Вручение 2003 г.

Страна: Великобритания Дата проведения: 2003 г.

Премия имени Билли Гиффорда за нон-фикшн

Лауреат
Т. Дж. Биньон 4.5
This work won the Samuel Johnson nonfiction prize in Britain, and it's easy to see why: it's a fascinating treatment of an equally fascinating subject. By chronicling Pushkin's literary successes and his personal failures, Binyon draws a compelling portrait of the writer and his milieu. One of Russia's most celebrated authors, Pushkin (1799-1837) lived a life as captivating as his poems and stories. In fact, as British academic Binyon (Murder Will Out) shows in this landmark work, Pushkin interspersed snippets of his brief life in such work as Eugene Onegin and The Bronze Horseman. Displaying a broad knowledge of primary source material, Binyon details Pushkin's life, which has all the suspense of a good novel. A known womanizer in his early adult years (he was especially fond of married women), Pushkin later married and settled down. But his past came back to bite him when a man tried to seduce his wife. Although Binyon argues convincingly that the suitor was unsuccessful, the incident prompted a duel that caused Pushkin's death in his late 30s. While his life was full of controversy, he was accused of being both too reactionary and too liberal, it was not particularly happy. Even while he was churning out his masterpieces, he was prone to two weaknesses: depression and debt. This is a must-read for students of Pushkin and for those interested in 19th-century Russia and literary history.
Orlando Figes 3.9
From the award-winning author of The Whisperers, Orlando Figes Natasha's Dance: A Cultural History of Russia is a dazzling history of Russia's mighty culture.

Orlando Figes' enthralling, richly evocative history has been heralded as a literary masterpiece on Russia, the lives of those who have shaped its culture, and the enduring spirit of a people.

'Wonderfully rich ... magnificent and compelling ... a delight to read'
Antony Beevor

'A tour de force by the great storyteller of modern Russian historians ... Figes mobilizes a cast of serf harems, dynasties, politburos, libertines, filmmakers, novelists, composers, poets, tsars and tyrants ... superb, flamboyant and masterful'
Simon Sebag-Montefiore, Financial Times

'Awe-inspiring ... Natasha's Dance has all the qualities of an epic tragedy'
Mail on Sunday

'It is so much fun to read that I hesitate to write too much, for fear of spoiling the pleasures and surprises of the book'
Sunday Telegraph

'Magnificent ... Figes is at his exciting best'
Guardian

'Breathtaking ... The title of this masterly history comes from War and Peace, when the aristocratic heroine, Natasha Rostova, finds herself intuitively picking up the rhythm of a peasant dance ... One of those books that, at times, makes you wonder how you have so far managed to do without it'
Independent on Sunday

'Thrilling, dizzying ... I would defy any reader not to be captivated'
Literary Review

Orlando Figes is Professor of History at Birkbeck College, University of London. He is the author of Peasant Russia, Civil War, A People's Tragedy, Natasha's Dance, The Whisperers and Just Send Me Word. His books have been translated into over twenty languages.
Аминатта Форна 0.0
Aminatta Forna's intensely personal history is a passionate and vivid account of an idyllic childhood that became the stuff of nightmare. As a child she witnessed the upheavals of post-colonial Africa, danger, flight, the bitterness of exile in Britain, and the terrible consequences of her dissident father's stand against tyranny.

Mohamed Forna was a man of impeccable integrity and enchanting charisma. As Sierra Leone faced its future as a fledgling democracy, he was a new star in the political firmament, a man who had been one of the first black students to come to Britain after the war. He stole the heart of Aminatta's mother, to the dismay of her Presbyterian parents, and returned with her to Sierra Leone. But as Aminatta Forna shows with compelling clarity, the old Africa was torn apart by new ways of Western parliamentary democracy, which gave birth only to dictatorships and corruption of hitherto undreamed-of magnitude. It was not long before Mohamed Forna languished in jail as a prisoner of conscience, and worse to follow.

Aminatta's search for the truth that shaped both her childhood and the nation's destiny began among the country's elite and took her into the heart of rebel territory. Determined to break the silence surrounding her father's fate, she ultimately uncovered a conspiracy that penetrated the highest reaches of government and forced the nation's politicians and judiciary to confront their guilt.

