Новинки Уэллса Тауэра

Главные герои рассказов молодого американского прозаика Уэллса Тауэра — люди на грани нервного срыва. Они сами загоняют себя в тупик, выбраться из которого им по силам, но они не всегда этого хотят. Героев Тауэра не покидает ощущение постоянной тревоги и постоянной надежды на сопереживание. Проза Тауэра — это то и дело возникающие комические ситуации, неожиданно сменяющиеся ощущением чего-то ужасного. У Тауэра новая американская малая проза приобрела и новый язык — яркий, отточенный и хлесткий. Благодаря этому симбиозу Уэллса Тауэра сегодня называют "следующим лучшим писателем Америки".

In June 2010, the editors of The New Yorker announced to widespread media coverage their selection of "20 Under 40"―the young fiction writers who are, or will be, central to their generation. The magazine published twenty stories by this stellar group of writers over the course of the summer. They are now collected for the first time in one volume.

The range of voices is extraordinary. There is the lyrical realism of Nell Freudenberger, Philipp Meyer, C. E. Morgan, and Salvatore Scibona; the satirical comedy of Joshua Ferris and Gary Shteyngart; and the genre-bending tales of Jonathan Safran Foer, Nicole Krauss, and Téa Obreht. David Bezmozgis and Dinaw Mengestu offer clear eyed portraits of immigration and identity; Sarah Shun-lien Bynum, ZZ Packer, and Wells Tower offer voice-driven, idiosyncratic narratives. Then there are the haunting sociopolitical stories of Chimamanda Ngozi Adichie, Daniel Alarcón, and Yiyun Li, and the metaphysical fantasies of Chris Adrian, Rivka Galchen, and Karen Russell.

Each of these writers reminds us why we read. And each is aiming for greatness: fighting to get and to hold our attention in a culture that is flooded with words, sounds, and pictures; fighting to surprise, to entertain, to teach, and to move not only us but generations of readers to come. A landmark collection, 20 Under 40 stands as a testament to the vitality of fiction today.

Birdsong / Chimamanda Ngozi Adichie --
The warm fuzzies / Chris Adrian --
Second Lives / Daniel Alarcón --
The train of their departure / David Bezmozgis --
The Erlking / Sarah Shun-lien Bynum --
The pilot / Joshua Ferris --
Here we aren't, so quickly / Jonathan Safran Foer --
An arranged marriage / Nell Freudenberger --
The entire northern side was covered with fire / Rivka Galchen --
The young painters / Nicole Krauss --
The science of flight / Yiyun Li --
An honest exit / Dinaw Mengestu --
What you do out here, when you're alone / Philipp Meyer --
Twins / C.E. Morgan --
Blue water djinn / Téa Obreht --
Dayward / ZZ Packer --
The dredgeman's revelation / Karen Russell --
The kid / Salvatore Scibona --
Lenny hearts Eunice / Gary Shteyngart --
The landlord / Wells Tower

A NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE

Viking marauders descend on a much-plundered island, hoping some mayhem will shake off the winter blahs. A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his car's windshield doesn't match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl. Wells Tower's version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. With electric prose and savage wit, Everything Ravaged, Everything Burned is a profound new collection of stories.