Книги

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past--public ones alongside others that are poignantly personal--with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages, sometimes about language, beauty, memory; sometimes about history, art, photography, and literature--always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.

At the heart of Ordinary Notes is the indelible presence of the author's mother, Ida Wright Sharpe. "I learned to see in my mother's house," writes Sharpe. "I learned how not to see in my mother's house . . . My mother gifted me a love of beauty, a love of words." Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method," collects entries from a community of thinkers toward a "Dictionary of Untranslatable Blackness," and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as…

A remarkable work of memoir and investigative journalism focusing on missing and murdered Indigenous women, written by an award-winning Gitxsan journalist who survived life on the streets against all odds.

As a Gitxsan teenager navigating life on the streets, Angela Sterritt wrote in her journal to help her survive and find her place in the world. Now an acclaimed journalist, she writes for major news outlets to push for justice and to light a path for Indigenous women, girls, and survivors. In her brilliant debut, Sterritt shares her memoir alongside investigative reporting into cases of missing and murdered Indigenous women in Canada, showing how colonialism and racism led to a society where Sterritt struggled to survive as a young person, and where the lives of Indigenous women and girls are ignored and devalued.

Growing up, Sterritt was steeped in the stories of her ancestors: grandparents who carried bentwood boxes of berries, hunted and trapped, and later fought for rights and title to that land. But as a vulnerable young woman, kicked out of the family home and living on the street, Sterritt inhabited places that, today, are infamous for being communities where women have gone missing or been murdered: Vancouver’s Downtown Eastside, and, later on, Northern BC’s Highway of Tears. Sterritt faced darkness: she experienced violence from partners and strangers and saw friends and community members die or go missing. But she navigated the street, group homes, and SROs to finally find her place in journalism and academic excellence at university, relying entirely on her own strength, resilience, and creativity along with the support of her ancestors and community to find her way.

“She could have been me,” Sterritt acknowledges today, and her empathy for victims, survivors, and families drives her present-day investigations into the lives of missing and murdered Indigenous women. In the end, Sterritt steps into a place of power, demanding accountability from the media and the public, exposing racism, and showing that there is much work to do on the path towards understanding the truth. But most importantly, she proves that the strength and brilliance of Indigenous women is unbroken, and that together, they can build lives of joy and abundance.

A remarkable work of memoir and investigative journalism focusing on missing and murdered Indigenous women, written by an award-winning Gitxsan journalist who survived life on the…

An engrossing family history of coronaviruses and the modern-day scientific quest to conquer viral epidemics forever

The once-in-a-century pandemic caused by COVID-19--the third deadly coronavirus to emerge in the past twenty years--fixed humanity's gaze on the virus's present and immediate future. But the story of this pandemic extends far further back than many realize. In this fascinating narrative, epidemiologist Dan Werb traces the rise of the coronavirus family and society's desperate attempt to counter its threat. In the process, he weaves another kind of family history: that of a group of scientists who foresaw the danger and spent decades working to stop a looming pandemic.

When virologist Ralph Baric began researching coronaviruses in the 1980s, the field was a scientific backwater--the few variants known to infect humans caused little more than the common cold. But when a novel coronavirus sparked the 2003 SARS epidemic, this obscure viral family became the single greatest pandemic threat our species faced. For all its novelty, the SARS epidemic shared alarming similarities with historical moments when coronaviruses made rare but deadly jumps from animals to human hosts. When the MERS virus emerged ten years later--the blink of an eye in virological time--Baric and his allies realized that time was running out before a pandemic strain would make the inevitable jump.

In The Invisible Siege, Werb unpacks the dynamic history and microscopic complexity of an organism that has wreaked cycles of havoc upon the world for millennia. Elegantly tracing decades of scientific investigation, Werb illuminates how Baric's team of scientists hatched an audacious plan not merely to battle COVID-19, but to end pandemics forever. Yet as they raced to develop vaccines and therapeutics that struck at coronaviruses' key biological mechanisms, they ran headlong into a complicated nexus of science, ethics, industry, and politics that threatened to derail their efforts just as COVID-19 loomed ever larger.

The Invisible Siege is at once the story of an unprecedented global scientific movement to stop COVID-19--a rare success story in a pandemic defined by system failure--and the infuriating factors that even now threaten to leave essential scientific discovery unfinished and the world vulnerable to the ravages of the inevitable coronaviruses to come.

