Автор
Иван Владиславич

Ivan Vladislavic

  • 3 книги
  • 1 подписчик
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Иван Владиславич — новинки

  • Double Negative Иван Владиславич
    ISBN: 1908276266
    Год издания: 2013
    Издательство: And Other Stories
    Язык: Английский
    Originally part of a collaborative project with photographer David Goldblatt, Double Negative is a subtle triptych that captures the ordinary life of Neville Lister during South Africa's extraordinary revolution. Ivan Vladislavic lays moments side by side like photographs on a table. He lucidly portrays a city and its many lives through reflections on memory, art, and what we should really be seeking.

    Ivan Vladislavic is the author of a number of prize-winning fiction and nonfiction books. He currently lives in Johannesburg, South Africa.
  • Portrait with Keys: The City of Johannesburg Unlocked Иван Владиславич
    ISBN: 184627060X
    Год издания: 2007
    Язык: Английский
    In the wake of apartheid, the flotsam and jetsam of the divided past flow over Johannesburg and settle, once the tides recede, all around the author, who, patrolling his patch, surveys the changed cityscape and tries to convey for us the nature and significance of those changes.
  • The Restless Supermarket Иван Владиславич
    ISBN: 0864866674
    Год издания: 2001
    Издательство: Spearhead Press
    Язык: Английский
    This exhilarating novel by prize–winning author Ivan Vladislavić is a linguistic tour de force, a spectacular carnival of post–modern commentary, urban satire, riotous imagery and outrageous wordplay. Set in Hillbrow during the tumultuous years of apartheid’s demise, the rapid changes taking place both in the neighbourhood and the country are charted by staid, conservative Aubrey Tearle, a retired proofreader whose life has been devoted to reading telephone directories. Obsessed with what he terms ‘corrigenda’––mistakes that crop up with increasing frequency as ‘standards decline’––he embarks on a grandiose plan to enlighten his fellow–citizens, with disastrous, hilarious and poignant results.
    Demonstrating a Cervantes–like knack for creating innocents who tilt at windmills, Vladislavić continues to demonstrate the dazzling and unique talent seen in his previous writings as he explores the age–old theme of how individuals respond when ‘things fall apart’––and what can occur when language itself is in a state of flux. This highly original novel reflects post–apartheid, post–modern writing at its best.