Тим Паркс — новинки

Is my experience real?
Or just a movie in my head?
Am I no more than a super computer?
You are your brain, neuroscientists tell us. Everything happens in there. Yet even the most sophisticated brain scan cannot tell us who we are. Nothing in our neurons remotely suggests the rich nature of our experience, the colours, sounds and smells that make up our lives.
When Tim Parks came across a radical new theory of consciousness, he set on a quest that moves through one sparkling encounter after another to arrive at the deepest of questions: what stuff exactly is consciousness made of? And where is it? Inside or out?

In 1981 Tim Parks moved from England to Italy and spent the next thirty years alongside hundreds of thousands of Italians on his adopted country’s vast, various and ever-changing networks of trains.
Through memorable encounters with ordinary Italians – conductors and ticket collectors, priests and prostitutes, scholars and lovers, gypsies and immigrants – Tim Parks captures what makes Italian life distinctive. He explores how trains helped build Italy and how the railways reflect Italians’ sense of themselves from Garibaldi to Mussolini to Berlusconi and beyond.

How have the modern world, technology and our addiction to information changed who we are? What effect does it have on our relationships, minds and bodies? What can the simple act of sitting still teach us about ourselves? When Tim Parks fails to find a cause for his crippling chronic pain, he turns to meditation. This is, however, not your average self-help book or…

How do we find calm in our frantic modern world? Tim Parks - lifelong sceptic of all things spiritual - finds himself on a Buddhist meditation retreat trying to answer this very question. With brutal honesty and dry wit, he recounts his journey from disbelief to something approaching inner peace and tackles one of the great mysteries of our time - how to survive in this modern age.

Hardly a day goes by without some discussion about whether computers can be conscious, whether our universe is some kind of simulation, whether mind is a unique quality of human beings or spread out across the universe like butter on bread. Most philosophers believe that our experience is locked inside our skulls, an unreliable representation of a quite different reality outside. Colour, smell and sound, they tell us, occur only in our heads. Yet when neuroscientists look inside our brains to see what's going on, they find only billions of neurons exchanging electrical impulses and releasing chemical substances.

Five years ago, in a chance conversation, Tim Parks came across a radical new theory of consciousness that undercut this interpretation. This set him off on a quest to discover more about this fascinating topic and also led him to observe his own experience with immense attention.

Thomas needs to speak to his mother before she dies.
But he's set to give a talk to a conference of physiotherapists in the Netherlands; if he leaves now will he get to her deathbed in time?
Will he be able to say what he couldn't say before? He can't concentrate on what is happening now: his mind won't sit still. Should he try to solve his friend's marital crisis? Should he reconsider his separation from his own wife? And why does he need to pee again?
In Extremis is Tim Parks's masterwork: a darkly hilarious and deadly serious novel about infidelity, mortality and the frailties of the human body.

"In Extremis" is one of the most implacable, but also one of the funniest, novels about death and family you will ever read.

Thomas knows there is something he needs to say to his mother before she dies. But will he reach her in time? And will he have the courage to say what he couldn’t say before? His phone is buzzing, his mind is racing, and he can’t concentrate on the significance of what is happening. Should he try to solve his friend’s family crisis? Should he reconsider his separation from his wife? Why does he feel so utterly confused and paralysed?

In his most exhilarating book to date, Tim Parks explores how profoundly our present identity is rooted in our family past. Can we ever really change?

An acclaimed author of novels and short stories, Tim Parks--who was described in a recent review as “one of the best living writers of English”--has delighted audiences around the world with his finely observed writings on all aspects of Italian life and customs. This volume contains a selection of his best essays on the literature of his adopted country.
From Boccaccio and Machiavelli through to Moravia and Tabucchi, from the Stil Novo to Divisionism, across centuries of history and intellectual movements, these essays will give English readers, and lovers of the Bel Paese and its culture, the lay of the literary land of Italy.

In this brilliant collection, a renowned critic vividly depicts the dynamic relationships between authors, their work, and their readers

Acclaimed novelist and critic Tim Parks has long been fascinated by the complicated relationship between an author’s life and work. Dissatisfied with the dominant modes of reading he encountered, he began exploring the underlying values and patterns that guide authors in both their writing and their lives.

In a series of provocative, incisive, and unflinching essays written over the past decade and collected for the first time here, he reveals how style and content in a novel reflect a whole pattern of communication and positioning in the author’s ordinary and daily behavior. We see how life and work are deeply enmeshed in the work of writers as diverse as Charles Dickens, Feodor Dostoevsky, James Joyce, Anton Chekhov, Philip Roth, Julian Barnes, Peter Stamm, and Geoff Dyer, among others. Parks further shows us how readers’ reactions to these writers and their works are inevitably connected to these communicative patterns, establishing a relationship that goes far beyond aesthetic appreciation.

This original and daring collection takes us into the psychology of some of our greatest writers and challenges us to see with more clarity how our lives become entangled with theirs through our reading of their novels.

Arising from a dissatisfaction with blandly general or abstrusely theoretical approaches to translation, this book sets out to show, through detailed and lively analysis, what it really means to translate literary style. Combining linguistic and lit crit approaches, it proceeds through a series of interconnected chapters to analyse translations of the works of D.H. Lawrence, Virginia Woolf, James Joyce, Samuel Beckett, Henry Green and Barbara Pym. Each chapter thus becomes an illuminating critical essay on the author concerned, showing how divergences between original and translation tend to be of a different kind for each author depending on the nature of his or her inspiration.

This new and thoroughly revised edition introduces a system of 'back translation' that now makes Tim Parks' highly-praised book reader friendly even for those with little or no Italian. An entirely new final chapter considers the profound effects that globalization and the search for an immediate international readership is having on both literary translation and literature itself.