Тара Джун Уинч0.0 Knowing that he will soon die, Albert ‘Poppy’ Gondiwindi takes pen to paper. His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind.
August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.
Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.
Дж. М. Кутзее3.8 Давиду уже десять. Он играет в футбол и спорит с родителями, но, несмотря на такие привычные мальчишеские повадки, он совсем не похож на сверстников. История о пути Давида в этом мире полна непростых вопросов о жизни, людях и памяти. Философский и пронизанный размышлениями, "Смерть Иисуса" — невероятный по своей силе роман, каждое слово которого — с трудом постижимая загадка.
Кэрри Тиффани0.0 A dangerous man moves in with a mother and her two adolescent children. The man runs an unlicensed mechanic’s workshop at the back of their property. The girl resists the man with silence, and finally with sabotage. She fights him at the place where she believes his heart lives—in the engine of the car.
Set at the close of the 1970s and traversing thousands of kilometres of inland roads, Exploded View is a revelatory interrogation of Australian girlhood.
Must a girl always be a part—how can she become a whole?
Люси Трелоар0.0 For years Kitty Hawke has lived alone on Wolfe Island, witness to the island’s erosion and clinging to the ghosts of her past. Her work as a sculptor and her wolfdog Girl are enough. News of mainland turmoil is as distant as myth until refugees from that world arrive: her granddaughter Cat, and Luis and Alejandra, a brother and sister escaping persecution. When threats from the mainland draw closer, they are forced to flee for their lives. They travel north through winter, a journey during which Kitty must decide what she will do to protect the people she loves.
Part western, part lament for a disappearing world, Wolfe Island (set off the northeast coast of the US) is a transporting novel that explores connection and isolation and the ways lives and families shatter and are remade.
Шарлотт Вуд0.0 People went on about death bringing friends together, but it wasn't true. The graveyard, the stony dirt - that's what it was like now . . . Despite the three women knowing each other better than their own siblings, Sylvie's death had opened up strange caverns of distance between them.
Four older women have a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her?
They are Jude, a once-famous restaurateur, Wendy, an acclaimed public intellectual, and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather for Christmas at Sylvie's old beach house - not for festivities, but to clean the place out before it is sold.
Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface - and threatens to sweep away their friendship for good.
The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship that is nothing short of a masterpiece.
Мохаммед Масуд Морси0.0 SHORTLISTED FOR THE NSW PREMIERS LITERARY AWARD FOR FICTION 2020 AUSTRALIA
SHORTLISTED FOR THE VOSS LITERARY AWARD 2020
LONGLISTED FOR THE VOSS LITERARY AWARD 2020
Interwoven in the anguish and trauma of Palestine, is a cross-border romance of ineffable charm – served equally with the remorseless realism of war and the bare-skinned surrender of two young warriors who break the rules because: what rules? He, a Palestinian and she, an Israeli soldier – confront the tyrannies of power – political, religious, and personal. Their prisons of repression and arrogant delusion break open the aphorism: ‘To birds born caged, flying is a crime.’ There is no judgement, purely the exposition: Do I question my inherited viewpoint, or do I reach for the ideal? In a surge of almost giddying prose that pulls us page-by-page, questioning our values in a fever of anticipation the sequel strings though the twenty two years that bring forth the dichotomy between love and the lifetime-punishment of war. What do we ultimately become when we are bereft of hope? In a grappling prequel, three young zealots risk their lives in a dubious exchange of Egyptian hashish for Israeli guns - with renegade soldiers to whom trigger-murder was little more than a whim. Are we really prepared to pay the price for what we believe in?
This trilogy of novels begins with the reckless urge of idealism, it traverses the personal narrative rarely heard and closes with a finale that any lover would applaud.
Gay'wu Group of Women 0.0 'We want you to come with us on our journey, our journey of songspirals. Songspirals are the essence of people in this land, the essence of every clan. We belong to the land and it belongs to us. We sing to the land, sing about the land. We are that land. It sings to us.'
Aboriginal Australian cultures are the oldest living cultures on earth and at the heart of Aboriginal cultures is song. These ancient narratives of landscape have often been described as a means of navigating across vast distances without a map, but they are much, much more than this. Songspirals are sung by Aboriginal people to awaken Country, to make and remake the life-giving connections between people and place. Songspirals are radically different ways of understanding the relationship people can have with the landscape.
For Yolngu people from North East Arnhem Land, women and men play different roles in bringing songlines to life, yet the vast majority of what has been published is about men's place in songlines. Songspirals is a rare opportunity for outsiders to experience Aboriginal women's role in crying the songlines in a very authentic and direct form.