An engrossing family history of coronaviruses and the modern-day scientific quest to conquer viral epidemics forever

The once-in-a-century pandemic caused by COVID-19--the…

"Essential ... This book belongs on the shelf next to Merchants of Doubt , Dark Money , and Kochland ."—Roy Scranton, author of Learning to Die in the Anthropocene

"The petroleum industry is guilty of a Big Tobacco-style public cover-up, according to this vivid exposé"— Publishers Weekly STARRED Review

Burning fossil fuels will cause catastrophic global warming: this is what top American oil executives were told by scientists in 1959. But they ignored that warning. Instead, they developed one of the biggest, most polluting oil sources in the world--the oil sands in Alberta, Canada. As investigative journalist Geoff Dembicki reveals in this explosive book, the decades-long conspiracy to keep the oil sands flowing into the U.S. would turn out to be one of the biggest reasons for the world's failure to stop the climate crisis.

In The Petroleum Papers, Dembicki draws from confidential oil industry documents to uncover for the first time how companies like Exxon, Koch Industries, and Shell built a global right-wing echo chamber to protect oil sands profits--a misinformation campaign that continues to this day. He also tells the high-stakes stories of people fighting back: a Seattle lawyer who brought down Big Tobacco and is now going after Big Oil, a Filipina activist whose family drowned in a climate disaster, and a former Exxon engineer pushed out for asking hard questions.

With experts now warning we have less than a decade to get global emissions under control, The Petroleum Papers provides a step-by-step account of how we got to this precipice--and the politicians and companies who deserve our blame.

Published in Partnership with the David Suzuki Institute

"Essential ... This book belongs on the shelf next to Merchants of Doubt , Dark Money , and Kochland ."—Roy Scranton, author of Learning to Die in the Anthropocene

"The…

Hilary Weston Writers’ Trust Prize for Nonfiction 2022 — Shortlisted

A neurotic party girl's coming-of-age memoir about learning to live before getting ready to die.

Tara has it pretty good: a nice job, a writing career, a forgiving boyfriend. She should be happy. Yet Tara can’t stay sober. She’s terrible at monogamy. Even her psychiatrist grows sick of her and stops returning her calls. She spends most of her time putting out social fires, barely pulling things off, and feeling sick and tired.

Then, in the autumn following her twenty-seventh birthday, an abnormal lump discovered in her left breast serves as the catalyst for a journey of rigorous self-questioning. Waiting on a diagnosis, she begins an intellectual assessment of her life, desperate to justify a short existence full of dumb choices. Armed with her philosophy degree and angry determination, she attacks each issue in her life as the days creep by and winds up writing a searingly honest memoir about learning to live before getting ready to die.

Hilary Weston Writers’ Trust Prize for Nonfiction 2022 — Shortlisted

A neurotic party girl's coming-of-age memoir about learning to live before getting ready to die.

Tara…

INSTANT BESTSELLER
FINALIST FOR THE HILARY WESTON WRITERS’ TRUST PRIZE FOR NONFICTION

From a leading scholar on the politics of race comes a work of family history, memoir, and insight gained from a unique journey across the continent, on what it is to be Black in North America.

When Debra Thompson moved to the United States in 2010, she felt like she was returning to the land of her ancestors, those who had escaped to Canada via the Underground Railroad. But her decade-long journey across Canada and the US transformed her relationship to both countries, and to the very idea of home.

In The Long Road Home, Thompson follows the roots of Black identities in North America and the routes taken by those who have crisscrossed the world’s longest undefended border in search of freedom and belonging. She begins in Shrewsbury, Ontario, one of the termini of the Underground Railroad and the place where members of her own family found freedom. More than a century later, Thompson still feels the echoes and intergenerational trauma of North American slavery. She was often the Only One—the only Black person in so many white spaces—in a country that perpetuates the national mythology of multiculturalism.

Then she revisits her four American homes, each of which reveals something peculiar about the relationship between American racism and democracy: Boston, Massachusetts, the birthplace of the American Revolution; Athens, Ohio, where the white working class and the white liberal meet; Chicago, Illinois, the great Black metropolis; and Eugene, Oregon, the western frontier. She then moves across the border and settles in Montreal, a unique city with a long history of transnational Black activism, but one that does not easily accept the unfamiliar and the foreign into the fold.

