As we emerge (though perhaps only temporarily) from the pandemic, other crises move center stage: outrageous inequality, climate disaster, desperate refugees, mounting tensions of a new cold war. The abiding motif of our time is relentless chaos.
Acknowledging the possibilities for new beginnings at such moments, Mao Zedong famously proclaimed “There is great disorder under heaven; the situation is excellent.” The contemporary relevance of Mao’s observation depends on whether today’s catastrophes can be a catalyst for progress or have passed over into something terrible and irretrievable. Perhaps the disorder is no longer under, but in heaven itself.
Characteristically rich in paradoxes and reversals that entertain as well as illuminate, Slavoj Žižek’s new book treats with equal analytical depth the lessons of Rammstein and Corbyn, Morales and Orwell, Lenin and Christ. It excavates universal truths from local political sites across Palestine and Chile, France and Kurdistan, and beyond.
Heaven In Disorder looks with fervid dispassion at the fracturing of the Left, the empty promises of liberal democracy, and the tepid compromises offered by the powerful. From the ashes of these failures, Žižek asserts the need for international solidarity, economic transformation, and―above all―an urgent, “wartime” communism.
As we emerge (though perhaps only temporarily) from the pandemic, other crises move center stage: outrageous inequality, climate disaster, desperate refugees, mounting tensions of…
As an unprecedented global pandemic sweeps the planet, who better than the supercharged Slovenian philosopher, Slavoj Žižek to uncover its deeper meanings, marvel at its mind-boggling paradoxes, and speculate on the profundity of its consequences, all in a manner that will have you sweating profusely and gasping for breath?
We live in a moment when the greatest act of love is to stay distant from the object of your affection. When governments renowned for ruthless cuts in public spending can suddenly conjure up trillions. When toilet paper becomes a commodity as precious as diamonds. And when, according to Žižek, a new form of communism may be the only way of averting a descent into global barbarism.
Written with his customary brio and love of analogies in popular culture (Quentin Tarantino and H.G. Wells sit next to Hegel and Marx in these pages), Žižek provides a concise and provocative snapshot of the crisis as it widens, engulfing us all.
As an unprecedented global pandemic sweeps the planet, who better than the supercharged Slovenian philosopher, Slavoj Žižek to uncover its deeper meanings, marvel at its…
A collection with a feminist ethos that cuts across race, gender identity, and sexuality.
Creative activists have reacted to the 2016 Presidential election in myriad ways. Editors Danielle Barnhart and Iris Mahan have drawn on their profound knowledge of the poetry scene to put together an extraordinary list of poets taking a feminist stance against the new authority. What began as an informal collaboration of like-minded poets—to be released as a handbound chapbook—has grown into something far more substantial and ambitious: a fully fledged anthology of women’s resistance, with a portion of proceeds supporting Planned Parenthood and the Center for Reproductive Rights.
Representing the complexity and diversity of contemporary womanhood and bolstering the fight against racism, sexism, and violence, this collection unites powerful new writers, performers, and activists with established poets. Contributors include Elizabeth Acevedo, Sandra Beasley, Jericho Brown, Mahogany L. Browne, Danielle Chapman, Tyehimba Jess, Kimberly Johnson, Jacqueline Jones LaMon, Maureen N. McLane, Joyce Peseroff, Mary Ruefle, Trish Salah, Patricia Smith, Anne Waldman, and Rachel Zucker.
A collection with a feminist ethos that cuts across race, gender identity, and sexuality.
Creative activists have reacted to the 2016 Presidential election in myriad ways.…
In September of last year an earthquake shook the foundations of British politics. Jeremy Corbyn, a lifelong and uncompromising socialist, was elected to head the Labour Party. Corbyn didn’t just win the leadership contest, he trounced his opponents. The establishment was aghast. The official opposition now had as its leader a man with a plan, according to the conservative Daily Telegraph, “to turn Britain into Zimbabwe.”