'Songspirals are Life. These are cultural words from wise women. As an Aboriginal woman this is profound to learn. As a human being Songspirals is an absolute privilege to read.' - Ali Cobby Eckermann, Yankunytjatjara poet
'To read Songspirals is to change the way you see, think and feel this country.' - Clare Wright, award-winning historian and author
'A rare and intimate window into traditional women's cultural life and their visceral connection to Country. A generous invitation for the rest of us.' - Kerry O'Brien, Walkley Award-winning journalist
Кристина Томпсон5.0 A blend of Jared Diamond’s Guns, Germs, and Steel and Simon Winchester’s Pacific, a thrilling intellectual detective story that looks deep into the past to uncover who first settled the islands of the remote Pacific, where they came from, how they got there, and how we know.
For more than a millennium, Polynesians have occupied the remotest islands in the Pacific Ocean, a vast triangle stretching from Hawaii to New Zealand to Easter Island. Until the arrival of European explorers they were the only people to have ever lived there. Both the most closely related and the most widely dispersed people in the world before the era of mass migration, Polynesians can trace their roots to a group of epic voyagers who ventured out into the unknown in one of the greatest adventures in human history.
How did the earliest Polynesians find and colonize these far-flung islands? How did a people without writing or metal tools conquer the largest ocean in the world? This conundrum, which came to be known as the Problem of Polynesian Origins, emerged in the eighteenth century as one of the great geographical mysteries of mankind.
For Christina Thompson, this mystery is personal: her Maori husband and their sons descend directly from these ancient navigators. In Sea People, Thompson explores the fascinating story of these ancestors, as well as those of the many sailors, linguists, archaeologists, folklorists, biologists, and geographers who have puzzled over this history for three hundred years. A masterful mix of history, geography, anthropology, and the science of navigation, Sea People combines the thrill of exploration with the drama of discovery in a vivid tour of one of the most captivating regions in the world.
Тим Бонихади0.0 The Enchantment of the Long-haired Rat tells the story of a small Australian rodent known for its fast and prodigious spread after big rains: plagues for the European colonists who feared and loathed all rats; an abundance of food for the indigenous peoples who feasted with delight in these times of plenty.
While the rats brought despair and hardship for the early colonist eating not only crops and supplies but clothes, boots and saddlery, their presence also offered a lifeline as a food source. The Burke and Wills story might well have had a different ending had the hapless explorers been tempted to follow the example of the Aboriginal people and make use of a nutritious and readily available meal.
Tim Bonyhady’s account—from the earliest evidence of it, found in caves and overhangs, to its most recent boom triggered by the immense rains across Australia of 2010–11 and current research of its mysterious life—presents a fascinating view of Australia’s history, illuminating a species, a continent, its climate and its people.
Jess Hill4.2 At the office of Safe Steps, Victoria’s dedicated 24/7 family violence response call centre, phone counsellors receive a call every three minutes. Many women are repeat callers: on average, they will go back to an abusive partner eight times before leaving for good.
‘You must get so frustrated when you think a woman’s ready to leave and then she decides to go back,’ I say.
‘No,’ replies one phone counsellor, pointedly. ‘I’m frustrated that even though he promised to stop, he chose to abuse her again.’
Women are abused or killed by their partners at astonishing rates: in Australia, almost 17 per cent of women over the age of fifteen – one in six – have been abused by an intimate partner.
In this confronting and deeply researched account, journalist Jess Hill uncovers the ways in which abusers exert control in the darkest – and most intimate – ways imaginable. She asks: What do we know about perpetrators? Why is it so hard to leave? What does successful intervention look like?
What emerges is not only a searing investigation of the violence so many women experience, but a dissection of how that violence can be enabled and reinforced by the judicial system we trust to protect us.
Combining exhaustive research with riveting storytelling, See What You Made Me Do dismantles the flawed logic of victim-blaming and challenges everything you thought you knew about domestic and family violence.
Джессика Уайт0.0 Hearing Maud: a Journey for a Voice is a work of creative non-fiction that details the author’s experiences of deafness after losing most of her hearing at age four. It charts how, as she grew up, she was estranged from people and turned to reading and writing for solace, eventually establishing a career as a writer.
Central to her narrative is the story of Maud Praed, the deaf daughter of 19th century Queensland expatriate novelist Rosa Praed. Although Maud was deaf from infancy, she was educated at a school which taught her to speak rather than sign, a mode difficult for someone with little hearing. The breakup of Maud’s family destabilised her mental health and at age twenty-eight she was admitted to an asylum, where she stayed until she died almost forty years later. It was through uncovering Maud’s story that the author began to understand her own experiences of deafness and how they contributed to her emotional landscape, relationships and career.
