Джеймс Эллрой — новинки

James Ellroy—Demon Dog of American Letters—goes straight to the tragic heart of 1962 Hollywood with a wild riff on the Marilyn Monroe death myth in an astonishing, behind-the-headlines crime epic.

Los Angeles, August 4, 1962. The city broils through a midsummer heat wave. Marilyn Monroe ODs. A B-movie starlet is kidnapped. The overhyped LAPD overreacts. Chief Bill Parker’s looking for some getback. The Monroe deal looks like a moneymaker. He calls in Freddy Otash.

The freewheeling Freddy tainted ex-cop, defrocked private eye, dope fiend, and freelance extortionist. A man who lives by the maxim “Opportunity is love.” Freddy gets to work. He dimly perceives Marilyn Monroe’s death and the kidnapped starlet to be a poisonous riddle that only he has the guts and the brains to untangle. We are with him as he tears through all those who block his path to the truth. We are with him as he penetrates the faux -sunshine of Jack and Bobby Kennedy and the shuck of Camelot. We are with him as he falters, and grasps for love beyond opportunity. We are with him as he tracks Marilyn Monroe’s horrific last charade through a nightmare L.A. that he served to create — and as he confronts his complicity and his own raging madness.

It’s the Summer of ’62, baby. Freddy O’s got a hot date with history. The savage Sixties are ready to pop. It’s just a shot away.

Los Angeles, December 6, 1941. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. War fever and race hate grip the city and the internment of Japanese-Americans begins.
Following the hellish murder of a Japanese family, three men and one woman are summoned. William H. Parker is a captain on the Los Angeles Police. He's superbly gifted, corrosively ambitious and consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith - Irish emigre, ex-IRA killer and fledgling war profiteer. Kay Lake is a 21-year-old dilettante looking for adventure. Hideo Ashida is a brilliant police chemist and the only Japanese on the payroll.
Four driven souls - rivals, lovers, history's pawns - thrown into an investigation which will not only rip them apart but take America to the edge of the abyss at a crucial moment in its history.

Freddy is an ex-L.A. cop on the skids. He snuffed a cop killer in cold blood - and it got to him bad. Now he's a sleazoid private eye, a shakedown artist, a pimp - and, most notably, the head strongarm goon for Confidential magazine.
Welcome to the world of the malevolent monarch of the Hollywood underground - a tale of pervasive paranoia teeming with communist conspiracies, FBI finks, celebrity smut films and strange bedfellow

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'Ellroy writes with raw power … undeniably one of the most influential crime writers of our time' THE TIMES
'a tangled fever-dream … Ellroy offers a grandiose, Wagnerian vision of wartime LA' SUNDAY TIMES
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A brilliant historical crime novel, set in Los Angeles and Mexico during the pulse-pounding aftermath of the attack on Pearl Harbor.
January, ’42. L.A. reels behind

Січень 1947 року. Газети вибухають заголовками про смерть 22-річної красуні Елізабет Шорт, охрещеної журналістами «Чорна Жоржина». Її досконале колись тіло знайдене моторошно понівеченим і розчленованим. Шпальти кричать про вбивцю-перевертня, а поліція Лос-Анджелеса працює невпинно... У напарників-детективів Бланшара і Блайхерта є власні версії подій. Вони знають…

America stands at the brink of World War II. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. Los Angeles has been a haven for loyal Japanese-Americans--but now, war fever and racial hatred grip the city and the Japanese internment begins. The hellish murder of a Japanese family summons three men and one woman. William H. Parker is a captain on the Los Angeles Police Department. He's superbly gifted, corrosively ambitious, liquored-up, and consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith--Irish emigre, ex-IRA killer, fledgling war profiteer. Hideo Ashida is a police chemist and the only Japanese on the L.A. cop payroll. Kay Lake is a twenty-one-year-old dilettante looking for adventure. The investigation throws them together and rips them apart. The crime becomes a political storm center that brilliantly illuminates these four driven souls--comrades, rivals, lovers, history's pawns.

The first novel in Ellroy's extraordinary Underworld USA Trilogy as featured on BBC Radio 4's A Good Read. 1958. America is about to emerge into a bright new age – an age that will last until the 1000 days of John F Kennedy's presidency. Three men move beneath the glossy surface of power, men allied to the makers and shakers of the era. Pete Bondurant – Howard Hughes's right-hand man, Jimmy Hoffa's hitman. Kemper Boyd – employed by J Edgar Hoover to infiltrate the Kennedy clan. Ward Littell – a man seeking redemption in Bobby Kennedy's drive against organised crime. The festering discount of the age that burns brightly in these men's hearts will go into supernova as the Bay of Pigs ends in calamity, the Mob clamours for payback and the 1000 days ends in brutal quietus in 1963.

America's greatest living crime writer gives us a raw, brutally candid memoir-as high intensity and as riveting as any of his novels-about his obsessive search for "atonement in women." The year was 1958.Jean Hilliker had divorced her fast-buck hustler husband and resurrected her maiden name.Her son, James, was ten years old.He hated and lusted for his mother and "summoned her dead." She was murdered three months later. The Hilliker Curse is a predator's confession, a treatise on guilt and the power of malediction, and above all a cri de c?ur. Ellroy unsparingly describes his shattered childhood, his delinquent teens, his writing life, his love affairs and marriages, his nervous breakdown and the beginning of a relationship with an extraordinary woman who may just be the long-sought Her. A layered narrative of time and place, emotion and insight, sexuality and spiritual quest, The Hilliker Curse is a brilliant, soul-baring revelation of self.It is unlike any memoir you have ever read.

A magisterial anthology of American noir writing in the 20th century by the best-selling author of the LA Quartet: The Black Dahlia. The Big Nowhere , LA Confidential and White Jazz. In his intoduction to The Best American Noir of the Century, James Ellroy writes, "noir is the most scrutinised offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction. James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing - 1910-2010 - to find this treasure trove of thirty-nine stories. From noir's twenties-era infancy come gems like James M. Cain's "Pastorale," and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Dennis Lehane, Patricia Highsmith and William Gay, with many page-turners appearing in the last decade.

Los Angeles 1951 – Frederick Underhill, an ambitious rookie of the Los Angeles Police Department, want to become the most celebrated detective of his time. He is also sexually promiscuous. His two drives are brought together by the slaying of Maggie Cadwallader, a lonely woman whom Underhill slept with shortly before her death. Using his inside knowledge, Underhill gets himself on the case, which is being handled by LA’s most fearsome investigator: Lieutenant Dudley Smith. But instead of the celebrity status he was hoping for, Underhill finds himself on the edge of the abyss, his whole life and future about to take a fall.