A widower grieving for his young wife. A piano tuner concealing a lifetime of secrets. An out-of-tune Steinway piano. A journey of self-discovery across time and continents, from a dark apartment in Taipei’s red-light district to snow-clad New York.
At the heart of the story is the nameless narrator, the piano tuner. In his forties, he is balding and ugly, a loser by any standard. But he was once a musical prodigy. What betrayal and what heartbreak made him walk away from greatness?
Long hailed in Taiwan as a “writer’s writer,” Chiang-Sheng Kuo delivers a stunningly powerful, compact novel in The Piano Tuner. It’s a book of sounds: both of music and of the heart, from Rachmaninoff to Schubert, from Glenn Gould to Sviatoslav Richter, from untapped potential to unrequited love. With a cadence and precision that bring to mind Thomas Mann’s Death in Venice, Kazuo Ishiguro’s Nocturnes, and Yasunari Kawabata’s Snow Country, this short novel may be a portrait of the artist as a “failure,” but it also describes a pursuit of the ultimate beauty in music and in love.
A widower grieving for his young wife. A piano tuner concealing a lifetime of secrets. An out-of-tune Steinway piano. A journey of self-discovery across time and continents, from…
A mysterious virus has infiltrated the good people of Lake Wobegon, transmitted via unpasteurized cheese made by a Norwegian bachelor farmer, the effect of which is episodic loss of social inhibition. Mayor Alice, Father Wilmer, Pastor Liz, the Bunsens and Krebsbachs, formerly taciturn elders, burst into political rants, inappropriate confessions, and rhapsodic proclamations, while their teenagers watch in amazement. Meanwhile, a wealthy outsider is buying up farmland for a Keep America Truckin’ motorway and amusement park, estimated to draw 2.2 million visitors a year. Clint Bunsen and Elena the hometown epidemiologist to the rescue, with a Fourth of July Living Flag and sweet corn feast for a finale.
In his newest Lake Wobegon novel, Garrison Keillor takes us back to the small prairie town where for so long American readers and listeners have found laughter as well as the wry airing of our foibles and most familiar desires and fears—a town where, as we know, "all the women are strong, all the men are good-looking, and all the children are above average."
A mysterious virus has infiltrated the good people of Lake Wobegon, transmitted via unpasteurized cheese made by a Norwegian bachelor farmer, the effect of which is episodic loss…
Another fabulous art history thriller by the bestselling author of Oil and Marble, featuring the master of Renaissance perfection: Raphael!
Michelangelo’s Sistine Chapel ceiling is one of the most iconic masterpieces of the Renaissance. Here, in Raphael, Painter in Rome, Storey tells of its creation as never before: through the eyes of Michelangelo’s fiercest rival—the young, beautiful, brilliant painter of perfection, Raphael. Orphaned at age eleven, Raphael is determined to keep the deathbed promise he made to his father: become the greatest artist in history. But to be the best, he must beat the best, the legendary sculptor of the David, Michelangelo Buonarroti. When Pope Julius II calls both artists down to Rome, they are pitted against each other: Michelangelo painting the Sistine Ceiling, while Raphael decorates the pope's private apartments. As Raphael strives toward perfection in paint, he battles internal demons: his desperate ambition, crippling fear of imperfection, and unshakable loneliness. Along the way, he conspires with cardinals, scrambles through the ruins of ancient Rome, and falls in love with a baker’s-daughter-turned-prostitute who becomes his muse.
With its gorgeous writing, rich settings, endearing characters, and riveting plot, Raphael, Painter in Rome brings to vivid life these two Renaissance masters going head to head in the deadly halls of the Vatican.
Another fabulous art history thriller by the bestselling author of Oil and Marble, featuring the master of Renaissance perfection: Raphael!
In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure.
This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time.
In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. Beginning with his…
The national bestseller that Gary Shteyngart has called, "A potent combination of a financial thriller and a coming-of-age immigrant tale. . . . Offerings is a great book."