Викки Уэйкфилд0.0 I have questions I’ve never asked. Worries I’ve never shared. Thoughts that circle and collide and die screaming because they never make it outside my head. Stuff like that, if you let it go—it’s a survival risk.
Sixteen-year-old Nate McKee is doing his best to be invisible. He’s worried about a lot of things—how his dad treats Nance and his twin half-brothers; the hydro crop in his bedroom; his reckless friend, Merrick.
Nate hangs out at the local youth centre and fills his notebooks with things he can’t say. But when some of his pages are stolen, and his words are graffitied at the centre, Nate realises he has allies. He might be able to make a difference, change his life, and claim his future. Or can he?
This Is How We Change the Ending is raw and real, funny and heartbreaking—a story about what it takes to fight back when you’re not a hero.
Малла Нун0.0 In this stunning and heartrending tale set in a Swaziland boarding school, two girls of different castes bond over a shared copy of Jane Eyre.
Adele Joubert loves being one of the popular girls at Keziah Christian Academy. She knows the upcoming semester at school is going to be great with her best friend Delia at her side. Then Delia dumps her for a new girl with more money, and Adele is forced to share a room with Lottie, the school pariah, who doesn't pray and defies teachers' orders.
But as they share a copy of Jane Eyre, Lottie's gruff exterior and honesty grow on Adele, and Lottie learns to be a little sweeter. Together, they take on bullies and protect each other from the vindictive and prejudiced teachers. Then a boy goes missing on campus and Adele and Lottie must rely on each other to solve the mystery and maybe learn the true meaning of friendship.
Нил Грант0.0 A beautifully written coming-of-age novel featuring a strong voice, set across two continents, exploring the universal themes of family and belonging.
When sixteen-year-old Rudra's grandmother arrives from India and a long hidden secret is dredged from the bay, life on Rudra's sleepy New South Wales village shifts dramatically and it's not long before Rudra and his mother are bound for Bengal on a journey of discovery and danger.
Вай Чим4.0 Anna Chiu has her hands pretty full looking after her brother and sister and helping out at her dad’s restaurant, all while her mum stays in bed. Dad’s new delivery boy, Rory, is a welcome distraction and even though she knows that things aren’t right at home, she’s starting to feel like she could just be a normal teen.
But when Mum finally gets out of bed, things go from bad to worse. And as Mum’s condition worsens, Anna and her family question everything they understand about themselves and each other.
A nourishing tale about the crevices of culture, mental wellness and family, and the surprising power of a good dumpling.
Хелена Фокс0.0 Biz knows how to float. She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, who loves her so hard, and who shouldn't be here but is. So Biz doesn't tell anyone anything. Not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And she doesn't tell anyone about her dad. Because her dad died when she was six. And Biz knows how to float, right there on the surface—normal okay regular fine.
But after what happens on the beach—first in the ocean, and then in the sand--the tethers that hold Biz steady come undone. Dad disappears, and with him, all comfort. It might be easier, better, sweeter to float all the way away? Or maybe stay a little longer, find her father, bring him back to her. Or maybe—maybe maybe maybe—there's a third way Biz just can't see yet.
Джасмин Сеймур, Лиэнн Малго Уотсон0.0 Cooee Mittigar, meaning Come Here Friend, is an invitation to yana (walk), on Darug Country. In this stunning picture book, Darug creators Jasmine Seymour and Leanne Mulgo Watson tell a story on Darug Songlines, introducing children and adults-alike to Darug Nura (Country) and language.
Greeted by Mulgo, the black swan, readers are welcomed to Nura. Journeying through the seasons, Mulgo describes the land, skyscape, birds, animals and totems. It is a gentle guide to how Darug people read the seasons, knowing when it is time to hunt and time to rest. It is also an appeal to remember, offering new ways of seeing and reading the lands of the surrounding Sydney region.
With Darug language interspersed with English and an extensive glossary throughout, Cooee Mittigar presents an important tool for learning, told as a tender story with exquisite illustrations. It is Jasmine and Leanne’s wish that with this book, everyone will know that the Darug mob are still here and still strong.
Дион Бизли, Джоанна Белл0.0 In this exuberant illustrated memoir, action-packed images and poetic words trace Dion Beasley's fascination with cheeky dogs and his unconventional journey into the world of contemporary art.
Every morning
Is it time yet?
Nearly Joie says.
Out of the freezer comes the meat.
Bones and sausages and chicken necks.
Butcher knife on the bricks, me chopping up.
Be careful! Or you'll cut your finger off.