The Long Road Home is a moving personal story and a vital examination of the nuances of racism in the United States and Canada. Above all, it is about the power of freedom and the dreams that link and inspire Black people across borders from the perspective of one who has deep ties to, critiques of, and hope for both countries.

INSTANT BESTSELLER
FINALIST FOR THE HILARY WESTON WRITERS’ TRUST PRIZE FOR NONFICTION

From a leading scholar on the politics of race comes a work of family history, memoir,…

A moving and deeply personal excavation of Indigenous beauty and passion in a suffering world

The novel Jonny Appleseed established Joshua Whitehead as one of the most exciting and important new literary voices on Turtle Island, winning both a Lambda Literary Award and Canada Reads 2021. In Making Love with the Land, his first nonfiction book, Whitehead explores the relationships between body, language, and land through creative essay, memoir, and confession.

In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Whitehead writes of an Indigenous body in pain, coping with trauma. Deeply rooted within, he reaches across the anguish to create a new form of storytelling he calls “biostory”—beyond genre, and entirely sovereign. Through this narrative perspective, Making Love with the Land recasts mental health struggles and our complex emotional landscapes from a nefarious parasite on his (and our) well-being to kin, even a relation, no matter what difficulties they present to us. Whitehead ruminates on loss and pain without shame or ridicule but rather highlights waypoints for personal transformation. Written in the aftermath of heartbreak, before and during the pandemic, Making Love with the Land illuminates this present moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land.

Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.

A moving and deeply personal excavation of Indigenous beauty and passion in a suffering world

The novel Jonny Appleseed established Joshua Whitehead as one of the most exciting…

Capricious, big-hearted, joyful: an epic memoir from one of Canada's most acclaimed Indigenous writers and performers

Tomson Highway was born in a snowbank on an island in the sub-Arctic, the eleventh of twelve children in a nomadic, caribou-hunting Cree family. Growing up in a land of ten thousand lakes and islands, Tomson relished being pulled by dogsled beneath a night sky alive with stars, sucking the juices from roasted muskrat tails, and singing country music songs with his impossibly beautiful older sister and her teenaged friends. Surrounded by the love of his family and the vast, mesmerizing landscape they called home, his was in many ways an idyllic far-north childhood. But five of Tomson's siblings died in childhood, and Balazee and Joe Highway, who loved their surviving children profoundly, wanted their two youngest sons, Tomson and Rene, to enjoy opportunities as big as the world. And so when Tomson was six, he was flown south by float plane to attend a residential school. A year later Rene joined him to begin the rest of their education. In 1990 Rene Highway, a world-renowned dancer, died of an AIDS-related illness. Permanent Astonishment: Growing Up in the Land of Snow and Sky is Tomson's extravagant embrace of his younger brother's final words: Don't mourn me, be joyful. His memoir offers insights, both hilarious and profound, into the Cree experience of culture, conquest, and survival.

Capricious, big-hearted, joyful: an epic memoir from one of Canada's most acclaimed Indigenous writers and performers

Tomson Highway was born in a snowbank on an island in the…

From Griffin Poetry Prize winner Jordan Abel comes a groundbreaking, deeply personal, and devastating autobiographical meditation that attempts to address the complicated legacies of Canada's residential school system and contemporary Indigenous existence.

As a Nisga'a writer, Jordan Abel often finds himself in a position where he is asked to explain his relationship to Nisga'a language, Nisga'a community, and Nisga'a cultural knowledge. However, as an intergenerational survivor of residential school--both of his grandparents attended the same residential school--his relationship to his own Indigenous identity is complicated to say the least.

NISHGA explores those complications and is invested in understanding how the colonial violence originating at the Coqualeetza Indian Residential School impacted his grandparents' generation, then his father's generation, and ultimately his own. The project is rooted in a desire to illuminate the realities of intergenerational survivors of residential school, but sheds light on Indigenous experiences that may not seem to be immediately (or inherently) Indigenous.

Drawing on autobiography and a series of interconnected documents (including pieces of memoir, transcriptions of talks, and photography), NISHGA is a book about confronting difficult truths and it is about how both Indigenous and non-Indigenous peoples engage with a history of colonial violence that is quite often rendered invisible.

