Вручение 2016 г.

Страна: Индия Место проведения: литературный фестиваль в Галле в Шри-Ланке Дата проведения: 2016 г.

Премия DSC в области литературы Южной Азии

Лауреат
Anuradha Roy 0.0
LONGLISTED FOR THE MAN BOOKER PRIZE 2015
A stark and unflinching novel by a spellbinding storyteller, about religion, love and violence in the modern world.
A train stops at a railway station. A young woman jumps off. She has wild hair, sloppy clothes, a distracted air. She looks Indian, yet she is somehow not. The sudden violence of what happens next leaves the other passengers gasping.
The train terminates at Jarmuli, a temple town by the sea. Here, among pilgrims, priests and ashrams, three old women disembark only to encounter the girl once again. What is someone like her doing in this remote corner, which attracts only worshippers?
Over the next five days, the old women live out their long-planned dream of a holiday together; their temple guide finds ecstasy in forbidden love; and the girl is joined by a photographer battling his own demons.
The full force of the evil and violence beneath the serene surface of the town becomes evident when their lives overlap and collide. Unexpected connections are revealed between devotion and violence, friendship and fear, as Jarmuli is revealed as a place with a long, dark past that transforms all who encounter it.
Akhil Sharma 2.5
Ajay, eight years old, spends his afternoons playing cricket in the streets of Delhi with his brother Birju, four years older. They are about to leave for shiny new life in America. Ajay anticipates, breathlessly, a world of jet-packs and chewing-gum.

This promised land of impossible riches and dazzling new technology is also a land that views Ajay with suspicion and hostility; one where he must rely on his big brother to tackle classroom bullies. Birju, confident, popular, is the repository of the family's hopes, and he spends every waking minute studying for the exams that will mean entry to the Bronx High School of Science, and reflected glory for them all.

When a terrible accident makes a mockery of that dream, the family splinters. The boys' mother restlessly seeks the help of pundits from the temple, while their father retreats into silent despair - and the bottle. Now Ajay must find the strength of character to navigate this brave new American world, and the sorrows at home, on his own terms.

By turns blackly funny, touching, raw and devastating, Family Life is a vivid and wrenching portrait of sibling relationships and the impact of tragedy on one family from a boy's eye view.
К. Р. Мира 0.0
The Grddha Mullick family takes pride in the ancient lineage they trace from 400 years before Christ. They burst with marvelous tales of hangmen and hangings in which the Grddha Mullicks figure as eyewitnesses to the momentous events that have shaped the history of the subcontinent.
In the present day, the youngest member of the family, 22 year old Chetna,is appointed the first woman executioner in India, assistant and successor to her father. Thrust suddenly into the public eye, even starring in her own reality show, Chetna's life explodes under the harsh lights of telvision cameras.As the day of her first execution approaches, she breaks out of the shadow of a domineering father and the thrall of a brutally manipulative lover, and transforms into a charismatic performer in her own right.
Will the ardent young woman be able to escape the love that binds her? Will she bring herself to take a life? Will she add lustre to the illustrious name of Grddha Mullicks? Or will she succumb to the dazzle of celebrity and the thrill of power over life and death? The lurid pleasures of voyeurism and the punishing ironies of violence are kept in agile balance as the drama hurtles to its inevitable climax.
Neel Mukherjee 4.0
Calcutta, 1967. Unnoticed by his family, Supratik has become dangerously involved in extremist political activism. Compelled by an idealistic desire to change his life and the world around him, all he leaves behind before disappearing is a note. At home, his family slowly begins to unravel. Poisonous rivalries grow, the once-thriving family business implodes and destructive secrets are unearthed. And all around them the sands are shifting as society fractures, for this is a moment of turbulence, of inevitable and unstoppable change.
Радж Камаль Джа 0.0
As night falls in Delhi, a mother spins tales from her past for her sleeping daughter. Now grown up, her child is a puzzle with a million pieces, whom she hopes, through her words and her love, to somehow make whole again.

Meanwhile, a young man rides the last train from Rajiv Chowk Station and dreams of murder.

In another corner of the city, a newborn wrapped in a blood-red towel lies on the steps of an orphanage as his mother walks away.

There are twenty million bodies in this city, but the stories of this woman, man, and child--of a secret love that blossoms in the shadows of grief, of a corrosive guilt that taints the soul, and of a boy who maps his own destiny--weave in and out of the lives of those around them to form a dazzling kaleidoscope of a novel.

Beautiful, beguiling, and audacious, this is the story of a city and its people, of love and horror, of belonging and forgiveness: a powerful and unforgettable tale of modern India.
Моника Бирн 0.0
A debut that Neil Gaiman calls “Glorious. . . . So sharp, so focused and so human.” The Girl in the Road describes a future that is culturally lush and emotionally wrenching.

Monica Byrne bursts on to the literary scene with an extraordinary vision of the future. In a world where global power has shifted east and revolution is brewing, two women embark on vastly different journeys—each harrowing and urgent and wholly unexpected.
Аатиш Тасир 0.0
Skanda's father, Toby, has died, estranged from Toby's mother and from the India he loved. Skanda is tasked with fulfilling Toby's final wish and returning his ashes to his birthplace. It is a journey that takes him from Manhattan to Delhi, and deep into the story of his family: in particular, to a night three decades earlier, when an act of shocking violence forced his parents' fragile marriage apart. Set at flashpoints in 1975, 1984, 1992 and the present day, The Way Things Were shows how our most deeply personal stories are shaped by ancient history and volatile politics; how the life of a country and the life of an individual are irrevocably entwined. Spanning three generations, it is at once intimate and panoramic, with a thrilling ambition that places it alongside such masterpieces as A Suitable Boy and A Fine Balance.