Alexis Henderson2.9 WANTED - Bloodmaid of exceptional taste. Must have a keen proclivity for life's finer pleasures. Girls of weak will need not apply.
A young woman is drawn into the upper echelons of a society where blood is power, in this dark and enthralling gothic novel from the author of The Year of the Witching.
Marion Shaw has been raised in the slums, where want and deprivation is all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper, seeking a bloodmaid.
Though she knows little about the far north--where wealthy nobles live in luxury and drink the blood of those in their service--Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery--and at the center of it all is her.
Countess Lisavet, who presides over this hedonistic court, is loved and feared in equal measure. She takes a special interest in Marion. Lisavet is magnetic, and Marion is eager to please her new mistress. But when her fellow bloodmaids begin to go missing in the night, Marion is thrust into a vicious game of cat and mouse. She'll need to learn the rules of her new home--and fast--or its halls will soon become her grave.
Джулия Армфилд4.0 Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah is not the same. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has brought part of it back with her, onto dry land and into their home.
Moving through something that only resembles normal life, Miri comes to realize that the life that they had before might be gone. Though Leah is still there, Miri can feel the woman she loves slipping from her grasp.
Our Wives Under The Sea is the debut novel from Julia Armfield, the critically acclaimed author of salt slow. It’s a story of falling in love, loss, grief, and what life there is in the deep deep sea.
Катриона Уорд3.7 Sundial is a new, twisty psychological horror novel from Catriona Ward, internationally bestselling author of The Last House on Needless Street.
You can't escape what's in your blood...
All Rob wanted was a normal life. She almost got it, too: a husband, two kids, a nice house in the suburbs. But Rob fears for her oldest daughter, Callie, who collects tiny bones and whispers to imaginary friends. Rob sees a darkness in Callie, one that reminds her too much of the family she left behind.
She decides to take Callie back to her childhood home, to Sundial, deep in the Mojave Desert. And there she will have to make a terrible choice.
Callie is worried about her mother. Rob has begun to look at her strangely, and speaks of past secrets. And Callie fears that only one of them will leave Sundial alive…
The mother and daughter embark on a dark, desert journey to the past in the hopes of redeeming their future.
Габино Иглесиас3.3 Роман-лауреат премий Брэма Стокера и Ширли Джексон.
Кровавая история мужчины, отчаянно пытающегося спасти то, что осталось от его семьи. Ради этого ему придется погрузиться в самую пучину насилия — как реального, так и сверхъестественного.
Убийство так и не стало для Марио обычной работой. Но путь сикарио — единственный способ вылечить маленькую дочь. Только вот стопка медицинских счетов не уменьшается, а семейные отношения на грани разрыва.
В это кризисное время Марио получает предложение: последний заказ, который либо навсегда вытащит его из бедности, либо отправит в другой мир с пулей в голове. Человеку по имени Хуанка нужен напарник, чтобы совершить налет на курьеров мексиканского наркокартеля, везущих два миллиона долларов.
Марио нечего терять, и он отправляется в путешествие. Каждый день вокруг происходят невыразимые ужасы, а в конце дороги его ждет сам дьявол.
The American version of the British TV series The Office evolved into a Hall of Fame comedy in its own right. This behind-the-scenes dual memoir from series regulars Jenna Fischer (Pam!) and Angela Kinsey (Angela!) won over a huge readership with its wit and warmth and subsequent word-of-mouth recommendations.
Мэтт Крахт0.0 This must-have sequel to the bestselling parody book The Field Guide to Dumb Birds of North America proves that all birds are fascinating, wonderful, idiotic jerks—no matter where in the world they reside.
Following in the tracks of the first uproarious and beloved bird book in the series, this hilarious sequel ventures beyond to identify the stupidest birds around the world. Featuring birds from North and South America, Africa, Asia, Europe, and Oceania, author Matt Kracht identifies the dumb birds that manage to live all over the freaking place with snarky yet accurate names and humorous, anger-filled drawings. Offering a balance of fact and wit, this uproarious profanity-laden handbook will appeal to hardcore birders and casual bird lovers (and haters) alike.
ENTERTAINING AND EDUCATIONAL: This laugh-out-loud funny spoof guide to all things wings includes a matching game, a bird descriptor checklist, and tips on how to identify a bird (you can tell a lot by looking into a bird's eyes, for example). Plus, each entry is accompanied by facts about a bird's (annoying) call, its (dumb) migratory pattern, its (downright tacky) markings, and more.
