Уильям Теккерей «Кольцо и роза, или История принца Обалду и принца Перекориля» — похожие книги — стр. 2

Will Barrett is a 25-year-old wanderer from the South living in New York City, detached from his roots and with no plans for the future - until the purchase of a telescope sets off a romance and changes his lifeforever.

Will Barrett is a 25-year-old wanderer from the South living in New York City, detached from his roots and with no plans for the future - until the purchase of a telescope sets…

Edith Wharton (1862—1937) was an American novelist and short story writer. Her works show the lives of people of the late nineteenth century, the times of decline in American history. She was the first woman to receive the Pulitzer Prize for Literature in 1921. Wharton also was familiar with many famous people of the time, including President Theodore Roosevelt. "Bunner Sisters" is a novel that takes place in a run-down neighborhood of New York City. The two Bunner sisters, young Evelina and the ever Ann Eliza, keep a small shop selling artificial flowers and simple things like buttons, trims, and ribbons. Their life is boring and unrewarding, but they manage to keep it going with their dedication and love. However, their life changes after the birthday gift of a clock that draws attention a mysterious clockmaker Herbert Ramy. .

Edith Wharton (1862—1937) was an American novelist and short story writer. Her works show the lives of people of the late nineteenth century, the times of decline in American…

Robert Walser is an overwhelmingly original author with many ardent fans: J.M. Coetzee ("dazzling"), Guy Davenport ("a very special kind of whimsical-serious-deep writer"), and Hermann Hesse ("If he had a hundred thousand readers, the world would be a better place"). Charged with compassion, and an utterly unique radiance of vision, Walser is as Susan Sontag exclaimed "a truly wonderful, heart-breaking writer."

The Assistant is his breathtaking 1908 novel, translated by award-winning translator Susan Bernofsky. Joseph, hired to become an inventor's new assistant, arrives one rainy Monday morning at Technical Engineer Karl Tobler's splendid hilltop villa: he is at once pleased and terribly worried, a state soon followed by even stickier psychological complexities. He enjoys the beautiful view over Lake Zurich, in the company of the proud wife, Frau Tobler, and the delicious savory meals. But does he deserve any of these pleasures? The Assistant chronicles Joseph's inner life of cascading emotions as he attempts, both frantically and light-heartedly, to help the Tobler household, even as it slides toward financial ruin. Tobler demands of Joseph, "Do you have your wits about you?!" And Joseph's wits are in fact all around him, trembling like leaves in the breeze—he is full of exuberance and despair, all the raptures and panics of a person "drowning in obedience."

Robert Walser is an overwhelmingly original author with many ardent fans: J.M. Coetzee ("dazzling"), Guy Davenport ("a very special kind of whimsical-serious-deep writer"), and…

During the 1790s, with Ireland in political crisis, Maria Edgeworth made a surprisingly rebellious choice: in Castle Rackrent, her first novel, she adopted an Irish Catholic voice to narrate the decline of a family from her own Anglo-Irish class. Castle Rackrent's narrator, Thady Quirk, gives us four generations of Rackrent heirs - Sir Patrick, the dissipated spendthrift; Sir Murtagh, the litigating fiend; Sir Kit, the brutal husband and gambling absentee; and Sir Condy, the lovable and improvident dupe of Thady's own son, Jason.

With this satire on Anglo-Irish landlords Edgeworth pioneered the regional novel and inspired Sir Walter Scott's Waverly (1814). She also changed the focus of conflict in Ireland from religion to class and boldly predicted the rise of the Irish Catholic Bourgeoisie.

During the 1790s, with Ireland in political crisis, Maria Edgeworth made a surprisingly rebellious choice: in Castle Rackrent, her first novel, she adopted an Irish Catholic voice…

Jane Austen's brilliant, hilarious - and often outrageous - early stories, sketches and pieces of nonsense, in a beautiful Penguin Classics clothbound edition. Jane Austen's earliest writing dates from when she was just eleven years, and already shows the hallmarks of her mature work: wit, acute insight into human folly, and a preoccupation with manners, morals and money. But they are also a product of the eighteenth century she grew up in - dark, grotesque, often surprisingly bawdy, and a far cry from the polished, sparkling novels of manners for which she became famous. Drunken heroines, babies who bite off their mother's fingers, and a letter-writer who has murdered her whole family all feature in these very funny pieces. This edition includes all of Austen's juvenilia, including her 'History of England' - written by 'a partial, prejudiced, and ignorant Historian' - and the novella 'Lady Susan', in which the anti-heroine schemes and cheats her way through high society. Taken together, they offer a fascinating - and often surprising - insight into the early Austen. This major new edition is the first time Austen's juvenilia has appeared in Penguin Classics.
Edited by Christine Alexander, it includes an introduction, notes and other useful editorial materials.

