The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The Textual editing takes account of recent scholarship while giving the material a careful reappraisal.
"Hamlet" is not only one of Shakespeare's greatest plays but also the most fascinatingly problematic tragedy in world literature.
First performed around 1600, this is a gripping and exuberant drama of revenge, rich in contrasts and conflicts. Its violence alternates with introspection, its melancholy with humour, and its subtlety with spectacle. The Prince, Hamlet himself, is depicted as a complex, divided, introspective character. His reflections on death, morality and the very status of human beings make him 'the first modern man'.
Countless stage productions and numerous adaptations for the cinema and television have demonstrated the continuing cultural relevance of this vivid, enigmatic, profound and engrossing drama.
The Wordsworth Classics' Shakespeare Series presents a newly-edited sequence of William Shakespeare's works. The Textual editing takes account of recent scholarship while giving…Развернуть
Edited, introduced and annotated by Cedric Watts, Research Professor of English, University of Sussex.
As You Like It is one of Shakespeare's finest romantic comedies, variously lyrical, melancholy, satiric, comic and absurd. Its highly implausible plot generates a profusion of love-lorn men, a resourceful heroine in disguise, sexual ambiguity, melancholy philosophising and finally a multiplicity of marriages.
The ironic medley of pastoral artifice, romantic ardour and quizzical reflection has helped to make As You Like It perennially popular in the theatre.
The text of this edition is taken, by arrangement, from the Cambridge University Press ‘New Shakespeare’, edited by Sir Arthur Quiller-Couch and John Dover Wilson.
Introduction and Notes by Cedric Watts, Research Professor of English, University of Sussex.
Antony and Cleopatra is one of Shakespeare's greatest tragedies: a spectacular, widely-ranging drama of love and war, passion and politics.
Antony is divided between the responsibilities of imperial power and the intensities of his sexual relationship with Cleopatra. She, variously generous and ruthless, loving and jealous, petulant and majestic, emerges as Shakespeare's most complex depiction of a woman: 'Age cannot wither her, nor custom stale / Her infinite variety.'
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