Мэнди Бомонт0.0 Defiant, ferocious and unyielding - The Furies is a unique and breathtakingly powerful debut novel from Mandy Beaumont. For those who love Charlotte Wood, Margaret Atwood and Carmen Maria Machado.
Cynthia was just about to turn sixteen when the unthinkable happened. Her mother was taken away by the police, and her father left without a word three months later. After that night, Cynthia began to walk in slow circles outside the family home looking for traces of her sister Mallory - she's sure that she must be somewhere else now, wherever that is.
Cynthia knows that she doesn't belong here. Her mother never belonged here either. This is the place of violence. Despair. The long dry. Blood caked under the nails. Desperate men. Long silences. The place where mothers go mad in locked bedrooms, where women like Cynthia imagine better futures.
As a threatening wind begins to dry-whirl around her, seldom seen black clouds form above, roll over the golden-brown land - is that Mallory she can hear in the growling mass? In the harsh drought-stricken landscape of outback Queensland a woman can be lost in so many ways. The question is, will Cynthia be one of them?
Defiant, ferocious and unyielding - The Furies is a debut novel by Mandy Beaumont that explores the isolation felt by so many women, and how powerful we can be when we join together. It puts her firmly on the literary map, blazing forth from the terrain of Charlotte Wood, Margaret Atwood and Carmen Maria Machado, with a unique and breathtaking power.
Дебра Данк0.0 We Come with This Place is a remarkable book, as rich, varied and surprising as the vast landscape in which it is set. Debra Dank has created an extraordinary mosaic of vivid episodes that move about in time and place to tell an unforgettable story of country and people.
Dank calibrates human emotions with honesty and insight, and there is plenty of dry, down-to-earth humour. You can feel and smell and see the puffs of dust under moving feet, the ever-present burning heat, the bright exuberance of a night-time campfire, the emerald flash of a flock of budgerigars, the journeying wind, the harshness of a station shanty, the welcome scent of fresh water.
We Come with This Place is deeply personal, a profound tribute to family and the Gudanji Country to which Debra Dank belongs, but it is much more than that. Here is Australia as it has been for countless generations, land and people in effortless balance, and Australia as it became, but also Australia as it could and should be.
Адриан Хауэлл0.0 Anja is a young, ambitious antiquarian, passionate for the clean and balanced lines of mid-century furniture. She is intent on classifying objects based on emotional response and when her career goes awry, Anja finds herself adrift. Like a close friend, she confesses her intimacies and rage to us with candour, tenderness, and humour.
Cast out from the world of antiques, she stumbles upon a beachside cottage that the neighbouring naval base is offering for a 100-year lease. The property is derelict, isolated, and surrounded by scrub. Despite of, or because of, its wildness and solitude, Anja uses the last of the inheritance from her mother to lease the property. Yet a presence – human, ghost, other – seemingly inhabits the grounds.
Hydra is a novel of dark suspense and mental disquiet, struck through with black humour. Adriane Howell beguilingly explores notions of moral culpability, revenge, memory, and narrative – all through the female lens of freedom and constraint. She holds us captive to the last page.
Сара Холланд-Бэтт0.0 With electrifying boldness, Sarah Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father’s Parkinson’s Disease, and a daughter forged by grief.
Opening and closing with startling elegies set in the charged moments before and after a death, and fearlessly probing the body’s animal endurance, appetites and metamorphoses, The Jaguar is marked by Holland-Batt’s lyric intensity and linguistic mastery, along with a stark new clarity of voice.
Here, Holland-Batt is at her most exacting and uncompromising: these ferociously intelligent, insistent poems refuse to look away, and challenge us to view ruthless witness as a form of love. The Jaguar is an indelible collection by a poet at the height of her powers.
Элоиз Гриллс0.0 Part feminist manifesto, part comic book, big beautiful female theory is a carnivalesque exploration of the ways identity is formed through culture, relationships and the weight of society’s expectations. Without falling into a simple recovery narrative, these essays also resonate with humour, which gives a sense of delight and optimism in defiance of difficult circumstances and unfair patriarchal structures.
With breathtaking honesty and fierce wit, Eloise Grills turns her life, her body and her mind into art, confronting what it means to grow up in an increasingly unfathomable world.
Луиза Лим0.0 The story of Hong Kong has long been obscured by competing myths: to Britain, a ‘barren rock’ with no appreciable history; to China, a part of Chinese soil from time immemorial that had at last returned to the ancestral fold. To its inhabitants, the city was a place of refuge and rebellion, whose own history was so little taught that they began mythmaking their own past.
When protests erupted in 2019 and were met with escalating suppression from Beijing, Louisa Lim—raised in Hong Kong as a half-Chinese, half-English child, and now a reporter who had covered the region for a decade—realised that she was uniquely positioned to unearth Hong Kong’s untold stories.
Lim’s deeply researched and personal account is startling, casting new light on key moments: the British takeover in 1842, the negotiations over the 1997 return to China, and the future Beijing seeks to impose. Indelible City features guerrilla calligraphers, amateur historians and archaeologists who, like Lim, aim to put Hong Kongers at the centre of their own story.
Wending through it all is the King of Kowloon, whose iconic street art both embodied and inspired the identity of Hong Kong—a site of disappearance and reappearance, power and powerlessness, loss and reclamation.
Эдвина Престон0.0 Good mothers are expected to be selfless. Artists are seen as selfish. So what does this mean for a mother with artistic ambitions?
Enter: frustrated poet Veda Gray, who is offered a Faustian bargain when a wealthy childless couple, the Parishes, invite her to exchange her young son Owen for time to write.
Veda’s story unfolds as an adult Owen reflects on his boyhood in the Melbourne suburbs, and in the vibrant bohemian inner-city art world where his restaurateur father was a king. Meanwhile, the talented women in his orbit – Veda, Mrs Parish, wife of an influential poet, muralist and restaurant worker Rosa – push against gender expectations to be recognised as legitimate artists, by their intimates and the wider world. And almost-aunt Ornella, who declares herself without an artistic bone in her body, is perhaps the closest thing Owen has to a traditional mother. As Owen is encouraged to ‘be a man’, he loses something of himself, too.
Blending wit and pathos, love and fury, ambition and loss, this is an extraordinary novel of love and art, set in the Melbourne milieu of Georges and Mirka Mora, Joy Hester, and John and Sunday Reed.
Трейси Лиен0.0 They claim they saw nothing. She knows they’re lying.
1996 – Cabramatta, Sydney
‘Just let him go.’
Those are words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation with friends. That night, Denny – optimistic, guileless Denny – is brutally murdered inside a busy restaurant in the Sydney suburb of Cabramatta, a refugee enclave facing violent crime, and an indifferent police force.
Returning home for the funeral, Ky learns that the police are stumped by her brother’s case. Even though several people were present at Denny’s murder, each bystander claims to have seen nothing, and they are all staying silent.
Determined to uncover the truth, Ky tracks down and questions the witnesses herself. But what she learns goes beyond what happened that fateful night. The silence has always been there, threaded through the generations, and Ky begins to expose the complex traumas weighing on those present the night Denny died. As she peels back the layers of the place that shaped her, she must confront more than the reasons her brother is dead. And once those truths have finally been spoken, how can any of them move on?
A woman who has prevailed against the toughest gangsters of the day, defying police time and again, yet is now trapped in a prison cell.
Guilty or innocent?
Rollicking through the underbelly of 1930s sly-grog Sydney, Iris is a dazzling literary achievement from one of Australia's finest writers. Based on actual events and set in an era of cataclysmic change, here is a fierce, fascinating tale of a woman who couldn't be held back.
