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Shadows & Tall Trees is the flagship publication of Undertow Publications, a small press based near Toronto. In 2010 and 2013 the journal was a finalist for the British Fantasy Award for Best Periodical/Magazine. Featuring notable visionaries including Robert Shearman, Steve Rasnic Tem, Alison Moore, Nicholas Royle, and Nina Allan, the stories published in Shadows & Tall Trees have been selected for reprint in The Best Horror of the Year, The Best British Stories, The Year's Best Dark Fantasy & Horror, Imaginarium: The Best Canadian Speculative Writing, The Year's Best Australian Fantasy & Horror, and Wilde Stories: The Best Gay Speculative Fiction.

В Суве (столица Республики Фиджи) есть такая городская легенда: красивая девушка ловит такси и просит отвезти её на кладбище. Когда они прибывают на место девушки в салоне уже нет — она исчезает. Эту легенду рассказывают таксисты, об этой легенде написан и этот рассказ. © atgrin

С помощью Дэлли, старой веревки от погребальных дрог и городских голубей лондонцы 19 века могли освобождаться от снов и ночных кошмаров.

There are many grief holes. There's the grief hole you fall into when a loved one dies. There's another grief hole in all of us; small or large, it determines how much we want to live. And there are the places, the physical grief holes, which attract suicides to their centre. Sol Evictus, a powerful, charismatic singer, sends a young artist into The Grief Hole to capture the faces of the teenagers dying there. When she inevitably dies herself, her cousin Theresa resolves to stop this man so many love. Theresa sees ghosts; she knows how you'll die by the spirits haunting you. If you'll drown, she'll see drowned people. Most often she sees battered women, because she works to find emergency housing for abused women. She sees no ghosts around Sol Evictus but she doesn't let that stop her. Her passion to help, to be a saint, drives her to find a way to destroy him.

A horror story set in a futuristic society where people face an epidemic that’s not only infecting its food supply, but every living being in it, too. And no matter how hard you try, you can’t get away from it. Of course. the Grinding House will be there to pick up the pieces, bones and all.

STEVIE IS A KILLER.

But she brings her victims back to life to demand of them: "WHAT DO YOU SEE?P"

Now she's about to find out for herself...

After an accident in which her mother dies, Stevie has a near-death experience, and finds herself in a room full of people - everyone she's ever annoyed. They clutch at her, scratch and tear at her. But she finds herself drawn back to this place, again and again, determined to unlock its secrets. Which means she has to die, again and again. And Stevie starts to wonder whether other people see the same room... when they die.

The most disturbing novel of 2010... read it if you dare.