О премии

С 1965 Тихоокеанская Северо-западная Ассоциация Продавцов книг или PNBA предоставляет ежегодные премии, чтобы показать превосходство писательского мастерства литераторов американского Тихоокеанского Северо-запада. Для номинантов необходимо, чтобы автор и/или иллюстратор проживал в регионе PNBA из пяти штатов (Вашингтон, Орегон, Аляска, Монтана и Айдахо) и чтобы книга была опубликована в течение текущего календарного года.

С начала открытия премии существовали отдельные номинации, которые со временем упразднились.

Ежегодно номинируется около 400 произведений. Комитет по вознаграждениям состоит из независимых продавцов книг, представляющих регион PNBA. Новый комитет формируется каждый март, а книги-победители отбираются комитетом в середине октября.
Лауреатов премии - максимум шесть. Их объявляют в январе.

В 1966-1967, 1969-1970, 1974-1980, 1982 годах премия не вручалась.

Другие названия: Тихоокеанская северо-западная премия ассоциации продавцов книг Жанры: Современная проза, Зарубежная литература, Зарубежная поэзия, Поэзия Страны: США Язык: Английский Первое вручение: 1964 г. Последнее вручение: 2024 г. Официальный сайт: http://www.pnba.org/

Номинации

Премия Ассоциации книготорговцев Тихоокеанского Северо-Запада
Pacific Northwest Booksellers Association Award, PNBA

Вручается с 1971 года.

Поэзия
Poetry

Номинация существовала только в 1964 году.

Книга для молодежи
Young Adult:

Номинация существовала только в 1964 году.

Проза
Fiction

Номинация существовала с 1965 по 1968 год.

Публицистика
Non-Fiction

Номинация существовала с 1965 по 1968 год.

Книга для подростков
Juvenile

Номинация существовала с 1965 по 1968 год.

Мемориальная премия Кена Бойла
Ken Boyle Memorial Award

Номинация существовала с 1965 по 1973 год.

Премия Ассоциации книготорговцев...
Kim Spencer 0.0
★ “Readers will be left with a rich image of Mia’s world and the family and people that surround her as well as a strong sense of how culture and class impact people’s experiences. A touching exploration of identity and culture.”― Kirkus Reviews Mia knows her family is very different than her best friend's. In the 1980s, the coastal fishing town of Prince Rupert is booming. There is plenty of sockeye salmon in the nearby ocean, which means the fishermen are happy and there is plenty of work at the cannery. Eleven-year-old Mia and her best friend, Lara, have known each other since kindergarten. Like most tweens, they like to hang out and compare notes on their crushes and dream about their futures. But even though they both live in the same cul-de-sac, Mia’s life is very different from her non-Indigenous, middle-class neighbor. Lara lives with her mom, her dad and her little brother in a big house, with two cars in the drive and a view of the ocean. Mia lives in a shabby wartime house that is full of relatives―her churchgoing grandmother, binge-drinking mother and a rotating number of aunts, uncles and cousins. Even though their differences never seemed to matter to the two friends, Mia begins to notice how adults treat her differently, just because she is Indigenous. Teachers, shopkeepers, even Lara’s parents―they all seem to have decided who Mia is without getting to know her first.
Премия Ассоциации книготорговцев...
Дебра Мэгпай Эрлинг 0.0
“In my seventh winter, when my head only reached my Appe’s rib, a White Man came into camp. Bare trees scratched sky. Cold was endless. He moved through trees like strikes of sunlight. My Bia said he came with bad intentions, like a Water Baby’s cry.” Among the most memorialized women in American history, Sacajewea served as interpreter and guide for Lewis and Clark’s Corps of Discovery. In this visionary novel, acclaimed Indigenous author Debra Magpie Earling brings this mythologized figure vividly to life, casting unsparing light on the men who brutalized her and recentering Sacajewea as the arbiter of her own history. Raised among the Lemhi Shoshone, in this telling the young Sacajewea is bright and bold, growing strong from the hard work of “learning all ways to survive”: gathering berries, water, roots, and wood; butchering buffalo, antelope, and deer; catching salmon and snaring rabbits; weaving baskets and listening to the stories of her elders. When her village is raided and her beloved Appe and Bia are killed, Sacajewea is kidnapped and then gambled away to Charbonneau, a French Canadian trapper. Heavy with grief, Sacajewea learns how to survive at the edge of a strange new world teeming with fur trappers and traders. When Lewis and Clark’s expedition party arrives, Sacajewea knows she must cross a vast and brutal terrain with her newborn son, the white man who owns her, and a company of men who wish to conquer and commodify the world she loves. Written in lyrical, dreamlike prose, The Lost Journals of Sacajewea is an astonishing work of art and a powerful tale of perseverance—the Indigenous woman’s story that hasn’t been told.
Премия Ассоциации книготорговцев...
Elizabeth Bradfield, Cmarie Fuhrman, Derek Sheffield 0.0
Have you ever been so filled up with the wonder of a place that it wants to spill out as a song? Well, here is the songbook. I imagine walking through a forest and pausing to read these illuminating pages aloud to a listening cedar or a dipper. There are field guides that help us to see, and to name, and to know; Cascadia Field Guide does all of that and more. This is a guide to relationship, a gift in reciprocity for the gifts of the land. – Robin Wall Kimmerer, author of Braiding Sweetgrass

