Атол Фугард — библиография

In this remarkable memoir, Athol Fugard, author of The Road to Mecca, A Lesson From Aloes, Master Harold…and the boys, Valley Song and numerous other works for the stage, paints a moving study of his early years in South Africa. Cousins focuses on Fugard's relationship with his two cousins and their impact, which led the author to a lifelong pursuit of a writing career.

A South African pastor and a young teacher from Cape Town battle over the fate of an eccentric elderly widow.

The search for a means to an end to apartheid erupts into conflict between a black township youth and his «old-fashioned» black teacher.

"If there is a more urgent and indispensible playwright in world theatre than South Africa's Athol Fugard, I don't know who it could be."—Jack Kroll, Newsweek One of the true contemporary masters of the stage, South African playwright Athol Fugard has written one of his most stunning works. Sorrows and Rejoicings explores the legacy of Apartheid on two women—one white, the other black—who on the surface seem to have little in common except for their love of one man, a white poet who is attached to the Karoo land of South Africa. The drama moves between past and present, reliving the poet's despondent years in exile and his eventual return to a new South Africa. With lyrical grace, Fugard once again demonstrates the human struggle to transcend the treacherous injustices of history.South African playwright, actor and director, Athol Fugard is one of the world's leading theatre artists, of whom The New Yorker has said, «A rare playwright, who could be a primary candidate for either the Nobel Prize on Literature or the Nobel Peace Prize.»Also available by Athol Fugard: The Road to Mecca PB $11.95 0-930452-79-8 - USA My Children! My Africa! PB $10.95 1-55936-014-3 o USAStatementsPB $10.95 0-930452-61-5 - USA Blood Knot and Other Plays PB $ 14.95 1-55936-020-8 - USA Valley Song PB $10.95 1-55936-119-0 - USA

–13th book by Athol Fugard published by TCG -Combined sales of his books top 100,000 copies -One of the world's most produced playwrights

- major productions across the U.S. - New York premiere scheduled for the Manhattan Theatre Club in January 1999. - the 10th title by Fugard published by TCG - Cousins 1559361322, sold 2400. - This title follows the story in Cousins ; this is an extension of the same story. - Author starts, directs, and writes

World premiere at Signature Theatre Company (Off-Broadway) at the Pershing Square Center in New York City the spring of 2015. The original production was widely acclaimed by New York critics.Inspired by the life of outsider artist Nukain Mabuzza.As it centers on the historical context of apartheid, the play would do well in academic courses of history, theatre, and African studies.Fugard discusses this play in an interview for an episode of “All Things Considered” on NPR.The Painted Rocks at Revolver Creek marks the 16th book by Athol Fugard published by TCG, the most by any writer.Athol Fugard has been writing plays since the 1970s, winning numerous awards throughout his expansive career.In 2011, he was honored with a Special Tony Award for Lifetime Achievement in the Theatre.He has won two New York Drama Critics' Circle Awards for Best Play (A Lesson from Aloes) in 1981 and Best Foreign Play (The Road to Mecca) in 1988.His play «Master Harold»…and the Boys won a Drama Desk Award in in 1982.In 1996, Fugard won a Lucille Lortel Award for Outstanding Body of Work, in addition to a Lucille Lortel Award for Outstanding Revival in 1992 for his play Boesman and Lena.

The Shadow of the Hummingbird explores the loss of innocence and the need to maintain a sense of wonder at the fleeting beauty of the world. The play premiered at the Long Wharf Theatre in New Haven, USA, in 2014, and an expanded version was subsequently staged at the Fugard Theatre in Cape Town, as well as in Johannesburg and Bloemfontein. Athol Fugard returned to the stage for the first time in 15 years to play the role of Oupa in these two productions. This publication reflects the South African production, and is regarded by the authors as the final and definitive one.