Some of the most iconic, hard-boiled Irish detectives in fiction insist that they are not detectives at all. Hailing from a region with a cultural history of mistrust in the criminal justice system, Irish crime writers resist many of the stereotypical devices of the genre. These writers have adroitly carved out their own individual narratives to weave firsthand perspectives of history, politics, violence, and changes in the economic and social climate together with characters who have richly detailed experiences. Recognizing this achievement among Irish crime writers, Babbar shines a light on how Irish noir has established a new approach to a longstanding genre. Beginning with Ken Bruen’s Jack Taylor, who rejects the detective title in favor of “finder”—a reference to Saint Anthony of Padua in the context of a traditionally secular form—Babbar examines the ways Irish authors, including John Connolly, Tana French, Alex Barclay, Adrian McKinty, Brian McGilloway, Claire McGowan, Gerard Brennan, Stuart Neville, Steve Cavanagh, and Eoin McNamee, subvert convention to reclaim their stories from a number of powerful influences: Revivalism, genre snobbery, cultural literary standards, and colonialism. These writers assert their heritage while also assuming a vital role in creating a broader vision of justice.
Some of the most iconic, hard-boiled Irish detectives in fiction insist that they are not detectives at all. Hailing from a region with a cultural history of mistrust in the…
Despite their common heritage, Jews born and raised on opposite sides of the Polish-Soviet border during the interwar period acquired distinct beliefs, values, and attitudes. Variances in civic commitment, school lessons, youth activities, religious observance, housing arrangements, and perceptions of security deeply influenced these adolescents who would soon face a common enemy.
Set in two cities flanking the border, Grodno in the interwar Polish Republic and Vitebsk in the Soviet Union, Borderland Generation traces the prewar and wartime experiences of young adult Jews raised under distinct political and social systems. Each cohort harnessed the knowledge and skills attained during their formative years to seek survival during the Holocaust through narrow windows of chance.
Antisemitism in Polish Grodno encouraged Jewish adolescents to seek the support of their peers in youth groups. Across the border to the east, the Soviet system offered young Vitebsk Jews opportunities for advancement not possible in Poland, but only if they integrated into the predominantly Slavic society. These backgrounds shaped responses during the Holocaust. Grodno Jews deported to concentration camps acted in continuity with prewar social behaviors by forming bonds with other prisoners. Young survivors among Vitebsk's Jews often looked to survive by posing under false identities as Belarusians, Russians, or Tatars. Tapping archival resources in six languages, Borderland Generation offers an original and groundbreaking exploration of the ways in which young Polish and Soviet Jews fought for survival and the complex impulses that shaped their varying methods.
Despite their common heritage, Jews born and raised on opposite sides of the Polish-Soviet border during the interwar period acquired distinct beliefs, values, and attitudes.…
The NBC series Hannibal has garnered both critical and fan acclaim for its cinematic qualities, its complex characters, and its innovative reworking of Thomas Harris's mythology so well-known from Jonathan Demme's Silence of the Lambs (1991) and its variants. The series concluded late in 2015 after three seasons, despite widespread fan support for its continuation. While there is a healthy body of scholarship on Harris's novels and Demme's film adaptation, little critical attention has been paid to this newest iteration of the character and narrative.
Hannibal builds on the serial killer narratives of popular procedurals, while taking them in a drastically different direction. Like critically acclaimed series such as Breaking Bad and The Sopranos, it makes its viewers complicit in the actions of a deeply problematic individual and, in the case of Hannibal, forces them to confront that complicity through the character of Will Graham. The essays in Becoming explore these questions of authorship and audience response as well as the show's themes of horror, gore, cannibalism, queerness, and transformation. Contributors also address Hannibal's distinctive visual, auditory, and narrative style. Concluding with a compelling interview with series writer Nick Antosca, this volume will both entertain and educate scholars and fans of Hannibal and its many iterations.
The NBC series Hannibal has garnered both critical and fan acclaim for its cinematic qualities, its complex characters, and its innovative reworking of Thomas Harris's mythology…
By turns bleak, nostalgic, and lighthearted, Jerusalem Stands Alone explores the interconnected lives of its mostly Palestinian cast. This series of quick moving vignettes tells the story of occupied Jerusalem--tales of the daily tribulations and personal revelations of its narrators. The stories, entwined around themes of family and identity, diverge in viewpoint and chronology but ultimately unite to reveal the tapestry of Palestinian Jerusalem. The settings evoke the past--churches, alleys, and people who are gone but whose spirits yearn to be remembered. The characters are sons and mothers, soldiers and wives, all of whom unveil themselves in sometimes poignant, sometimes
bittersweet memories. As its history rises up through the present struggles and hopes of its people, the deepest, most personal layers of Jerusalem are revealed.
