Серия книг «Norton Critical Editions» — 98 книг

This Norton Critical Edition includes twenty-eight tales from The Arabian Nights translated by Husain Haddawy on the basis of the oldest existing Arabic manuscript.

Few works of literature are as familiar and beloved as The Arabian Nights. Yet few remain also as unknown. In English, The Arabian Nights is a literary work of relatively recent date―the first versions of the tales appeared in English barely two hundred years ago. The tales are accompanied by a preface, a note on the text, and explanatory annotations.

“Contexts” presents three of the oldest witnesses to The Arabian Nights in the Arabic tradition, together in English for the first time: an anonymous ninth-century fragment, Al Mas‘udi’s Muruj al-Dhahab, and Ibn al-Nadim’s The Fihrist. Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn.

“Criticism” collects eleven wide-ranging essays on The Arabian Nights’ central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.

A Chronology of The Arabian Nights and a Selected Bibliography are also included.

This Norton Critical Edition includes twenty-eight tales from The Arabian Nights translated by Husain Haddawy on the basis of the oldest existing Arabic manuscript.

Few works…

A retelling of Homer's epic that describes the adventures of the hero Odysseus as he encounters many monsters and other obstacles on his journey home from the Trojan War.

"It is always a real pleasure to read a translation which adheres to one basic, important principle, to reflect faithfully what the poet says. Professor Cook's translation does just that.... This is a literal translation, following the original line for line. These lines scan easily and move rapidly, thus reproducing one of the special delights of Homeric style.... Recommended highly." ―Francis D. Lazenby, Classics Department, University of Notre Dame

A retelling of Homer's epic that describes the adventures of the hero Odysseus as he encounters many monsters and other obstacles on his journey home from the Trojan War.

"It…

An intriguing tale of revenge in which the main characters are controlled by consuming passions. This novel was once considered such a risk by its publishers that Emily Bronte had to defray the cost of publication until a sufficient number of copies had been sold.

An intriguing tale of revenge in which the main characters are controlled by consuming passions. This novel was once considered such a risk by its publishers that Emily Bronte had…

William Shakespeare’s great Roman tragedy of adultery amid political conflict is now available in a richly documented and illustrated Norton Critical Edition.

This Norton Critical Edition of Antony and Cleopatra is based on the First Folio (1623), the only authoritative text of the play. The edition includes a preface, detailed explanatory annotations, two maps, and visuals ranging from a silver tetradrachm (34 B.C.E.) to an Egyptian Queen Barbie.

“Sources, Analogues, and Contexts,” a rich selection of historical and literary writing, gives readers an understanding of Antony and Cleopatra’s origins, from the earlier texts that inspired Shakespeare, especially those by Herodotus, Plutarch, and Virgil, to later works by Chaucer, Mary Sidney (Countess of Pembroke), and Samuel Daniel. The volume also includes a wide array of the early modern English views of Egyptians, gypsies, and women that informed Shakespeare’s worldview and his writing.

“Criticism” includes fourteen essays representing four centuries of interpretation, from the early observations of Samuel Johnson to the Romantic readings of Samuel Taylor Coleridge and William Hazlitt, from the razor-sharp analyses of Anna Brownell Jameson to recent essays by Jonathan Gil Harris, Patricia Parker, Anston Bosman, and Ania Loomba, among others.

“Adaptations, Rewritings, and Appropriations” reprints alternative versions of Antony and Cleopatra’s story, including one by John Dryden, a burlesque version by F. C. Burnand, a poem by Robert Louis Stevenson, and an Arabic version by Ahmad Shawqi.

A Selected Bibliography is also included.

William Shakespeare’s great Roman tragedy of adultery amid political conflict is now available in a richly documented and illustrated Norton Critical Edition.

This Norton…

This Norton Critical Edition of Stephen Crane’s classic 1895 Civil War novel is again based on the first published edition, conservatively edited.

The Fourth Edition offers a broadened and restructured “Backgrounds and Sources” section that illuminates the social and intellectual climate of the 1890s and includes thought-provoking material by Jay Martin, Charles J. LaRocca, and Perry Lentz on Crane’s use of the Battle of Chancellorsville. “Criticism” includes an expanded introduction by Donald Pizer covering major critical approaches to the novel and fourteen assessments that reflect the revival critical interest in The Red Badge of Courage by, among others, R. W. Stallman, Charles C. Walcutt, John Fraser, Amy Kaplan, John E. Curran Jr., James B. Colvert, and Donald Pizer. 1 map; 3 photographs

This Norton Critical Edition of Stephen Crane’s classic 1895 Civil War novel is again based on the first published edition, conservatively edited.

