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Литературная премия колледжа «Бард»
Вайолет Куперсмит 4.0
A century of Vietnam's history and folklore comes to life in this "brilliant, sweeping epic that swaps spirits and sheds time like snakeskin" (Paul Tremblay, author of A Head Full of Ghosts and Survivor Song).

Two young women go missing decades apart. Both are fearless, both are lost. And both will have their revenge.

1986 The teenage daughter of a wealthy Vietnamese family loses her way in an abandoned rubber plantation while fleeing her angry father and is forever changed.

2011 A young, unhappy Vietnamese American woman disappears from her new home in Saigon without a trace.

The fates of these two women are inescapably linked, bound together by past generations, by ghosts and ancestors, by the history of possessed bodies and possessed lands. Alongside them, we meet a young boy who is sent to a boarding school for the métis children of French expatriates, just before Vietnam declares its independence from colonial rule; two Frenchmen who are trying to start a business with the Vietnam War on the horizon; and the employees of the Saigon Spirit Eradication Co., who find themselves investigating strange occurrences in a farmhouse on the edge of a forest. Each new character and timeline brings us one step closer to understanding what binds them all.

Part puzzle, part revenge tale, part ghost story, this book takes us from colonial mansions to ramshackle zoos, from sweaty nightclubs to the jostling seats of motorbikes, from ex-pat flats to sizzling back-alley street carts. Spanning more than fifty years of Vietnamese history and barreling toward an unforgettable conclusion, this is a time-traveling, heart-pounding, border-crossing fever dream of a novel that will haunt you long after the last page.
Литературная премия колледжа «Бард»
Линдси Дрэгер 0.0
Tracking the evolution of Hansel and Gretel at seventy-five-year intervals that correspond with earth’s visits by Halley’s Comet, The Archive of Alternate Endings explores how stories are disseminated and shared, edited and censored, voiced and left untold.

In 1456, Johannes Gutenberg’s sister uses the tale as a surrogate for sharing a family secret only her brother believes. In 1835, The Brothers Jacob and Wilhelm Grimm revise the tale to bury a truth about Jacob even he can’t come to face. In 1986, a folklore scholar and her brother come to find the record is wrong about the figurative witch in the woods, while in 2211, twin space probes aiming to find earth's sister planet disseminate the narrative in binary code. Breadcrumbing back in time from 2365 to 1378, siblings reimagine, reinvent, and recycle the narrative of Hansel and Gretel to articulate personal, regional, and ultimately cosmic experiences of tragedy.

Through a relay of speculative pieces that oscillate between eco-fiction and psychological horror, The Archive of Alternate Endings explores sibling love in the face of trauma over the course of a millennium, in the vein of Richard McGuire's Here and Lars von Trier's Melancholia.
Литературная премия колледжа «Бард»
Akil Kumarasamy 0.0
A startlingly beautiful debut, Half Gods brings together the exiled, the disappeared, the seekers. Following the fractured origins and destines of two brothers named after demigods from the ancient epic the Mahabharata, we meet a family struggling with the reverberations of the past in their lives. These ten interlinked stories redraw the map of our world in surprising ways: following an act of violence, a baby girl is renamed after a Hindu goddess but raised as a Muslim; a lonely butcher from Angola finds solace in a family of refugees in New Jersey; a gentle entomologist, in Sri Lanka, discovers unexpected reserves of courage while searching for his missing son.

By turns heartbreaking and fiercely inventive, Half Gods reveals with sharp clarity the ways that parents, children, and friends act as unknowing mirrors to each other, revealing in their all-too human weaknesses, hopes, and sorrows a connection to the divine.
Литературная премия колледжа «Бард»
Клэр Бимс 0.0
Joyce Carol Oates calls debut author Clare Beams “wickedly sharp-eyed, wholly unpredictable …a female /feminist voice for the twenty-first century.”

