Вручение 19 ноября 2018 г.

Страна: Канада Место проведения: город Торонто Дата проведения: 19 ноября 2018 г.

Премия Гиллер

Лауреат
Эси Эдугян 3.4

Жюри оценило произведение как «чрезвычайно увлекательный роман о дружбе и любви, а также о том, как личность иногда является гораздо более важным актом воображения, чем возраст человека».

When two English brothers take the helm of a Barbados sugar plantation, Washington Black - an eleven year-old field slave - finds himself selected as personal servant to one of these men. The eccentric Christopher 'Titch' Wilde is a naturalist, explorer, scientist, inventor and abolitionist, whose single-minded pursuit of the perfect aerial machine mystifies all around him.

Titch's idealistic plans are soon shattered and Washington finds himself in mortal danger. They escape the island together, but then then Titch disappears and Washington must make his way alone, following the promise of freedom further than he ever dreamed possible.

From the blistering cane fields of Barbados to the icy wastes of the Canadian Arctic, from the mud-drowned streets of London to the eerie deserts of Morocco, Washington Black teems with all the strangeness and mystery of life. Inspired by a true story, Washington Black is the extraordinary tale of a world destroyed and made whole again.
Patrick deWitt 3.2
Frances Price – tart widow, possessive mother, and Upper East Side force of nature – is in dire straits, beset by scandal and impending bankruptcy. Her adult son Malcolm is no help, mired in a permanent state of arrested development. And then there’s the Price’s aging cat, Small Frank, who Frances believes houses the spirit of her late husband, an infamously immoral litigator and world-class cad whose gruesome tabloid death rendered Frances and Malcolm social outcasts.

Putting penury and pariahdom behind them, the family decides to cut their losses and head for the exit. One ocean voyage later, the curious trio land in their beloved Paris, the City of Light serving as a backdrop not for love or romance, but self destruction and economical ruin – to riotous effect. A number of singular characters serve to round out the cast: a bashful private investigator, an aimless psychic proposing a seance, a doctor who makes house calls with his wine merchant in tow, and the inimitable Mme. Reynard, aggressive houseguest and dementedly friendly American expat.  

Brimming with pathos and wit, French Exit is a one-of-a-kind 'tragedy of manners,' a riotous send-up of high society, as well as a moving mother/son caper which only Patrick deWitt could conceive and execute.
Eric Dupont, Peter McCambridge 0.0
Nuns that appear out of thin air, a dinner party at the Goebbels’, Quebec’s very own Margaret Thatcher, a grandma that just won’t die (not until the archangel comes back)... Songs for the Cold of Heart is a yarn to rival the best of them, a big fat whopper of a tall tale that bounces around from provincial Rivière-du-Loup in 1919 to Nagasaki, 1990s Berlin, Rome, and beyond. This is the novel of a century—long and glorious, stuffed full of parallels, repeating motifs, and unforgettable characters—with the passion and plotting of a modern-day Tosca.
Sheila Heti 3.5
From the author of How Should a Person Be? (“one of the most talked-about books of the year”—Time Magazine) and the New York Times Bestseller Women in Clothes comes a daring novel about whether to have children.

In Motherhood, Sheila Heti asks what is gained and what is lost when a woman becomes a mother, treating the most consequential decision of early adulthood with the candor, originality, and humor that have won Heti international acclaim and made How Should A Person Be? required reading for a generation.

In her late thirties, when her friends are asking when they will become mothers, the narrator of Heti’s intimate and urgent novel considers whether she will do so at all. In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home.

Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.
Теа Лим 0.0
Their story begins with a goodbye. Polly and Frank are young and in love, a lifetime together before them. But one evening in 1981, as the Texas sun sets over their shoulders, the world is suddenly pulled apart by a deadly virus. Within months, Frank is dying.

Polly can save him, but only if she agrees to a radical plan: to time travel to 1993 for a corporation who can fund his life-saving treatment. She can only go forward, she cannot go back. And she must leave everything she loves behind, including Frank.

All they have is the promise of a future together: they will find each other again in twelve years' time, in Galveston, Texas, where the sea begins.

But when something goes wrong and Polly arrives late, Frank is nowhere to be found. Completely alone, Polly must navigate a terrifying new world to find him, and to discover if their love has endured.

An Ocean of Minutes is a devastating and timely novel about courage, yearning, the cost of holding onto the past - and the price of letting it go.
Рави Хаж 0.0
After his undertaker father’s death, laconic, Greek mythology– reading Pavlov is approached by a member of the mysterious Hellfire Society— an antireligious sect that, among many rebellious and often salacious activities, arranges secret burial for outcasts who have been denied last rites because of their religion or sexuality. Pavlov agrees to take up his father’s work for the society, and over the course of the novel acts as survivor- chronicler of his torn and fading community, bearing witness to both its enduring rituals and its inevitable decline.


In Beirut Hellfire Society, award- winning author Rawi Hage— praised for his “fierce poetic originality” (Boston Globe) and “uncompromising vision” (Colm Tóibín)— asks: What, after all, can be preserved in the face of certain change and imminent death? The answer is at once propulsive, elegiac, outrageous, profane, and transcendent— and a profoundly moving meditation on what it means to live through war.