Мэри Уолстонкрафт – лучшие книги

Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity, and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice, and for women to become defined by their profession, not their partner. Mary Wollstonecraft's work was received with a mixture of admiration and outrage - Walpole called her 'a hyena in petticoats' - yet it established her as…

Bernie Wrightson's Frankenstein

"Travellers who require that every nation should resemble their native country, had better stay at home," Mary Wollstonecraft wrote to her lover, Gilbert Imlay, in one of a series of letters addressed to him from her travels through Scandinavia in the summer of 1795. With a keen, withering eye, Wollstonecraft, one of the founding mothers of modern feminism, of course offers her insightful observations on the condition of womanhood in these northerly nations. But she also delights the reader with poetic portraits of the landscapes, observations on the rural and urban societies she encounters, and the particular difficulties encountered by a woman travelling alone, with only her infant daughter and a nursemaid for company... especially a woman who asks "men's questions" of those she meets along the way. First collected in book form in 1796, these letters display a strikingly modern attitude from a woman who was far ahead of her time.

British writer and educator MARY WOLLSTONECRAFT (1759-1797), the mother of Frankenstein author Mary Wollstonecraft Shelley, espoused her then-radical feminist and liberal philosophies in such works as Thoughts on the Education of Daughters (1787), A Vindication of the Rights of Woman (1792), and History and Moral View of the Origins and Progress of the French Revolution (1793).

'I have lately written...a tale, to illustrate an opinion of mine, that a genius will educate itself.'

Mary Wollstonecraft is best known for her pioneering views on the rights of women to share equal rights and opportunities with men. Expressed most forcefully in her Vindication of the Rights of Woman (1792), her forthright opinions also inform her two innovative novels, Mary and The Wrongs of Woman, a fictional sequel to the Vindication. In both novels the heroines have to rely on their own resources to establish their independence and intellectual development. Mary learns to take control of her destiny and become a social philanthropist, while Maria, in The Wrongs of Woman, fights imprisonment and a loveless marriage to claim her rights.

Strongly autobiographical, both novels powerfully complement Wollstonecraft's non-fictional writing, inspired by the French Revolution and the social upheavals that followed.

'If ever there was a book calculated to make a man in love with its author, this appears to me to be the book.'

William Godwin, the author's future husband, was not alone in admiring Letters written during a short residence in Sweden, Norway, and Denmark, Wollstonecraft's most popular book during her lifetime. Not easy to categorize, it is both an arresting travel book and a moving exploration of her personal and political selves. Wollstonecraft set out for Scandinavia just two weeks after her first suicide attempt, on a mission from the lover whose affections she doubted, to recover his silver on a ship that had gone missing. With her baby daughter and a nursemaid, she travelled across the dramatic landscape and wrote sublime descriptions of the natural world, and the events and people she encountered. What emerges most vividly is Wollstonecraft's courage and ability to look beyond her own suffering to the turmoil around her in revolutionary Europe, and a better future.

This edition includes further material on the silver ship, Wollstonecraft's personal letters to Imlay during her trip, an extract from Godwin's memoir, and a selection of contemporary reviews.

This volume brings together extracts of the major political writings of Mary Wollstonecraft in the order in which they appeared in the revolutionary 1790s. It traces her passionate and indignant response to the excitement of the early days of the French Revolution and then her uneasiness at its later bloody phase. It reveals her developing understanding of women's involvement in the political and social life of the nation and her growing awareness of the relationship between politics and economics and between political institutions and the individual.

In personal terms, the works show her struggling with a belief in the perfectibility of human nature through rational education, a doctrine that became weaker under the onslaught of her own miserable experience and the revolutionary massacres.

Janet Todd's introduction illuminates the progress of Wollstonecraft's thought, showing that a reading of all three works allows her to emerge as a more substantial political writer than a study of The Rights of Woman alone can reveal.

These three works of fiction - two by Mary Wollstonecraft, the radical author of A Vindication of the Rights of Woman, and one by her daughter Mary Shelley, creator of Frankenstein - are powerfully emotive stories that combine passion with forceful feminist argument. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for over a century - tells the story of a woman alienated from society by the incestuous passion of her father. Humane, compassionate and highly controversial, these stories demonstrate the strongly original genius of their authors.

Mary: A Fiction is a novel by 18th-century British feminist Mary Wollstonecraft. It tells the tragic story of a female's successive «romantic friendships» with a woman and a man. Inspired by Jean-Jacques Rousseau's idea that geniuses teach themselves, Wollstonecraft chose a rational, self-taught heroine, Mary, as the protagonist. Helping to redefine genius, a word which at the end of the 18th century was only beginning to take on its modern meaning of exceptional or brilliant, Wollstonecraft describes Mary as independent and capable of defining femininity and marriage for herself. According to Wollstonecraft, it is Mary's «strong, original opinions» and her resistance to «conventional wisdom» that mark her as a genius. Making her heroine a genius allowed Wollstonecraft to criticize marriage as well, as she felt geniuses were «enchained» rather than enriched by marriage. Through this heroine Wollstonecraft also critiques 18th-century sensibility and its effects on women. Mary rewrites the traditional romance plot through its reimagination of gender relations and female sexuality.

In her classic manifesto A Vindication of the Rights of Woman, pioneer feminist Mary Wollstonecraft (1759-1797) embraced an egalitarian social philosophy as the basis for the creation and preservation of equal rights and opportunities for women. In the posthumously published Maria, or the Wrongs of Woman, Wollstonecraft drew upon similar reasoning, presented in a fictional framework to illustrate the grim reality of a woman's life in the eighteenth century.
Inspired by the writings of Rousseau and William Godwin, her husband and editor, Wollstonecraft was determined to depict "the misery and oppression, particular to women, that arise out of the partial laws and customs of society." The tale of a woman locked up in an asylum by her abusive husband, Maria dramatizes the effects of the era's draconian English marriage laws. Combining the spirited rhetoric of a philosophical treatise with a narrative as gripping as any gothic fiction, this is the book that laid the groundwork for modern feminism.

Mary: A Fiction is the first and only complete novel written by the British feminist Mary Wollstonecraft. It tells the tragic story of a heroine's successive "romantic friendships" with a woman and a man. Composed while Wollstonecraft was a governess in Ireland, the novel was published in 1788 shortly after her summary dismissal and her momentous decision to embark on a writing career, a precarious and disreputable profession for women in eighteenth-century Britain. Inspired by Jean-Jacques Rousseau's idea that geniuses are self-taught, Wollstonecraft chose a rational, self-taught heroine, Mary, as the central character of her novel. Helping to redefine genius (a word which at the end of the eighteenth century was only beginning to take on its modern meaning of exceptional or brilliant), Wollstonecraft describes Mary as independent and capable of defining femininity and marriage for herself. It is Mary's "strong, original opinions" and her resistance to "conventional wisdom" that mark her as a genius. Making her heroine a genius allowed Wollstonecraft to criticize marriage as well: geniuses were "enchained" rather than enriched by marriage.