An engaging blend of conservation stories and humorous, personal anecdotes from Philippa Forrester about women who, like her, choose to live and work in the wild.
Surviving in the wilderness has long been associated with men, and conservation and environmental biology have traditionally been male-dominated subjects. Yet many remarkable women also choose to live and work in wild and challenging landscapes.
In Wild Woman, Philippa Forrester considers the grit and determination required for women to maintain connections to wildlife and shares stories of female conservation heroes and other extraordinary wild women working in nature.
Talking to women from around the world, Philippa studies and celebrates what it means to be a wild woman. From the sixteenth-century botanist who was the first woman to circumnavigate the globe to modern-day women responding to bear attacks in Yellowstone, working to rewild reserves in South Africa, photographing Caribou in the Arctic and more, Philippa examines how these women benefit from a life spent in the wilderness and also considers what the natural world gains from them.
Relating some of her own experiences from three decades spent travelling around the world and working in some of the wildest places on Earth, Philippa asks: what does it take for a woman to live or work in the wild?
An engaging blend of conservation stories and humorous, personal anecdotes from Philippa Forrester about women who, like her, choose to live and work in the wild.
Showcases the work of twenty leading paleoartists who expertly bring these extinct animals to life in exquisite detail.
Dinosaurs are endlessly fascinating to people of every age, from the youngest child who enjoys learning the tongue-twisting names to adults who grew up with Jurassic Park and Walking with Dinosaurs. As our knowledge of the prehistoric world continues to evolve and grow, so has the discipline of bringing these ancient worlds to life artistically. Paleoart puts flesh on the bones of long-extinct organisms, and illustrates the world they lived in.
Mesozoic Art presents twenty of the best artists working in this field, representing a broad spectrum of disciplines, from traditional painting to cutting-edge digital technology. Some provide the artwork for new scientific papers that demand high-end paleoart as part of their presentation to the world at large; they also work for the likes of National Geographic and provide art to museums around the world to illustrate their displays. Other artists are the new rising stars of paleoart in an ever-growing, ever-diversifying field.
Arranged by portfolio, this book brings this dramatic art to a wide, contemporary audience. The art is accompanied by text on the animals and their lives, written by palaeontologist Darren Naish. Paleoart is dynamic, fluid and colourful, as were the beasts it portrays, which are displayed in this magnificent book.
Showcases the work of twenty leading paleoartists who expertly bring these extinct animals to life in exquisite detail.
Dinosaurs are endlessly fascinating to people of every…
A visit to the rapid where she lost a cherished friend unexpectedly reignites Amy-Jane Beer’s love of rivers setting her on a journey of natural, cultural and emotional discovery.
On New Year’s Day 2012, Amy-Jane Beer’s beloved friend Kate set out with a group of others to kayak the River Rawthey in Cumbria. Kate never came home, and her death left her devoted family and friends bereft and unmoored.
Returning to visit the Rawthey years later, Amy realises how much she misses the connection to the natural world she always felt when on or close to rivers, and so begins a new phase of exploration.
The Flow is a book about water, and, like water, it meanders, cascades and percolates through many lives, landscapes and stories. From West Country torrents to Levels and Fens, rocky Welsh canyons, the salmon highways of Scotland and the chalk rivers of the Yorkshire Wolds, Amy-Jane follows springs, streams and rivers to explore tributary themes of wildness and wonder, loss and healing, mythology and history, cyclicity and transformation.
Threading together places and voices from across Britain, The Flow is a profound, immersive exploration of our personal and ecological place in nature.
A visit to the rapid where she lost a cherished friend unexpectedly reignites Amy-Jane Beer’s love of rivers setting her on a journey of natural, cultural and emotional discovery.…
In Spotlight Crows, Mike Unwin looks at the biology and ecology of all eight UK corvids and investigates why these birds have become deeply embedded in our culture, from children's rhymes and Norse mythology to Shakespeare's plays and the poems of Edgar Allen Poe.
