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18 мая 2017 г., 15:22
The traditions of Vienna and the revolutions of Milan collided in Joyce's Trieste. Vienna, with its quest for unity in psychology, philosophy, and music was in retard, while Milan, presenting the new visual art of mechanization and discontinuous motion, was in spasmodic acceleration. An even more important product of the collision of styles was Joyce's plan for Ulysses, one chapter of which Joyce and Budgen had likened to a Futurist or Cubist painting. The novel is justly famous for its dynamic structure, its reversal and mixture of temporal and spatial clues and perspectives, and its technical brilliance.