The Devil that Danced on the Water is a book of pain and anger and sorrow, written with tremendous dignity and beautiful precision: a remarkable and important story of Africa.
Olivia Judson 3.9
A sex guide for all living things and a hilarious natural history in the form of letters to and answers from the preeminent sexpert in all creation.

Dr. Tatiana's Sex Advice to All Creation is a unique guidebook to sex. It reveals, for example, when necrophilia is acceptable and who should commit bestiality with whom. It discloses the best time to have a sex change, how to have a virgin birth, and when to eat your lover. It also advises on more mundane matters -- such as male pregnancy and the joys of a detachable penis.

Entertaining, funny, and marvelously illuminating, the book comprises letters from all creatures worried about their bizarre sex lives to the wise Dr. Tatiana (a.k.a. Olivia Judson), the only sex columnist in creation with a prodigious knowledge of evolutionary biology. Fusing natural history with advice to the lovelorn, blending wit and rigor, she is able to reassure her anxious correspondents that although the acts they describe might sound appalling and unnatural, they are all perfectly normal -- so long as you are not a human. In the process, she explains the science behind it all, from Darwin's theory of sexual selection to why sexual reproduction exists at all. Applying human standards to the natural world, in the end she reveals the wonders of both.

"Delightful . . . Easy to understand and hard to resist, it's sex education at its prime -- accurate, comprehensive, and hilarious." -- Newsweek
Claire Tomalin 4.0
The seventeenth century saw a revolution in man’s thought, as Isaac Newton and others began the scientific study of the universe around them. At the same time a shrewd young civil servant in London began to observe, with something of the same dispassionate curiosity, the strange object around which, for him, the universe revolved–himself. For ten years, beginning in 1660, Samuel Pepys secretly kept one of the most remarkable records ever made of a human life.

With astounding candor and perceptiveness he described his ambitions and peculations, his professional successes and failures, his pettinesses and meannesses, his tenderness toward his wife and the irritations and jealousies she provoked, his extramarital longings and fumblings, his coolly critical attitude toward the king he served and his watchful adaptation to the corrupt and treacherous life of the court. Pepys’s diary is a magnificent creation.

But there is more to Samuel Pepys than his diary, as Claire Tomalin makes clear in this profoundly original biography. Buttressing it with less familiar sources and other contemporary material, she is able to illuminate his entire life–as a poor London tailor’s son, as a schoolboy rejoicing at the execution of Charles I, as an aspiring clerk with good connections who transforms himself into a royalist, escorting Charles II to England for the Restoration. Then there is the bureaucrat heroically working against the odds to create a modern navy, finding his way through the dangerous years of political and religious conflict (even, at one point, being charged with treason and jailed), peacefully retiring at last with his books and his music and his friends.

It is Claire Tomalin’s unique skill as a biographer to achieve extraordinary intimacy with her subject, and Pepys is no exception. To the endlessly fascinating question of his relations with women, for example, she brings the same insight and freshness of approach that distinguished such highly praised books as Jane Austen and The Invisible Woman. At the same time, the historical context is never less than brilliantly evoked. The result is exemplary, by far the most revealing–and readable–portrait of the greatest diarist in the English language, a man of unmatched interest and importance.
Эдгар Винсент 0.0
Legendary for his exploits in war and love, Admiral Horatio Nelson comes into clear view in this captivating new biography.

“This is a wonderful book, the best modern biography of Britain’s greatest admiral.”—John Keegan, Daily Telegraph

“A great biography and a poignant love story.”—Benjamin Schwarz, Atlantic Monthly

“A masterly biography, cool and sharp in long shots, intimately persuasive in close focus, at all times difficult to put down and as timely as it is suggestive in its implications.”—Hilary Spurling, New York Times Book Review

“A splendid biography, not only because it is well written and well researched, but also because it neither seeks to demean the hero nor excuse the man. Heroism becomes the more remarkable when it is shown by people who in other ways are very like ourselves.”—L. G. Mitchell, Times Literary Supplement

“Vincent has written a masterful biography of a military man that examines the nuts and bolts of leadership in an entertaining and compelling way. . . . If you only read one biography of Nelson among the hundreds available, it should be this one.”—Paul Carbray, The Gazette (Montreal, Quebec)