From Griffin Poetry Prize winner Jordan Abel comes a groundbreaking, deeply personal, and devastating autobiographical meditation that attempts to address the complicated legacies…

Bestselling, Scotiabank Giller Award-winning writer Ian Williams brings fresh eyes and new insights to today's urgent conversation on race and racism in startling, illuminating essays that grow out of his own experience as a Black man moving through the world.


With that one eloquent word, disorientation, Ian Williams captures the impact of racial encounters on racialized people--the whiplash of race that occurs while minding one's own business. Sometimes the consequences are only irritating, but sometimes they are deadly. Spurred by the police killings and street protests of 2020, Williams realized he could offer a perspective distinct from the almost exclusively America-centric books on race topping the bestseller lists, because of one salient fact: he has lived in Trinidad (where he was never the only Black person in the room), in Canada (where he often was), and in the United States (where as a Black man from the Caribbean, he was a different kind of only).

Inspired by the essays of James Baldwin, in which the personal becomes the gateway to larger ideas, Williams explores such things as the unmistakable moment when a child realizes they are Black; the ten characteristics of institutional whiteness; how friendship forms a bulwark against being a target of racism; the meaning and uses of a Black person's smile; and blame culture--or how do we make meaningful change when no one feels responsible for the systemic structures of the past. With these essays, Williams wants to reach a multi-racial audience of people who believe that civil conversation on even the most charged subjects is possible. Examining the past and the present in order to speak to the future, he offers new thinking, honest feeling, and his astonishing, piercing gift of language.

Bestselling, Scotiabank Giller Award-winning writer Ian Williams brings fresh eyes and new insights to today's urgent conversation on race and racism in startling, illuminating…

Setting off on foot from Winchester, Ken Haigh hikes across southern England, retracing one of the traditional routes that medieval pilgrims followed to the shrine of Saint Thomas Becket at Canterbury Cathedral. Walking in honour of his father, a staunch Anglican who passed away before they could begin their trip together, Haigh wonders: Is there a place in the modern secular world for pilgrimage? On his journey, he sorts through his own spiritual aimlessness while crossing paths with writers like Anthony Trollope, John Keats, Jane Austen, Jonathan Swift, Charles Dickens, and, of course, Geoffrey Chaucer. On Foot to Canterbury is part travelogue, part memoir, part literary history, and all heart.

Setting off on foot from Winchester, Ken Haigh hikes across southern England, retracing one of the traditional routes that medieval pilgrims followed to the shrine of Saint Thomas…

I have learned many words for 'island': isle, atoll, eyot, islet, or skerry. They exist in archipelagos or alone, and always, by definition, I have understood them by their relation to water. But the Chinese word for island knows nothing of water. For a civilisation grown inland from the sea, the vastness of mountains was a better analogue: (dao, 'island') built from the relationship between earth and sky.
Between tectonic plat

I have learned many words for 'island': isle, atoll, eyot, islet, or skerry. They exist in archipelagos or alone, and always, by definition, I have understood them by their…

David Neel was an infant when his father, a traditional Kwakiutl artist, returned to the ancestors, triggering a series of events that would separate David from his homeland and its rich cultural traditions for twenty-five years. When the aspiring photographer saw a mask carved by an ancestor in a Texas museum, the encounter inspired him to return home and follow in his father’s footsteps. Drawing on memory, legend, and his own art, Neel recounts his struggle to reconnect with his culture and become an accomplished Kwakwa_ka_’wakw artist. His memoir is a testament to the strength of the human spirit to overcome great obstacles and to the power and endurance of Indigenous culture and art.

David Neel was an infant when his father, a traditional Kwakiutl artist, returned to the ancestors, triggering a series of events that would separate David from his homeland and…

Interrogating our ideas of race through the lens of her own multi-racial identity, critically acclaimed novelist Tessa McWatt turns her eye on herself, her body and this world in a powerful new work of non-fiction.