With the rapidly cascading Asian Financial Crisis threatening to go global and Korea in imminent meltdown, investment banker Dae Joon finds himself back in his native Seoul as part of an international team brought in to rescue the country from sovereign default. For Dae Joon—also known by his American name of Shane, after the cowboy movie his father so loved—the stakes are personal.
Raised in the US and Harvard Business School–educated, Dae Joon is a jangnam, a firstborn son, bound by tradition to follow in the footsteps of his forebears. But rather than pursue the path his scholar-father wanted, he has sought a career on Wall Street, at the epicenter of power in the American empire. Now, as he and his fellow bankers work feverishly with Korean officials to execute a sovereign bond offering to raise badly needed capital, he knows that his own father is living on borrowed time, in the last stages of a disease that is the family curse. A young woman he has met is quietly showing the way to a different future. And when his closest friend from business school, a scion of one of Korea's biggest chaebol, asks his help in a sale that may save the conglomerate but also salvage a legacy of corruption, he finds himself in personal crisis, torn by dueling loyalties, his identity tested.
The national bestseller that Gary Shteyngart has called, "A potent combination of a financial thriller and a coming-of-age immigrant tale. . . . Offerings is a great book."…
In 1940, the German sons and daughters of great Nazi dignitaries Himmler, Göring, Hess, Frank, Bormann, Höss, Speer, and Mengele were children of privilege at four, five, or ten years old, surrounded by affectionate, all-powerful parents. Although innocent and unaware of what was happening at the time, they eventually discovered the extent of their father's occupations: These men—their fathers who were capable of loving their children and receiving love in return—were leaders of the Third Reich, and would later be convicted as monstrous war criminals. For these children, the German defeat was an earth-shattering source of family rupture, the end of opulence, and the jarring discovery of Hitler's atrocities.
How did the offspring of these leaders deal with the aftermath of the war and the skeletons that would haunt them forever? Some chose to disown their past. Others did not. Some condemned their fathers; others worshiped them unconditionally to the end. In this enlightening book, which has been translated into eleven languages, Tania Crasnianski examines the responsibility of eight descendants of Nazi notables, caught somewhere between stigmatization, worship, and amnesia. By tracing the unique experiences of these children, she probes at the relationship between them and their fathers and examines the idea of how responsibility for the fault is continually borne by the descendants.
In 1940, the German sons and daughters of great Nazi dignitaries Himmler, Göring, Hess, Frank, Bormann, Höss, Speer, and Mengele were children of privilege at four, five, or ten…
In her brilliant debut, Storey brings early 16th-century Florence alive, entering with extraordinary empathy into the minds and souls of two Renaissance masters, creating a stunning art history thriller. From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.
Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.
Meanwhile, Leonardo's life is falling apart: he loses the hoped-for David commission; he can't seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market--a merchant's wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.
Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo's genius.
In her brilliant debut, Storey brings early 16th-century Florence alive, entering with extraordinary empathy into the minds and souls of two Renaissance masters, creating a…
“Ash’s book paints a telling portrait of this most restless generation raised in a system that has provided them with unprecedented personal opportunities while denying them political ones . . . A gifted observer.”—Washington Post
If China will rule the world one day, who will rule China? There are more than 320 million Chinese between the ages of sixteen and thirty. Children of the one-child policy, born after Mao, with no memory of the Tiananmen Square massacre, they are the first net native generation to come of age in a market-driven, more international China. Their experiences and aspirations were formed in a radically different country from the one that shaped their elders, and their lives will decide the future of their nation and its place in the world.
Wish Lanterns offers a deep dive into the life stories of six young Chinese. Dahai is a military child, netizen, and self-styled loser. Xiaoxiao is a hipster from the freezing north. “Fred,” born on the tropical southern island of Hainan, is the daughter of a Party official, while Lucifer is a would-be international rock star. Snail is a country boy and Internet gaming addict, and Mia is a fashionista rebel from far west Xinjiang. Following them as they grow up, go to college, find work and love, all the while navigating the pressure of their parents and society, Wish Lanterns paints a vivid portrait of Chinese youth culture and of a millennial generation whose struggles and dreams reflect the larger issues confronting China today.