Jane Austen's brilliant, hilarious - and often outrageous - early stories, sketches and pieces of nonsense, in a beautiful Penguin Classics clothbound edition. Jane Austen's…

This classic 1949 novella about the violent expulsion of Palestinian villagers by the Israeli army has long been considered a high point in Hebrew literature, as it has also given rise to fierce controversy over the years. Published just months after the end of the 1948 war (in which the author fought) the book--as famous for Yizhar's haunting, lyrical style as for its wrenchingly honest soldier's-eye view of the brutality of that war and, perhaps, all wars--has never before been translated into English. De Lange and Dweck's rendering captures with force Yizhar's unflinching portrait of Israel's primal scene. An absolute must for anyone interested in Middle Eastern literature and history.

This classic 1949 novella about the violent expulsion of Palestinian villagers by the Israeli army has long been considered a high point in Hebrew literature, as it has also given…

In his semiautobiographical novel, "Cyclops", Croatian writer Ranko Marinkovic recounts the adventures of young theatre critic Melkior Tresic, an archetypal antihero who decides to starve himself to avoid fighting in the front lines of World War II. As he wanders the streets of Zagreb in a near-hallucinatory state of paranoia and malnourishment, Melkior encounters a colourful circus of characters - fortune-tellers, shamans, actors, prostitutes, bohemians, and cafe intellectuals - all living in a fragile dream of a society about to be changed forever. A seminal work of postwar Eastern European literature, "Cyclops" reveals a little-known perspective on World War II from within the former Yugoslavia, one that has never before been available to an English-speaking audience. Vlada Stojiljkovic's able translation, improved by Ellen Elias-Bursac's insightful editing, preserves the striking brilliance of this riotously funny and densely allusive text. Along Melkior's journey "Cyclops" satirizes both the delusions of the righteous military officials who feed the national bloodlust as well as the wayward intellectuals who believe themselves to be above the unpleasant realities of international conflict. Through Stojiljkovic's clear-eyed translation, Melkior's peregrinations reveal how history happens and how the individual consciousness is swept up in the tide of political events, and this is accomplished in a mode that will resonate with readers of Charles Simic, Aleksandr Hemon, and Kundera.

In his semiautobiographical novel, "Cyclops", Croatian writer Ranko Marinkovic recounts the adventures of young theatre critic Melkior Tresic, an archetypal antihero who decides…

This last book by Ödön von Horváth, one of the 20th-century’s great but forgotten writers, is a dark fable about guilt, fate, and the individual conscience.

An unnamed narrator in an unnamed country is a schoolteacher with “a safe job with a pension at the end of it.” But, when he reprimands a student for a racist comment, he is accused of “sabotage of the Fatherland,” and his students revolt. A murder follows, and the teacher must face his role in it, even if it costs him everything.

Horváth’s book both points to its immediate context—the brutalizing conformity of a totalitarian state, the emptiness of faith in the time of the National Socialists—and beyond, to the struggles of individuals everywhere against societies that offer material security in exchange for the abandonment of one’s convictions. Reminiscent of Camus’ The Stranger in its themes and its style, Youth Without God portrays a world of individual ruthlessness and collective numbness to the appeals of faith or morality.

And yet, a commitment to the truth lifts the teacher and a small band of like-minded students out of this deepening abyss. It’s a reminder that such commitment did exist in those troubled times—indeed, they’re what led the author to flee Germany, first for Austria, and then France, where he met his death in a tragic accident, just two years after the publication of Youth Without God. Long out of print, this new edition resurrects a bracing and still-disturbing vision.

This last book by Ödön von Horváth, one of the 20th-century’s great but forgotten writers, is a dark fable about guilt, fate, and the individual conscience.

An unnamed narrator…

First published in 1930, the author provides a tour of the novel from its birth to his own time, including the works of Flaubert and Conrad.

In spite of the amplified disclaimer: ""Note: This story is a fiction. Neither its characters nor the situations in which they are involved are intended to represent any persons now living or dead (or both)"", there will be no question whom The Symbol represents. And it is primarily this factor, the implicit identification, and yes, the explicit sex, which ensures that it will be read with a fascinated avidity. Indeed, with or without the stammer, it is M-M-monogrammed throughout from the opening scene when Wanda Emmaline Kelly etc. attempts to verbalize in her limited vocabulary to Dr. Rubenstein, a laconic figure staring, staring at a blank page on his clipboard. Wanda, orphaned at two, was placed in foster homes, raped by a roomer at nine, married at sixteen to a Navy boy, and towards the end of the war decided to promote her natural endowment as a sex goddess. Then there are the men--the marriages--Buck, the football player, gauche and faithful and loving; Calvin the ""high powered intellectual"" painter from New York where she spends some time with him and The Method and in a mental hospital; and always the paradoxes of the girl who could create an image but never find an identity, who could project sex and never reciprocate it, all the way through the long scenes from Oh Daddy to Daddy O, liquor, drugs, the couch which failed her as much as the bed, until the long out.... Bessie's book certainly never manages to capture that duende-star quality, but it does have the Harlow hook down to some of its more tasteless moments. As such The Symbol seems like as axiomatic commercial reality which will probably perform from the top of the list.