Tessa McWatt has been called Susie Wong, Pocahontas and "black bitch," and has been judged not black enough by people who assume she straightens her hair. Now, through a close examination of her own body--nose, lips, hair, skin, eyes, ass, bones and blood--which holds up a mirror to the way culture reads all bodies, she asks why we persist in thinking in terms of race today when racism is killing us.
Her grandmother's family fled southern China for British Guiana after her great uncle was shot in his own dentist's chair during the First Sino-Japanese War. McWatt is made of this woman and more: those who arrived in British Guiana from India as indentured labour and those who were brought from Africa as cargo to work on the sugar plantations; colonists and those whom colonialism displaced. How do you tick a box on a census form or job application when your ancestry is Scottish, English, French, Portuguese, Indian, Amerindian, African and Chinese? How do you finally answer a question first posed to you in grade school: "What are you?" And where do you find a sense of belonging in a supposedly "post-racial" world where shadism, fear of blackness, identity politics and call-out culture vie with each other noisily, relentlessly and still lethally?
Shame on Me is a personal and powerful exploration of history and identity, colour and desire from a writer who, having been plagued with confusion about her race all her life, has at last found kinship and solidarity in story.

Interrogating our ideas of race through the lens of her own multi-racial identity, critically acclaimed novelist Tessa McWatt turns her eye on herself, her body and this world in…

A Globe and Mail 100 Best Book

Finalist, Hilary Weston Writers' Trust Prize for Nonfiction

A deeply affecting portrait of a long partnership and a clear-eyed account of the impact of a serious illness, writing as consolation, and the enduring significance of poetry from one of Canada's most celebrated voices.

When we ran off together in 1978, abandoning our marriages and leaving wreckage in our wake, I was a promising writer, Patrick had just won the Governor General's Award. I was so happy for him, and I've continued to be every time an honour comes his way, but I knew if I didn't grow, if I remained merely someone who showed potential, we wouldn't last. I swore I wouldn't play the dutiful wife, cheerleader, and muse of the great male writer, and he didn't envision a partner like that. We aspired to flourish together and thrive in words and books and gardens.

When Lorna Crozier and Patrick Lane met at a poetry workshop in 1976, they had no idea that they would go on to write more than forty books between them, balancing their careers with their devotion to each other, and to their beloved cats, for decades. Then, in January 2017, their life together changed unexpectedly when Patrick became seriously ill. Despite tests and the opinions of many specialists, doctors remained baffled. There was no diagnosis and no effective treatment plan. The illness devastated them both.

During this time, Lorna turned to her writing as a way of making sense of her grief and for consolation. She revisited her poems, tracing her own path as a poet along with the evolution of her relationship with Patrick. The result is an intimate and intensely moving memoir about the difficulties and joys of creating a life with someone and the risks and immense rewards of partnership. At once a spirited account of the past and a poignant reckoning with the present, it is, above all, an extraordinary and unforgettable love story.

Told with unflinching honesty and fierce tenderness, Through the Garden is a candid, clear-eyed portrait of a long partnership and an acknowledgement, a tribute, and a gift.

A Globe and Mail 100 Best Book

Finalist, Hilary Weston Writers' Trust Prize for Nonfiction

A deeply affecting portrait of a long partnership and a clear-eyed account of the…

Reaching Mithymna is a first-hand account of a month spent in the transit camps and on the landing beaches of Lesvos, Greece, in the fall of 2015, during the first great crossing of Middle Eastern (mainly Syrian) refugees into Europe.

Reaching Mithymna is a first-hand account of a month spent in the transit camps and on the landing beaches of Lesvos, Greece, in the fall of 2015, during the first great crossing…

A beautiful and haunting memoir of kinship and culture rediscovered.

Jenny Heijun Wills was born in Korea and adopted as an infant into a white family in small-town Canada. In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught.

Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.

Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women—sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces—Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.

A beautiful and haunting memoir of kinship and culture rediscovered.

Jenny Heijun Wills was born in Korea and adopted as an infant into a white family in small-town Canada. In…

An intimate memoir in essays by an award-winning Israeli writer who travels the world, from New York to India, searching for love, belonging, and an escape from grief following the death of her father at a young age.

This searching collection opens with the death of Ayelet Tsabari's father when she was a nine-year-old girl. His passing left Ayelet feeling rootless, devastated from the loss and driven to question her complex identity as an Israeli of Yemeni descent in a country that suppressed and devalued her ancestors' traditions.