The Fourth Edition offers a…

Crime and Punishment: The Coulson Translation - Backgrounds and Sources - Essays in Critisisms

Jane Austen’s beloved comedic novel is now available in a revised and updated Norton Critical Edition.

The text of the Fourth Edition of the Norton Critical Edition of Emma is based on the 1816 edition published by John Murray. George Justice has lightly and judiciously emended the text for faithfulness and clarity. The novel is accompanied by detailed explanatory annotations as well as facsimiles of the 1816 title and dedication pages.

“Backgrounds” collects a wealth of source material, much of it new to the Fourth Edition. New material includes Austen’s correspondence with her publisher about the business of writing, revealing Austen’s view of her own writing and career. In addition, there are two sets of verses―“Kitty, A Fair But Frozen Maid” and “Robin Adair”―referenced in Emma as well as responses (1815–1950) to Austen and her writing from, among others, Charlotte Brontë, Juliet Pollock, Virginia Woolf, D. W. Harding, and Edmund Wilson.

“Reviews and Criticism” includes twelve major interpretations of the novel, nine of them new to the Fourth Edition. New contributors include Jan Fergus, Patricia Meyer Spacks, Tony Tanner, Maaja Stewart, D. A. Miller, Emily Auerbach, Gabrielle D. V. White, Richard Jenkyns, and David Monaghan.

A Chronology and Selected Bibliography are also included.

Jane Austen’s beloved comedic novel is now available in a revised and updated Norton Critical Edition.

The text of the Fourth Edition of the Norton Critical Edition of Emma is…

The Second Edition of the Norton Critical Edition of The Brothers Karamazov is based on a significantly revised translation by Susan McReynolds.

The text is accompanied by a detailed introduction, a pronunciation and explanation key for the novel’s main characters, and greatly revised and expanded explanatory annotations.

“Contexts” presents a wealth of background and source materials relating to The Brothers Karamazov, to Dostoevsky’s own experiences, to current events, and to observations on a changing society. Included are the correspondence of influential literary and social critic Vissarion Grigorievich Belinksy and the author’s letters spanning three decades as well as a selection from Dostoevsky’s Diary of a Writer in which readers may trace the origins of this novel.

“Criticism” offers a wide range of scholarly commentary on The Brothers Karamazov from American, Russian, and European authors, eleven of them new to the Second Edition and two of them appearing in English for the first time. Contributors include Ralph Matlaw, Valentina Vetlovskaia, Seamas O’Driscoll, William Mills Todd, Vladimir Kantor, Edward Wasiolek, Nathan Rosen, Roger B. Anderson, Robin Feuer Miller, Horst-Jürgen Gerigk, Vladimir Golstein, Robert L. Belknap, Ulrich Schmid, and Gary Saul Morson.

A Chronology of Dostoevsky’s life and work and a Selected Bibliography are also included.

The Second Edition of the Norton Critical Edition of The Brothers Karamazov is based on a significantly revised translation by Susan McReynolds.

The text is accompanied by a…

First published in 1516, Utopia depicts an imaginary society free of private property, sexual discrimination and religious intolerance. Its radical humanism has had a dramatic effect on modern history and the challenge of its vision is as persistent today as it was in the Renaissance.

First published in 1516, Utopia depicts an imaginary society free of private property, sexual discrimination and religious intolerance. Its radical humanism has had a dramatic…

Cervantes Don ?quixote? (norton Critical Editions) (editor – Jones)

The text is the authoritative version used in the Collected Works published in 1921, which Conrad prepared from a 1910 reprint of the original English version of 1898.

Corrections and emendations have been made on the basis of a thorough collation of all extant versions of the novel. The text is annotated and is followed by a detailed Textual Appendix consisting of materials on the textual history and present text, a list of textual variants, a glossary of nautical terms, illustrations showing details essential to an understanding of the novel, and an essay written especially for this edition by Denis Murphy, explaining the seamanship used during the storm in Chapter Three.

"Backgrounds and Sources" begins with Conrad’s "Preface," which originally appeared as an afterword in the fifth magazine installment of the novel but was suppressed in the early book editions. The "Preface" is accompanied by a Textual History and Textual Notes prepared by Thomas Lavoie, and a critical essay by Ian Watt.

Also provided are Conrad’s preface "To my American Readers" (1914) as well as extracts from letters and essays in which Conrad comments on the ship and the story, and biographical pieces by Edward Garnett (Conrad’s informal literary agent and advisor) and G. Jean-Aubry (his first formal biographer). The section closes with an essay by Gerald Morgan, written for this edition, about the actual ship Narcissus and Conrad’s connection to her.

