Лучшие книги Аарона Аппельфельда

Роман Аарона Аппельфельда, который ребенком пережил Холокост, скрываясь в лесах Украины, во многом соотносится с переживаниями самого писателя. Но свою историю он рассказал в своих воспоминаниях "История жизни", а "Цветы тьмы" — это история еврейского мальчика Хуго, который жил с родителями в маленьком украинском городке, но когда пришли немцы и отца забрали, мать…

Аарон Аппельфельд, один из самых читаемых израильских авторов, родился в Черновцах. В годы войны скитался по Бессарабии и Буковине, скрываясь от немцев и румын. В пятнадцать лет приехал в Палестину. Живет в Иерусалиме. Основная тема произведений Аппельфельда - непостижимость Холокоста, ужас слепой ненависти к евреям. Многие произведения писателя автобиографичны, в том числе и навеянный воспоминаниями детства роман "Катерина".
Это поразительная история украинской крестьянки, рассказанная от ее имени. После смерти матери Катерина покидает родной дом и оказывается в услужении в еврейской семье. Оставаясь христианкой, она привязывается к окружающим ее людям, с ужасом видит, как гибнут они от погромов. Несправедливость и жестокость сородичей по отношению к евреям приводит к тому, что своего единственного сына она старается воспитать в еврейской традиции. Потеряв сына, пережив каторгу, на склоне лет она возвращается в свою деревню, где живет светлыми воспоминаниями о давно ушедших людях.

How does one live after surviving injustice? What satisfaction comes from revenge? Can the past ever be left behind?

Masterfully composed and imbued with extraordinary feeling and understanding, The Iron Tracks is a riveting tale of survival and revenge by the writer whom Irving Howe called "one of the best novelists alive today."

Ever since he was released from a concentration camp forty years earlier, Erwin Siegelbaum has been obsessively riding the trains of postwar Austria. His days are filled with drink, his nights with brief love affairs and the torments of his nightmares. What keeps him sane is his mission to collect the menorahs, kiddush cups, and holy books that have survived their vanished owners. And the hope that one day he will find the Nazi officer who murdered his parents--and have the strength to kill him.

A haunting exploration of one survivor's complex, wrenching, inner world, The Iron Tracks is distinguished by the depth of insight and the distinctively stark, elegant style that have won Aharon Appelfeld recognition as one of the world's great writers.

A TABLE FOR ONE is set in the intimate Jerusalem cafes of the 1950s and 1960s, where the scent of the fresh roasted coffee and cigarette smoke wafted in with the elan of a lost European culture. Appelfeld found that it was only in a cafe - and only in a Jerusalem cafe - that he could write his novels, shaping meaning and wholeness out of the fragments of his painful past. A TABLE FOR ONE is an interchange between one artist and another, father and son, about their city, Jerusalem. It brings together an unknown side of Aharon Appelfeld's writing, with the subtle, haunting paintings of his son, Meir Appelfeld, who studied fine art at the Royal Academy of Art, London, and exhibits widely.

A Tel Aviv shopkeeper visits his parents’ Polish birthplace in an attempt to come to terms with their complex legacy—and is completely unprepared for what he finds there.

Yaakov Fine’s practical wife and daughters are baffled by his decision to leave his flourishing dress shop for a ten-day trip to his family’s ancestral village in Poland. Struggling to emerge from a midlife depression, Yaakov is drawn to Szydowce, intrigued by the stories he'd heard as a child from his parents and their friends, who would wax nostalgic about their pastoral, verdant hometown in the decades before 1939. The horrific years that followed were relegated to the nightmares that shattered sleep and were not discussed during waking hours.
When he arrives in Krakow, Yaakov enjoys the charming sidewalk cafes and relaxed European atmosphere, so different from the hurly burly of Tel Aviv. And his landlady in Szydowce—beautiful, sensual Magda, with a tragic past of her own—enchants him with her recollections of his family. But when Yaakov attempts to purchase from the townspeople the desecrated tombstones that had been stolen from Szydowce’s plowed-under Jewish cemetery, a very different Poland emerges, one that shatters Yaakov’s idyllic view of the town and its people, and casts into sharp relief the tragic reality of Jewish life in Poland—past, present, and future.
In this novel of revelation and reconciliation, Aharon Appelfeld once again mines lived experience to create fiction of powerful, universal resonance.

