An eerie ability is passed from grandmother to grandson—who now must reckon with a new cacophony of voices and sounds, all from the past, overlaying his life in the present—in this stirring new novel from one of the UK’s most exciting young writers.
Selda Heddle, a famously reclusive composer, is found dead in a snowy field near her Cornish home. She was educated at Agnes’s Hospice for Acoustically Gifted Children, which for centuries has offered its young wards a grounding in the gift—an inherited ability to tune into the voices and sounds of the past.
When she dies, Selda’s gift passes down to her grandson Wolf, who must make sense of her legacy, and learn to live with the newly unleashed voices in his head. Ambitious and exhilarating, The Variations is a novel of startling originality about music and the difficulty—or impossibility—of living with the past.
An eerie ability is passed from grandmother to grandson—who now must reckon with a new cacophony of voices and sounds, all from the past, overlaying his life in the present—in…
A meditation on the power and pleasures of the image, from paintings to photographs to migraine auras, by one of Britain's finest literary minds.
In Affinities, Brian Dillon, who Joyce Carol Oates has said writes “fascinating prose . . . on virtually any subject,” explores images and artists he is drawn to and analyzes the attraction. What does it mean to claim affinity with a picture? What do feelings of affinity imply about the experience of art and of the world? Affinities is a critical and personal study of a sensation that is not exactly taste, desire, or solidarity, but has aspects of all three. Approaching this subject via discrete examples, Dillon examines works by artists such as Dora Maar and Andy Warhol, Rinko Kawauchi and Susan Hiller, as well as scientific or vernacular images of sea creatures and migraine auras. Written as a series of linked essays, Affinities completes a trilogy, with Essayism and Suppose a Sentence, about the intimate and abstract pleasures of reading and looking.
A meditation on the power and pleasures of the image, from paintings to photographs to migraine auras, by one of Britain's finest literary minds.
My Stupid Intentions is the autobiography of a beech marten named Archy. Born into poverty, maimed by an accident, he is sold into servitude by his mother and taught to read and write by Solomon—a pawnbroking fox whose knowledge derives from a Bible that fell on his head while he was busy feeding on a hanged man.
Even as Archy’s life is transformed by his discovery of the written word and his grappling with the entity called God, he longs for an existence guided by instinct. He longs to be “a real animal.” But there is no way of unlearning what he has learned. Caught between his natural urges and his acquired knowledge, he seeks the meaning of his story by writing it.
This debut novel by the young Italian author Bernardo Zannoni is set in a primordial landscape where animals talk and tend their hearths but are never free from the struggle for survival. A picaresque fable, it has drawn comparisons to Pinocchio and Watership Down, The Wind in the Willows and The Stranger.
My Stupid Intentions is the autobiography of a beech marten named Archy. Born into poverty, maimed by an accident, he is sold into servitude by his mother and taught to read and…
The Strudlhof Steps is an unsurpassed portrait of Vienna in the twentieth century, a novel crowded with characters who range from an elegant, alcoholic Prussian aristocrat, to an innocent ingénue, to “respectable” shopkeepers and tireless sexual adventurers, bohemians, grifters, and honest working-class folk. The greatest character in the book, however, is the city of Vienna, its streets and surrounding hills and woods depicted by Heimito von Doderer with all the vividness of Joyce’s Dublin or Döblin’s Berlin. The novel interweaves two time periods, 1908 to 1911 and 1923 to 1925, and finds its central focus and governing metaphor in the monumental outdoor double staircase that gives the book its title. Here people of the city, with their complicated pasts and ever-changing present concerns, continually intersect and then proceed on their separate ways.
The Strudlhof Steps is a masterpiece of modern Austrian literature that is at once an absorbing (and highly popular) soap opera, full of suspense and surprise, and an experimental tour de force. Vincent Kling’s translation is the first into English.