POPULAR AUTHOR: Matt Kracht is an amateur birder, writer, and illustrator who enjoys creating books that celebrate the humor inherent in life's absurdities. Based in Seattle, he enjoys gazing out the window at the beautiful waters of Puget Sound and making fun of birds. Other amusing titles from Matt include The Field Guide to Dumb Birds of North America and OMFG, BEES!
Чак Клостерман4.2 The Nineties: a wise and funny reckoning with the decade that gave us slacker/grunge irony about the sin of trying too hard, during the greatest shift in human consciousness of any decade in American history.
It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn't know who it was. By the end, exposing someone's address was an act of emotional violence, and nobody picked up their new cell phone if they didn't know who it was. The '90s brought about a revolution in the human condition we're still groping to understand. Happily, Chuck Klosterman is more than up to the job.
Beyond epiphenomena like Cop Killer and Titanic and Zima, there were wholesale shifts in how society was perceived: the rise of the internet, pre-9/11 politics, and the paradoxical belief that nothing was more humiliating than trying too hard. Pop culture accelerated without the aid of a machine that remembered everything, generating an odd comfort in never being certain about anything. On a '90s Thursday night, more people watched any random episode of Seinfeld than the finale of Game of Thrones. But nobody thought that was important; if you missed it, you simply missed it. It was the last era that held to the idea of a true, hegemonic mainstream before it all began to fracture, whether you found a home in it or defined yourself against it.
In The Nineties, Chuck Klosterman makes a home in all of it: the film, the music, the sports, the TV, the politics, the changes regarding race and class and sexuality, the yin/yang of Oprah and Alan Greenspan. In perhaps no other book ever written would a sentence like, "The video for 'Smells Like Teen Spirit' was not more consequential than the reunification of Germany" make complete sense. Chuck Klosterman has written a multi-dimensional masterpiece, a work of synthesis so smart and delightful that future historians might well refer to this entire period as Klostermanian.
Джилл Гутовиц3.8 Jill Gutowitz’s life—for better and worse—has always been on a collision course with pop culture. There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill’s own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values—always teaching, distracting, disappointing, and revealing us.
Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near—and very queer—future.
Молли Шеннон0.0 At age four, Molly Shannon’s world was shattered when she lost her mother, baby sister, and cousin in a car accident with her father at the wheel. Held together by her tender and complicated relationship with her grieving father, Molly was raised in a permissive household where her gift for improvising and role-playing blossomed alongside the fearlessness that would lead her to become a celebrated actress.
From there, Molly ventured into the wider world of New York and Los Angeles show business, where she created her own opportunities and developed her daring and empathetic comedy. Filled with behind-the-scenes stories involving everyone from Whitney Houston to Adam Sandler to Monica Lewinsky, many told for the first time here, Hello, Molly! spans Molly’s time on Saturday Night Live—where she starred alongside Will Ferrell, Adam Sandler, Cheri Oteri, Tracy Morgan, and Jimmy Fallon, among many others. At the same time, it explores with humor and candor her struggle to come to terms with the legacy of her father, a man who both fostered her gifts and drive and was left with the impossible task of raising his kids alone after the loss of her mother.
Witty, winning, and told with tremendous energy and heart, Hello, Molly!, written with Sean Wilsey, sheds new and revelatory light on the life and work of one of our most talented and free-spirited performers.
Джесси Кляйн0.0 The eagerly anticipated second essay collection from Jessi Klein, author of the acclaimed New York Times bestselling debut You'll Grow Out of It.
"Sometimes I think about how much bad news there is to tell my kid, the endlessly long, looping CVS receipt scroll of truly terrible things that have happened, and I want to get under the bed and never come out. How do we tell them about all this? Can we just play Billy Joel's We Didn't Start the Fire and then brace for questions? The first of which should be, how is this a song that played on the radio?"
In New York Times bestselling author and Emmy Award-winning writer and producer Jessi Klein's second collection, she hilariously explodes the cultural myths and impossible expectations around motherhood and explore the humiliations, poignancies, and possibilities of midlife.
In interconnected essays like "Listening to Beyonc� in the Parking Lot of Party City," "Your Husband Will Remarry Five Minutes After You Die," "Eulogy for My Feet," and "An Open Love Letter to Nate Berkus and Jeremiah Brent," Klein explores this stage of life in all its cruel ironies, joyous moments, and bittersweetness.
Written with Klein's signature candor and humanity, I'll Show Myself Out is an incisive, moving, and often uproarious collection.
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