Серия книг «World of Art Series» — 142 книги — стр. 4

An absorbing reappraisal of Les Fauves their ideas, paintings and the critical response to their works.

Britain has played a key role in the history of the last five centuries, and its art reflects this in absorbing but complex ways. At first, foreign artists and influences were dominant - for example, Holbein, Van Dyck, Lely and Kneller. In the century of Hogarth, Reynolds and Gainsborough, British painting reflected an increasingly confident society, propelled by Imperialist expansion and industrial advance. Constable and Turner were among many pioneers in the artistic revolutions of the Romantic period, when British influence extended across Europe. The Victorian age saw the moral dilemmas, reflected in art, of Christian values challenged by science. A consistent undercurrent has been Britain's preference for the real world (landscape and portraiture) as against "high" art and abstraction. This is a survey of the personalities of British painting and an assessment of the latest flowering in which many threads of modern art come together.

Britain has played a key role in the history of the last five centuries, and its art reflects this in absorbing but complex ways. At first, foreign artists and influences were…

This is an introduction to one of the great periods of Western art and provides a clear, dramatic account of the French art world under Louis XIII and Louis XIV. Drawing on research that places the art of the period in its context of religious and philosophical ideas, Christopher Allen provides the means for the reader to judge the meaning, relevance, success or failure of the art of this period.

This is an introduction to one of the great periods of Western art and provides a clear, dramatic account of the French art world under Louis XIII and Louis XIV. Drawing on…

In this illuminating history, text and illustrations combine to offer a view of furniture not as a succession of collectors' pieces, but as a statement about the society that created it. Edward Lucie-Smith offers insights into almost every period, from the prehistoric to the postmodern--from Neolithic tables to 1960s conversation pits, and from the ceremonial chairs of Egypt in the thirteenth century BC to the designs of John Makepeace. Throughout, the author has kept in focus the way in which people's lives, their self-images and preoccupations, as well as the organization and techniques of furniture-making, have affected the forms of these objects, which are so vital a part of our environment.

In this illuminating history, text and illustrations combine to offer a view of furniture not as a succession of collectors' pieces, but as a statement about the society that…

William Vaughan puts Gainsborough's work into the context of contemporaneous social and political developments in Britain, and in particular the celebration of original genius in a time of burgeoning entrepreneurial commercialism. He also discusses thoroughly Gainsborough's life and work - his childhood in Suffolk; his 'apprenticeship' in London; his marriage and the birth of his daughters; his move back to Suffolk and the birth of his career; his move to Bath and his incredible success as a society portrait painter; his move to London in 1774 where he reached the peak of his career, despite falling out with the Royal Academy and not being appointed official painter to the King; and his death in 1778.

William Vaughan puts Gainsborough's work into the context of contemporaneous social and political developments in Britain, and in particular the celebration of original genius in…

Making extensive use of new research and material, Belinda Thomson's incisive text gives a comprehensive and accessible account of the life and work of one of the most original artists of the late nineteenth century. Gauguin's work-- painting, sculpture, prints and ceramics--is discussed in the light of his public persona, his relations with his contemporaries, his exhibitions and their critical reception. Drawing on the recently published edition of Gauguin's letters up to 1885 and on his exchange of correspondence with Vincent and Theo Van Gogh as well as journals and other writings, the author also reveals the private world, beliefs and aspirations of the controversial artist.

Making extensive use of new research and material, Belinda Thomson's incisive text gives a comprehensive and accessible account of the life and work of one of the most original…

'The Gothic Revival', writes Professor Michael Lewis, 'is more than a fashion craze for pointed arches and pinnacles. During its years of greatest influence, it subjected every aspect of art, belief, society and labour to intense intellectual scrutiny, using the Middle Ages as a platform from which to judge the modern world.' The craze for Gothic Revival architecture spread throughout continental Europe and the USA from the eighteenth century, and shaped the face of Victorian England. It soon outgrew its religious and historical beginnings and was adopted in many countries to serve political or nationalist purposes. Pugin and Barry were two of the many dazzling talents of the nineteenth century; they are associated with many of England's best-known buildings, most notably the Houses of Parliament. The Gothic style demonstrates energetically the confrontation of Western architecture with modernity, applying the inspiration of the medieval cathedral builders to the new engineering ideas of the industrial age. Professor Lewis's rich survey treats individual buildings and broad movements in England, Europe and the USA with fresh authority. This is an invaluable introduction to one of the most fascinating and colourful periods in the history of architecture.