The Strudlhof Steps is an unsurpassed portrait of Vienna in the twentieth century, a novel crowded with characters who range from an elegant, alcoholic Prussian aristocrat, to an…
Finding the Raga is more than a book that tries to make sense of Indian classical music and of how Indian music challenges Western notions of what music might be. It is a work of self-inquiry, as might be expected from Amit Chaudhuri, a musician who is also a novelist; a novelist who is also a critic and essayist; a trained and recorded performer in the Indian classical vocal tradition who was also, once, a guitarist and songwriter in the American folk-music style and is now a composer and recorded performer of experimental music. Each one of these undertakings and selves signifies turns at different points in his life, and each turn and change of direction brings a fresh perspective on music, writing, and what it means to take on and do these things. No category—Indian, Western—is a given in this book. Partly a record of one of the most important turns in the author’s life, toward North Indian music, and of its long aftermath, Finding the Raga is also part autobiography set in 1970s Bombay, part essay, and part detailed analysis of how we might grasp the conceptual underpinnings as well as the experience of music. It explores the different ways in which music relates to the world—whether it’s through representation or evocation, as in Western music, or through the raga being sung at different times of day and in different seasons, as in Indian music—and also tries to understand what the act of listening involves for individuals and cultures.
Finding the Raga is more than a book that tries to make sense of Indian classical music and of how Indian music challenges Western notions of what music might be. It is a work of…
Corbin College, not quite upstate New York, winter 1959–1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies. Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics that finds Joshua Cohen at the height of his powers.
Corbin College, not quite upstate New York, winter 1959–1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the…
With Storm, first published in 1941, George R. Stewart invented a new genre of fiction, what we might today call the eco-novel. California had been plunged in drought throughout the summer and fall, when, just after the new year, half a world away, a ship on the Pacific reports an unusual barometric reading. In San Francisco, a junior meteorologist in the weather bureau takes note of the anomaly and plots “an incipient little whorl” on the weather map, a developing storm, he suspects, that he privately dubs Maria. Stewart’s novel tracks Maria’s eastward progress to and beyond the shores of the United States though the eyes of meteorologists, linemen, snowplow operators, a general, a couple of decamping lovebirds, and an unlucky owl, and the storm, as it ebbs and falls, will bring long-needed rain, flooding roads, deep snows, accidents, and death. Storm itself combines brilliant narrative invention and widespread erudition to offer an epic account of humanity’s relationship to, and dependence on, the natural world.
With Storm, first published in 1941, George R. Stewart invented a new genre of fiction, what we might today call the eco-novel. California had been plunged in drought throughout…
Now in a new translation, Temptation is a rediscovered masterwork of twentieth-century fiction, a Dickensian tale of a young man coming of age in Budapest between the wars.
Béla has never had much luck. His mother abandoned him at birth to go to work in Budapest, leaving him in the care of the dubious ‘Old Rozi’, a former prostitute who now runs a foster home with equal parts hauteur and cruelty. Victimised and almost starved by his guardian, Béla must fight for everything, from scraps of the other boys' food to the right to go to school. At fourteen he is caught trying to steal a pair of shoes; his mother is called and she reluctantly takes him with her to Budapest.
Once in the capital Béla manages to secure a position at a grand old hotel, and it is here that a more privileged lifestyle seems to extend a hand to him. Operating the lift, Béla encounters people from across Hungarian society and beyond, including the beautiful daughter of an American businessman and a passionate revolutionary. But his new lifestyle offers both pleasures and perils, and Béla must find a way to forge his own life from the divergent influences that surround him.
A picaresque classic with a rich vein of bawdy humour, Temptation is an under-appreciated masterpiece of twentieth-century fiction. Rich, varied and endlessly entertaining, the novel creates a stunning panorama of Hungarian society through the travails of its singularly charming hero.
Now in a new translation, Temptation is a rediscovered masterwork of twentieth-century fiction, a Dickensian tale of a young man coming of age in Budapest between the wars.…
In 1898 reformist intellectuals in China persuaded the young emperor that it was time to transform his sclerotic empire into a prosperous modern state. The Hundred Days’ Reform that followed was a moment of unprecedented change and extraordinary hope—brought to an abrupt end by a bloody military coup. Dashed expectations would contribute to the revolutionary turn that Chinese history would soon take, leading in time to the deaths of millions.