“Ash’s book paints a telling portrait of this most restless generation raised in a system that has provided them with unprecedented personal opportunities while denying them…
Winner of the prestigious Azorín Prize for Fiction, the best-selling novel about love, sacrifice, and Picasso's mistress, Dora Maar.
A writer resembling Zoé Valdés—a Cuban exile living in Paris with her husband and young daughter—is preparing a novel on the life of Dora Maar, one of the most promising artists in the Surrealist movement until she met Pablo Picasso. The middle-aged Picasso was already the god of the art world's avant-garde. Dora became his lover, muse, and ultimately, his victim. She became The Weeping Woman captured in his famous portrait, the mistress he betrayed with other mistress-muses, and their affair ended with her commitment to an asylum at the hands of Picasso's friends.
The writer's research centers on a mysterious trip to Venice that Dora took fifteen years later, in the company of two young gay men who were admirers of Picasso, including the biographer James Lord. After this episode, Dora cut off contact with the world and secluded herself in her Paris apartment until her death. "After Picasso, God," she would say. What happened in Venice? The more the writer investigates, the more she finds herself implicated in a story of passion taken to the extremes. In The Weeping Woman, prize-winning novelist Zoé Valdés narrates the journey of a woman who would do anything and everything for love.
Winner of the prestigious Azorín Prize for Fiction, the best-selling novel about love, sacrifice, and Picasso's mistress, Dora Maar.
The Organ Broker is the gripping story of an underground black market organ dealer known as “New York Jack.” For eighteen years Jack has been a “transplant tourism director,” sending wealthy Americans and Europeans in need of kidneys and other organs to third world countries where they would buy them from transplant centers on the take. The death of a client and a newfound relationship lead to a crisis of conscience as he is forced to choose between a two million dollar commission—and participating in a murder. Jack races to South Africa, Brazil, and beyond, just one step ahead of his adversary and the FBI, in search of one small act of redemption.
As a disaffected youth in the late eighties, Jack Trayner entered the criminal world, selling coke when he needed money to pay his way through college. Although he later graduated from law school, an opportunity to earn easy money eventually seduced him into the bizarre and illegal black market for organs—a business that some consider horrendous and a small number of others deem to be heroic. The dual nature of this business assuaged Jack’s guilt and allowed him to flourish, yet the death of a client makes what he is doing all too real. The Organ Broker represents Jack’s confession.
The international black market sale of organs is very real and operates at this very moment behind closed hospital doors in many cities all around the world. It is a world that most people are only vaguely aware exists, and few of us know much, if anything, about, until now—in the pages of the confession of New York Jack.
The Organ Broker is the gripping story of an underground black market organ dealer known as “New York Jack.” For eighteen years Jack has been a “transplant tourism director,”…
In this volume, which reaffirms the uncompromising brilliance of his mind, Cioran strips the human condition down to its most basic components, birth and death, suggesting that disaster lies not in the prospect of death but in the fact of birth, "that laughable accident." In the lucid, aphoristic style that characterizes his work, Cioran writes of time and death, God and religion, suicide and suffering, and the temptation to silence. Through sharp observation and patient contemplation, Cioran cuts to the heart of the human experience.
In this volume, which reaffirms the uncompromising brilliance of his mind, Cioran strips the human condition down to its most basic components, birth and death, suggesting that…
This is not the Africa of Isak Dinesen, nor the Africa of Joy Adamson. This is the Africa of civil wars and tribal massacres, where the Lord’s Resistance Army recruits child-soldiers after forcing them to kill their parents and eat their hearts. The aid workers who voluntarily subject themselves to life here are a breed of their own.
