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Book Description The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude --these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are

Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.

Книга современных исследователей кинематографа и медиа Томаса Эльзессера и Мальте Хагенера — это путеводитель по теории кино, охватывающий практически весь спектр знаний о движущихся изображениях. Читателю предлагаются различные варианты ответа на вопрос: каковы отношения между кинематографом, чувственным восприятием и человеческим телом? Авторы сгруппировали изыскания классиков и новаторов кинотеории по главам, в каждой из которых кинематографический опыт рассматривается через одно из сравнений: кино как окно и рамка, как дверь, как зеркало, как глаз, как кожа, как орган слуха и как мозг.

Eine umfassende Dokumentation ueber den deutschen Film der Nachkriegszeit. Vor allem die Zeit nach 1963, als Opas Kino von 23 jungen deutschen Filmemachern im Oberhausener Manifest zu Grabe getragen wurde, bildet den Schwerpunkt in Thomas Elsaessers scharfsinniger Analyse. Mit zahlreichen seltenen Fotos, Kurzbiographien der Regisseure und Filmographien der vorgestellten Filme.

Die Reihe »Stilepochen des Films« folgt einem neuen filmhistorischen Ansatz. Während in der Kunstgeschichte oder der Literaturgeschichte eine Gliederung in Stilepochen lange eingeführt ist, ist diese Betrachtungsweise für die junge Kunst des Films noch nicht gang und gäbe, obwohl sie sich unmittelbar aufdrängt.

Jeder Band beginnt mit einer ausführlichen Einleitung, die den historischen und filmgeschichtlichen Zusammenhang herstellt; darauf folgen in chronologischer Reihe einlässliche Artikel zu den filmischen Hauptwerken der Stilepoche mit ausführlichen filmographischen Angaben. Zahlreiche Abbildungen lockern die Texte auf.

Terahertz (THz) radiation with frequencies between 100 GHz and 30 THz has developed into an important tool of science and technology, with numerous applications in materials characterization, imaging, sensor technologies, and telecommunications. Recent progress in THz generation has provided ultrashort THz pulses with electric field amplitudes of up to several megavolts/cm. This development opens the new research field of nonlinear THz spectroscopy in which strong light-matter interactions are exploited to induce quantum excitations and/or charge transport and follow their nonequilibrium dynamics in time-resolved experiments. This book introduces methods of THz generation and nonlinear THz spectroscopy in a tutorial way, discusses the relevant theoretical concepts, and presents prototypical, experimental, and theoretical results in condensed matter physics. The potential of nonlinear THz spectroscopy is illustrated by recent research, including an overview of the relevant literature.

What is the relationship between cinema and spectator? That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories – from the classical period to today – in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.