

This revised Norton Critical Edition of one of the series' most widely read texts is based on the second quarto (1604-05). Where necessary, the editor has also drawn from the folio text, recording all departures from the quarto in the Textual Notes. Punctuation and stage directions for the play have been refined, and textual annotations have been revised and expanded.

The "Intellectual Backgrounds" and "Extracts from the Sources" sections, both highly praised, remain as germane as ever. Intellectual Backgrounds includes important readings on melancholy, demonology, the nature of man, and death, including works by Peter de la Primaudaye, Timothy Bright, Lewes Lavater, G. Gifford, Michel de Montaigne, and Heironymous Cardanus. Extracts from the Sources provides pre-Shakespearean accounts of the story of Hamlet, reprinting substantial excerpts from Saxo Grammaticus's Historia Danica and Belleforest's Histoires Tragiques.

"Criticism" has been revised to accommodate the most significant recent interpretations of Hamlet while retaining the seminal essays of the First Edition. Twenty-three critical analyses are featured, including those by Samuel Johnson, Johann Wolfgang von Goethe, Samuel Taylor Coleridge, William Hazlitt, A. C. Bradley, D. H. Lawrence, T. S. Eliot, G. Wilson Knight, C. S. Lewis, Harry Levin, Peter J. Seng, Rebecca West, Arnold Kettle, Margaret W. Ferguson, Jacqueline Rose, and William Empson.

An updated Selected Bibliography is also included.

This revised Norton Critical Edition of one of the series' most widely read texts is based on the second quarto (1604-05). Where necessary, the editor has also drawn from the…

In his award-winning translation, Charles Martin combines fidelity to Ovid’s text with verse that catches the speed and liveliness of the original.

Ovid’s epic poem―whose theme of change has resonated throughout the ages―is one of the most important texts of Western imagination, an inspiration from Dante’s time to the present, when writers such as Salman Rushdie and Italo Calvino have found a living source in Ovid’s work. The text is accompanied by a preface, A Note on the Translation, and detailed explanatory annotations.

“Sources and Backgrounds” includes Seneca’s inspired commentary on Ovid, Charles Martin’s essay on the ways in which pantomimic dancing―an art form popular in Ovid’s time―may have been the model for Metamorphoses, as well as related works by Virgil, Callimachus, Hesiod, and Lucretius, among others.

From the enormous body of scholarly writing on Metamorphoses, Charles Martin has chosen six major interpretations by Bernard Knox, J. R. R. Mackail, Norman O. Brown, Italo Calvino, Frederick Ahl, and Diane Middlebrook.

A Glossary of Persons, Places, and Personifications in the Metamorphoses and a Chronology and Selected Bibliography are also included.

In his award-winning translation, Charles Martin combines fidelity to Ovid’s text with verse that catches the speed and liveliness of the original.

Ovid’s epic poem―whose theme…

A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since. Anthony Burgess takes us on a journey to a nightmarish future where sociopathic criminals rule the night. Brilliantly told in harsh invented slang by the novel’s main character and merciless droog, fifteen-year-old Alex, this influential novel is now available in a student edition.

The Norton Critical Edition of A Clockwork Orange is based on the first British edition and includes Burgess’s original final chapter. It is accompanied by Mark Rawlinson’s preface, explanatory annotations, and textual notes. A glossary of the Russian-origin terms that inspired Alex’s dialect is provided to illustrate the process by which Burgess arrived at the distinctive style of this novel.

“Backgrounds and Contexts” presents a wealth of materials chosen by the editor to enrich the reader’s understanding of this unforgettable work, many of them by Burgess himself. Burgess’s views on writing A Clockwork Orange, its philosophical issues, and the debates over the British edition versus the American edition and the novel versus the film adaptation are all included. Related writings that speak to some of the novel’s central issues―youthful style, behavior modification, and art versus morality―are provided by Paul Rock and Stanley Cohen, B. F. Skinner, John R. Platt, Joost A. M. Meerloo, William Sargent, and George Steiner.

“Criticism” is divided into two sections, one addressing the novel and the other Stanley Kubrick’s film version. Five major reviews of the novel are reprinted along with a wide range of scholarly commentary, including, among others, David Lodge on the American reader; Julie Carson on linguistic invention; Zinovy Zinik on Burgess and the Russian language; Geoffrey Sharpless on education, masculinity, and violence; Shirley Chew on circularity; Patrick Parrinder on dystopias; Robbie B. H. Goh on language and social control; and Steven M. Cahn on freedom. A thorough analysis of the film adaptation of A Clockwork Orange is provided in reviews by Vincent Canby, Pauline Kael, and Christopher Ricks; in Philip Strick and Penelope Houston’s interview with Stanley Kubrick; and in interpretive essays by Don Daniels, Alexander Walker, Philip French, Thomas Elsaesser, Tom Dewe Mathews, and Julian Petley.

A Selected Bibliography is also included.

A terrifying tale about good and evil and the meaning of human freedom, A Clockwork Orange became an instant classic when it was published in 1962 and has remained so ever since.…