Линда Ливелл0.0 Winner of the PEN/Jacqueline Bograd Weld Award for biography and of the Plutarch Award for the Best Biography of 2013. National Book Critics Circle Award Finalist. To readers who know Marianne Moore as a demure baseball fan and courtly Brooklyn eccentric, Linda Leavell’s _Holding On Upside Down_—the first authorized biography of this major American poet—will come as a shock. This mesmerizing, essential new book will change forever how we view the woman and her poetry. Drawing on previously untapped depths in the Moore family archives, _Holding On Upside Down_ reveals a passionate, canny young woman caught between genuine devotion to her hovering mother, with whom she lived for sixty years, and her own irrepressible desire for freedom. The radically original verse she wrote in the early twentieth century baffled her family at the same time it both confounded and dazzled her literary peers. Her many poems about survival, it turns out, are not just quirky nature studies but acts of survival themselves. Leavell places this mother/daughter drama within a historical context of emerging modernity. Reared among single, educated women like her mother, the poet embraced feminism and progressive era ideals from early adolescence. “Everyone loved her,” recalled William Carlos Williams of the years she lived in Greenwich Village, yet no one could fathom the “mother thing,” as he called it. After her mother’s death decades later, the aging recluse transformed herself, against all expectations, into a charismatic performer and beloved celebrity who was widely hailed as America’s greatest living poet. Elegantly written, meticulously researched, and critically acute, _Holding On Upside Down_ provides at last the biography that this major modernist and complex personality deserves.
Victoria Wilson0.0 Fifteen years in the making, the first volume of the full-scale astonishing life of one of our greatest screen actresses whose career in pictures spanned four decades beginning with the coming of sound—the first to delve deeply into Stanwyck’s rich, complex life and to explore her extraordinary range of eighty-eight motion pictures, many of them iconic; her work, her world, her Hollywood through an American century.
Frank Capra called her “The greatest emotional actress the screen has yet known.” She was one of its most natural, timeless, and underrated stars. Now, Victoria Wilson gives us the first full-scale life of Barbara Stanwyck, whose astonishing career in movies (eighty-eight in all) spanned four decades beginning with the coming of sound, and lasted in television from its infancy in the 1950s through the 1980s—a book that delves deeply into her rich, complex life and explores her extraordinary range of motion pictures, many of them iconic. Here is her work, her world, her Hollywood.
We see the quintessential Brooklyn girl whose family was in fact of old New England stock . . . her years in New York as a dancer and Broadway star . . . her fraught marriage to Frank Fay, Broadway genius, who influenced a generation of actors and comedians (among them, Jack Benny and Stanwyck herself ) . . . the adoption of a son, embattled from the outset; her partnership with the “unfunny” Marx brother, Zeppo, crucial in shaping the direction of her work, and who, together with his wife, formed a trio that created one of the finest horse-breeding farms in the west; her fairy-tale romance and marriage to the younger Robert Taylor, America’s most sought-after— and beautiful—male star.
Here is the shaping of her career with many of Hollywood’s most important directors: among them, Frank Capra, “Wild Bill” William Wellman (“When you get beauty and brains together,” he said, “there’s no stopping the lucky girl who possesses them. The best example I can think of is Barbara”), King Vidor, Cecil B. De Mille, and Preston Sturges, all set against the times—the Depression, the New Deal, the rise of the unions, the advent of World War II—and a fast-changing, coming-of-age motion picture industry.
And here is Stanwyck’s evolution as an actress in the pictures she made from 1929 through the summer of 1940, where Volume One ends—from her first starring movie, The Locked Door (“An all-time low,” she said. “By then I was certain that Hollywood and I had nothing in common”); and Ladies of Leisure, the first of her six-picture collaboration with Frank Capra (“He sensed things that you were trying to keep hidden from people. He knew. He just knew”), to the scorching Baby Face, and the height of her screen perfection, beginning with Stella Dallas (“I was scared to death all the time we were making the picture”), from Clifford Odets’s Golden Boy and the epic Union Pacific to the first of her collaborations with Preston Sturges, who wrote Remember the Night, in which she starred.
And at the heart of the book, Stanwyck herself—her strengths, her fears, her frailties, her losses and desires; how she made use of the darkness in her soul in her work and kept it at bay in her private life, and finally, her transformation from shunned outsider to one of Hollywood’s—and America’s—most revered screen actresses.
Writing with the full cooperation of Stanwyck’s family and friends, and drawing on more than two hundred interviews with actors, directors, cameramen, screenwriters, costume designers, et al., as well as making use of letters, journals, and private papers, Victoria Wilson has brought this complex artist brilliantly alive. Her book is a revelation of the actor’s life and work.
Deborah Solomon5.0 Norman Rockwell, as much as Walt Disney or Ronald Reagan, provided America with a mirror of its dreams and aspirations. As the star illustrator for The Saturday Evening Post for nearly half a century, Rockwell portrayed a fantasy of civic togetherness, of American decency and good cheer. Or, as Deborah Solomon writes in her authoritative new biography, he painted a history of the American people that had never happened.