In spite of the amplified disclaimer: ""Note: This story is a fiction. Neither its characters nor the situations in which they are involved are intended to represent any persons…

The complete text of Faulkner’s third novel, published for the first time in 1973, appeared with his reluctant consent in a much cut version in 1929 as Sartoris.

Barbara Pym is a master at capturing the subtle mayhem that takes place in the apparent quiet of the English countryside. Fifty-something sisters Harriet and Belinda Bede live a comfortable, settled existence. Belinda, the quieter of the pair, has for years been secretly in love with the town's pompous (and married) archdeacon, whose odd sermons leave members of his flock in muddled confusion. Harriet, meanwhile, a bubbly extrovert, fends off proposal after proposal of marriage. The arrival of Mr. Mold and Bishop Grote disturb the peace of the village and leave the sisters wondering if they'll ever return to the order of their daily routines. Some Tame Gazelle, first published in Britain nearly 50 years ago, was the first of Pym's nine novels.

Barbara Pym is a master at capturing the subtle mayhem that takes place in the apparent quiet of the English countryside. Fifty-something sisters Harriet and Belinda Bede live a…

In Isak Dinesen's universe, the magical enchantment of the fairy tale and the moral resonance of myth coexist with an unflinching grasp of the most obscure human strengths and weaknesses. A despairing author abandons his wife, but in the course of a long night's wandering, he learns love's true value and returns to her, only to find her a different woman than the one he left. A landowner, seeking to prove a principle, inadvertently exposes the ferocity of mother love. A wealthy young traveler melts the hauteur of a lovely woman by masquerading as her aged and loyal servant.

Shimmering and haunting, Dinesen's Winter's Tales transport us, through their author's deft guidance of our desire to imagine, to the mysterious place where all stories are born.

In Isak Dinesen's universe, the magical enchantment of the fairy tale and the moral resonance of myth coexist with an unflinching grasp of the most obscure human strengths and…

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths.

This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations by themselves and others), includes the text of the original edition (as augmented in 1964) as well as Irby's biographical and critical essay, a poignant tribute by André Maurois, and a chronology of the author's life. Borges enthusiast William Gibson has contributed a new introduction bringing Borges' influence and importance into the twenty-first century.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature…

The first of Roussel’s two major prose works, Impressions of Africa is not, as the title may suggest, a conventional travel account, but an adventure story put together in a highly individual fashion and with an unusual time sequence, whereby the reader is even made to choose whether to begin with the first or the tenth chapter.

A veritable literary melting pot, Roussel’s groundbreaking text makes ample use of wordplay and the surrealist techniques of automatic writing and private allusion.

The first of Roussel’s two major prose works, Impressions of Africa is not, as the title may suggest, a conventional travel account, but an adventure story put together in a…

Few novelists have conveyed the subtleties and nuances of their own social milieu with the wit and insight of Jane Austen. Through her vivacious and spirited heroines and their circle, she painted vivid portraits of English middle-class life as the eighteenth century came to a close.

Each of these novels is a love story and a story about marriage—marriage for love, for financial security, for social status. But they are not mere romances. Ironic, comic, and wise, they are masterly studies of the society Austen observed.

The seven books in this box set—Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, Northanger Abbey, Persuasion, and Love and Freindship (early writings and juvenilia)—contain some of the most brilliant, dazzling prose in the English language.

Few novelists have conveyed the subtleties and nuances of their own social milieu with the wit and insight of Jane Austen. Through her vivacious and spirited heroines and their…

A choral novel on the hopes, disillusionments and betrayals of family life in Mexico. A rich Catholic rancher wants his four sons to become priests, while the boys themselves have other plans; a bereaved mother explains her daughter's life to the man who killed her; three daughters meet up around their father's coffin for the first time in ten years; a middle-aged couple meet by chance on a cruise-ship and wonder if they were once young lovers. The result is a picture of contemporary Mexico seen through a violently fragmented narrative, not unlike the internationally successful film Amores Perros.The stories are punctuated by a chorus, commenting as if in a Greek tragedy, crudely and unsentimentally on the underbelly of modern Mexican life, offering a raw but richly textured glimpse of the inequalities of that society - street children, junkies, dead rock icons, the ideal wife, a honeymoon gone wrong, a child suicide, a man faking his death and beginning a new life - that throw the middle-class dramas of the linked stories into harsh relief. Happy Families is a dramatic polyphony of the many conflicting strands of Latin America and the modern urban world.

