Серия книг «Norton Critical Editions» — 98 книг

First published in 1899, McTeague was a literary sensation. Its ultra-realistic portrayal of the rise and fall of a simple-minded dentist and his grasping, greedy wife was controversial for its candid depiction of sordid behavior right at the edge of insanity. It remains a searing indictment of human weakness and selfishness in a rapidly evolving America.

First published in 1899, McTeague was a literary sensation. Its ultra-realistic portrayal of the rise and fall of a simple-minded dentist and his grasping, greedy wife was…

When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy Aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to determine her own fate, does not hesitate to turn down two eligible suitors. She then finds herself irresistibly drawn to Gilbert Osmond, who, beneath his veneer of charm and cultivation, is cruelty itself. A story of intense poignancy, Isabel's tale of love and betrayal still resonates with modern audiences.

When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy Aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to determine…

As Moll Flanders struggles for survival amid the harsh social realities of seventeenth-century England, there is but one snare she is determined to avoid - the deadly snare of poverty. On the twisting path that leads from her birth in Newgate prison to her final prosperous respectability, love is regarded as worth no more than its weght in gold; and such matters as bigamy, incest, theft, and prostitution occasion but a brief blush before they are reckoned in terms of profit and losss. Yet so pure is her candor, so healthy her animal appetites, so indomitable her resilience through every vicissitude of fortune, that this extraordinary wench emerges as far more than a prototype of the mercantile mind. In "Moll Flanders" Defoe added a fresh dimension to the art of writing. "We seem to see Defoe's characters through the crytal-clear medium of his style with perfect verisimilitude, as real as if we saw them in a mirror that was so flawless that it was invisible, " writes Kennth Rexroth. Virginia Woolf ranked "Moll Flanders" as "among the few English novels which we can call indisputably great."

As Moll Flanders struggles for survival amid the harsh social realities of seventeenth-century England, there is but one snare she is determined to avoid - the deadly snare of…

Julian of Norwich is among the most intriguing religious visionaries in Christian history.

Carefully edited for the undergraduate reader, this Norton Critical Edition includes an informed introduction, focusing on Julian’s theology and preparing students to understand the complex, controversial themes of the text, particularly Julian’s solution to the problem of evil in Revelation XIII and XIV. Paragraph divisions have been organized to emphasize the thematic units of each chapter, and the sentences have been punctuated for clarity.

The text included is a Middle English edition, based on the Paris manuscript (1580–1650) of the long text, with language akin to Chaucer’s and therefore more accessible than other Middle English editions.

"Contexts" includes contemporary texts that help students better understand Julian’s originality, including selections from works by Margery Kempe, Augustine, Aelred of Rievaulx, and Walter Hilton.

"Criticism" brings together interpretations that address the themes and style of the Showings by Sandra McEntire, Lynn Staley, B. A. Windeatt, and David Aers, among others.

A Selected Bibliography is also included.

Julian of Norwich is among the most intriguing religious visionaries in Christian history.

Carefully edited for the undergraduate reader, this Norton Critical Edition includes…

Robert M. Adams’s celebrated translation of Utopia has been meticulously revised for the Second Edition of this Norton Critical Edition as have the accompanying annotations.
"Backgrounds" is designed to assist student readers in an appreciation of Utopia by shedding light on the different points of view contemporary with More’s work. Included are new selections from Saint Benedict and Tasso, as well as a medieval satire on the land of Cockayne. "The Humanist Circle", a carefully chosen selection of letters, includes another important contribution by Erasmus.

"Criticism" includes five new thought-provoking essays by Alistair Fox, Edward L. Surtz, G. R. Elton, Northrop Frye, and Robert M. Adams. Also new are selections from two modern anti-utopias or quasi-utopias―Aldous Huxley’s Brave New World and B. F. Skinner’s Walden Two―plus a selection from Edward Bellamy’s once futuristic but now almost contemporary Looking Backward, which may be compared and contrasted with More’s masterpiece.

An updated Selected Bibliography is also included.

Robert M. Adams’s celebrated translation of Utopia has been meticulously revised for the Second Edition of this Norton Critical Edition as have the accompanying annotations.…

The Norton Critical Edition of Macbeth, Shakespeare's terrifying depiction of a man and woman's fall into evil, derives from the First Folio (1623), the only authoritative text of the play. The edition includes an introduction, annotations, and textual notes.

A rich “Sources and Contexts” section provides readers with an understanding of Macbeth’s origins from earlier texts, specifically the works of the Roman playwright Seneca, the Tudor historian Raphael Holinshed, and a medieval drama The Slaughter of the Holy Innocents and the Death of Herod. The contexts for the play include contemporary debates on predestination vs. free will (Martin Luther vs. Erasmus), witchcraft as fiction or fact (Reginald Scot vs. King James I), the ethics of regicide (an Elizabethan homily vs. Juan de Mariana, S.J.), and a treatise on equivocation (Henry Garnet, S.J.). This edition also features adaptations--Davenant's moralistic Macbeth, some travesties, and Welcome Msomi's recent South African retelling, uMabatha.