'The Gothic Revival', writes Professor Michael Lewis, 'is more than a fashion craze for pointed arches and pinnacles. During its years of greatest influence, it subjected every…

This concise and accessible survey, the latest title in Thames & Hudsons renowned World of Art series, is set to become the definitive popular guide to graffiti and street art. The traditional letter-based graffiti that appeared on the streets of Philadelphia and New York over forty years ago launched a global art movement that has evolved into two distinct disciplines. While both thrive illegally and challenge the concept of public space, the new wave of street art puts greater emphasis on figures, abstraction, symbols and formal techniques. This book explains the terms and language of graffiti and street art from tags and throwies to culture jamming and subvertising as well as their multiple influences and sub-genres. Organized thematically, it traces the origins and evolution of graffiti and street art, and explores the motivations and practices of the leading exponents; the relationship between these art forms and the urban environment; their interactions with (or rejection of) the market and the world of commercial galleries; and their increasingly important role in visual culture as a whole.

This concise and accessible survey, the latest title in Thames & Hudsons renowned World of Art series, is set to become the definitive popular guide to graffiti and street art.…

From its roots in the development of printing, graphic design has evolved as a means of identification, information, and promotion to become a profession and discipline in its own right.

This authoritative documentary history begins with the poster and goes on to chart the development of word and image in brochures and magazines, advertising, corporate identity, television, and electronic media, and the impact of technical innovations such as photography and the computer. For the revised edition, a new final chapter covers all the recent international developments in graphic design, including the role of the computer and the Internet in design innovation and globalization. In the last years of the twentieth century, at a time when "designer products" and the use of logos grew in importance, the role of graphic designers became more complex, subversive, and sometimes more political—witness Oliviero Toscani's notorious advertisements for Benetton. Digital technology cleared the way for an astonishing proliferation of new typefaces, and words began to take second place to typography in a whole range of magazines and books as designers asserted the primacy of their medium. Designers and companies discussed here include Neville Brody, David Carson, Design Writing Research, Edward Fella, Tibor Kalman, Jeffery Keedy, LettError, Pierre di Sciullo, Tomato, Gerard Unger, Cornel Windlin, and a host of others.

From its roots in the development of printing, graphic design has evolved as a means of identification, information, and promotion to become a profession and discipline in its own…

This book will do for the next generation of students and general readers what its predecessor has done for the last - provide and authoritative and readable guide to the history of Greek art. It is a considerably enlarged and rewritten version of a work that has a considerably enlarged and rewritten version of a work that has served hundred of thousands in many languages since the early 1960s. As the author says, "This edition is different in that it takes into account new finds as well as new ideas and attitudes to the subject...I have attempted here to place Greek art back into Greece and away from galleries and art books, to try to recapture what it meant to its makers and views, and so better value what it has meant to later artists in the western world.

This book will do for the next generation of students and general readers what its predecessor has done for the last - provide and authoritative and readable guide to the history…

For many people there is no more satisfying expression of Greek art than its sculpture. It was the first, the only ancient art to break free from 'conceptual' conventions for representing men and animals, and to explore consciously how art might imitate nature or even improve upon it.

The first stages of this discovery, from the semi-abstract beginnings in the eighth century BC to the more representational art of the early fifth century, are explored and copiously illustrated in this handbook.

For many people there is no more satisfying expression of Greek art than its sculpture. It was the first, the only ancient art to break free from 'conceptual' conventions for…

For most people there is no more satisfying expression of Greek art than its sculpture. It was the first, the only ancient art to break free from conceptual conventions for representing men and animals, and to explore consciously how art might imitate or even improve upon it. The first stages of this discovery, from the semi-abstract beginnings in the eighth century BC to the more representational art of the early fifth century, are explored and illustrated in this handbook.

For most people there is no more satisfying expression of Greek art than its sculpture. It was the first, the only ancient art to break free from conceptual conventions for…

This is the last in the series of Sir John Boardman's acclaimed handbooks on Greek sculpture; a sequel to similar volumes on the Archaic and Classical periods. Here, the story continues through the fourth century B.C. to the days of Alexander the Great. The innovations of the period are discussed, such as the female nude and portraiture, along with many important monuments including the Mausoleum of Halicarnassus and several of the great names such as Praxiteles and Lysippus who were lionized by later generations. The volume also presents Greek sculpture made in the colonies of Italy and Sicily from the Archaic period onwards, as well as that made for eastern, non-Greek rulers. A final section considers the role of Greek sculpture in moulding western taste to the present day.

