Миранда Картер4.0 Anthony Blunt, aesthete, communist, homosexual, MI5 agent and Soviet mole, was Surveyor of the King's Pictures and Director of the Courtauld Institute. Betrayed in 1963, he voted for Margaret Thatcher in 1979. Late that year, she was to expose his treachery and strip him of his knighthood. While the other Cambridge spies (Philby, Burgess and Maclean) subordinated their lives and careers to espionage, Blunt had a separate passionate existence. His reputation as an art historian was second to none: he made an enormous contribution to the establishment of art history as an academic discipline; his volumes on Poussin, French and Italian art and old master drawings are still in print and some are still set texts. At the Courtauld he trained a whole generation of world-class academics and curators.
Роберт Фицрой Фостер0.0 Roy Foster is one of the leaders of the iconoclastic generation of Irish historians. In this opinionated, entertaining book he examines how the Irish have written, understood, used, and misused their history over the past century.
Foster argues that, over the centuries, Irish experience itself has been turned into story. He examines how and why the key moments of Ireland's past--the 1798 Rising, the Famine, the Celtic Revival, Easter 1916, the Troubles--have been worked into narratives, drawing on Ireland's powerful oral culture, on elements of myth, folklore, ghost stories and romance. The result of this constant reinterpretation is a shifting "Story of Ireland," complete with plot, drama, suspense, and revelation.
Varied, surprising, and funny, the interlinked essays in The Irish Story examine the stories that people tell each other in Ireland and why. Foster provides an unsparing view of the way Irish history is manipulated for political ends and that Irish misfortunes are sentimentalized and packaged. He offers incisive readings of writers from Standish O'Grady to Trollope and Bowen; dissects the Irish government's commemoration of the 1798 uprising; and bitingly critiques the memoirs of Gerry Adams and Frank McCourt. Fittingly, as the acclaimed biographer of Yeats, Foster explores the poet's complex understanding of the Irish story--"the mystery play of devils and angels which we call our national history"--and warns of the dangers of turning Ireland into a historical theme park.
The Irish Story will be hailed by some, attacked by others, but for all who care about Irish history and literature, it will be essential reading.