In The Art of Leaving, she tells her story, from her early love of writing and words, to her rebellion during her required service in the Israeli army. She travels from Israel to New York, to Canada, Thailand, and India, falling in and out of love with countries, men and women, drugs and alcohol, running away from responsibilities and refusing to settle in one place. She recounts her first marriage; her struggle to define herself as a writer in a new language; her decision to become a mother; and finally her rediscovery and embrace of her family history--a history marked by generations of headstrong women who struggled to choose between their hearts and their homes. Eventually, she discovers that she must come to terms with the memories of her father, the sadness of her past, and overcome her fears if she is ever going to come to terms with herself.

With fierce, emotional prose, Tsabari crafts a beautiful meditation about the lengths we will travel to try to escape our grief; the universal search to find a place where we belong; and the sense of home eventually found within ourselves.

An intimate memoir in essays by an award-winning Israeli writer who travels the world, from New York to India, searching for love, belonging, and an escape from grief following…

In this vital and incisive work, bestselling and award-winning author Tanya Talaga explores the alarming rise of youth suicide in Indigenous communities in Canada and beyond. From Northern Ontario to Nunavut, Norway, Brazil, Australia, and the United States, the Indigenous experience in colonized nations is startlingly similar and deeply disturbing. It is an experience marked by the violent separation of Peoples from the land, the separation of families, and the separation of individuals from traditional ways of life — all of which has culminated in a spiritual separation that has had an enduring impact on generations of Indigenous children. As a result of this colonial legacy, too many communities today lack access to the basic determinants of health — income, employment, education, a safe environment, health services — leading to a mental health and youth suicide crisis on a global scale. But, Talaga reminds us, First Peoples also share a history of resistance, resilience, and civil rights activism, from the Occupation of Alcatraz led by the Indians of All Tribes, to the Northern Ontario Stirland Lake Quiet Riot, to the Standing Rock protests against the Dakota Access Pipeline, which united Indigenous Nations from across Turtle Island in solidarity.


Based on her Atkinson Fellowship in Public Policy series, All Our Relations is a powerful call for action, justice, and a better, more equitable world for all Indigenous Peoples.

In this vital and incisive work, bestselling and award-winning author Tanya Talaga explores the alarming rise of youth suicide in Indigenous communities in Canada and beyond. From…

A vibrant, compelling memoir from a remarkable young woman that bravely reveals the real-life havoc wrought by depression and the urgent search for solutions. Illuminating, completely engaging—it's essential reading for all since we all know someone whose life, family or friends are touched by the disease that directly afflicts a fifth of Canadians.

In her early twenties, while outwardly thriving in her dream job and enjoying warm familial support and a strong social network, award-winning journalist Anna Mehler Paperny found herself trapped by feelings of failure and despair. Her first suicide attempt—ingesting a deadly mix of sleeping pills and antifreeze—landed her in the ICU, followed by weeks of enforced detention that ran the gamut of horrifying, boring, hilarious, and absurd. This was Anna's entry into the labyrinthine psychiatric care system responsible for providing care to millions of Canadians.

As she struggled to survive the psych ward and as an outpatient—enduring the "survivor's" shame of facing concerned family, friends, and co-workers; finding (or not) the right therapist, the right meds; staying healthy, insured, and employed—Anna could not help but turn her demanding journalist's eye on her condition and on the system in which she found herself. She set off on a quest to "know her enemy," interviewing leading practitioners in the field across Canada and the US—from psychiatrists to neurological experts, brain-mapping pioneers to heroic family practitioners, and others dabbling in novel hypotheses. She reveals in courageously frank detail her own experiences with the pharmacological pitfalls and side effects of long-term treatment, and offers moving case studies of conversations with others, opening wide a window into how we treat (and fail to treat) the disease that accounts for more years swallowed up by disability than any other in the world.

A vibrant, compelling memoir from a remarkable young woman that bravely reveals the real-life havoc wrought by depression and the urgent search for solutions. Illuminating,…

A bold and profound meditation on trauma, legacy, oppression and racism in North America from award-winning Haudenosaunee writer Alicia Elliott.

In an urgent and visceral work that asks essential questions about the treatment of Native people in North America while drawing on intimate details of her own life and experience with intergenerational trauma, Alicia Elliott offers indispensable insight into the ongoing legacy of colonialism. She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrifcation, writing and representation, and in the process makes connections both large and small between the past and present, the personal and political--from overcoming a years-long battle with head lice to the way Native writers are treated within the Canadian literary industry; her unplanned teenage pregnancy to the history of dark matter and how it relates to racism in the court system; her childhood diet of Kraft Dinner to how systemic oppression is directly linked to health problems in Native communities.