The literary, historic, and fantastic collide in these wise and exquisitely unsettling stories. From bewildering assemblies in school auditoriums to the murky waters of a Depression-era health resort, Beams’s landscapes are tinged with otherworldliness, and her characters’ desires stretch the limits of reality. Ing énues at a boarding school bind themselves to their headmaster’s vision of perfection ; a nineteenth-century landscape architect embarks on his first major project, but finds the terrain of class and power intractable ; a bride glimpses her husband’s past when she wears his World War II parachute as a gown ; and a teacher comes undone in front of her astonished fifth graders.

As they capture the strangeness of being human, the stories in We Show What We Have Learned reveal Clare Beams’s rare and capacious imagination—and yet they are grounded in emotional complexity, illuminating the ways we attempt to transform ourselves, our surroundings, and each other.
Литературная премия колледжа «Бард»
Грег Джексон 0.0
“People are bullets, fired,” the narrator declares in one of the wild, searching stories that make up Greg Jackson's Prodigals. A filmmaker escapes New York, accompanied by a woman who may be his therapist, as a violent storm bears down. A lawyer in the throes of divorce seeks refuge at her seaside cottage only to find a vagrant girl living in it. A dilettantish banker sees his ambitions laid bare when he comes under the influence of two strange sisters. A group of friends gathers in the California desert for one last bacchanal, and a journalist finds his visit to the French country home of a former tennis star taking a deeply unnerving turn.

Strivers, misfits, and children of privilege, the restless, sympathetic characters in Jackson's astonishing debut hew to passion and perversity through life's tempests. Theirs is a quest for meaning and authenticity in lives spoiled by self­-knowledge and haunted by spiritual longing. Lyrical and unflinching, cerebral and surreal, Prodigals maps the degradations of contemporary life with insight and grace, from the comedy of our foibles, to the granular dignity of experience, to the pathos of our yearning for home.
Литературная премия колледжа «Бард»
Кармен Мария Мачадо 3.7
Этот сборник рассказов — исследование женственности, отношения к женщинам и их телам.

Каждый рассказ — искаженная версия мира, в котором мы живем. Автор умело использует фантастические элементы и смешивает, казалось бы, несочетаемые жанры, чтобы показать абсурдную реальность.

Тут и пугающая сказка о таинственной ленточке на шее, которую никому нельзя развязывать, и слишком реалистичная антиутопия о болезни, поразившей весь мир, и пересказы серий сериала «Закон и порядок», которые по осколкам складываются в зеркало и отражают лик современного общества.

Яростный, чувственный и сексуальный текст. Кармен Мария Мачадо — новое запоминающееся имя в художественной литературе, ей удалось сделать то, что под силу немногим: завоевать любовь критиков, читателей и расширить возможности фикшна, а именно стереть все жанровые грани.
Литературная премия колледжа «Бард»
Каран Махаджан 4.0
When brothers Tushar and Nakul Khurana, two Delhi schoolboys, pick up their family’s television set at a repair shop with their friend Mansoor Ahmed one day in 1996, disaster strikes without warning. A bomb—one of the many “small” bombs that go off seemingly unheralded across the world—detonates in the Delhi marketplace, instantly claiming the lives of the Khurana boys, to the devastation of their parents. Mansoor survives, bearing the physical and psychological effects of the bomb. After a brief stint at university in America, Mansoor returns to Delhi, where his life becomes entangled with the mysterious and charismatic Ayub, a fearless young activist whose own allegiances and beliefs are more malleable than Mansoor could imagine. Woven among the story of the Khuranas and the Ahmeds is the gripping tale of Shockie, a Kashmiri bomb maker who has forsaken his own life for the independence of his homeland.

Karan Mahajan writes brilliantly about the effects of terrorism on victims and perpetrators, proving himself to be one of the most provocative and dynamic novelists of his generation.
Литературная премия колледжа «Бард»
Александра Климан 3.2
An intelligent and madly entertaining debut novel reminiscent of "The Crying of Lot 49", "White Noise", and "City of Glass" that is at once a missing-person mystery, an exorcism of modern culture, and a wholly singular vision of contemporary womanhood from a terrifying and often funny voice of a new generation.

