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A fun and fearless anthology of feminist tales, by fifteen bestselling, award-winning writers.
Dragon. Tygress. She-Devil. Hussy. Siren. Wench. Harridan. Muckraker. Spitfire. Vituperator. Churail. Termagant. Fury. Warrior. Virago.
For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story. In this blazing cauldron of a book, fifteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.

A fun and fearless anthology of feminist tales, by fifteen bestselling, award-winning writers.
Dragon. Tygress. She-Devil. Hussy. Siren. Wench. Harridan. Muckraker. Spitfire. Vituperator. Churail. Termagant. Fury. Warrior. Virago.
For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story. In this blazing cauldron of a book, fifteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.

A stunning collection of new short stories originally commissioned by The New York Times Magazine as the COVID-19 pandemic swept the world, from twenty-nine authors including Margaret Atwood, Tommy Orange, Colm Toibin, Kamilia Shamsie, David Mitchell and more, in a project inspired by Boccaccio’s The Decameron.
When reality is surreal, only fiction can make sense of it.
In 1353, Giovanni Boccaccio wrote “The Decameron”: one hundred nested tales told by a group of young men and women passing the time at a villa outside Florence while waiting out the gruesome Black Death, a plague that killed more than 25 million people. Some of the stories are silly, some are bawdy, some are like fables.
In March of 2020, the editors of The New York Times Magazine created The Decameron Project, an anthology with a simple, time-spanning goal: to gather a collection of stories written as our current pandemic first swept the globe. How might new fiction from some of the finest writers working today help us memorialize and understand the unimaginable? And what could be learned about how this crisis will affect the art of fiction?
These twenty-nine new stories, from authors including Margaret Atwood, Tommy Orange, Edwidge Danticat, and David Mitchell vary widely in texture and tone. Their work will be remembered as a historical tribute to a time and place unlike any other in our lifetimes, and offer perspective and solace to the reader now and in a future where coronavirus is, hopefully, just a memory.
Table of Contents:
“Preface” by Caitlin Roper
“Introduction” by Rivka Galchen
“Recognition” by Victor LaValle
“A Blue Sky Like This” by Mona Awad
“The Walk” by Kamila Shamsie
“Tales from the LA River” by Colm Tуibнn
“Clinical Notes” by Liz Moore
“The Team” by Tommy Orange
“The Rock” by Leila Slimani
“Impatient Griselda” by Margaret Atwood
“Under the Magnolia” by Yiyun Li
“Outside” by Etgar Keret
“Keepsakes” by Andrew O’Hagan
“The Girl with the Big Red Suitcase” by Rachel Kushner
“The Morningside” by Tйa Obreht
“Screen Time” by Alejandro Zambra
“How We Used to Play” by Dinaw Mengestu
“Line 19 Woodstock/Glisan” by Karen Russell
“If Wishes Was Horses” by David Mitchell
“Systems” by Charles Yu
“The Perfect Travel Buddy” by Paolo Giordano
“An Obliging Robber” by Mia Cuoto
“Sleep” by Uzodinma Iweala
“Prudent Girls” by Rivers Solomon
“That Time at My Brother’s Wedding” by Laila Lalami
“A Time of Death, The Death of Time” by Juliбn Fuks
“The Cellar” by Dina Nayeli
“Origin Story” by Matthew Baker
“To the Wall” by Esi Edugyan
“Barcelona: Open City” by John Wray
“One Thing” by Edwidge Danticat

Kanada, in den 1930er Jahren: Laura, funfzehnjahrige Tochter eines Fabrikanten, verfallt einem Gewerkschaftsagitator. Doch auch fur ihre Schwester Iris verkorpert er das romantische Ideal eines Mannes. Als Laura einige Jahre spater von seinem Tod erfahrt, begeht sie Selbstmord. Zuruck bleibt ein Manuskript mit dem Titel „Der blinde Morder“, das Laura postum beruhmt macht. Aber ist sie wirklich die Autorin? Iris versucht Jahre spater, sich ruckblickend Klarheit uber die Geschehnisse zu verschaffen.

In this funny, erudite, endlessly curious, uncannily prescient collection of essays cultural icon Margaret Atwood asks:
- Why do people everywhere, in all cultures, tell stories?
- How much of yourself can you give away without evaporating?
- How can we live on our planet?
- Is it true? And is it fair?
- What do zombies have to do with authoritarianism?
In over fifty pieces Atwood aims her prodigious intellect and impish humour at our world, and reports back to us on what she finds. The roller-coaster period covered in the collection brought an end to the end of history, a financial crash, the rise of Trump and a pandemic. From debt to tech, the climate crisis to freedom; from when to dispense advice to the young (answer: only when asked) to how to define granola, we have no better questioner of the many and varied mysteries of our human universe.

Atwood's first new fiction publication since The Testaments, this deeply personal collection includes a stunning sequence that follows a married couple as they travel the road together, the moments big and small that make up a long life of love -- and what comes after
The stories explore the full warp and weft of experience, from two best friends disagreeing about their shared past, to the right way to stop someone from choking; from a daughter determining if her mother really is a witch, to what to do with inherited relics such as World War II parade swords.
They feature beloved cats, a confused snail, Martha Gellhorn, George Orwell, philosopher-astronomer-mathematician Hypatia of Alexandria, a cabal of elderly female academics, and an alien tasked with retelling human fairy tales.
The glorious range of Atwood's creativity and humanity is on full beam in these tales, which by turns delight, illuminate and quietly devastate.

Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.

The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love—and what comes after.

Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.

Rennie Wilford is a young journalist running from her life. When she takes an assignment to a Caribbean island she tumbles into a world where no one is quite what they seem, least of all ‘Yankee’ Paul.
Is Paul a drug smuggler? A CIA operative? Either way he’s trouble and his offer to Rennie of a no-hooks, no strings affair, will suddenly draw her into in a lethal web of corruption.

Elizabeth has just lost her latest lover to suicide while Nate, her husband, is working up to run off with Lesje. And Lesje? She would rather be studying dinosaurs than distracted by men. As Elizabeth, Nate and Lesje find themselves imprisoned by walls of their own construction the ghost of Elizabeth’s dead lover hangs over them. Under his shadow, and in the spell…