Edmund de Waal4.2 The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who “burned like a comet” in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.
The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.
The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.
Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.
The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.
In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.
Патрик Баркем0.0 Butterflies animate our summers but the 59 butterfly species of the British Isles can be surprisingly elusive. Some bask unseen at the top of trees in London parks; others lurk at the bottom of damp bogs in Scotland. Several are virtually extinct. This book charts the author's quest to find all 59, from the Adonis Blue to the Dingy Skipper.
Damon Galgut3.3 A young man takes three journeys, through Greece, India and Africa. He travels with little purpose, letting the chance encounters of the road dictate his path. But although he knows that he is drifting, he is unable to settle. It is as if, without these encounters, the person he is cannot exist. And yet each journey ends in disaster. A novel of longing and thwarted desire, rage and compassion, In a Strange Room is an extraordinary evocation of one man's search for love, and a place to call home.
Анджали Джозеф5.0 Mohan, a middle-aged letter writer sits under a banyan tree in Fort, furnishing missives for village migrants, disenchanted lovers, and when pickings are slim, filling in money order forms. But Mohan's true passion is collecting second-hand books and he's particularly attached to novels with marginal annotations.
Тим Пирс0.0 Brought up in the Anglo-Welsh borders by an affectionate but alcoholic and feckless mother, Owen Ithell's sense of self is rooted in his long, vivid visits to his grandparents' small farm in the hills.
As an adult he moves to an English city where he builds a new life, working as a gardener. He meets Mel, they have children. He believes he has found happiness - and love - of a sort.
But a tragic accident changes the course of his life and the lives of those he loves is changed forever. Owen is haunted by suicidal thoughts. In his despair, he resolves to reconnect with both his past and the natural world, and with his children he embarks on a long, fateful journey, walking to the Welsh borders of his childhood.
Powerful, richly evocative and perfectly poised between the hope of redemption and the threat of irrevocable tragedy, Landedis Tim Pears' most assured and beguiling novel to date.
Фрэнсис Спаффорд4.0 Фрэнсис Спаффорд не без иронии называет свою книгу ""Страна Изобилия"" сказкой. Сказкой про то, что вот-вот должно было стать былью. Это история про Советский Союз, каким он был в конце пятидесятых - начале шестидесятых годов, при Хрущеве. В ту пору советский народ, взяв на вооружение плановую экономику, шагал к изобилию и процветанию и через пару десятков лет должен был, как обещали руководители государства, придти к коммунизму. Американская выставка в Сокольниках, создание академгородка в Новосибирске, поездка Хрущева в США, расстрел демонстрации в Новочеркасске - все эти события описаны с удивительной точностью, но это не сухое описание, а живой рассказ, в котором действуют и реальные, и вымышленные персонажи - партийные деятели и энтузиасты-комсомольцы, ведущие ученые и простые рабочие.