A woman known only by the letter A lives in an unnamed American city with her roommate, B, and boyfriend, C, who wants her to join him on a reality show called "That’s My Partner!" A eats (or doesn’t) the right things, watches endless amounts of television, often just for the commercials—particularly the recurring cartoon escapades of Kandy Kat, the mascot for an entirely chemical dessert—and models herself on a standard of beauty that only exists in such advertising. She fixates on the fifteen minutes of fame a news-celebrity named Michael has earned after buying up his local Wally Supermarket’s entire, and increasingly ample, supply of veal.

Meanwhile B is attempting to make herself a twin of A, who hungers for something to give meaning to her life, something aside from C’s pornography addiction, and becomes indoctrinated by a new religion spread throughout a web of corporate franchises, which moves her closer to the decoys that populate her television world, but no closer to her true nature.
Литературная премия колледжа «Бард»
Лора ван ден Берг 0.0
Laura van den Berg’s gorgeous new book, The Isle of Youth, explores the lives of women mired in secrecy and deception. From a newlywed caught in an inscrutable marriage, to private eyes working a baffling case in South Florida, to a teenager who assists her magician mother and steals from the audience, the characters in these bewitching stories are at once vulnerable and dangerous, bighearted and ruthless, and they will do what it takes to survive.

Each tale is spun with elegant urgency, and the reader grows attached to the marginalized young women in these stories—women grappling with the choices they’ve made and searching for the clues to unlock their inner worlds. This is the work of a fearless writer whose stories feel both magical and mystical, earning her the title of “sorceress” from her readers. Be prepared to fall under her spell.

An NPR Best Book of 2013
Литературная премия колледжа «Бард»
Беннет Симс 0.0
Mazoch discovers an unreturned movie sleeve, a smashed window, and a pool of blood in his father's house; the man has gone missing. So he creates a list of his father's haunts and asks Vermaelen to help track him down.

However, hurricane season looms over Baton Rouge, threatening to wipe out any undead not already contained, and eliminate all hope of ever finding Mazoch's father.

Bennett Sims turns typical zombie fare on its head to deliver a wise and philosophical rumination on the nature of memory and loss.
Литературная премия колледжа «Бард»
Брайан Конн 0.0
A fable-like tale of a small community afflicted by a mysterious plague

Juxtaposing barbarity and whimsy, Brian Conn’s The Fixed Stars is a novel that has the tenor of a contemporary fable with nearly the same dreamlike logic.

At the novel’s heart are the John’s Day celebration and the interactions of a small community dealing with a mystery disease. Routinely citizens are quarantined and then reintegrated into society in rituals marked by a haunting brutality. The infected and the healthy alike are quarantined. In a culture that has retreated from urbanism into a more pastoral society, the woman who nurtures spiders and the man who spins hemp exist alongside the mass acceptance of sexual promiscuity. Conn delivers a compelling portrait of a calamitous era, one tormented by pestilence, disease, violence, and post–late capitalism. An unflinching look at a world impossible to situate in time, The Fixed Stars is mythic and darkly magical.
Литературная премия колледжа «Бард»
Бенджамин Хейл 0.0
Bruno Littlemore is quite unlike any chimpanzee in the world. Precocious, self-conscious and preternaturally gifted, young Bruno, born and raised in a habitat at the local zoo, falls under the care of a university primatologist named Lydia Littlemore. Learning of Bruno's ability to speak, Lydia takes Bruno into her home to oversee his education and nurture his passion for painting. But for all of his gifts, the chimpanzee has a rough time caging his more primal urges. His untimely outbursts ultimately cost Lydia her job, and send the unlikely pair on the road in what proves to be one of the most unforgettable journeys -- and most affecting love stories -- in recent literature. Like its protagonist, this novel is big, loud, abrasive, witty, perverse, earnest and amazingly accomplished. The Evolution of Bruno Littlemore goes beyond satire by showing us not what it means, but what it feels like be human -- to love and lose, learn, aspire, grasp, and, in the end, to fail.
Литературная премия колледжа «Бард»
Карен Расселл 3.5
Десять потрясающих историй, удивительным образом балансирующих на грани между реальностью и причудливой фантасмагорией.