"Contemporary Reviews" is followed by critical essays (some written especially for this edition) by Albert Guerard, Ian Watt, Norris W. Yates, Gerald Morgan, Donald T. Torchiana, John E. Saveson, Sanford Pinsker, Robert Foulke, William W. Bonney, John Howard Weston, Paul L. Wiley, and Eugene B. Redmond

The text is the authoritative version used in the Collected Works published in 1921, which Conrad prepared from a 1910 reprint of the original English version of 1898.…

Fielding's rollicking comic masterpiece sparkles with life in this BBC Radio 4 full-cast dramatization. Abandoned child Tom is raised by the rich and benevolent squire Mr. Allworthy, much to the chagrin of Allworthy's mean-natured nephew Blifil, and develops into a good-natured rake. But Tom's inability to resist a pretty face lands him in hot water when he impregnates Blifil's betrothed. When the lovely Sophia runs away to London, Tom pursues, embarking upon a series of riotous and amorous adventures. However, further trouble and the revelation of his true identity await him in London.

Fielding's rollicking comic masterpiece sparkles with life in this BBC Radio 4 full-cast dramatization. Abandoned child Tom is raised by the rich and benevolent squire Mr.…

One of the most important activist texts in American Literature is now available in a thoroughly updated and revised Norton Critical Edition.

In the nineteenth century, Uncle Tom’s Cabin sold more copies than any book in the world except the Bible. Upon publication, it was quickly translated into thirty-seven languages and has never gone out of print. It remains a controversial and complex text that, along with David Walker’s Appeal, Henry David Thoreau’s Walden, W. E. B. DuBois’s The Souls of Black Folk, and Helena María Viramontes’ Under the Feet of Jesus, among others, stands out as an important text in the progressive struggle for social justice in the United States.

This Second Edition is based on the original 1852 book edition, published in two volumes by John P. Jewett and Company, Boston, and includes all original illustrations. The text is accompanied by a preface and detailed explanatory annotations to assist the reader with obscure historical terms and biblical allusions.

“Backgrounds and Contexts” includes a wealth of historical documents addressing the issues of slavery and abolitionism. New visuals in the Second Edition include a selection of abolition posters and records of torture. Also newly included is J. Hector St. John de Crevecoeur’s eyewitness account of slavery as a visitor to the United States, a selection from David Walker’s Appeal, and Henrietta King’s autobiographical account of the horror of slavery.

“Criticism” presents a balanced view of the ongoing controversy over Uncle Tom’s Cabin in fifteen reviews and scholarly interpretations spanning more than 150 years of writing about the novel. Paul Laurence Dunbar, Jane P. Tompkins, and Susan M. Ryan, among others, admire Uncle Tom’s Cabin for its social vision and artistry, while James Baldwin and Sophia Cantave, among others, argue that the book’s racism continues to promote misperceptions and that its prominence does ongoing damage. A Chronology of Stowe’s life and work, a Brief Timeline of Slavery in America, and an updated Selected Bibliography are also included.

One of the most important activist texts in American Literature is now available in a thoroughly updated and revised Norton Critical Edition.

In the nineteenth century, Uncle…

As often as possible, the annotations to the text have been made by referring to James's other writings A map of Strether's Paris and a virtually unknown photograph of James, which originally appeared with the serial ofThe Ambassadors, have been added to this Second Edition, and the original frontispieces to the New York Edition of the novel have been reproduced in their proper sequence for the first time. "The Author on the Novel" contains James's notebook entries on the inspiration forThe Ambassadors as well as the long, remarkable preliminary statement that the author drew up before writing his novel. The selection of James's letters on The Ambassadors has also been expanded for the Second Edition. "Criticism" is comprised of fourteen essays that represent more than seventy years of analysis ofThe Ambassadors, by H. M. Alden, Percy Lubbock, E. M. Forster, F. O. Matthiessen, F. R. Leavis, Joseph Warren Beach, Joan Bennett, Leon Edel, Ian Watt, Sallie Sears, Nicola Bradbury, Maud Ellmann, Millicent Bell, and Philip Fisher. A Chronology and an expanded Selected Bibliography are also included.

As often as possible, the annotations to the text have been made by referring to James's other writings A map of Strether's Paris and a virtually unknown photograph of James,…

The bored wife of a bumbling provincial physician, Emma seeks to escape from the tedium of her life with romantic fantasies and adulterous affairs, but is ultimately doomed to disillusionment. Unable to come to terms with reality, Emma is a figure at once noble and banal, tragic and absurd. With her wrenching story, Flaubert forged an unforgettable classic that has remained one of the most admired and influential novels ever written. That peerless twentieth-century stylist, Vladimir Nabokov, put the case memorably: "Without Flaubert there would have been no Marcel Proust in France, no James Joyce in Ireland. Chekhov in Russia would not have been quite Chekhov." This volume features rare archival materials from The New York Public Library, including etchings from a 1905 French limited edition of Madame Bovary and a sampling of Vladimir Nabokov's handwritten lecture notes on Flaubert.

