Вручение 2017 г.
Страна: ЮАР
Дата проведения: 2017 г.
Лучшее художественное произведение (Премия Барри Ронга)
Лауреат
Закес Мда
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It is 1903. A lame and frail Malangana – ‘Little Suns’ – searches for his beloved Mthwakazi after many lonely years spent in Lesotho. Mthwakazi was the young woman he had fallen in love with twenty years earlier, before the assassination of Hamilton Hope ripped the two of them apart.
Intertwined with Malangana’s story, is the account of Hope – a colonial magistrate who, in the late nineteenth century, was undermining the local kingdoms of the eastern Cape in order to bring them under the control of the British. It was he who wanted to coerce Malangana’s king and his people, the amaMpondomise, into joining his battle – a scheme Malangana’s conscience could not allow.
Zakes Mda’s fine new novel 'Little Suns' weaves the true events surrounding the death of Magistrate Hope into a touching story of love and perseverance that can transcend exile and strife.
Марк Уинклер
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After his father’s violent death on a hot November day in the droughtstricken Free State, a young man leaves the derelict family farm with no plan, and with no way of knowing that his life will soon be changed for ever by two strangers he encounters on his journey south: a mute little girl who bears a striking resemblance to his late niece, and a troubled lawyer who detests the Cape wine estate she’s inherited from a father she despised.
Set in South Africa against the backdrop of a country in flux, The safest place you know is a powerful story, rendered in meticulously crafted, lyrical prose, about redemption and recovery, and what it means to carry the past with you.
Еванде Омотосо
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Hortensia James and Marion Agostino are neighbors. One is black, the other white. Both are successful women with impressive careers. Both have recently been widowed, and are living with questions, disappointments, and secrets that have brought them shame. And each has something that the woman next door deeply desires.
Sworn enemies, the two share a hedge and a deliberate hostility, which they maintain with a zeal that belies their age. But, one day, an unexpected event forces Hortensia and Marion together. As the physical barriers between them collapse, their bickering gradually softens into conversation, which yields a discovery of shared experiences. But are these sparks of connection enough to ignite a friendship, or is it too late to expect these women to change?
The U.S. debut of an Etisalat Prize finalist, The Woman Next Door is a winning story of the common ground we sometimes find in unexpected places, told with wit and wry humor.
Лучшее научно-популярное произведение (Премия Алана Пейтона)
Лауреат
Грег Маринович
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The killing of thirty-four miners by police at Marikana in August 2012 was the largest massacre of civilians in South Africa since Sharpeville. The events have been covered in newspaper articles, on TV news and in a commission of inquiry, but there is still confusion about what happened on that fateful day.
In Murder at Small Koppie, renowned photojournalist Greg Marinovich explores the truth behind the Marikana massacre. He investigates the shootings near Wonderkop hill, which happened in view of the media, as well as the killings that happened beyond the view of cameras at a nondescript collection of boulders known as Small Koppie, some 300 metres away. Many of the men killed here were shot in cold blood at close range.
Drawing on his own meticulous research, eyewitness accounts and the findings of the Marikana Commission of Inquiry, Marinovich accurately reconstructs that fateful day as well as the events leading up to the strike, and looks at the subsequent denials, obfuscation and buck-passing by Lonmin, the SAPS and the government.
This is the definitive account of the Marikana massacre from the journalist whose award-winning investigation into the tragedy has been called the most important piece of South African journalism since apartheid.
Стивен Робинс
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As a young boy growing up in Port Elizabeth in the 1960s and 1970s, Steven Robins was haunted by an old postcard-size photograph of three unknown women on a table in the dining room. Only later did he learn that the women were his father’s mother and sisters, photographed in Berlin in 1937, before they were killed in the Holocaust. Steven’s father, who had fled Nazi Germany before it was too late, never spoke about the fate of his family who remained there.
Steven became obsessed with finding out what happened to the women, but had little to go on. In time he stumbled on official facts in museums in Washington DC and Berlin, and later he discovered over a hundred letters sent to his father and uncle from the family in Berlin between 1936 and 1943. The women who before had been unnamed faces in a photograph could now tell their story to future generations.
Letters of Stone tracks Steven’s journey of discovery about the lives and fates of the Robinski family. It is also a book about geographical journeys: to the Karoo town of Williston, where his father’s uncle settled in the late nineteenth century and became mayor; to Berlin, where Steven laid ‘stumbling stones’ (Stolpersteine) in commemoration of his relatives; to Auschwitz, where his father’s siblings perished. Most of all, this book is a poignant reconstruction of a family trapped in an increasingly terrifying and deadly Nazi state, and of the immense pressure on Steven’s father in faraway South Africa, which forced him to retreat into silence.
Дикганг Мосенеке
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In My Own Liberator, Dikgang Moseneke, recently retired Deputy Chief Justice of the Constitutional Court in South Africa, pays homage to the many people and places that have helped to define and shape him. In tracing his ancestry, the influence on both his maternal and paternal sides is evident in the values they imbued in their children – the importance of family, the value of hard work and education, an uncompromising moral code, compassion for those less fortunate and unflinching refusal to accept an unjust political regime or acknowledge its oppressive laws.
As a young activist in the Pan-Africanist Congress, at the tender age of fifteen, Moseneke was arrested, detained and, in 1963, sentenced to ten years on Robben Island for participating in anti-apartheid activities. Physical incarceration, harsh conditions and inhumane treatment could not imprison the political prisoners’ minds, however, and for many the Island became a school not only in politics but an opportunity for dedicated study, formal and informal. It set the young Moseneke on a path towards a law degree that would provide the bedrock for a long and fruitful legal career and see him serve his country in the highest court.
My Own Liberator charts Moseneke’s rise as one of the country’s top legal minds, who not only helped to draft the interim constitution, but for fifteen years acted as a guardian of that constitution for all South Africans, helping to make it a living document for the country and its people.
“This memoir is a fascinating account of the formation of the cadres who would have the responsibility both to help liberate our country and attend to its reconstruction and development.” Thabo Mbeki
Криста Кульян
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There is, broad agreement in the scientific world today that all humans share common origins in Africa, but when Charles Darwin first suggested it in 1871, few European scientists took his theory seriously. When the Taung child skull was found in South Africa in 1924, Raymond Dart supported Darwin’s theory, but it did little to shift scientific opinion. In the 1980s, when genetics research concluded that all living humans can trace their maternal ancestry back to Africa 200 000 years ago, many international scientists were slow to accept this claim.
Scientists, and their research, are often shaped by the prevailing social and political context at the time. Kuljian explores this trend in South Africa and provides fresh insight on the search for human origins – in the fields of palaeoanthropology and genetics – over the past century. The book follows the colonial practice in Europe, the US and South Africa of collecting human skeletons and cataloguing them into racial types, in the hope that they would provide clues to human evolution.
Шон Кристи
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Beneath the Nelson Mandela Boulevard flyover on Cape Town’s foreshore live a community of stowaways, young Tanzanian men from the slums of Dar es Salaam. When journalist Sean Christie meets Adam Bashili, he comes to know the extraordinary world of the Beachboys, a multi-port, fourth-generation subculture that lives to stow away and stows away to survive. But as Sean starts to accompany the Beachboys on trips around their everyday Cape Town, he becomes more than a casual observer, serving as sometime moneylender, driver, confidant and scribe, and eventually joining Adam on an unprecedented tour of Dar es Salaam’s underworld and a reckless run down Africa’s east coast. Under Nelson Mandela Boulevard remaps both city and continent, introducing us to the places and people we so frequently overlook.
