Лучшие книги Атика Рахими

Афганец Атик Рахими живет во Франции и пишет книги, чтобы рассказать правду о своей истерзанной войнами стране. Выпустив несколько романов на родном языке, Рахими решился написать книгу на языке своей новой родины, и эта первая попытка оказалась столь удачной, что роман "Сингэ сабур (Камень терпения)" в 2008 г. был удостоен высшей литературной награды Франции - Гонкуровской премии. В этом коротком романе через монолог афганской женщины предстает широкая панорама всей жизни сегодняшнего Афганистана, с тупой феодальной жестокостью внутрисемейных отношений, скукой быта и в то же время поэтичностью верований древнего народа.

"You know, father, sorrow can turn to water and spill from your eyes, or it can sharpen your tongue into a sword, or it can become a time bomb that, one day, will explode and destroy you"

Earth and Ashes is the spare, powerful story of an Afghan man, Dastaguir, trying desperately to reach his son Murad, who has left his village to earn a living working at a mine. In the meantime the village has been bombed by the Russian army, and Dastaguir, with his newly-deaf grandson Yassin in tow, must reach Murad to tell him of the carnage. The old man is beset on all sides by sorrow, that of his grandson, who cannot understand, that of his son, who does not yet know, and his own, made even crueler by the message he must deliver.

Atiq Rahimi, whose reputation for writing war stories of immense drama and intimacy began with this, his first novel, has managed to condense centuries of Afghan history into a short tale of three very different generations. But he has also created a universal story about fathers and sons, and the terrible strain inflicted on those bonds of family during the unpredictable carnage of war.

For every crime, there must be a punishment.

Rassoul's world consists of little more than a squalid rented room - strewn with books by Dostoevsky, relics from his days as a student of Russian Literature at Leningrad - and his beloved fiancée Sophia, for whom he would do anything.

So when he finds himself committing a murder, axe in hand, as if re-enacting the opening of Dostoevsky's Crime and Punishment, his identification with the novel's anti-hero is complete: Rassoul is Raskolnikov, transplanted to late twentieth-century Kabul. Amid the war-torn streets, Rassoul searches for the meaning of his crime. Instead he is pulled into a feverish plot thick with murder, guilt, morality and Sharia law, where the lines between fact and fiction, dream and reality, become dangerously blurred.

Blackly comic, with flashes of poetry as well as brilliant irony, Atiq Rahimi's latest novel is an ingenious recasting of Dostoevsky's masterpiece and a transgressive satire with a frightening resonance all its own.