The bored wife of a bumbling provincial physician, Emma seeks to escape from the tedium of her life with romantic fantasies and adulterous affairs, but is ultimately doomed to…

The text of this Second Edition of one of Henry James's most important novels is that of the New York Edition (1908).
In a sense, there are two distinctly separate Portraits—the 1880-81 First Edition and the New York Edition, which James extensively revised. The editor has meticulously prepared a list of textual variants to facilitate comparative reading of the novel. Nina Baym, F. O. Matthiessen, and Anthony J. Mazzella provide differing interpretations of James's revision process.

Henry James and the Novel culls autobiographical excerpts from James's other writings—his Notebooks, the intentionally autobiographical A Small Boy and Others and Notes of a Son and Brother, and the travel books Italy Revisited, A Roman Holiday, and Roman Rides.

Contemporary Reviews and Criticism provides both chronological and critical perspective on The Portrait of a Lady. Four reviews from 1882 outline the novel's initial critical reception.

Seven important essays from the period 1954-1991 provide a wide range of critical responses by Dorothy Van Ghent, William H. Gass, Laurence B. Holland, Charles Feidelson, Louis Auchincloss, William Veeder, and Millicent Bell.

Bibliographical Aids includes judiciously selected secondary works on James from the wealth of material published yearly.

The text of this Second Edition of one of Henry James's most important novels is that of the New York Edition (1908).
In a sense, there are two distinctly separate Portraits—the…

This all-new edition of Hawthorne’s celebrated 1851 novel is based on The Ohio State University Press’s Centenary Edition of the Works of Nathaniel Hawthorne.
It is accompanied by thorough explanatory annotations and an insightful introduction to the novel and antebellum culture by Robert S. Levine.

"Contexts" brings together a generous selection of primary materials intended to provide readers with background on the novel’s central themes. Historical documents include accounts of Salem’s history by Thomas Maule, Robert Calef, Joseph B. Felt, and Charles W. Upham, which Hawthorne drew on for The House of the Seven Gables. The importance of the house in antebellum America—as a manifestation of the body, a site of genealogical history, and a symbol of the republic’s middle class—is explored through the diverse writings of William Andrus Alcott, Edgar Allan Poe, and J. H. Agnew, among others. The impact of technological developments on the novel, especially of daguerreotypy, is considered through the writings of Ralph Waldo Emerson, Gustave de Beaumont, and Alexis de Tocqueville, among others. Also included are two of Hawthorne’s literary sketches—"Alice Doane’s Appeal" and "The Old Apple Dealer"—that demonstrate the continuity of Hawthorne’s style, from his earlier periodical writing to his later career as a novelist.

"Criticism" provides a comprehensive overview of the critical commentary on the novel from its publication to the present. Among the twenty-seven critics represented are Herman Melville, Harriet Beecher Stowe, Henry James, Nina Baym, Eric Sundquist, Richard H. Millington, Alan Trachtenberg, Amy Schrager Lang, and Christopher Castiglia.

A Chronology and Selected Bibliography are also included.

This all-new edition of Hawthorne’s celebrated 1851 novel is based on The Ohio State University Press’s Centenary Edition of the Works of Nathaniel Hawthorne.
It is accompanied…

The Norton Critical Edition presents Tocqueville’s classic text in the Henry Reeves translation.

It is accompanied by detailed explanatory annotations and an introduction addressing Democracy in America’s canonic and iconic place in American life. “Backgrounds” includes seven letters offering Tocqueville’s impressions of his nine-and-a-half month journey through the United States. Nine contemporary reviews, both American and European, trace Democracy in America’s varied initial reception. Thirteen “Interpretations” gauge Tocqueville’s influence on American political thought and on democracy’s legacy. Contributors include David Riesman, Max Lerner, Robert Nisbet, James T. Schleifer, Catherine Zuckert, Sheldon S. Wolin, Edward C. Banfield, Daniel T. Rodgers, Arthur Schlesinger Jr., Sean Wilentz, Henry Steele Commager, James T. Kloppenberg, and Tamara M. Teale.

The Norton Critical Edition presents Tocqueville’s classic text in the Henry Reeves translation.

It is accompanied by detailed explanatory annotations and an introduction…