An instant bestseller when it was published in America, the sentimental novel Charlotte Temple speaks to the popularity of the genre-and the public thirst for fiction-from the early national period and beyond. This Norton Critical Edition is based on the first American edition of 1794; the author's original spellings have been maintained. It is accompanied by a detailed introduction, explanatory annotations, and A Note on the Text. An unusually rich "Contexts" section is thematically organized into four parts-"Women in Early America: Intellect, Education, Sexuality," "Reading in Early America," "The American Sentimental," and "Selections from Rowson's Writings"-and includes works from Rowson's time to our own. Ten illustrations from the eighteenth and nineteenth centuries are reproduced to further enrich the reading experience. "Criticism" collects thirteen insightful assessments of Charlotte Temple spanning four centuries and addressing its central issues. Contributors include Matthew Carey, Samuel L. Knapp, Larzer Ziff, Jane P. Tompkins, Gareth Evans, Julia A. Stern, and Marion Rust, among others. A Chronology of Susanna Rowson's life and works and a Selected Bibliography are also included.

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An instant bestseller when it was published in America, the sentimental novel Charlotte Temple speaks to the popularity of the genre-and the public thirst for fiction-from the… Развернуть 

Today the Book remains the most reliable and illuminating account of Renaissance court life and of what it took to be the "Perfect Courtier" and "Court Lady." The Singleton translation the most acclaimed and accurate available is accompanied by annotations. "Criticism" features ten essays on The Book of the Courtier, which represent the best interpretations from the United States, Italy, and England including the backgrounds-rich essays by Amedeo Quondam and James Hankins. A Selected Bibliography, a Chronology, and an Index are included."

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Today the Book remains the most reliable and illuminating account of Renaissance court life and of what it took to be the "Perfect Courtier" and "Court Lady." The Singleton… Развернуть 

The text of this Norton Critical Edition is that of Thomas Sargent Perry's 1892 translation, indisputably the translation that has best served readers in English. Reprinted repeatedly over the last one hundred years, the Perry translation is a classic in its own right. After careful review, the editor has corrected minor infelicities of translation (necessary to remain true to Lafayette's text) and updated vocabulary. To experience the innovation of Lafayette's writing, it is necessary to understand the critical resistance it met with in seventeenth-century France. "Contemporary Reactions" includes five assessments of The Princess of Cleves-by Marie-Madeleine de Lafayette herself, Roger de Bussy-Rabutin and Marie de Sevigne, Jean-Baptiste-Henry du Trousset de Valincour, Jean-Antoine de Charnes, and Du Plaisir-following its controversial publication. John Lyons's translations for this Norton Critical Edition make these reactions available in English for the first time. "Criticism" includes eleven modern studies of the novel, five of which appear here in English for the first time, by Jean Fabre, Michel Butor, Jean Rousset, Helen Karen Kaps, Gerard Genette, Roger Francillon, Kurt Weinberg, Peggy Kamuf, Erica Harth, Joan DeJean, and Laurence Gregario. A Glossary of Characters and a Selected Bibliography are also included.

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The text of this Norton Critical Edition is that of Thomas Sargent Perry's 1892 translation, indisputably the translation that has best served readers in English. Reprinted… Развернуть 

This fine novel sets in opposition two of Thomas Hardy's most unforgettable creations: his heroine, the sensuous, free-spirited Eustacia Vye, and the solemn, majestic stretch of upland in Dorsetshire he called Egdon Heath. The famous opening reveals the haunting power of that dark, forbidding moon where proud Eustacia fervently awaits a clandestine meeting with her lover, Damon Wildeve. But Eustacia's dreams of escape are not to be realized--neither Wildeve nor the retuming native Clym Yeobright can bring her salvation. Injured by forces beyond their control, Hardy's characters struggle vainly in the net of destiny. In the end, only the face of the lonely heath remains untouched by fate in this masterpiece of tragic passion, a tale that perfectly epitomizes the author's own unique and melancholy genius.

