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Aaron Chapman's latest Vancouver book explores the gritty history of the West End in the 1970s and '80s.

Aaron Chapman, the two-time Bill Duthie Booksellers' Choice Award-winning author of such bestselling Vancouver-themed books as Vancouver after Dark and The Last Gang in Town, turns his gaze toward the city's tumultuous West End in his latest opus.

The late 1970s and early 1980s were a volatile period in the history of Vancouver, where broad social and cultural changes were afoot. This was perhaps most clearly evident in the West End, the well-known home to the city's tight-knit gay community that would soon be devastated by the AIDS epidemic. But the West End's tree-lined streets were also populated by sex workers, both female and male, who fought a well-publicized turf war with residents. This, combined with a rising crime rate, invited the closer attention of the Vancouver police, including its vice squad. But after a body was found dumped in nearby Stanley Park, it was discovered that the victim's high-profile connections reached far beyond the streets and back alleys of the West End, making for one of the most shocking investigations in Vancouver history, with secrets long held, and never fully told until now.

Vancouver Vice reveals the captivating beating heart of a neighbourhood long before the arrival of gentrifying condo towers and coffee bars. Part murder mystery, investigative expose, and cultural history, this book transports readers back to a grittier, more chaotic time in the city, when gambling dens prevailed, police listened in on wire taps, and hustlers plied their trade on street corners. With warm regard and a whiff of nostalgia, Vancouver Vice peers behind the curtain to examine how the city once indulged in its vices, and at what cost.

In his latest book, bestselling author, musician, and cultural historian Aaron Chapman looks back at the most famous music entertainment venues in Vancouver, a city that's transforming so fast it has somehow lost some of its favourite nightspots along the way. These are the places locals are still talking about years after they closed, burned down, or were bulldozed in the face of new trends, rising rents, gentrification, and other vagaries. This raucous book tours Vancouver's legendary hot spots, from the Cave to Isy's, Oil Can Harry's to the Marco Polo, the Luv-A-Fair, the Town Pump, the Smilin' Buddha, and Gary Taylor's Rock Room, from the city's earliest saloons to the Chinatown cabarets, gay bars, East End dives, goth hideaways, discotheques, and taverns. Archival posters and photos, many published for the first time, chronicle how the city's nightlife changed with times, and how some of these nightspots ushered in changes to Vancouver. Are the great days of Vancouver's nightlife behind us? Or does it endure in new side streets and new spaces and new forms that have resisted the changes in other parts of the city? Now's the time to look back at the nightspots that shaped Vancouver, and how its residents shaped those venues.

Replete with full-colour photographs and posters from back in the day, Vancouver after Dark is a no-holds-barred history that amply demonstrates how this was never "No Fun" City - at least once the sun went down.

Vancouver's Commodore Ballroom is, like New York's CBGB's and Los Angeles's Whiskey a Go-Go, one of the most venerated rock clubs in the world; originally built in 1930, it's hosted a who's-who of music greats before they made it big: The Police, The Clash, Blondie, Talking Heads, Nirvana, New York Dolls, U2, and, more recently, Lady Gaga and the White Stripes. Filled with never-before-published photographs, posters, and paraphernalia, Live at the Commodore is a visceral, energetic portrait of one of the world's great rock venues.

Aaron Chapman is a musician and journalist, and the author of Liquor, Lust, and the Law.