Меган Маршалл0.0 "Thoroughly absorbing, lively . . . Fuller, so misunderstood in life, richly deserves the nuanced, compassionate portrait Marshall paints." — Boston Globe
Pulitzer Prize finalist Megan Marshall recounts the trailblazing life of Margaret Fuller: Thoreau’s first editor, Emerson’s close friend, daring war correspondent, tragic heroine. After her untimely death in a shipwreck off Fire Island, the sense and passion of her life’s work were eclipsed by scandal. Marshall’s inspired narrative brings her back to indelible life.
Whether detailing her front-page New-York Tribune editorials against poor conditions in the city’s prisons and mental hospitals, or illuminating her late-in-life hunger for passionate experience—including a secret affair with a young officer in the Roman Guard—Marshall’s biography gives the most thorough and compassionate view of an extraordinary woman. No biography of Fuller has made her ideas so alive or her life so moving.
Скотт Андерсон0.0 A thrilling and revelatory narrative of one of the most epic and consequential periods in 20th century history – the Arab Revolt and the secret “great game” to control the Middle East
The Arab Revolt against the Turks in World War One was, in the words of T.E. Lawrence, “a sideshow of a sideshow.” Amidst the slaughter in European trenches, the Western combatants paid scant attention to the Middle Eastern theater. As a result, the conflict was shaped to a remarkable degree by a small handful of adventurers and low-level officers far removed from the corridors of power.
Curt Prüfer was an effete academic attached to the German embassy in Cairo, whose clandestine role was to foment Islamic jihad against British rule. Aaron Aaronsohn was a renowned agronomist and committed Zionist who gained the trust of the Ottoman governor of Syria. William Yale was the fallen scion of the American aristocracy, who traveled the Ottoman Empire on behalf of Standard Oil, dissembling to the Turks in order gain valuable oil concessions. At the center of it all was Lawrence. In early 1914 he was an archaeologist excavating ruins in the sands of Syria; by 1917 he was the most romantic figure of World War One, battling both the enemy and his own government to bring about the vision he had for the Arab people.
The intertwined paths of these four men – the schemes they put in place, the battles they fought, the betrayals they endured and committed – mirror the grandeur, intrigue and tragedy of the war in the desert. Prüfer became Germany’s grand spymaster in the Middle East. Aaronsohn constructed an elaborate Jewish spy-ring in Palestine, only to have the anti-Semitic and bureaucratically-inept British first ignore and then misuse his organization, at tragic personal cost. Yale would become the only American intelligence agent in the entire Middle East – while still secretly on the payroll of Standard Oil. And the enigmatic Lawrence rode into legend at the head of an Arab army, even as he waged secret war against his own nation’s imperial ambitions.
Based on years of intensive primary document research, LAWRENCE IN ARABIA definitively overturns received wisdom on how the modern Middle East was formed. Sweeping in its action, keen in its portraiture, acid in its condemnation of the destruction wrought by European colonial plots, this is a book that brilliantly captures the way in which the folly of the past creates the anguish of the present.
Клаудия Рот Пирпонт0.0 Philip Roth - one of the most renowned writers of his generation - hardly needs introduction. From his debut, Goodbye, Columbus, which won the National Book Award, to his Pulitzer Prize-winning American Pastoral, to his eternally inventive later works such as Exit Ghost and Nemesis, Roth has produced some of the greatest literature of the past hundred years. And yet there has been no major critical work about him, until now. Here, at last, is the story of Roth's creative life. Claudia Roth Pierpont tells an engaging story even as she delves into the many complexities of Roth's work and the controversies it has raised. This is not a biography - though it contains many biographical details - but something more rewarding: an attempt to understand a great writer through his art. Pierpont, who has known Roth for several years, peppers her gracefully written and carefully researched account with conversational details, providing insights and anecdotes previously accessible only to a very few, touching on Roth's family, his inspirations, his critics, the full range of his fiction, and his literary friendships with such figures as Saul Bellow and John Updike. Roth Unbound is a major achievement, a fascinating and highly readable work that will set the standard for Roth scholarship for years to come.
A. Scott Berg0.0 One hundred years after his inauguration, Woodrow Wilson still stands as one of the most influential figures of the twentieth century, and one of the most enigmatic. And now, after more than a decade of research and writing, Pulitzer Prize–winning author A. Scott Berg has completed Wilson—the most personal and penetrating biography ever written about the twenty-eighth President.
In addition to the hundreds of thousands of documents in the Wilson Archives, Berg was the first biographer to gain access to two recently discovered caches of papers belonging to those close to Wilson. From this material, Berg was able to add countless details—even several unknown events—that fill in missing pieces of Wilson’s character, and cast new light on his entire life.
From the visionary Princeton professor who constructed a model for higher education in America to the architect of the ill-fated League of Nations, from the devout Commander in Chief who ushered the country through its first great World War to the widower of intense passion and turbulence who wooed a second wife with hundreds of astonishing love letters, from the idealist determined to make the world “safe for democracy” to the stroke-crippled leader whose incapacity—and the subterfuges around it—were among the century’s greatest secrets, from the trailblazer whose ideas paved the way for the New Deal and the Progressive administrations that followed to the politician whose partisan battles with his opponents left him a broken man, and ultimately, a tragic figure—this is a book at once magisterial and deeply emotional about the whole of Wilson’s life, accomplishments, and failings. This is not just Wilson the icon—but Wilson the man.