From "fiction's foremost chronicler of the Holocaust" (Philip Roth), here is a haunting novel about an unforgettable group of Jewish partisans fighting the Nazis during World War II.
Battling numbing cold, ever-present hunger, and German soldiers determined to hunt them down, four dozen resistance fighters—escapees from a nearby ghetto—hide in a Ukrainian forest, determined to survive the war, sabotage the German war effort, and rescue as many Jews as they can from the trains taking them to concentration camps. Their leader is relentless in his efforts to turn his ragtag band of men and boys into a disciplined force that accomplishes its goals without losing its moral compass. And so when they're not raiding peasants' homes for food and supplies, or training with the weapons taken from the soldiers they have ambushed and killed, the partisans read books of faith and philosophy that they have rescued from abandoned Jewish homes, and they draw strength from the women, the elderly, and the remarkably resilient orphaned children they are protecting. When they hear about the advances being made by the Soviet Army, the partisans prepare for what they know will be a furious attack on their compound by the retreating Germans. In the heartbreaking aftermath, the survivors emerge from the forest to bury their dead, care for their wounded, and grimly confront a world that is surprised by their existence—and profoundly unwelcoming.
Narrated by seventeen-year-old Edmund—a member of the group who maintains his own inner resolve with memories of his parents and their life before the war—this powerful story of Jews who fought back is suffused with the riveting detail that Aharon Appelfeld was uniquely able to bring to his award-winning novels.

Аарон Аппельфельд (р. 1932), один из самых читаемых израильских авторов, родился в Черновцах. В годы войны скитался по Бесарабии и Буковине, скрываясь от немцев и румын. В пятнадцать лет приехал в Палестину, живет в Иерусалиме. Основная тема произведений Аппельфельда - непостижимость Холокоста, ужас слепой ненависти к евреям. Многие произведения писателя автобиографичны, в том числе и навеянный воспоминаниями детства Роман "Катерина".
Это поразительная история украинской крестьянки, рассказанная от ее имени. После смерти матери Катерина покидает родной дом и оказывается в услужении в еврейской семье. Оставаясь христианкой, она привязывается к окружающим ее людям, с ужасом видит, как гибнут он от погромов. Несправедливость и жестокость сородичей по отношению к евреям приводит к тому, что своего единственного сына она старается воспитать в еврейской традиции. Потеряв сына, пережив каторгу, на склоне лет она возвращается в свою деревню, где живет светлыми воспоминаниями о давно ушедших людях.
Перевод с иврита Виктора Радуцкого.

In spare, haunting, almost hallucinogenic prose, the internationally acclaimed, award-winning novelist shares with us–for the first time–the story of his own extraordinary survival and rebirth.

Aharon Appelfeld’s childhood ended when he was seven years old. The Nazis occupied Czernowitz in 1941, penned the Jews into a ghetto, and, a few months later, sent whoever had not been shot or starved to death on a forced march across the Ukraine to a labor camp. As men, women, and children fall away around them, Aharon and his father (his mother was killed in the early days of the occupation) miraculously survive, and Aharon, even more miraculously, escapes from the camp shortly after he arrives there.

The next few years of Aharon’s life are both harrowing and heartrending: he hides, alone, in the Ukrainian forests from peasants who are only too happy to turn Jewish children over to the Nazis; he has the presence of mind to pass himself off as an orphaned gentile when he emerges from the forest to seek work; and, at war’s end, he joins the stream of refugees as they cross Europe on their way to displaced persons’ camps that have been set up for the survivors. He observes the full range of personalities in the camps–exploitation exists side by side with compassion–until he manages to get on a ship bound for Palestine. Once there, Aharon attempts to build a new life while struggling to retain the barely remembered fragments of his old life (everyone urges him simply to forget what he had experienced), and he takes his first, tentative steps as a writer. As he begins to receive national attention, Aharon realizes his life’s calling: to bear witness to the unfathomable. In this unforgettable work of memory, Aharon Appelfeld offers personal glimpses into the experiences that resonate throughout his fiction.

Роман одного из самых популярных израильских писателей о трагической судьбе ассимилированного австрийского еврея, всей душой принадлежавшего немецкой культуре и до последней минуты отказывавшегося верить, что его постигнет та же участь, что постигла еврейский народ в период Катастрофы.