‘What makes a life? Lara Pawson’s lucid, sudden and subtle memoir unpicks the spirals of memory, politics, violence, to trace the boundaries and crossing points of gender and race identity.’
– Joanna Walsh
‘A crushingly honest memoir of war, war correspondence and personal mayhem ... Her focus is direct, bleakly honest, and as a result full of hope.’
– M. John Harrison
‘As an examination of the realities and ethics of war reporting, the book says much about what exposure to violence can do to people, about the kind of person who would seek such experience out, and about what turning away from it does to you. Above all, it challenges the reader to examine their own beliefs and decisions as closely as Pawson has examined hers. Brilliant and uncompromising.’
– Jonathan Gibbs, Guardian
‘Lara Pawson’s This Is the Place to Be is a stark, compassionate and troubling text that summons a fragmentary autobiography, circling experiences from her growing up in England and her time as a reporter covering civil wars in Angola and Ivory Coast. She deals with big questions through an intimate mosaic of lived experiences – the blank, funny, awful, gentle shards that remain in memory years after events have taken place – returning her again and again to the themes of identity, violence, race, class, sexuality and the everyday lives of people across several continents.
‘The simple form of the book belies a complex structure of association and contrast, point and counterpoint, in which the disconnected events of a life speak to and about each other across time and space, in illuminating ways. Reminiscent on a formal level of Edouard Levé’s Autoportrait and the writing under constraint of Perec and the OuliPo group, Pawson’s poetic recounting of facts also shares something of Kathy Acker and J. G. Ballard, in its attempt to write through both the extraordinary horror and the extraordinary mundanity of trauma.’
– Tim Etchells
An earlier, shorter version of This Is the Place to Be was commissioned as a sound installation for the 2014 London International Festival of Theatre programme After a War. It was directed by Tim Etchells and performed by Cathy Naden.
Praise for Lara Pawson’s In the Name of the People: Angola’s Forgotten Massacre (IB Tauris, 2014):
Longlisted for the Orwell Prize, shortlisted for the Bread and Roses Award for Radical Publishing and the Political Book Awards Debut Book of the Year, and nominated for the Royal Africa Society Book of the Year.
‘a bomb of a book’ – Claire Armitstead, Guardian
‘unflagging intelligence, fearlessness and compassion’ – Teju Cole
‘A brilliant piece of sleuthing . . . I greatly admire this book’ – Paul Theroux
‘engrossing and disturbing’ – Cassie Werber, Wall Street Journal
‘What makes a life? Lara Pawson’s lucid, sudden and subtle memoir unpicks the spirals of memory, politics, violence, to trace the boundaries and crossing points of gender and race…
A motorcycle courier finds a cache of nude photos in her boyfriend’s desk. The daughter of East German emigrants encounters her doppelgänger, who has crossed another cultural divide. Twin brothers fall for the same girl. When a stripper receives an enigmatic proposal from a client, she accepts, ignorant of its terms.
Shadows, doubles, and the ghosts of past and future lovers haunt these elegantly structured and often hallucinatory stories. The language is hypnotic, deadpan, intense; the sentences jewel-hard and sublime. This marks the début of a stylish, exuberant new voice in modern fiction.
A motorcycle courier finds a cache of nude photos in her boyfriend’s desk. The daughter of East German emigrants encounters her doppelgänger, who has crossed another cultural…