Peach Blossom Paradise, set at the time of the reform, is the story of Xiumi, the daughter of a wealthy landowner and former government official who falls prey to insanity and disappears. Days later, a man with a gold cicada in his pocket turns up at his estate and is inexplicably welcomed as a relative. This mysterious man has a great vision of reforging China as an egalitarian utopia, and he will stop at nothing to make it real. It is his own plans, however, which come to nothing, and his “little sister” Xiumi is left to take up arms against a Confucian world in which women are chattel. Her campaign for change and her struggle to seize control over her own body are continually threatened by the violent whims of men who claim to be building paradise.
In 1898 reformist intellectuals in China persuaded the young emperor that it was time to transform his sclerotic empire into a prosperous modern state. The Hundred Days’ Reform…
Anna Kavan is one of the great originals of twentieth-century fiction, comparable to Leonora Carrington and Jean Rhys, a writer whose stories explored the inner world of her imagination and plumbed the depths of her long addiction to heroin. This new selection of Kavan’s stories gathers the best work from across the many decades of her career, including oblique and elegiac tales of breakdown and institutionalization from Asylum Piece (1940), moving evocations of wartime from I Am Lazarus (1945), fantastic and surrealist pieces from A Bright Green Field (1958), and stories of addiction from Julia and the Bazooka (1970). Kavan’s turn to science fiction in her final novel, Ice, is reflected in her late stories, while “Starting a Career,” about a mercenary dealer of state secrets, is published here for the first time.
Kavan experimented throughout her writing career with results that are moving, funny, bizarre, poignant, often unsettling, always unique. Machines in the Head offers American readers the first full overview of the work of a fearless and dazzling literary explorer.
Anna Kavan is one of the great originals of twentieth-century fiction, comparable to Leonora Carrington and Jean Rhys, a writer whose stories explored the inner world of her…
Castle Gripsholm, the best and most beloved work by Kurt Tucholsky, is a short novel about an enchanted summer holiday. It begins with an assignment: Tucholsky’s publisher wants him to write something light and funny, otherwise about whatever Tucholsky wants. A deal is struck and the story is off: about Peter, a writer; his girlfriend, known as the Princess; and a summer vacation far from the hurly-burly of Berlin. Peter and the Princess have rented a small house attached to a historic castle in Sweden, and they have five weeks of long days and white nights at their disposal; five weeks for swimming and walking and sex and talking and visits with Peter’s buddy Karlchen and with Billy, the Princess’s best friend. It is perfect, until they meet a weeping girl fleeing the cruel headmistress of a home for children. The vacationers decide they must free the girl and send her back to her mother in Switzerland, which brings about an encounter with authority that casts a worrying shadow over their radiant summer idyll. Soon they must return to Germany. What kind of fairy tale are they living in?
Castle Gripsholm, the best and most beloved work by Kurt Tucholsky, is a short novel about an enchanted summer holiday. It begins with an assignment: Tucholsky’s publisher wants…
Hardly a day goes by without some discussion about whether computers can be conscious, whether our universe is some kind of simulation, whether mind is a unique quality of human beings or spread out across the universe like butter on bread. Most philosophers believe that our experience is locked inside our skulls, an unreliable representation of a quite different reality outside. Colour, smell and sound, they tell us, occur only in our heads. Yet when neuroscientists look inside our brains to see what's going on, they find only billions of neurons exchanging electrical impulses and releasing chemical substances.
Five years ago, in a chance conversation, Tim Parks came across a radical new theory of consciousness that undercut this interpretation. This set him off on a quest to discover more about this fascinating topic and also led him to observe his own experience with immense attention.
Hardly a day goes by without some discussion about whether computers can be conscious, whether our universe is some kind of simulation, whether mind is a unique quality of human…
Ole Jastrau is the very model of an enterprising and ambitious young man of letters, poised on the brink of what is sure to be a distinguished career as a critic. In fact he is teetering on the brink of an emotional and moral abyss. Bored with his beautiful wife and chafing at the burdens of fatherhood, disdainful of the commercialism and political opportunism of the newspaper he works for, he feels more and more that his life lacks meaning. He flirts with Catholicism and flirts with Communism, but somehow he doesn’t have the makings of a true believer. Then he takes up with the bottle, a truly meaningful relationship. “Slowly and quietly,” he intends to go to the dogs.
