Элли Гриффитс — библиография

When Ruth's friend Cathbad sees a vision of the Virgin Mary, in a white gown and blue cloak, in Walsingham's graveyard, he takes it in his stride. Walsingham has strong connections to Mary, and Cathbad is a druid after all; visions come with the job. But when the body of a woman in a blue dressing-gown is found dead the next day in a nearby ditch, it is clear that a horrible crime has been committed, and DCI Nelson and his team are called in for what is now a murder investigation.
Ruth, a devout atheist, has managed to avoid Walsingham during her seventeen years in Norfolk. But then an old university friend asks to meet her in the village, and Ruth is amazed to discover that she is now a priest. She has been receiving vitriolic anonymous letters targeting women priests - letters containing references to local archaeology and a striking phrase about a woman 'clad in blue, weeping for the world'.
Then another woman is murdered - a priest. As Walsingham prepares for its annual Easter re-enactment of the Crucifixion, the race is on to unmask the killer before they strike again...

Brighton, winter 1951. Max Mephisto's star pantomime turn in Aladdin has been overshadowed by the murder of two local children. With fairy tales in the air, it's not long before the press have found a nickname for the case: 'Hansel and Gretel'.
DI Edgar Stephens has plenty of leads to investigate. The missing girl, Annie, used to write plays and perform them with her friends. Does the clue lie in Annie's unfinished - and rather disturbing - last script? Or might it lie with the eccentric theatricals who have assembled for the pantomime?
Once again Edgar enlists Max's help in penetrating the shadowy theatrical world that seems to hold the key. But is this all just classic misdirection?

When Justice's mother dies, her father packs her off to Highbury House Boarding School for the Daughters of Gentlefolk. He's a barrister - specialising in murder trials - and he's just too busy to look after her alone.
Having previously been home-schooled, the transition is a shock. Can it really be the case that blondes rule the corridors? Are all uniforms such a charming shade of brown? And do schools normally hide dangerous secrets about the murder of a chamber maid?
Justice takes it upon herself to uncover the truth. (Mainly about the murder, but perhaps she can figure out her new nemesis - the angelic Rose - at the same time.) But when a storm cuts the school off from the real world, the body count starts to rise and Justice realises she'll need help from her new friends if she's going to find the killer before it's too late ...

Dr Ruth Galloway's forensic skills are called upon when builders, demolishing an old house in Norwich, uncover the bones of a child - minus the skull - beneath a doorway. Is it some ritual sacrifice or just plain straightforward murder? Ruth links up with DCI Harry Nelson to investigate.
The house was once a children's home. Nelson traces the Catholic priest who used to run the place. He tells him that two children did go missing forty years before - a boy and a girl. They were never found.
When carbon dating proves that the child's bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is desperate to put her off the scent by frightening her to death...

Dr Ruth Galloway is called in by a team of archaeologists investigating coastal erosion on the north Norfolk coast, when they unearth six bodies buried at the foot of a cliff. They seem to have been there a very long time. Ruth must help discover how long, and how on earth they got there. Ruth and DCI Nelson are drawn together once more to unravel the past. Tests reveal that the bodies have lain, preserved in the sand, for sixty years. The mystery of their deaths stretches back to the Second World War, a time when Great Britain was threatened by invasion. Ruth thought she knew the history of Norfolk - she's about to find out just how…

A dark story has been brought to terrifying life. Can the ending be rewritten in time?
This is what the police know: English teacher Clare Cassidy's friend Ella has just been murdered. Clare and Ella had recently fallen out. Found beside the body was a line from The Stranger, a story by the Gothic writer Clare teaches, and the murder scene is identical to one of the deaths in the story.
This is what Clare knows: No one else was aware of her fight with Ella. Few others have even read The Stranger. Someone has wormed their way into her life and her work. They know her darkest secrets. And they don't mean well.
This is what the killer knows: Who will be next to die.

После смерти её матери отец Джастис, королевский адвокат, отправляет девочку в слегка зловещую школу-пансион Хайбери-Хаус. С двенадцати лет она училась дома, и пойти в школу для неё – настоящее испытание. Но Джастис довольно быстро осваивается на новом месте и даже заводит друзей. Только она никак не может отделаться от мысли, что в школе скрывается тайна! У Джастис нюх сыщика, ведь её мама писала детективные романы, а папа – адвокат, поэтому, когда начинается снегопад и пансион оказывается отрезан от цивилизации, а в бассейне находят тело её учительницы мисс Томас, Джастис понимает, что только она способна разоблачить преступника!