Meet Hickey, an American school teacher in his late thirties, an American school teacher who burns his bridges with the school board and goes to Africa as an aid worker. Working for an agency in Nairobi, one of his jobs is to drive food and medical supplies to Southern Sudan to an aid station run by Ruth, a middle-aged woman, who acts as nurse, doctor, hospice worker, feeder of starving children, and witness. Ruth is gruff but efficient, and Hickey, who is usually drawn to youth and beauty, is struck by her devotion. Returning to Nairobi, he can’t forget what he has seen.
When the violence and chaos in the region increase to a fever pitch and aid workers are being slaughtered or evacuated, Hickey is asked to save Ruth overland by Jeep. What happens to them and the children that have joined their journey is the searing climax of this novel. Hoagland paints an unflinching portrait of a living hell at its worst, and yet amid that suffering there is hope in the form of humility, sacrifice, and life-affirming friendship.
This is not the Africa of Isak Dinesen, nor the Africa of Joy Adamson. This is the Africa of civil wars and tribal massacres, where the Lord’s Resistance Army recruits…
I want to try and understand why so many people commit crimes in the name of identity,” writes Amin Maalouf. Identity is the crucible out of which we come: our background, our race, our gender, our tribal affiliations, our religion (or lack thereof), all go into making up who we are. All too often, however, the notion of identity—personal, religious, ethnic, or national—has given rise to heated passions and even massive crimes. Moving across the world’s history, faiths, and politics, he argues against an oversimplified and hostile interpretation of the concept. He cogently and persuasively examines identity in the context of the modern world, where it can be viewed as both glory and poison. Evident here are the dangers of using identity as a protective—and therefore aggressive—mechanism, the root of racial, geographical, and colonialist subjugation throughout history.
Maalouf contends that many of us would reject our inherited conceptions of identity, to which we cling through habit, if only we examined them more closely. The future of society depends on accepting all identities, while recognizing our individualism.
I want to try and understand why so many people commit crimes in the name of identity,” writes Amin Maalouf. Identity is the crucible out of which we come: our background, our…
Of American and German parentage, Ernst Hanfstaengl graduated from Harvard and ran the family business in New York for a dozen years before returning to Germany in 1921. By chance he heard a then little-known Adolf Hitler speaking in a Munich beer hall and, mesmerized by his extraordinary oratorical power, was convinced the man would some day come to power. As Hitler’s fanatical theories and ideas hardened, however, he surrounded himself with rabid extremists such as Goering, Hess, and Goebbels, and Hanfstaengl became estranged from him.
But with the Nazi’s major unexpected political triumph in 1930, Hitler became a national figure, and he invited Hanfstaengl to be his foreign press secretary. It is from this unique insider’s position that the author provides a vivid, intimate view of Hitler—with his neuroses, repressions, and growing megalomania—over the next several years. In 1937, four years after Hitler came to power, relations between Hanfstaengl and the Nazis had deteriorated to such a degree that he was forced to flee for his life, escaping to Switzerland. Here is a portrait of Hitler as you’ve rarely seen him.
Of American and German parentage, Ernst Hanfstaengl graduated from Harvard and ran the family business in New York for a dozen years before returning to Germany in 1921. By chance…
This is Samuel Beckett’s first novel and “literary landmark” (St. Petersburg Times)—a savory introduction to the Nobel Prize–winning author. Written in the summer of 1932, when the twenty-six-year-old Beckett was poor and struggling to make ends meet, Dream of Fair to Middling Women offers a rare and revealing portrait of the artist as a young man. Later on, Beckett would call the novel “the chest into which I threw all my wild thoughts.” When he submitted it to several publishers, all of them found it too literary, too scandalous, or too risky, and it was sadly never published during his lifetime.
This is Samuel Beckett’s first novel and “literary landmark” (St. Petersburg Times)—a savory introduction to the Nobel Prize–winning author. Written in the summer of 1932, when…