How this remarkable twist of events came about is the subject of Alex Nunns’ highly-readable and richly-researched account. Drawing on first-hand interviews with those involved in the campaign, including its most senior figures, Nunns traces the origins of Corbyn’s victory in the dissatisfactions with Blairism stirred by the Iraq War and the 2008 financial crash, the move to the left of the trades unions, and changes in the electoral rules of the Labour Party that turned out to be surreally at odds with the intentions of those who introduced them. The system of one-member-one-vote, which delivered Corbyn’s success, was opposed by those on the left and was heralded by Tony Blair who described it as “a long overdue reform that… I should have done myself.”
Giving full justice to the dramatic swings and nail-biting tensions of an extraordinary summer in UK politics, Nunns’ telling of a story that has received widespread attention but little understanding is as illuminating as it is entertaining. He teases out a plot-line of such improbability that it would be unusable in a work of fiction, providing the first convincing explanation of a remarkable phenomenon with enormous consequences for the left in Britain and beyond.
In September of last year an earthquake shook the foundations of British politics. Jeremy Corbyn, a lifelong and uncompromising socialist, was elected to head the Labour Party.…
Genet…Beckett…Burroughs…Miller…Ionesco, Ōe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow). The books that assaulted the fort of propriety that was the United States in the 1950s and ’60s, Lady Chatterley’s Lover and The Tropic of Cancer. The Evergreen Review. Victorian “erotica.” The Autobiography of Malcolm X. A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset.
Rosset was the antidote to the trope of the “gentleman publisher” personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way—he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever.
Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature—and sex. Here are the stories behind the filming of Norman Mailer’s Maidstone and Samuel Beckett’s Film; the battles with the US government over Tropic of Cancer and much else; the search for Che’s diaries; his romance with the expressionist painter Joan Mitchell, and more.
At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored.
Genet…Beckett…Burroughs…Miller…Ionesco, Ōe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow). The books that…
When Google Met WikiLeaks presents the story of Assange and Schmidt's encounter. Both fascinating and alarming, it contains extensive, new material, written by Assange specifically for this book, providing the best available summary of his vision for the future of the Internet.
The book also includes an edited transcript of the conversation with Schmidt in which Assange outlines the way WikiLeaks works and why it is so significant for governments and corporations. What emerges is the clearest and most sophisticated picture of the philosophy behind WikiLeaks to date.
Assange proposes a radical overhaul of the naming structure of the Internet, one which would revolutionize the way information is accessed. By coupling the intellectual content of a document to its online name—doing away with the haphazard URL system—Assange outlines a potential future for the Internet that would make it faster and much more difficult to censor.
In contrast, Schmidt’s contribution equates progress with the geographic expansion of Google, supported by the US State Department. In cutting prose, Assange denounces this world-view as "technocratic imperialism" and offers a stringent critique of its methods, goals and effects.
These are vital counterpoints for anyone interested in where the Internet—and by extension human civilization—is heading. The difference between the paths taken by Assange and Schmidt was illustrated subsequently by their responses to the Snowden disclosures: while WikiLeaks aided the whistleblower's escape, Google scrambled to manage a public relations backlash after the revelation that it had taken money from the NSA to process spying requests from the US government.
In June 2011, the North and South poles of the Internet came together in the English countryside for an historic dialogue. This extraordinary book tells the story of that unlikely encounter, and its significance for us all.
When Google Met WikiLeaks presents the story of Assange and Schmidt's encounter. Both fascinating and alarming, it contains extensive, new material, written by Assange…
"A magnificent and deceptively slim book, in which no essay takes longer to read than it would take to listen to a David Bowie song, but in which there is a cumulative sense of revelation as regards what makes Bowie special, and why it is that his work seems to yield more, the more time you spend there. The book is delightful, highly readable, with bits of Nietzsche, Ruskin, Roland Barthes and Deleuze rising up like wisps of cloud in its funny, moving and passionate field of inquiry." -Rick Moody, Salon
"A magnificent and deceptively slim book, in which no essay takes longer to read than it would take to listen to a David Bowie song, but in which there is a cumulative sense of…
С момента принятия туманно сформулированного закона о запрете "гомосексуальной пропаганды", в России ужесточились гомофобные атаки, увольнения и нападения на ЛГБТ-граждан. На почве действий российского правительства, уровень гомофобии в стране растет с каждым днем. Сегодня Россия, страна XXII зимних Олимпийских игр, находится в центре внимания международной прессы.
