Серия книг «Cambridge Greek and Latin Classics» — 3 книги

In this new edition of Sophocles' tragedy Antigone, Mark Griffith combines sophisticated literary and cultural interpretation with close attention to language, meter, and issues of performance, and thus makes the play more fully available to readers of Greek than ever before. The introduction requires no knowledge of Greek and will interest all students of drama and literature.

In this new edition of Sophocles' tragedy Antigone, Mark Griffith combines sophisticated literary and cultural interpretation with close attention to language, meter, and issues…

The myth of fire stolen from the gods appears in many pre-industrial societies. In Greek culture Prometheus the fire-stealer figures prominently in the poems of Hesiod, but in Prometheus Bound Hesiod's morality tale has been transformed into a drama of tragic tone and proportions. In the introduction, Mark Griffith examines how the dramatist has achieved this transformation, looking at the play from all angles - plot and characters, dramatic technique, style and metre. He includes a short section on the production of the play and on the questions of authenticity and date. The commentary guides the reader through problems of language, metre and content. An important feature of this volume is the appendix, which gathers together the existing fragments of the other two plays in the supposed Prometheus trilogy, quoting them in full in the original language and in translation, with short accompanying commentary. This is suitable for undergraduates and students in the upper forms of schools. It also deserves the serious attention of scholars. The introduction requires no knowledge of Greek and will interest students of drama and literature in other cultures too.

The myth of fire stolen from the gods appears in many pre-industrial societies. In Greek culture Prometheus the fire-stealer figures prominently in the poems of Hesiod, but in…

Horace's first book of Satires is his debut work, a document of one man's self-fashioning on the cusp between Republic and Empire and a pivotal text in the history of Roman satire. It wrestles with the problem of how to define and assimilate satire and justifies the poet's own position in a suspicious society. The commentary gives full weight to the dense texture of these poems while helping readers interpret their most cryptic aspects and appreciate their technical finesse. The introduction puts Horace in context as late-Republican newcomer and a vital figure in the development of satire and discusses the structure and meaning of Satires I, literary and philosophical influences, style, metre, transmission and Horace's rich afterlife. Each poem is followed by an essay offering overall interpretation. This work is designed for upper-level students and scholars of classics but contains much of interest to specialists in later European literature.

Horace's first book of Satires is his debut work, a document of one man's self-fashioning on the cusp between Republic and Empire and a pivotal text in the history of Roman…