Seventeen carefully chosen essays represent four hundred years of critical and theatrical interpretations, from the early observations of Simon Forman and Samuel Johnson to the Romantic readings of Samuel Taylor Coleridge, William Hazlitt, and Thomas De Quincey, to recent essays by Janet Adelman and Stephen Orgel. Sarah Siddons and Derek Jacobi remember performing Macbeth, and Peter Holland surveys film interpretations.

A Selected Bibliography is also included.

The Norton Critical Edition of Macbeth, Shakespeare's terrifying depiction of a man and woman's fall into evil, derives from the First Folio (1623), the only authoritative text of…

The Merchant of Venice is one of Shakespeare's most beautiful plays and, conversely, his ugliest. Juxtaposed within the same conceptual frame are heavenly and musical harmonies, romantic love, materialism, and racism. This Norton Critical Edition has been carefully edited to make The Merchant of Venice, its surrounding history, and the history of its critical reception and rewritings accessible to readers. The text of this edition is based on the 1600 First Quarto, with light editing and substantial explanatory annotations by Leah S. Marcus.

The Merchant of Venice is one of Shakespeare's most beautiful plays and, conversely, his ugliest. Juxtaposed within the same conceptual frame are heavenly and musical harmonies,…

The text of this Norton Critical Edition is that of the First Folio, printed in 1623. Additions and emendations adopted from the First Quarto (1622) appear in the Textual Notes that follow the play. Othello is accompanied by detailed explanatory annotations. "Sources and Contexts" reprints the sixteenth-century story by Giraldi Cinthio that Shakespeare used for the plot of Othello and for many of its details. Edward Pechter's essay provides context for readers through its discussion of the play's central topics—Moors, Turks, Venetians, marriage and domesticity, fathers and daughters, and female sexuality. Seventeen wide-ranging interpretive essays are reprinted. Contributors include Samuel Johnson, William Hazlitt, T. S. Eliot, Kenneth Burke, Lynda E. Boose, Mark Rose, and Patricia Parker. An annotated Selected Bibliography is also included. About the series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

The text of this Norton Critical Edition is that of the First Folio, printed in 1623. Additions and emendations adopted from the First Quarto (1622) appear in the Textual Notes…

The Tempest presents some of Shakespeare's most insightful meditations on the cycle of life—ending and beginning, death and regeneration, bondage and freedom. This Norton Critical Edition is based on the First Folio text and is accompanied by explanatory annotations. "Sources and Contexts" offers a rich collection of documents on the play's central themes—magic and witchcraft, politics and religion, geography and travel. Writers include Ovid, Giovanni Pico della Mirandola, Gabriel Naudé, Michel de Montaigne, and William Strachey. "Criticism" collects eighteen responses to The Tempest, from John Dryden and Samuel Taylor Coleridge to Stephen Orgel and Leah Marcus. "Rewritings and Appropriations" includes creative reactions to The Tempest, by playwrights, filmmakers, and poets, among them H.D., Peter Greenaway, and Ted Hughes. A Selected Bibliography is also included. About the series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

The Tempest presents some of Shakespeare's most insightful meditations on the cycle of life—ending and beginning, death and regeneration, bondage and freedom. This Norton Critical…

Northanger Abbey, written in Jane Austen’s youth and posthumously published, is arguably her most mysterious, imaginative, and optimistic novel.

This Norton Critical Edition is the most extensively annotated student edition available.

"Backgrounds" features material carefully chosen to enhance readers’ appreciation of the novel, including biographical commentary, early works and correspondence related to Northanger Abbey, and excerpts by Ann Radcliffe, Frances Burney, and William Wordsworth, among others, tracing Austen’s connection to her Romantic contemporaries.

"Criticism" collects thirteen assessments of Northanger Abbey from a wide range of voices and periods, including essays by Margaret Oliphant and Rebecca West and critics Patricia Meyer Spacks, Claudia L. Johnson, Lee Erickson, and Joseph Litvak.

A Chronology and Selected Bibliography are also included.

Northanger Abbey, written in Jane Austen’s youth and posthumously published, is arguably her most mysterious, imaginative, and optimistic novel.

This Norton Critical Edition is…

Based again on Robert M. Adams’s highly regarded translation of Stendhal’s 1831 novel of ambition, love, and betrayal, this Second Norton Critical Edition of The Red and the Black is the most comprehensive and up-to-date edition available.
An extensively revised “Backgrounds and Contexts” section provides geographical and political insights into mid-nineteenth century France and places the novel in the context of contemporary authors and works. A map of 1830s France, political and literary chronologies, an account of the trial of Antoine Berthet, and related writings by Stendhal, Paul Valéry, and Jules Janin are included.

“Criticism” collects nine essays, seven of which are new to this edition, by Erich Auerbach, René Girard, Victor Brombert, Shoshana Felman, Peter Brooks, Sandy Petrey, Alison Finch, Lisa G. Algazi, and Susanna Lee.

A Chronology of Stendhal’s life and work, also new to the Second Edition, and an updated Selected Bibliography are included. 1 map

Based again on Robert M. Adams’s highly regarded translation of Stendhal’s 1831 novel of ambition, love, and betrayal, this Second Norton Critical Edition of The Red and the Black…

This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.