Jastrau’s romance with self-destruction will take him through all the circles of hell. The process will be anything but slow and quiet.
Ole Jastrau is the very model of an enterprising and ambitious young man of letters, poised on the brink of what is sure to be a distinguished career as a critic. In fact he is…
In the Second World War, Italy was torn apart by German armies, civil war, and the Allied invasion. In a corner of Tuscany, one woman—born in England, married to an Italian—kept a record of daily life in a country at war. Iris Origo’s powerful diary, War in Val d’Orcia, is the spare and vivid account of what happened when a peaceful farming valley became a battleground.
At great personal risk, the Origos gave food and shelter to partisans, deserters, and refugees. They took in evacuees, and as the front drew closer they faced the knowledge that the lives of thirty-two small children depended on them. Origo writes with sensitivity and generosity, and a story emerges of human acts of heroism and compassion, and the devastation that war can bring.
In the Second World War, Italy was torn apart by German armies, civil war, and the Allied invasion. In a corner of Tuscany, one woman—born in England, married to an Italian—kept a…
As a novel, Uwe Johnson’s masterpiece, Anniversaries, is at once daringly simple in conception and wonderfully complex and engaging in effect. Late in 1967, Johnson, already one of the most celebrated German novelists of his generation, set out to write a book that would take the form of an entry for every day of the year that lay ahead. The first section was dated August 20, and Johnson had of course no idea what the year would bring - that was part of the challenge - but he did have his main character: Gesine Cresspahl, a German emigre living on the Upper West Side of New York City and working as a translator for a bank who is the single mother of a ten-year-old daughter, Marie. The book would tell the story of a year in the life of this little family in relation to the unfolding story of the year, as winnowed from the pages of the New York Times, of which Gesine is a devoted if wary reader. These stories would in turn be overlayed by another: Gesine is 34, born just as Hitler was coming to power, and she has decided to tell Marie the story of her grandparents’ lives and of her own rural childhood in Nazi Germany. It is important that Marie know where and what she comes from. The days of the year are also anniversaries of years past. The world that was and the world of the 1960s - with the struggle for civil rights leading to riots in American cities and, abroad, the escalating destruction of the Vietnam War - are, in the end, one world.
Anniversaries was published in four volumes over the more than ten years that it took Johnson to write it, and as the volumes came out it became clear that this was one the great twentieth-century novels. The book courts comparison to Joyce’s Ulysses, the book of a day, and to Proust’s In Search of Lost Time, the book of a lifetime, but it stands apart in its dense polyphonic interplay of voices and stories. Anniversaries is many books: the book of a mother and daughter, of a family and its generations, of the country and the city, and of two times and two countries that seem farther apart perhaps than they are. It is a novel of private life, a political novel, and a new kind of historical novel, reckoning not only with past history but with history in the making.
Monumental and intimate, sweeping in vision and full of incident, richly detailed and endlessly absorbing, Anniversaries, now for the first time available in English in a brilliant new translation by Damion Searls, is nothing short of a revelation.
As a novel, Uwe Johnson’s masterpiece, Anniversaries, is at once daringly simple in conception and wonderfully complex and engaging in effect. Late in 1967, Johnson, already one…
Come to Moderan...
Moderan is one of the most startingly original, provocative & fascinating future worlds in all of science fiction.
In Moderan, men are made mostly of metal. They retain strips of flesh to contain their humanity. They live in Strongholds. They prowl the war rooms of their Strongholds and plan wars.
Quite a world, Moderan. Come visit. The war is about to begin...
Come to Moderan...
Moderan is one of the most startingly original, provocative & fascinating future worlds in all of science fiction.