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This fine novel sets in opposition two of Thomas Hardy's most unforgettable creations: his heroine, the sensuous, free-spirited Eustacia Vye, and the solemn, majestic stretch of… Развернуть 

No other edition accurately represents the actual (and likely authorial) divisions of the text as attested to by its two surviving witnesses--Caxton's 1485 print and, especially, the famous Winchester Manuscript. The Winchester Manuscript is now generally agreed to be the more authentic of the two earlier texts. The Norton Critical Edition is the first edition of Malory to recover important elements of this manuscript: paragraphing marginal annotations hierarchies of narrative division as signaled by size and decorative intricacy of initial capitals and font changes The Norton Critical Edition also represents, in black-letter font, the striking rubrication of proper names in the Winchester Manuscript, reconstructing for readers something of an authentic medieval reading experience, one which gives visual support to Malory's extraordinary representation, in character and setting, of a chivalric ideal. No other student edition of Malory contains such extensive contextual and critical support.

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No other edition accurately represents the actual (and likely authorial) divisions of the text as attested to by its two surviving witnesses--Caxton's 1485 print and, especially,… Развернуть 

"Contexts and Composition History" includes a selection of letters between Washington and his editor, Lyman Abbott, that reveals the process by which Up From Slavery was planned and written. Reviews from The Nation, North American Review, and Colored American Magazine offer examples of contemporary reaction to the book. An excerpt from My Larger Education includes Washington's impressions of Frederick Douglass and of his African American critics (among them W. E. B. Du Bois) and reveals his reaction to the mounting criticism of his social, economic, and political programs during the last years of his life. "Criticism" offers a collection of eight essays that present a variety of perspectives on Up From Slavery by W. E. B. Du Bois, Kelly Miller, August Meier, Louis R. Harlan, Sidonie Smith, James M. Cox, Houston A. Baker, Jr., and William L. Andrews. Together, these essays represent ninety years of the best critical and historical analysis of Up From Slavery and its author. A Chronology and Selected Bibliography are included.

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"Contexts and Composition History" includes a selection of letters between Washington and his editor, Lyman Abbott, that reveals the process by which Up From Slavery was planned… Развернуть 

"Reviews and Posthumous Assessments" for this edition collects eight new reviews of Thoreau's antislavery and late environmental essays as well as ofWalden. To the influential portraits of Thoreau by Ralph Waldo Emerson and James Russell Lowell, the Third Edition adds John Burroughs's "Another Word on Thoreau," his response to them and to his great predecessor. "Recent Criticism" includes eighteen selections of the best historical, political, philosophical, poststructuralist, and environmental criticism of Thoreau's writing since the mid-twentieth century. To classic pieces by E. B. White, Leo Marx, Barbara Johnson, and Stanley Cavell, the Third Edition adds essays by nine new contributors, among them Laurence Buell, Laura Dassow Walls, Evan Carton, Robert A. Gross, Albert J. von Frank, Steven Fink, and William Rossi A Chronology of Thoreau's life and work, new to the Third Edition, and an expanded and updated Selected Bibliography are also included.

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"Reviews and Posthumous Assessments" for this edition collects eight new reviews of Thoreau's antislavery and late environmental essays as well as ofWalden. To the influential… Развернуть 

Contexts focuses on the novel's sources and composition. Included are newspaper accounts of a San Francisco murder; a description of Norris' Polk Street neighborhood, which figures prominently in McTeague; an examination of the relationship between the novel and naturalism; and a discussion of the book's genesis, from its origin as a Harvard assignment to Norris's revision of it upon his return to San Francisco. Criticism has been revised to include major recent assessments of the novel. Two seminal pieces from the previous edition have been retained-Ernest Marchand's account of McTeague's 1899 reviews and Donald Pizer's essay on naturalism. Six essays and four stills from Erich von Stroheim's film version of McTeague are new. The new essays are by Don Graham, William E. Cain, Barbara Hochman, James L. Caron, Mary Lawlor, and Donna M. Campbell. A Chronology and an updated Selected Bibliography are included.

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Contexts focuses on the novel's sources and composition. Included are newspaper accounts of a San Francisco murder; a description of Norris' Polk Street neighborhood, which… Развернуть