С момента принятия туманно сформулированного закона о запрете "гомосексуальной пропаганды", в России ужесточились гомофобные атаки, увольнения и нападения на ЛГБТ-граждан. На…
Andrew Smart wants you to sit and do nothing much more often – and he has the science to explain why.
At every turn we’re pushed to do more, faster and more efficiently: that drumbeat resounds throughout our wage-slave society. Multitasking is not only a virtue, it’s a necessity. Books such as Getting Things Done, The One Minute Manager, and The 7 Habits of Highly Effective People regularly top the bestseller lists, and have spawned a considerable industry.
But Andrew Smart argues that slackers may have the last laugh. The latest neuroscience shows that the “culture of effectiveness” is not only ineffective, it can be harmful to your well-being. He makes a compelling case – backed by science – that filling life with activity at work and at home actually hurts your brain.
A survivor of corporate-mandated “Six Sigma” training to improve efficiency, Smart has channeled a self-described “loathing” of the time-management industry into a witty, informative and wide-ranging book that draws on the most recent research into brain power. Use it to explain to bosses, family, and friends why you need to relax – right now.
Andrew Smart wants you to sit and do nothing much more often – and he has the science to explain why.
At every turn we’re pushed to do more, faster and more efficiently: that…
Egypt’s revolution as it unfolded, in the words of the people who made it.
The Twitter accounts of the activists who brought heady days of revolution to Egypt in January and February this year paint an exhilarating picture of an uprising in real-time. Thousands of young people documented on cell phones every stage of their revolution, as it happened. This book brings together a selection of key tweets in a compelling, fast-paced narrative, allowing the story of the uprising to be told directly by the people in Cairo’s Tahrir Square.
Many of the activists were “citizen journalists”, using Twitter to report what was happening. Others used the social network to organize, communicating the next steps necessary for the revolution to move forward. Nearly everyone online gave instant reactions to the extraordinary events occurring before their eyes.
History has never before been written in this fashion. The tweet limit of 140 characters evidently concentrated the feelings of those using Twitter. Raw emotion bursts from their messages, whether frantic alarm at attacks from pro-government thugs or delirious happiness at the fall of the dictator. To read these tweets is to embark a rollercoaster ride, from the surprise and excitement of the first demonstration, to the horror of the violence that claimed hundreds of lives, to the final ecstasy of victory.
Many of those tweeting also took photographs with their phones and these illustrate the book, providing remarkable snapshots from the heart of the action.
Edited by young activists Alex Nunns and Nadia Idle, an Egyptian who was in Tahrir Square when Mubarak fell, Tweets from Tahrir is a highly original take on one of the most important and dramatic events in recent world politics. The result is as gripping as any thriller – but it’s all real.
Egypt’s revolution as it unfolded, in the words of the people who made it.
The Twitter accounts of the activists who brought heady days of revolution to Egypt in January and…
The debate over whether the Net is good or bad for us fills the airwaves and the blogosphere. But for all the heat of claim and counter-claim, the argument is essentially beside the point: It’s here; it’s everywhere. The real question is, do we direct technology, or do we let ourselves be directed by it and those who have mastered it? Choose the former,” writes Rushkoff, and you gain access to the control panel of civilization. Choose the latter, and it could be the last real choice you get to make.”
In ten chapters, composed of ten commands” accompanied by original illustrations from comic artist Leland Purvis, Rushkoff provides cyber enthusiasts and technophobes alike with the guidelines to navigate this new universe.
In this spirited, accessible poetics of new media, Rushkoff picks up where Marshall McLuhan left off, helping readers come to recognize programming as the new literacy of the digital ageand as a template through which to see beyond social conventions and power structures that have vexed us for centuries. This is a friendly little book with a big and actionable message.
The debate over whether the Net is good or bad for us fills the airwaves and the blogosphere. But for all the heat of claim and counter-claim, the argument is essentially beside…
From its beginning—“My English professor’s ass was so beautiful.”—to its end—“You can actually learn to have grace. And that’s heaven.”—poet, essayist and performer Eileen Myles’ chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.
From its beginning—“My English professor’s ass was so beautiful.”—to its end—“You can actually learn to have grace. And that’s heaven.”—poet, essayist and performer Eileen Myles’…