Cascadia stretches from Southeast Alaska to Northern California and from the Pacific Ocean to the Continental Divide. Cascadia Field Art, Ecology, Poetry blends art and science to celebrate this diverse yet interconnected region through natural and cultural histories, poetry, and illustrations. Organized into 13 bioregions, the guide includes entries for everything from cryptobiotic soil and the western thatching ant to the giant Pacific octopus and Sitka spruce, as well as the likes of common raven, hoary marmot, Idaho giant salamander, snowberry, and 120 more!

Both well-established and new writers are included, representing a diverse spectrum of voices, with poems that range from comic to serious, colloquial to scientific, urban to off-the-grid, narrative to postmodern. Likewise, the artists span styles and mediums, using classic natural history drawing, form line design, graffiti, sketch, and more. All writers and artists have deep ties to the region.
Премия Ассоциации книготорговцев...
Jane Wong 0.0
An incandescent, exquisitely written memoir about family, food, girlhood, resistance, and growing up in a Chinese American restaurant on the Jersey shore. In the late 1980s on the Jersey shore, Jane Wong watches her mother shake ants from an MSG bin behind the family’s Chinese restaurant. She is a hungry daughter frying crab rangoon for lunch, a child sneaking naps on bags of rice, a playful sister scheming to trap her brother in the freezer before he traps her first. Jane is part of a family staking their claim to the American dream, even as this dream crumbles. Beneath Atlantic City’s promise lies her father’s gambling addiction, an addiction that causes him to disappear for days and ultimately leads to the loss of the restaurant.

In her debut memoir, Jane Wong tells a new story about Atlantic City, one that resists a single identity, a single story as she writes about making do with what you have―and what you don’t. What does it mean, she asks, to be both tender and angry? What is strength without vulnerability―and humor? Filled with beauty found in unexpected places, Meet Me Tonight in Atlantic City is a resounding love song of the Asian American working class, a portrait of how we become who we are, and a story of lyric wisdom to hold and to share.
Премия Ассоциации книготорговцев...
Aubrey Gordon 3.5
The pushback that shows up in conversations about fat justice takes exceedingly predicable form. Losing weight is easy—calories in, calories out. Fat people are unhealthy. We’re in the midst of an obesity epidemic. Fat acceptance “glorifies obesity.” The BMI is an objective measure of size and health. Yet, these myths are as readily debunked as they are pervasive.
In “You Just Need to Lose Weight,” Aubrey Gordon equips readers with the facts and figures to reframe myths about fatness in order to dismantle the anti-fat bias ingrained in how we think about and treat fat people. Bringing her dozen years of community organizing and training to bear, Gordon shares the rhetorical approaches she and other organizers employ to not only counter these pernicious myths, but to dismantle the anti-fat bias that so often underpin them.
As conversations about fat acceptance and fat justice continue to grow, “You Just Need to Lose Weight” will be essential to ensure that those conversations are informed, effective, and grounded in both research and history.
Премия Ассоциации книготорговцев...
Наоми Кляйн 0.0
What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against?

Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror.

Кураторы