Most of the UK's crow species--carrion crow, hooded crow, rook, jackdaw, raven, chough, magpie and jay--are very familiar birds to urban householder and countryside dweller alike. Together they make up the Corvidae family, and they have been deeply intertwined in our lives and culture since prehistoric times.
However, familiarity often breeds contempt, and crows--also known as corvids--have long attracted a bad press. Reviled as raiders of crops, feeders on carrion, thieves of jewelry and bullies of smaller birds, crows have often found themselves on the wrong end of a shotgun. Yet the more we learn about them, the more fascinating they become.
Behind the behavior some find objectionable lie exceptional intelligence and resourcefulness. These qualities have long captivated scientists and excited the admiration of anyone who takes the time to know crows better.
In Spotlight Crows, Mike Unwin looks at the biology and ecology of all eight UK corvids and investigates why these birds have become deeply embedded in our culture, from…
One woman's journey of reclamation through natural landscapes as she contemplates identity and womanhood, nature, place and belonging.
Anita Sethi was on a journey through Northern England in Summer 2019 when she became the victim of a racially motivated hate crime. The crime was a vicious attack on her right to exist in a place on account of her race. After the event Anita experienced panic attacks and anxiety. A crushing sense of claustrophobia made her long for wide open spaces, to breathe deeply in the great outdoors. She was intent on not letting her experience stop her from traveling freely and without fear.
Between the route from Liverpool to Newcastle lays the Pennines, known as the backbone of Britain. That backbone runs through the north and also strongly connects north with south, east with west--it's a place of borderlands and limestone, of rivers and scars, of fells and forces. The Pennines called to Anita with a magnetic force; although a racist had told her to leave, she felt drawn to further explore the area she regards as her home, to immerse herself deeply in place. Anita's journey through the natural landscapes of the North is one of reclamation, a way of saying that this is her land too and she belongs in the UK as a brown woman, as much as a white man does.
We're living in an era of increased hostility in which more people of color around the world are being told to go back; strong statements of belonging are needed more than ever. Anita's journey gives her the perspective to reflect upon the important issues encompassed in her experience of abuse including speaking out, gaslighting, trauma, kindness, and notions of strength. Her journey transforms what began as an ugly experience of hate into one offering hope and finding beauty after brutality.
Anita transforms her personal experience into one of universal resonance, offering a call to action, to keep walking onwards, forging a path through and beyond pain. Every footstep taken is an act of persistence. Every word written against the rising tide of hate speech, such as this book, is an act of resistance.
One woman's journey of reclamation through natural landscapes as she contemplates identity and womanhood, nature, place and belonging.
Alone on a remote mountaintop one dark night, a woman hears a mysterious voice.
Propelled by the memory and after years of dreaming about it, Jini Reddy dares to delve into the 'wanderlands' of Britain, heading off in search of the magical in the landscape.
A London journalist with multicultural roots and a perennial outsider, she determinedly sets off on this unorthodox path. Serendipity and her inner compass guide her around the country in pursuit of the Other and a connection to Britain's captivating natural world. Where might this lead? And if you know what it is to be Othered yourself, how might this colour your experiences? And what if, in invoking the spirit of the land, 'it' decides to make its presence felt?
Whether following a 'cult' map to a hidden well that refuses to reveal itself, attempting to persuade a labyrinth to spill its secrets, embarking on a coast-to-coast pilgrimage or searching for a mystical land temple, Jini depicts a whimsical, natural Britain. Along the way, she tracks down ephemeral wild art, encounters women who worship The Goddess, falls deeper in love with her birth land and struggles – but mostly fails – to get to grips with its lore. Throughout, she rejoices in the wildness we cannot see and celebrates the natural beauty we can, while offering glimpses of her Canadian childhood and her Indian parents' struggles in apartheid-era South Africa.
Wanderland is a book in which the heart leads, all things are possible and the Other, both wild and human, comes in from the cold. It is a paean to the joy of roaming, both figuratively and imaginatively, and to the joy of finding your place in the world.
Alone on a remote mountaintop one dark night, a woman hears a mysterious voice.
Propelled by the memory and after years of dreaming about it, Jini Reddy dares to delve into the…