New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.

Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights.

A Chronology and updated Selected Bibliography are also included.

This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern…

The Author on His Work contains the prefaces Hawthorne wrote for the three collections of tales published during his lifetime as well as relevant selections from his American Notebooks and selected letters, both of which are reprinted from The Centenary Edition of the Works of Nathaniel Hawthorne. Criticism offers key contemporary assessments by Park Benjamin, Herman Melville, Henry Wadsworth Longfellow, Edgar Allen Poe, Henry F. Chorley, James Russell Lowell, and Henry James. The collection of recent criticism displays a considerable range of approaches, including essays by Q. D. Leavis, John P. McWilliams, Jr., Frederick C. Crews, Michael J. Colacurcio, Jorge Luis Borges, Sharon Cameron, Robert B. Heilman, Nina Baym, Leo Marx, and John W. Wright. A Chronology of Hawthornes life and a Selected Bibliography are included.

The Author on His Work contains the prefaces Hawthorne wrote for the three collections of tales published during his lifetime as well as relevant selections from his American…

"Criticism" provides readers with a wide chronological and thematic range of scholarly interpretations, divided into two sections. The first, "1745-1940," includes assessments by Henry Fielding, Samuel Johnson, Samuel Taylor Coleridge, William Makepeace Thackeray, D. H. Lawrence, W. B. Yeats, F. R. Leavis, and André Breton, among others. The second, "After 1940," is by subject and collects critical discussions of A Tale of the Tub, the poems, the English and Irish politics, and Gulliver's Travels, by Hugh Kenner, Marcus Walsh, Irvin Ehrenpreis, Penelope Wilson, Derek Mahon, S. J. Connolly, George Orwell, R. S. Crane, Jenny Mezciems, Ian Higgins, and Claude Rawson.

A Chronology and Selected Bibliography are also included.

"Criticism" provides readers with a wide chronological and thematic range of scholarly interpretations, divided into two sections. The first, "1745-1940," includes assessments by…

"Backgrounds and Contexts" and "Letters" illuminate important aspects of Burnett's life and work and include her own writings on gardens and their spiritual healing. Four illustrations point to Burnett's prominence in popular culture.

"Criticism" includes fourteen contemporary reviews and nine recent critical views of The Secret Garden, including Jerry Phillips's sociopolitical interpretation and Phyllis Bixler's comparative analysis of the Broadway musical adaptation of the novel.

A Chronology and Selected Bibliography are also included.

"Backgrounds and Contexts" and "Letters" illuminate important aspects of Burnett's life and work and include her own writings on gardens and their spiritual healing. Four…

This story of the immigrant experience in the harrowing Chicago stockyards has drawn comment from historians, policymakers, and literary critics, and it is a widely assigned teaching text. The novel is accompanied by an introduction and explanatory annotations.

Contexts and Backgrounds provides readers with an understanding of The Jungle's disparate social, historical, political, and literary dimensions. Included are autobiographical selections by the author; contemporary perspectives on the meatpacking industry, including writings by Theodore Dreiser, Adolphe Smith, and J. Ogden Armour; and commentary on the living conditions of immigrant workers. Historical studies by Jimmy Skaggs, Rick Halpern, James Barrett, Robert M. Crunden, John Braeman, William Cronon, and Eric Schlosser address the central issues: slaughterhouse abuses, protectionism and The Beef Trust, muckraking, Progressivism, and consumer rights.

Criticism collects eight provocative readings of The Jungle as a literary text, as a historical document in its own right, as a contribution to Progressive-era muckraking, and as an important work in urban, economic, and labor history. Contributions include Jack London, Edward Clark Marsh, Winston Spencer Churchill, Walter Rideout, June Howard, Scott Derrick, Michael Brewster Folsom, and Christopher P. Wilson.

This story of the immigrant experience in the harrowing Chicago stockyards has drawn comment from historians, policymakers, and literary critics, and it is a widely assigned…

The Fourth Edition offers a broadened and restructured "Backgrounds and Sources" section that illuminates the social and intellectual climate of the 1890s and includes thought-provoking material by Jay Martin, Charles J. LaRocca, and Perry Lentz on Crane's use of the Battle of Chancellorsville. "Criticism" includes an expanded introduction by Donald Pizer covering major critical approaches to the novel and fourteen assessments that reflect the revival critical interest in The Red Badge of Courage by, among others, R. W. Stallman, Charles C. Walcutt, John Fraser, Amy Kaplan, John E. Curran Jr., James B. Colvert, and Donald Pizer.

The Fourth Edition offers a broadened and restructured "Backgrounds and Sources" section that illuminates the social and intellectual climate of the 1890s and includes…

Stephen Crane's novel of war appears here in a revised third edition. It is based, like previous editions, on the 1895 version, but the criticism and interpretations sections have been brought up-to-date.

Stephen Crane's novel of war appears here in a revised third edition. It is based, like previous editions, on the 1895 version, but the criticism and interpretations sections have…