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In this collection of essays and addresses delivered over the course of his illustrious career, Umberto Eco seeks "to understand the chemistry of [his] passion" for the word. From musings on Ptolemy and "the force of the false" to reflections

Umberto Eco is a famous scholar-novelist, and Cardinal Martini is a famous scholar-bishop. Eco is an urbane ex-Catholic. Cardinal Martini is an urbane prince of the Church. Belief or Nonbelief?, a little book of eight chapters, is a dialogue between them, first published by an Italian newspaper. Each author writes four alternating chapters addressing the hopes of humanity at the dawn of a new millennium, the question of the beginning of human life, the role of the Church, and how we can know Truth.

Belief or Non Belief? is a good idea, but it suffers from a couple of problems. The format and content are too obviously recycled newspaper articles. While the engaging, popular style is welcome, the necessary brevity of each chapter means arguments cannot be developed, and the reader is left vaguely dissatisfied. It would have been better if the authors had expanded the project. Both men write well in a sophisticated and polite Italian style that is entertaining at first, but it soon sounds artificial to the English reader. Finally, there are some difficulties in translation: for example, "illumination" is used instead of "enlightenment" and "layman" is consistently used where "non-Catholic" is probably intended. Despite these criticisms, Belief or Nonbelief? is a sharp little book giving a fresh perspective on age-old questions. --Dwight Longenecker --This text refers to an out of print or unavailable edition of this title.

An important general collects atoms and puts them into bombs that he stores in his attic in preparation for war, but the atoms prefer to live in harmony and sneak out. Full-color illustrations.

Essays originally presented as Weidenfeld lectures at Oxford, 2002.
Contents:
The plants of Shakespeare --
Losses and gains --
Translation and reference --
Source vs target --
To see things and texts --
From rewording to translating substance --
From substance to matter --
A conclusion on perfect language and colours.

'Translation is always a shift,not between two languages but between two cultures. A translator must take into account rules that are not strictly linguistic but, broadly speaking, cultural.' Umberto Eco is of the world's most brilliant and entertaining writers on literature and language. In this accessible and dazzling study, he turns his eye on the subject of translations and the problems the differences between cultures can cause. The book is full of little gems about mistranslations and misunderstandings.For example when you put 'Studies in the logic of Charles Sanders Peirce' through an internet translation machine, it becomes 'Studies in the logic of the Charles of sandpaper grinding machines Peirce'. In Italian 'ratto' has no connotation of 'contemptible person' but denotes speed ('you dirty rat' could take on a whole new meaning!) What could be a weighty subject is never dull, fired by Eco's immense wit and erudition, providing an entertaining read that illuminates the process of negotation that all translators must make.

How do we know a cat is a cat? And why do we call it a cat? How much of our perception of things is based on cognitive ability, and how much on linguistic resources? Here, in six remarkable essays, Umberto Eco explores in depth questions of reality, perception, and experience. Basing his ideas on common sense, Eco shares a vast wealth of literary and historical knowledge, touching on issues that affect us every day. At once philosophical and amusing, Kant and the Platypus is a tour of the world of our senses, told by a master of knowing what is real and what is not.

Ce livre est de la même veine que "Pastiches et Postiches", ce sont des textes d'humour, des pastiches qu'il a publiés dans différents journaux et régulièrement dans "L'Espresso", de 1986 à nos jours. On apprend comment ne pas passer des vacances idiotes ; comment reconnaître un film porno ; comment se protéger des veuves... et beaucoup d'autres choses pour les lecteurs curieux, qui apprendront aussi un peu d'histoire, d'économie, de politique, de littérature et de philosophie ! Il y a même une introduction à la pensée du grand sage arabe Benar el-Falouz (Bora-Bora 1818-Baden-Baden 1919) le fondateur de la pensée tautologique qui nous a révélé : " Être, c'est être. " Son plus grand disciple, Guru-Guru, a poursuivi son oeuvre et inventé l'adage " Les affaires sont les affaires "... Hilarant, provocant, intelligent, cet ouvrage répond aux questions que nous n'aurions pas songé à nous poser... Et répond à des questions dont nous pensions connaître la réponse : "Comment voyager avec un saumon", par exemple....

The idea that there once existed a language which perfectly and unambiguously expressed the essence of all possible things and concepts has occupied the minds of philosophers, theologians, mystics and others for at least two millennia. This is an investigation into the history of that idea and of its profound influence on European thought, culture and history. From the early Dark Ages to the Renaissance it was widely believed that the language spoken in the Garden of Eden was just such a language, and that all current languages were its decadent descendants from the catastrophe of the Fall and at Babel. The recovery of that language…

Best-selling author and philosopher Umberto Eco is currently resident at the Louvre, and his chosen theme of study is "the vertigo of lists." Reflecting on this enormous trove of human achievements, in his lyrical intellectual style he has embarked on an investigation of the phenomenon of cataloging and collecting. This book, featuring lavish reproductions of artworks from the Louvre and other world-famous collections, is a philosophical and artistic sequel to Eco’s recent acclaimed books, History of Beauty and On Ugliness, books in which he delved into the psychology, philosophy, history, and art of human forms. Eco is a modern-day Diderot, and here he examines the Western mind’s predilection for list-making and the encyclopedic. His central thesis is that in Western culture a passion for accumulation is recurring: lists of saints, catalogues of plants, collections of art. This impulse has recurred through the ages from music to literature to art. Eco refers to this obsession itself as a "giddiness of lists" but shows how in the right hands it can be a "poetics of catalogues." From medieval reliquaries to Andy Warhol’s compulsive collecting, Umberto Eco reflects in his inimitably inspiring way on how such catalogues mirror the spirit of their times.

In this volume, the Italian novelist and playwright Umberto Eco aims to present a learned summary of mediaeval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of mediaeval culture.