Монахини из приюта пытаются «очеловечить» девушек, воспитанных волками, но не все поддаются перевоспитанию. А те, кто поддался, приобретают и человеческие пороки...

Ледовый дворец — единственное развлечение жителей захолустного городка. Там имеется вечернее шоу для взрослых «Метель», во время которого люди предаются самым разным, в том числе и очень опасным играм...

Целая семья зарабатывает на жизнь при помощи борьбы с аллигаторами в тематическом парке...

Пожилой инвалид влюбляется в волонтерку...

Девочка на экскурсии застревает в гигантской доисторической раковине, в то время как начинается прилив...

Братья ищут призрак сестры, утонувшей в океане по их вине...

Десять мрачных сказок для взрослых. Десять историй об одиночестве и потерях, о жажде понимания и поиске свободы. Историй, переливающихся всеми оттенками магического реализма.
Литературная премия колледжа «Бард»
Фиона Маазель 0.0
"Last Last Chance," Fiona Maazel's first novel, is one of the most distinctive debuts of recent years: a rollicking comic tale about (in no particular order) plague, narcotics recovery, and reincarnation.
A lethal strain of virus vanishes from a lab in Washington, D.C., unleashing an epidemic--and the world thinks Lucy Clark's dead father is to blame. The plague may be the least of Lucy's problems. There's her mother, Isifrid, a peddler of high-end hatwear who's also a crackhead and pagan theologist. There's her twelve-year-old half sister, Hannah, obsessed with disease and Christian fundamentalism; and Lucy's lover, Stanley, who's hell-bent on finding a womb for his dead wife's frozen eggs. Lastly, there's her grandmother Agneth, who believes in reincarnation (and who turns out to be right). And then there is Lucy herself, whose wise, warped approach to life makes her an ideal guide to love among the ruins. Romping across the country, from Southern California to the Texas desert to rural Pennsylvania and New York City, Lucy tries to surmount her drug addiction and to keep her family intact--and tells us, uproariously, all about it.
"Last Last Chance "is a novel about survival and recovery, opportunity and despair, and, finally, love and faith in an age of anxiety. It introduces Maazel as a new writer of phenomenal gifts.
Литературная премия колледжа «Бард»
Сальвадор Пласенсия 5.0
Among gang warfare and paper cuts, this book is about the wounds made by first love and sharp objects. The People of Paper reveals the ever elusive prophesies of the Shandean Baby Nostradamus and the approximate temperature and incendiary potential of halos. Herein disillusioned and AWOL saints reclaim their crowns and fight purses, while a gang of flower pickers go off to war, led by a lonely man who cannot help but wet his bed in sadness. Part memoir, part lies, this is a story about loving a woman made of paper.
Литературная премия колледжа «Бард»
Питер Орнер 0.0
Lorsque Malava les quitte, les professeurs de Goas, en Namibie, ne sont pas surpris. Cette Che Guevara en jupon, qui a combattu pour l'indépendance de ce pays, ne pouvait pas continuer à vivre dans ce trou perdu. Aussi sont-ils médusés quand ils la voient revenir avec un bébé. Premier roman.
Литературная премия колледжа «Бард»
Эди Мейдав 0.0
Book Description A war criminal returns to the scene of the crime It's 1999 and Emile Poulquet awaits sentencing in a Paris court for deporting thousands to almost certain death during World War II. But haunted by ghosts
Литературная премия колледжа «Бард»
Поль Ла Фарж 0.0
Baron Georges-Eugène Haussmann, who transformed Paris from a filthy and haphazard medieval city into the jewel of Europe, is rumored on his deathbed to have wished all his work undone. Why? The answer lies in the story of Madeleine, a foundling from the magical old world Haussmann destroyed; of de Fonce, a '"demolition man" who sold the rubble of Paris as antiques; and of a three-sided affair that reveals the moral bankruptcy of the city, a corruption hidden by the transformative work of its brilliant architect.
Литературная премия колледжа «Бард»
Моник Труонг 0.0

