О премии

Премия Макилванни - ежегодная литературная премия, присуждаемая автору лучшего детективного романа года в Шотландии.

Награда вручается с 2012 года «Кровавой Шотландией» (Bloody Scotland’s) - инновационным фестивалем, посвященным написанию детективов. С 2016 года премия названа в честь Уильяма Макилванни (1936-2015), которого часто называют "крестным отцом" Тартан Нуара (Tartan Noir).

С 2019 года учреждена номинация Шотландский криминальный дебют года (Scottish Crime Debut of the Year).

Для участия в конкурсе важны шотландские корни: писатель должен либо родиться, либо жить в Шотландии, либо представлять там свои книги.

картинка jump-jump

Другие названия: Scottish Crime Book of the Year Award Жанры: Зарубежные детективы, Зарубежная литература, Современная зарубежная литература Страны: Великобритания Язык: Английский Первое вручение: 2012 г. Последнее вручение: 2023 г. Официальный сайт: https://bloodyscotland.com/take-part/the-mcilvanney-prize/

Номинации

Лучший шотландский детектив года
Scottish Crime Book of the Year
Шотландский криминальный дебют года
Scottish Crime Debut of the Year

Премия вручается с 2019 года.

Лучший шотландский детектив года
Callum McSorley 0.0
Half the Glasgow polis think DI Alison McCoist is bent. The other half just think she's a fuck-up.

No one thinks very much at all about car wash employee Davey Burnet, until one day he takes the wrong customer's motor for a ride. One kidnapping later, he and the carwash are officially part of Glasgow's criminal underworld, working for a psychopath who enjoys playing games like 'Keep Yer Kneecaps' with any poor bastard who crosses him.

Can Davey escape from the gang's clutches with his kneecaps and life intact? Perhaps this polis Ally McCoist who keeps nosing around the car wash could help. That's if she doesn't get herself killed first.
Шотландский криминальный дебют года
Kate Foster 3.0
Inspired by a real-life case and winner of the Bloody Scotland Pitch Perfect Award, Kate Foster's The Maiden is a remarkable story with a feminist revisionist twist, giving a voice to women otherwise silenced by history.

"In the end, it did not matter what I said at my trial. No one believed me."

Edinburgh, October 1679. Lady Christian Nimmo is arrested and charged with the murder of her lover, James Forrester. News of her imprisonment and subsequent trial is splashed across the broadsides, with headlines that leave little room for doubt: Adulteress. Whore. Murderess.

Only a year before, Christian was leading a life of privilege and respectability. So, what led her to risk everything for an affair? And does that make her guilty of murder? She wasn't the only woman in Forrester's life, and certainly not the only one who might have had cause to wish him dead . . .

Кураторы