In Moderan, men are made mostly of metal.…
It's New Year’s Eve at the Villa Nightmare but Beelzebub Preposteror is in no mood for celebration. As the Shadow Sorcery Minister, Preposteror has a duty to perform a certain number of evil deeds in service to the Minister of Pitch Darkness. But this year, to his horror, he’s nowhere near meeting that quota. Preposteror has all but given up when who should make an unexpected visit but his aunt, the witch Tyrannia Vampirella. She has come with a diabolical proposal that just might be the solution to Preposterer’s dilemma: together they will brew the fabled Notion Potion, “one of the most ancient and powerful evil spells in the universe,” and their every evil wish will be granted.
The only thing that stands in their way is a most unlikely team—a cat named Mauricio di Mauro and a raven known as Jacob Scribble, who have just hours to thwart the plans of their sorcerer masters and save the world from destruction.
It's New Year’s Eve at the Villa Nightmare but Beelzebub Preposteror is in no mood for celebration. As the Shadow Sorcery Minister, Preposteror has a duty to perform a certain…
A classic California noir with a feminist twist, this prescient 1947 novel exposed misogyny in post-World War II American society, making it far ahead of its time.
Los Angeles in the late 1940s is a city of promise and prosperity, but not for former fighter pilot Dix Steele. To his mind nothing has come close to matching “that feeling of power and exhilaration and freedom that came with loneness in the sky.” He prowls the foggy city night—bus stops and stretches of darkened beaches and movie houses just emptying out—seeking solitary young women. His funds are running out and his frustrations are growing. Where is the good life he was promised? Why does he always get a raw deal? Then he hooks up with his old Air Corps buddy Brub, now working for the LAPD, who just happens to be on the trail of the strangler who’s been terrorizing the women of the city for months...
Written with controlled elegance, Dorothy B. Hughes’s tense novel is at once an early indictment of a truly toxic masculinity and a twisty page-turner with a surprisingly feminist resolution. A classic of golden age noir, In a Lonely Place also inspired Nicholas Ray’s 1950 film of the same name, starring Humphrey Bogart.
Afterword by Megan Abbott.
A classic California noir with a feminist twist, this prescient 1947 novel exposed misogyny in post-World War II American society, making it far ahead of its time.
A stunning work of memoir and an unforgettable depiction of the brilliance and madness by one of Surrealism's most compelling figures.
In 1937 Leonora Carrington—later to become one of the twentieth century’s great painters of the weird, the alarming, and the wild—was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence.
In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break. She wept for hours. Her stomach became “the mirror of the earth”—of all worlds in a hostile universe—and she tried to purify the evil by compulsively vomiting. As the Germans neared the south of France, a friend persuaded Carrington to flee to Spain. Facing the approach “of robots, of thoughtless, fleshless beings,” she packed a suitcase that bore on a brass plate the word Revelation.
This was only the beginning of a journey into madness that was to end with Carrington confined in a mental institution, overwhelmed not only by her own terrible imaginings but by her doctor’s sadistic course of treatment. In Down Below she describes her ordeal—in which the agonizing and the marvelous were equally combined—with a startling, almost impersonal precision and without a trace of self-pity. Like Daniel Paul Schreber’s Memoirs of My Nervous Illness, Down Below brings the hallucinatory logic of madness home.
A stunning work of memoir and an unforgettable depiction of the brilliance and madness by one of Surrealism's most compelling figures.
Set in the post-martial-law era of late 1980s Taipei, Notes of a Crocodile depicts the coming-of-age of a group of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, Qiu Miaojin's cult classic novel is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and countercultural icon.
Afflicted by her fatalistic attraction to Shui Ling, an older woman who is alternately hot and cold toward her, Lazi turns for support to a circle of friends that includes the devil-may-care, rich-kid-turned-criminal Meng Sheng and his troubled, self-destructive gay lover Chu Kuang, as well as the bored, mischievous overachiever Tun Tun and her alluring slacker artist girlfriend Zhi Rou.
Bursting with the optimism of newfound liberation and romantic idealism despite corroding innocence, Notes of a Crocodile is a poignant and intimate masterpiece of social defiance by a singular voice in contemporary Chinese literature.
Set in the post-martial-law era of late 1980s Taipei, Notes of a Crocodile depicts the coming-of-age of a group of queer misfits discovering love, friendship, and artistic…