This is the last in the series of Sir John Boardman's acclaimed handbooks on Greek sculpture; a sequel to similar volumes on the Archaic and Classical periods. Here, the story…

Nicholas Hawksmoor was the architect of some of London's most prominent landmarks - St Mary Woolnoth in the City; St George's, Bloomsbury; Christchurch, Spitalfields; and part of Greenwich Hospital - and of other notable English buildings, such as All Souls, Oxford, and the Mausoleum at Castle Howard. Yet he has been comparatively little studied and this title is by the acknowledged authority on his work. The illustrations include photographs of all his surviving buildings, and drawings of those which remained projects or have been demolished, making this a useful introduction to the work of an inventive, highly individual architect.

Nicholas Hawksmoor was the architect of some of London's most prominent landmarks - St Mary Woolnoth in the City; St George's, Bloomsbury; Christchurch, Spitalfields; and part of…

The exuberant realism and virtuoso technique of Hellenistic sculpture formed the basis of much later European art. Under Alexander and his cosmopolitan successors, sculptors enriched the classical Greek repertoire with a whole range of new subjects--hermaphrodites, peasants, boxers--and new styles-- baroque treatment, genre figures, individualized portraiture. Professor Smith offers a reappraisal of this entire artistic epoch as a period of innovation, demonstrating the variety, subtlety and complexity of its styles. Numerous illustrations reveal the skill and inventiveness of the Hellenistic masters, who created works of great beauty and expressive power.

The exuberant realism and virtuoso technique of Hellenistic sculpture formed the basis of much later European art. Under Alexander and his cosmopolitan successors, sculptors…

Born in Yorkshire in 1903, Barbara Hepworth was determined to become a sculptor despite the misgivings of her parents and the common attitude at the time that a woman studying sculpture was not to be taken seriously. She was part of the generation of British artists that included Henry Moore (with whom she studied in Leeds) and Ben Nicholson (whom she married), and her sculpture explored the forms of life -- especially human life -- as well as those of mathematics.From the beginning, her work displayed a monumental power, and after World War II it received far wider recognition and acclaim. Hepworth later experimented in new substances such as sheet metal, wire, and bronze, but her work always maintained its nobility, subtlety, and flawless rendering of surface. She died in 1975, after a long illness that did not prevent her from completing the work many consider to be her masterpiece: The Family of Man.

Born in Yorkshire in 1903, Barbara Hepworth was determined to become a sculptor despite the misgivings of her parents and the common attitude at the time that a woman studying…

The principal elements of High Renaissance art, first formulated by Leonardo da Vinci in the 1490s, came to their true flowering in the brilliant achievements of Bramante, Raphael and Michelangelo in Rome, of Michelangelo in Florence and Giorgione and Titian in Venice. After the death of Raphael in 1520, the next generation in Italy was to see the rise of the complex and refined sensibility summed up in the term "Mannerism." In this uniquely comprehensive guide to sixteenth-century Renaissance art, Linda Murray examines the manifold achievements of Italian artists and identifies the individual forms taken by artists in Northern Europe and in Spain, including Durer, Bruegel and El Greco.

The principal elements of High Renaissance art, first formulated by Leonardo da Vinci in the 1490s, came to their true flowering in the brilliant achievements of Bramante, Raphael…

The art of Hinduism constitutes one of the world's greatest traditions. Michell's new survey examines the entire period, covering shrines consecrated to Hindu cults and works of art portraying Hindu divinities and semi-divine personalities.

The art of Hinduism constitutes one of the world's greatest traditions. Michell's new survey examines the entire period, covering shrines consecrated to Hindu cults and works of…

In this lively and up-to-date analysis, David Parkinson traces the evolution of the moving image from the earliest shadow shows to the digital filmmaking of the twenty-first century. Covering the key elements and players that have contributed to its artistic and technical development, the book offers a concise overview of film throughout the world. Beginning with the origins of the movies, it assesses the achievements of an international body of filmmakers. A new chapter maps the developments in form and technology across the world from the mid-1990s to today, examining among other things experiments in three-dimensionality, the revival of animation, the democratization of filmmaking following the digital revolution, and the impact of DVDs and the download market in exponentially widening access and audiences.

In this lively and up-to-date analysis, David Parkinson traces the evolution of the moving image from the earliest shadow shows to the digital filmmaking of the twenty-first…