We can't have that Joie says.
Meet deaf artist, Dion Beasley, and the people he calls family. Dodging road trains by day and giant blue monsters at night, Dion weaves his way through life on an electric scooter, collecting rocks and dogs to make art. In his dreams he sees animals from overseas and his mother's country, Lake Nash, but every morning, without fail, he puts on his favourite socks and gets ready to feed the dogs. Is it time yet?
Dion Beasley and Johanna Bell have collaborated on two other books, Too Many Cheeky Dogs and Go Home, Cheeky Animals, which won the Children's Book Council of Australia Book of the Year Award in 2017.
Кристина Бут0.0 The hauntingly beautiful story of our last thylacine.
Where the mist swallows mountains and winds whisper through ancient trees a mother and her pup run wild and free. They hunt, but they are also hunted. Carted away. Sold for bounty. And then, one careless night … The last thylacine is gone.
One Careless Night tells the story of Tasmania's last Thylacine, that died in captivity after the zookeeper neglected to put the animals in their shelters for the night. The Thylacine and many other animals died that night of exposure.
Мартин Чаттертон0.0 Winter Of The White Bear is a lavishly illustrated picture book about Little Bear whose happy life in the Great Forest is suddenly changed by the arrival of an unwelcome visitor: White Bear. When White Bear forces Little Bear to come with him and hunt for him in the northern Ice Lands, Little Bear must dig deep inside herself to find the inner strength to escape.
Мэг МакКинлей0.0 This coming-of-age story by multiple award winner Meg McKinlay is about loss and grief, dealing with change and fighting to hold on to what you can, while letting go of what you can't.
It's 1979 and the sky is falling. Skylab, that is. Somewhere high above Frankie Avery, one of the world's first space stations is tumbling to Earth. And rushing back with it are old memories. Things 12 year old Frankie thought she had forgotten. Things her mum won't talk about, and which her little brother Newt never knew. Only ... did he? Because as Skylab circles closer, Newt starts acting strangely. And while the world watches the sky, Frankie keeps her own eyes on Newt. Because if anyone's going to keep him safe, it's her. But maybe this is something bigger than splinters and spiders and sleepwalking. Maybe a space station isn't the only thing heading for calamity.
Омар Сакр0.0 Award-winning Arab Australian poet Omar Sakr presents a pulsating collection of poetry that interrogates the bonds and borders of family, faith, queerness, and nationality.
Visceral and energetic, Sakr’s poetry confronts the complicated notion of “belonging” when one’s family, culture, and country are at odds with one’s personal identity. Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.
Джудит Бретт0.0 It’s compulsory to vote in Australia. We are one of a handful of countries in the world that enforce this rule at election time, and the only English-speaking country that makes its citizens vote. Not only that, we embrace it. We celebrate compulsory voting with barbeques and cake stalls at polling stations, and election parties that spill over into Sunday morning. But how did this come to be: when and why was voting in Australia made compulsory? How has this affected our politics? And how else is the way we vote different from other democracies? Lively and inspiring, From Secret Ballot to Democracy Sausage is a landmark account of the character of Australian democracy by the celebrated historian Judith Brett, the prize-winning biographer of Alfred Deakin.
Мэрилин Лейк0.0 The paradox of progressivism continues to fascinate more than one hundred years on. Democratic but elitist, emancipatory but coercive, advanced and assimilationist, Progressivism was defined by its contradictions. In a bold new argument, Marilyn Lake points to the significance of turn-of-the-twentieth-century exchanges between American and Australasian reformers who shared racial sensibilities, along with a commitment to forging an ideal social order. Progressive New World demonstrates that race and reform were mutually supportive as Progressivism became the political logic of settler colonialism.
White settlers in the United States, who saw themselves as path-breakers and pioneers, were inspired by the state experiments of Australia and New Zealand that helped shape their commitment to an active state, women’s and workers’ rights, mothers’ pensions, and child welfare. Both settler societies defined themselves as New World, against Old World feudal and aristocratic societies and Indigenous peoples deemed backward and primitive.
In conversations, conferences, correspondence, and collaboration, transpacific networks were animated by a sense of racial kinship and investment in social justice. While “Asiatics” and “Blacks” would be excluded, segregated, or deported, Indians and Aborigines would be assimilated or absorbed. The political mobilizations of Indigenous progressives—in the Society of American Indians and the Australian Aborigines’ Progressive Association—testified to the power of Progressive thought but also to its repressive underpinnings. Burdened by the legacies of dispossession and displacement, Indigenous reformers sought recognition and redress in differently imagined new worlds and thus redefined the meaning of Progressivism itself.
