Вручение 2016 г.

Дата проведения: 2016 г.

Художественная литература

Лауреат
Юнг Юн 4.0
Kyung Cho is a young father burdened by a house he can’t afford. For years, he and his wife, Gillian, have lived beyond their means. Now their debts and bad decisions are catching up with them, and Kyung is anxious for his family’s future.

A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness. Kyung can hardly bear to see them now, much less ask for their help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he’s compelled to take them in. For the first time in years, the Chos find themselves living under the same roof. Tensions quickly mount as Kyung’s proximity to his parents forces old feelings of guilt and anger to the surface, along with a terrible and persistent question: how can he ever be a good husband, father, and son when he never knew affection as a child?

As Shelter veers swiftly toward its startling conclusion, Jung Yun leads us through dark and violent territory, where, unexpectedly, the Chos discover hope. Shelter is a masterfully crafted debut novel that asks what it means to provide for one's family and, in answer, delivers a story as riveting as it is profound.
Брит Беннетт 4.3
A dazzling debut novel from an exciting new voice, The Mothers is a surprising story about young love, a big secret in a small community—and the things that ultimately haunt us most. Set within a contemporary black community in Southern California, Brit Bennett’s mesmerizing first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret.

“All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season.”

It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother’s recent suicide, she takes up with the local pastor’s son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it’s not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.

In entrancing, lyrical prose, The Mothers asks whether a “what if” can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.

Документальная литература

Лауреат
Ребекка Трэйстер 5.0
A nuanced investigation into the sexual, economic, and emotional lives of women in America. In a provocative, groundbreaking work, National Magazine Award finalist Rebecca Traister, “the most brilliant voice on feminism in the country” (Anne Lamott), traces the history of unmarried and late-married women in America who, through social, political, and economic means, have radically shaped our nation.

In 2009, the award-winning journalist Rebecca Traister started All the Single Ladies—a book she thought would be a work of contemporary journalism—about the twenty-first century phenomenon of the American single woman. It was the year the proportion of American women who were married dropped below fifty percent; and the median age of first marriages, which had remained between twenty and twenty-two years old for nearly a century (1890–1980), had risen dramatically to twenty-seven.

But over the course of her vast research and more than a hundred interviews with academics and social scientists and prominent single women, Traister discovered a startling truth: the phenomenon of the single woman in America is not a new one. And historically, when women were given options beyond early heterosexual marriage, the results were massive social change—temperance, abolition, secondary education, and more.

Today, only twenty percent of Americans are wed by age twenty-nine, compared to nearly sixty percent in 1960. The Population Reference Bureau calls it a “dramatic reversal.” All the Single Ladies is a remarkable portrait of contemporary American life and how we got here, through the lens of the single American woman. Covering class, race, sexual orientation, and filled with vivid anecdotes from fascinating contemporary and historical figures, All the Single Ladies is destined to be a classic work of social history and journalism. Exhaustively researched, brilliantly balanced, and told with Traister’s signature wit and insight, this book should be shelved alongside Gail Collins’s When Everything Changed.
Peggy Orenstein 4.8
With casual hookups and campus rape relentlessly in the news, parents can be forgiven for feeling anxious about their young daughters. They’re also fearful about opening up a dialog. Not Orenstein. A contributing writer to the New York Times Magazine and the New York Times best-selling author of books like Cinderella Ate My Daughter, Orenstein spoke to psychologists, academics, and other experts in the field and yes, 70 young women, to offer an in-depth picture of “girls and sex” today.