Вручение 2007 г.

Страна: Великобритания Дата проведения: 2007 г.

Премия Вольфсона за историческую литературу

Лауреат
Адам Туз 4.4
This chilling, fascinating new book is the first fully to get to grips with how Hitler's Nazi empire really functioned. There was no aspect of Nazi power untouched by economics - it was Hitler's obsession and the reason the Nazis came to power in the first place. The Second World War was fought, in Hitler's view, to create a European Empire strong enough to take on the United States - a last chance for Europe to dig itself in before being swept away by the USA's ever greater power. But, as "The Wages of Destruction" makes clear, Hitler was never remotely strong enough to beat either Britain or the Soviet Union - and never even had a serious plan as to how he might defeat the USA. It took years of fighting and the deaths of millions of people to destroy the Third Reich, but effectively World War II in Europe was fought in pursuit of a fantasy: the years in which Western Europe could settle the world's fate were, by 1939, long past. This is a major book by a major author and will provoke an enormous amount of controversy and debate.
Лауреат
Кристофер Кларк 4.0
In the aftermath of World War II, Prussia--a centuries-old state pivotal to Europe's development--ceased to exist. In their eagerness to erase all traces of the Third Reich from the earth, the Allies believed that Prussia, the very embodiment of German militarism, had to be abolished.

But as Christopher Clark reveals in this pioneering history, Prussia's legacy is far more complex. Though now a fading memory in Europe's heartland, the true story of Prussia offers a remarkable glimpse into the dynamic rise of modern Europe.

What we find is a kingdom that existed nearly half a millennium ago as a patchwork of territorial fragments, with neither significant resources nor a coherent culture. With its capital in Berlin, Prussia grew from being a small, poor, disregarded medieval state into one of the most vigorous and powerful nations in Europe. Iron Kingdom traces Prussia's involvement in the continent's foundational religious and political conflagrations: from the devastations of the Thirty Years War through centuries of political machinations to the dissolution of the Holy Roman Empire, from the enlightenment of Frederick the Great to the destructive conquests of Napoleon, and from the "iron and blood" policies of Bismarck to the creation of the German Empire in 1871, and all that implied for the tumultuous twentieth century.

By 1947, Prussia was deemed an intolerable threat to the safety of Europe; what is often forgotten, Clark argues, is that it had also been an exemplar of the European humanistic tradition, boasting a formidable government administration, an incorruptible civil service, and religious tolerance. Clark demonstrates how a state deemed the bane of twentieth-century Europe has played an incalculable role in Western civilization's fortunes. Iron Kingdom is a definitive, gripping account of Prussia's fascinating, influential, and critical role in modern times
Лауреат
Вик Гэтрелл 0.0
Between 1770 and 1830, London was the world's largest and richest city, the center of hectic social ferment and spectacular sexual liberation. These singular conditions prompted revolutionary modes of thought, novel sensibilities, and constant debate about the relations between men and women. Such an atmosphere also stimulated outrageous behavior, from James Boswell's copulating on Westminster Bridge to the Prince Regent's attempt to seduce a woman by pleading, sobbing, and stabbing himself with a pen-knife. And nowhere was London's lewdness and iconoclasm more vividly represented than its satire.

City of Laughter chronicles the rise and fall of a great tradition of ridicule and of the satirical, humorous, and widely circulated prints that sustained it. Focusing not on the polished wit upon which polite society prided itself, but rather on malicious, sardonic and satirical humor--humor that was bawdy, knowing and ironic--Vic Gatrell explores what this tradition says about Georgian views of the world and about their own pretensions. Taking the reader into the clubs and taverns where laughter flowed most freely, Gatrell examines how Londoners laughed about sex, scandal, fashion, drink and similar pleasures of life.

Combining words and images-including more than 300 original drawings by Cruikshank, Gillray, Rowlandson, and others--City of Laughter offers a brilliantly original panorama of the era, providing a ground-breaking reappraisal of a period of change and a unique account of the origins of our attitudes toward sex, celebrity and satire today.