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Book Description "Poetry encourages us to have dialogue through the observed, the felt, and the imaginary," writes editor Yusef Komunyakaa in his thought-provoking introduction to The Best American Poetry 2003. As a black child of the

A new and intimate collection from one of America's most important poets

The latest collection from one of our preeminent poets, The Chameleon Couch is also one of Yusef Komunyakaa's most personal to date. As in his breakthrough work, Copacetic, Komunyakaa writes again of music as muse--from a blues club in the East Village to the shakuhachi of Basho. Beginning with "Canticle," this varied new collection often returns to the idea of poem as hymn, ethereal and haunting, as Komunyakaa reveals glimpses of memory, myth, and violence. With contemplations that spring up along walks or memories conjured by the rhythms of New York, Komunyakaa pays tribute more than ever before to those who came before him.

The book moves seamlessly across cultural and historical boundaries, evoking Komunyakaa's capacity for cultural excavation, through artifact and place. The Chameleon Couch begins in and never fully leaves the present--an urban modernity framed, brilliantly, in pastoral-minded verse. The poems seek the cracks beneath the landscape, whether New York or Ghana or Poland, finding in each elements of wisdom or unexpected beauty. The collection is sensually, beautifully relaxed in rhetoric; in poems like "Cape Coast Castle," Komunyakaa reminds us of his gift for combining the personal with the universal, one moment addressing a lover, the next moving the focus outward, until both poet and reader are implicated in the book's startling world.

A daredevil poetic achievement nominated for the National Book Critics Circle Award

. . . A god isn't worth
A drop of water in the hell of his good

Imagination, if we can't curse
Sunsets & threaten to forsake him
In his storehouse of belladonna,
Tiger hornets, & snakebites.
--from "Meditations in a Swine Yard"

No turn in any life cycle is taboo as Yusef Komunyakaa examines the primal rituals shared by insects, animals, human beings, and deities in Talking Dirty to the Gods. From "Hearsay" to "Heresy," these 132 poems, each consisting of four quatrains, are framed by innuendo and lively satire. Komunyakaa looks to nature and configures his own paradigm, in which an event as commonplace as the jewel wasp laying an egg in a cockroach becomes every bit as grand as Zeus's infidelity. The formally rigorous collection is itself a design for a systematic cosmos, a world compressed but abundant in surprise and delight.

Centering on the disorienting experiences of the returning soldier and drawing on multiple traditions, Yusef Komunyakaa's poetry is potent, live, and, like the strains of jazz running through it, an erudite and soulful music.

Best known for Neon Vernacular, which won the Pulitzer Prize for Poetry in 1994, and for Dien Cai Dau, a collection of poems chronicling his experiences as a journalist in Vietnam, Yusef Komunyakaa has become one of America's most compelling poets. Pleasure Dome gathers the poems in these two distinguished books and five others—over two and a half decades of Komunyakaa's work. In addition, Pleasure Dome includes 25 early, uncollected poems and a rich selection of 18 new poems.

Pulitzer Prize–;winning poet Yusef Komunyakaa is well known for his jazz poetry, and this book is the first to bring together the verve and vitality of his oeuvre. The centerpiece of this volume is the libretto «Testimony.» Paying homage to Charlie Parker, «Testimony» was commissioned for a radio drama with original music by eminent Australian composer and saxophonist Sandy Evans. Remarkably rich and evocative, encompassing a wide range of musical energy and performers, this moving affirmation of Parker's genius became a milestone in contemporary radio theater. Twenty-eight additional poems spanning the breadth of Komunyakaa's career are included, including two never previously published. Accompanying the poems are interviews and essays featuring Komunyakaa, Evans, radio producer Christopher Williams, jazz critic Miriam Zolin, jazz writer and editor Sascha Feinstein, and musical director, Paul Grabowsky. Sascha Feinstein writes the foreword. The print edition includes two CDs with the entire Australian Broadcast Company recording of Testimony, ebook contains imbedded audio. Check for the online reader's companion at testimony.site.wesleyan.edu.

New and selected poems from the great Pulitzer Prize-winning poet



These songs run along dirt roads
& highways, crisscross lonely seas
& scale mountains, traverse skies
& underworlds of neon honkytonk,
Wherever blues dare to travel.

Everyday Mojo Songs of Earth brings together selected poems from the past twenty years of Yusef Komunyakaa's work, as well as new poems from the Pulitzer Prize winner. Komunyakaa's masterful, concise verse conjures arresting images of peace and war, the natural power of the earth and of love, his childhood in the American South and his service in Vietnam, the ugly violence of racism in America, and the meaning of power and morality.

The new poems in this collection add a new refrain to the jazz-inflected rhythms of one of our "most significant and individual voices" (David Wojahn, Poetry). Komunyakaa writes of a young man fashioning a slingshot, workers who "honor the Earth by opening shine / inside the soil," and the sounds of a saxophone filling a dim lounge in New Jersey. As April Bernard wrote in The New York Times Book Review, "He refuses to be trivial; and he even dares beauty."

Probably my favorite living poet. No one else taught me more about how important it was to think about how words make people feel. It's not enough for people to know something is true. They have to feel it's true. --Ta-Nehisi Coates, The New York Times Style Magazine