A choral novel on the hopes, disillusionments and betrayals of family life in Mexico. A rich Catholic rancher wants his four sons to become priests, while the boys themselves have…

Short Stories from the Nineteenth Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden age of the great storytellers presenting evocative snapshots from that bygone era while at the same time providing engaging entertainment and stimulation for the modern reader.

All emotions are catered for in the offerings by Charles Dickens, Oscar Wilde, H.G.Wells, Arthur Conan Doyle, Robert Louis Stevenson, Bram Stoker, Mrs Gaskell, O Henry, Anthony Trollope, Thomas Hardy, Wilike Collins, Guy de Maupassant, Anton Chekhov, Charlotte Perkins Gillman and Charles Lamb. Through their words the rich pageant of yesterday springs to vibrant life. Each story has its own introduction and there is a set of informative notes. This volume is ideal reading for the student as well as those who relish a good tale well told.

Short Stories from the Nineteenth Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden…

A collection of nine exceptional stories from the acclaimed author of The Catcher in the Rye

'This is the squalid, or moving, part of the story, and the scene changes. The people change, too. I'm still around, but from here on in, for reasons I'm not at liberty to disclose, I've disguised myself so cunningly that even the cleverest reader will fail to recognize me.'

This collection of nine stories includes the first appearance of J. D. Salinger's fictional Glass family, introducing Seymour Glass in the unforgettable 'A Perfect Day for Bananafish'.

A collection of nine exceptional stories from the acclaimed author of The Catcher in the Rye

'This is the squalid, or moving, part of the story, and the scene changes. The…

Switch off those TVs, kill your mobiles and settle down with the most controversial book ever written. Once denounced as 'wicked', 'sordid', 'cheap' 'moral filth', PEYTON PLACE was the top read of its time and sold millions of copies worldwide. Way before TWIN PEAKS, SURVIVOR or BIG BROTHER, the curtains were twitching in the mythical New England town of Peyton Place, and this soapy story exposed the dirty secrets of 1950s small-town America: incest, abortion, adultery, repression and lust. Take a peek ...

Switch off those TVs, kill your mobiles and settle down with the most controversial book ever written. Once denounced as 'wicked', 'sordid', 'cheap' 'moral filth', PEYTON PLACE…

This timeless collection brings together three hundred of the most enduringly popular of Aesop’s fables in a volume that will delight young and old readers alike. Here are all the age-old favourites - the wily fox, the vain peacock, the predatory cat and the steady tortoise - just as endearingly vivid and relevant now as they were for their very first audience.

This elegant Macmillan Collector’s Library edition of Aesop's Fables features illustrations by Arthur Rackham, the leading decorative illustrator of the Edwardian period, which have been beautifully and sensitively coloured by Barbara Frith.

This beautiful edition features an afterword by publisher and editor Anna South.

This timeless collection brings together three hundred of the most enduringly popular of Aesop’s fables in a volume that will delight young and old readers alike. Here are all the…

"Merging Eastern mysticism with the motifs of the European fairy tale, the stories translated for this volume, many for the first time, offer insight into Hesse's development as an artist during the first two decades of this century. Sometimes lush and lyrical, sometimes in the simple language of the parable, these tales elaborate Hesse's concerns with mortality, the unity of life and the isolation of the artist. Characters renounce human society to become poets, vegetarians or, as in the fantastic story "Faldum", a mountain. The artist as ascetic, observer and loner, misunderstood by his audience, is a recurring theme. Several of the stories reflect Hesse's pacifist stance during WWI, covering great spans of time to drive home the devastation of war and transience of civilization. Whether evoking the rise and fall of a nation or an individual, Hesse is preoccupied with the need for both to rediscover their "undestroyed essence" and begin anew. A refreshing lack of narrative closure distinguishes Hesse's tales, which mitigates an irritating tendency to equate self-knowledge with the return home to an eternal, spiritual mother. Quirky and evocative, Hesse's fairy tales stand alone, but also amplify the ideas and utopian longings of such counterculture avatars as Siddhartha and Steppenwolf". Reed Business Information, Inc.

"Merging Eastern mysticism with the motifs of the European fairy tale, the stories translated for this volume, many for the first time, offer insight into Hesse's development as…