With deep consideration and searing prose, Elliott provides a candid look at our past, an illuminating portrait of our present and a powerful tool for a better future.

A bold and profound meditation on trauma, legacy, oppression and racism in North America from award-winning Haudenosaunee writer Alicia Elliott.

In an urgent and visceral work…

Elizabeth Hay, one of Canada's most beloved novelists has written a poignant, complex, and hugely resonant memoir about the shift she experienced between being her parents' daughter to their guardian and caregiver.

As the daughter takes charge, and the writer takes notes, her mother and father are like two legendary icebergs floating south. They melt into the ocean of partial, painful, inconsistent, and funny stories that a family makes over time. Hay's eloquent memoir distills these stories into basic truths about parents and children and their efforts of understanding.

With her uncommon sharpness and wit, Elizabeth Hay offers her insights into the peculiarities of her family's dynamics--her parents' marriage, sibling rivalries, miscommunications that spur decades of resentment all matched by true and genuine love and devotion. Her parents are each startling characters in their own right--her mother is a true skinflint who would rather serve up wormy soup (twice) than throw away an ancient packet of "perfectly good" mix; her father is a proud and well-mannered man with a temper that can be explosive.

All Things Consoled is a startlingly beautiful memoir that addresses the exquisite agony of family, the unstoppable force of dementia, and the inevitability of aging.

Elizabeth Hay, one of Canada's most beloved novelists has written a poignant, complex, and hugely resonant memoir about the shift she experienced between being her parents'…

In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family whose members blamed their woes on ghosts and demons when in fact they should have been on anti-psychotic meds.

Lindsay Wong grew up with a paranoid schizophrenic grandmother and a mother who was deeply afraid of the "woo-woo"--Chinese ghosts who come to visit in times of personal turmoil. From a young age, she witnessed the woo-woo's sinister effects; at the age of six, she found herself living in the food court of her suburban mall, which her mother saw as a safe haven because they could hide there from dead people, and on a camping trip, her mother tried to light Lindsay's foot on fire to rid her of the woo-woo.

The eccentricities take a dark turn, however, when her aunt, suffering from a psychotic breakdown, holds the city of Vancouver hostage for eight hours when she threatens to jump off a bridge. And when Lindsay herself starts to experience symptoms of the woo-woo herself, she wonders whether she will suffer the same fate as her family.

On one hand a witty and touching memoir about the Asian immigrant experience, and on the other a harrowing and honest depiction of the vagaries of mental illness, The Woo-Woo is a gut-wrenching and beguiling manual for surviving family, and oneself.

In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family whose members blamed their woes on ghosts and demons when in fact they…

A FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE: A stunning work of investigative reporting by a Canadian journalist who has risked her own life to bring us a deeply disturbing history of the Rwandan genocide that takes the true measure of Rwandan head of state Paul Kagame.

Through unparalleled interviews with RPF defectors, former soldiers and atrocity survivors, supported by documents leaked from a UN court, Judi Rever brings us the complete history of the Rwandan genocide. Considered by the international community to be the saviours who ended the Hutu slaughter of innocent Tutsis, Kagame and his rebel forces were also killing, in quiet and in the dark, as ruthlessly as the Hutu genocidaire were killing in daylight. The reason why the larger world community hasn't recognized this truth? Kagame and his top commanders effectively covered their tracks and, post-genocide, rallied world guilt and played the heroes in order to attract funds to rebuild Rwanda and to maintain and extend the Tutsi sphere of influence in the region.
Judi Rever, who has followed the story since 1997, has marshalled irrefutable evidence to show that Kagame's own troops shot down the presidential plane on April 6, 1994--the act that put the match to the genocidal flame. And she proves, without a shadow of doubt, that as Kagame and his forces slowly advanced on the capital of Kigali, they were ethnically cleansing the country of Hutu men, women and children in order that returning Tutsi settlers, displaced since the early '60s, would have homes and land. This book is heartbreaking, chilling and necessary.

A FINALIST FOR THE HILARY WESTON WRITERS' TRUST PRIZE: A stunning work of investigative reporting by a Canadian journalist who has risked her own life to bring us a deeply…