Автор
Грейсон Перри

Grayson Perry

  • 7 книг
  • 1 подписчик
  • 107 читателей
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Грейсон Перри — библиография

  • The Most Popular Art Exhibition Ever! Грейсон Перри
    Дата написания: 2017
    There are some artists for whom 'popular' is a bit of a dirty word. Grayson Perry is not one of them. He thinks art shouldn't be an exclusive club for people who 'get' it, but for everyone - that's why his new show is called The Most Popular Art Exhibition Ever!

    This accompanying book contains all his latest works, in full colour - including his much-discussed 'Leave' and 'Remain' pots, and creations inspired by his recent TV series All Man - along with an
  • Sketchbooks Грейсон Перри
    Дата написания: 2016
    A first-time collection of Grayson Perry's sketches, Sketchbooks follows the evolution of his career from art school to the present day. Grayson Perry has been using sketchbooks as a place to record and develop ideas - whether for pots, tapestries, clothes, houses or exhibitions, or for nothing at all - for over thirty years. Bringing together his favourites for the first time and showing some of the finished works that result from these initial drawings, the result is a rich, beautiful b
  • Playing to the Gallery Грейсон Перри
    Дата написания: 2016
    'I have never read such a stimulating short guide to art' Lynn Barber, Sunday Times
    Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he's called this book Playing to the Gallery and not 'Sucking up to an Academic Elite'). Based on his hugely popular BBC Radio 4 Reith Lectures and full of pictures, this funny, personal journey through the art world answers th
  • Fourth Plinth Грейсон Перри
    Дата написания: 2016
    The vacant plinth in the north-west corner of London's Trafalgar Square has provoked controversy for generations. Originally intended to hold an equestrian statue of William IV, it remained empty because of a lack of funds. For a century and half, debate over the plinth's fate raged until 1998, when it was decided to use the spot as a site of temporary commissions of contemporary art by leading artists.
    A marble statue of a hea