No one better understands the desire to be bad than Elizabeth Wurtzel. Bitch is a brilliant tract on the history of manipulative female behavior. By looking at woman who derive their power from their sexuality, Wurtzel offers a trenchant cultural critique of contemporary gender relations. Beginning with Delilah, the first woman to supposedly bring a great man down (latter day Delilahs include Yoko Ono, Pam Smart, Bess Myerson), Wurtzel finds many biblical counterparts to the men and woman in today's headlines. In five brilliant extended essays, she links the lives of women as demanding and disparate as Amy Fisher, Hillary Clinton, Margaux Hemingway, and Nicole Brown Simpson. Wurtzel gives voice to these women whose lives have been misunderstood, who have been dismissed for their beauty, their madness, their youth. She finds in the story of Amy Fisher the tragic plight of all Lolitas, our thirst for their brief and intense flame. She connects Hemingway's tragic suicide to those of Sylvia Plath, Edie Sedgwick, and Marilyn Monroe, women whose beauty was an end, ultimately, in itself. Wurtzel, writing about the wife/mistress dichotomy, explains how some women are anointed as wife material, while others are relegated to the role of mistress. She takes to task the double standard imposed on women, the cultural insistence on goodness and society's complete obsession with badness: what's a girl to do? Let's face it, if women were any real threat to male power, "Gennifer Flowers would be sitting behind the desk of the Oval Office," writes Wurtzel, "and Bill Clinton would be a lounge singer in the Excelsior Hotel in Little Rock."

Bitch tells a tale both celebratory and cautionary as Wurtzel catalogs some of the most infamous women in history, defending their outsize desires, describing their exquisite loneliness, championing their take-no-prisoners approach to live and love. Whether writing about Courntey Love, Sally Hemmings, Bathsheba, Kimba Wood, Sharon Stone, Princess Di-- or waxing eloquent on the hideous success of The Rules, the evil that is The Bridges of Madison County, the twisted logic of You'll Never Make Love in This Town Again-- Wurtzel is back with a bitchography that cuts to the core. In prose both blistering and brilliant, Bitch is a treatise on the nature of desperate sexual manipulation and a triumph of pussy power.

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No one better understands the desire to be bad than Elizabeth Wurtzel. Bitch is a brilliant tract on the history of manipulative female behavior. By looking at woman who derive… Развернуть 

Mary McCarthy was one of the leading literary figures of her time. In addition to the novels and memoirs for which she is best remembered, she was also a tireless literary and social critic. Starting out as a theater reviewer for Partisan Review in 1937, she quickly distinguished herself for her witty and fearless commentary on topics ranging from McCarthyism to the French New Novel to women’s fashion magazines. McCarthy was an eager controversialist, unsparing in her dissection of anything she found phony or hypocritical. Her reviews are sharp, sometimes malicious, and often very funny, but her criticism is also informed by deep erudition and enlivened by an inexhaustible capacity for enthusiasm. Her political writings, critical in equal measure of the Cold War consensus and of its critics, are less concerned with finding correct positions than with exploring the often absurd circumstances in which agonizing moral decisions are made.

While the soundness of McCarthy’s judgments can sometimes be doubted, her curiosity and intelligence cannot. The intellectual brio and acute judgment that characterizes her best fiction is vividly displayed in this selection of essays, which span McCarthy’s career from the late 1930s to the late 1970s. It includes her writings on topics such as fashion magazines, Eugene O’Neill, A Streetcar Named Desire, Look Back in Anger, Pale Fire, J.D. Salinger, Madame Bovary, Italo Calvino, and Watergate. The volume constitutes not only a valuable record of the ideological and cultural controversies that dominated American intellectual life from the Moscow trials to the Watergate hearings, but will also introduce a new generation of readers to a uniquely forthright and vibrant critical voice.

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Mary McCarthy was one of the leading literary figures of her time. In addition to the novels and memoirs for which she is best remembered, she was also a tireless literary and… Развернуть 

"О дивный новый мир" - изысканная и остроумная антиутопия о генетически программируемом обществе потребления, в котором разворачивается трагическая история Дикаря - "Гамлета" этого мира...

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"О дивный новый мир" - изысканная и остроумная антиутопия о генетически программируемом обществе потребления, в котором разворачивается трагическая история Дикаря - "Гамлета"… Развернуть 

"Брик-лейн" - дебютный роман Моники Али, английской писательницы бангладешского происхождения (родилась в Дакке).

Назнин, родившуюся в бангладешской деревне, выдают замуж за человека вдвое ее старше и увозят в Англию. В Лондоне она занимается тем, чего от нее ждут: ведет хозяйство и воспитывает детей, постоянно балансируя между убежденностью мужа в правильности традиционного мусульманского уклада и стремлением дочерей к современной европейской жизни. Это хрупкое равновесие нарушает Карим - молодой активист радикального движения "Бенгальские тигры". Карим заставляет Назнин задуматься о справедливости общественного устройства и правильности семейного положения, однако традиционный конфликт долга и страсти разрешается совершенно неожиданным для них обоих образом.

Роман вошел в шорт-лист Букеровской премии 2003 года.

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"Брик-лейн" - дебютный роман Моники Али, английской писательницы бангладешского происхождения (родилась в Дакке).

Назнин, родившуюся в бангладешской деревне, выдают замуж за… Развернуть 

With its vibrant new translation, perceptive introduction, and witty packaging, this new edition of Voltaire’s masterpiece belongs in the hands of every reader pondering our assumptions about human behavior and our place in the world. Candide tells of the hilarious adventures of the naïve Candide, who doggedly believes that “all is for the best” even when faced with injustice, suffering, and despair. Controversial and entertaining, Candide is a book that is vitally relevant today in our world pervaded by—as Candide would say—“the mania for insisting that all is well when all is by no means well.”

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With its vibrant new translation, perceptive introduction, and witty packaging, this new edition of Voltaire’s masterpiece belongs in the hands of every reader pondering our… Развернуть 

It was Boccaccio’s Decameron which inspired Chaucer, in the 1390s, to begin work on The Canterbury Tales, which was still unfinished at his death in October 1400. It tells the story of a group of 30 pilgrims who meet at the Tabard Inn in Southwark, on the south bank of the Thames opposite the city of London, and travel together to visit the then famous shrine of St Thomas Becket in Canterbury cathedral.

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It was Boccaccio’s Decameron which inspired Chaucer, in the 1390s, to begin work on The Canterbury Tales, which was still unfinished at his death in October 1400. It tells the… Развернуть 

Маленький провинциальный городок в Новой Англии в одночасье становится "мертвым городом". На улицах лежат трупы, над домами бушует смертоносное пламя. И весь этот кошмар огненного Апокалипсиса - дело рук одного человека, девушки Кэрри, жалкой, запуганной дочери чудаковатой вдовы. Долгие годы дремал в Кэрри талант телекинеза, чтобы однажды проснуться. И тогда в городок пришла смерть...

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Маленький провинциальный городок в Новой Англии в одночасье становится "мертвым городом". На улицах лежат трупы, над домами бушует смертоносное пламя. И весь этот кошмар огненного… Развернуть