"[He] came to us through an advertisement that I had in desperation put in the newspaper. It began captivatingly for those days: 'Two American ladies wish...' " It was these lines in The Alice B. Toklas Cookbook that inspired The Book of Salt, a brilliant first novel by a talented young Vietnamese American writer about the taste of exile. Paris, 1934, 'Thin Bin', as they call him, has accompanied his employers, Gertrude Stein and Alice B. Toklas, to the station for their departure to America. His own destination is unclear: will he go with 'the Steins', stay in France, or return to his native Vietnam? Binh fled his homeland in disgrace, leaving behind his malevolent charlatan of a father and his self-sacrificing mother. For five years, he has been the personal cook at the famous apartment on the rue de Fleurus. Before Binh's decision is revealed, we are catapulted back to his youth in French-colonized Indo China, where he learned to cook in the embassy kitchens, his years as a galley hand at sea, and his days turning out fragrant repasts for the doyennes of the Lost Generation. Binh knows far more than what the Steins eat: he knows their routines and intimacies, their food and follies. With wry insight, we see Stein and Toklas ensconced in rueful domesticity. But is Binh's account reliable? A lost soul, he is a late-night habitue of the Paris demi-monde, an exile and an alien, a man of musings, memories, and possibly lies, susceptible to drink and occasional self-mutilation with a kitchen knife...Love is the prize that has eluded him, from his family to the men he has sought out in his farflung journeys, often at his peril and more recently with risk to Stein's manuscript notebooks. Intricate, compelling, and witty, the novel weaves in historical characters, from Stein and Toklas to Paul Robeson and Ho Chi Minh, with remarkable originality. Tastes, oceans, sweat, tears -- The Book of Salt is an inspired novel about food and exile, love and betrayal.
Литературная премия колледжа «Бард»
Эмили Бартон 0.0
Set in the village of Mandragora in an unnamed country, The Testament of Yves Gundron opens with a description of a harsh, rural existence of and daily toil in a pre-industrial medieval community. Then Yves Gundron, yeoman farmer, invents the harness and life in Mandragora begins irreversibly to change. All is not as it seems, however, and when anthropologist Ruth Blum appears in the village – native of Boston and the late twentieth century – what had seemed to be a simple historical document proves to be something else entirely. In this ambitious, witty debut, Emily Barton has created a superb piece of wildly imaginative fiction. The Testament of Yves Gundron is a deftly handled examination of the double-edged sword of technology and explores what we may have lost and gained in our fervent pursuit of modernity.
Литературная премия колледжа «Бард»
Nathan Englander 0.0
One of the most stunning literary debuts of our time, these energized, irreverent, and deliciously inventive stories introduce an astonishing new talent.

In the collection's hilarious title story, a Hasidic man gets a special dispensation from his rabbi to see a prostitute. "The Wig" takes an aging wigmaker and makes her, for a single moment, beautiful. In "The Tumblers," Englander envisions a group of Polish Jews herded toward a train bound for the death camps and, in a deft, imaginative twist, turns them into acrobats tumbling out of harm's way.

For the Relief of Unbearable Urges is a work of startling authority and imagination--a book that is as wondrous and joyful as it is wrenchingly sad. It hearalds the arrival of a remarkable new storyteller.