By turns bleak, nostalgic, and lighthearted, Jerusalem Stands Alone explores the interconnected lives of its mostly Palestinian cast. This series of quick moving vignettes tells…
Jad traces the transformation of the Palestinian women's movement from the 1930s to the post-Oslo period and through the Second Intifada to examine the often-fraught relationship between women and nationalism in Palestine. Offering one of the first intensive studies of Islamist women's activism, Jad also explores the impact of emerging feminist NGOs in depoliticizing the secular Palestinian women's movement. Studying these two developments together illuminates the nature of women's engagement in the Palestinian space, challenging myths of gender roles' immutability under Islamand the supposed modernizing benefits of Western-style activism.
Jad traces the transformation of the Palestinian women's movement from the 1930s to the post-Oslo period and through the Second Intifada to examine the often-fraught relationship…
Considered one of Morocco’s most important contemporary writers, Muhammad Zafzaf created stories of alterity, compassionate tales inhabited by prostitutes, thieves, and addicts living in the margins of society. In The Elusive Fox, Zafzaf’s first novel to be translated into English, a young teacher visits the coastal city of Essaouira in the 1960s. There he meets a group of European bohemians and local Moroccans and is exposed to the grittier side of society. More than a novel, The Elusive Fox is a portrait of a city during a time of fluid cultural and political mores in Morocco.
Considered one of Morocco’s most important contemporary writers, Muhammad Zafzaf created stories of alterity, compassionate tales inhabited by prostitutes, thieves, and addicts…
While the occupation of Iraq and its aftermath has received media and political attention, we know very little about the everyday lives of Iraqis. Iraqi men, women, and children are not merely passive victims of violence, vulnerable recipients of repressive regimes, or bystanders of their country’s destruction. In the face of danger and trauma, Iraqis continue to cope, preparing food, sending their children to school, socializing, telling jokes, and dreaming of a better future. Within the realm of imagination and creative expression, the editors find that many Iraqi artists have not only survived but have also sought healing.
In We Are Iraqis, Al-Ali and Al-Najjar showcase written and visual contributions by Iraqi artists, writers, poets, filmmakers, photographers, and activists. Contributors explore the way Iraqis retain, subvert, and produce art and activism as ways of coping with despair and resisting chaos and destruction. The first anthology of its kind, We Are Iraqis brings into focus the multitude of ethnicities, religions, and experiences that are all part of Iraq.
While the occupation of Iraq and its aftermath has received media and political attention, we know very little about the everyday lives of Iraqis. Iraqi men, women, and children…
Shajar al-Durr, known as Tree of Pearls, was one of the most famous Arab queens and the only woman in the medieval Arab world to rule in her own name. Her narrative is one element of a much larger story of the unsettled political climate of thirteenth-century Egypt. In this eponymous novel, Zaydan charts the fall of the Ayyubid Dynasty and the rise of the Mamluke Dynasty through the adventures of Tree of Pearls and Rukn al- Din Baybars, a young Mamluke commander who eventually triumphs as the ruler of Egypt. War, political intrigue, murder, and a female ruler who was born a slave combine for an irresistible story, while Zaydan’s keen observations on royal politics and subverted gender roles offer readers a richly detailed glimpse of the cultural milieu of the time.
Tree of Pearls, originally published in 1914, is the last in a famous series of historical novels written by Zaydan, an accomplished historian whose books continue to be read widely in the Arab world today. Selim’s fluid translation introduces an English audience to one of the Arab world’s influential writers.
Shajar al-Durr, known as Tree of Pearls, was one of the most famous Arab queens and the only woman in the medieval Arab world to rule in her own name. Her narrative is one element…
In this collection, Arab and Arab American feminists enlist their intimate experiences to challenge simplistic and long-held assumptions about gender, sexuality, and commitments to feminism and justice-centered struggles. Contributors hail from multiple geographical sites, spiritualities, occupations, sexualities, class backgrounds, and generations. Poets, creative writers, artists, scholars, and activists employ a mix of genres to express feminist issues and highlight how Arab and Arab American feminist perspectives simultaneously inhabit multiple, overlapping, and intersecting spaces: within families and communities; in anticolonial and antiracist struggles; in debates over spirituality and the divine; within radical, feminist, and queer spaces; in academia and on the street; and between each other.
Contributors explore themes as diverse as the intersections between gender, sexuality, Orientalism, racism, Islamophobia, and Zionism, and the restoration of Arab Jews to Arab American histories. This book asks how members of diasporic communities navigate their sense of belonging when the country in which they live wages wars in the lands of their ancestors. Arab and Arab American Feminisms opens up new possibilities for placing grounded Arab and Arab American feminist perspectives at the center of gender studies, Middle East studies, American studies, and ethnic studies.
In this collection, Arab and Arab American feminists enlist their intimate experiences to challenge simplistic and long-held assumptions about gender, sexuality, and commitments…
As a blizzard blankets the northeast United States, burying residents and shutting down airports, the Zaydan family eagerly awaits the arrival of Eva, a cousin visiting from Lebanon after a long separation from the family. Over the course of one day, while Eva is stranded in New York City, Chehade's nuanced story unfolds in the reminiscences and anxieties of each family member.
Emilie, the matriarch of this Lebanese American family, lives in a world of voluntary silence. Barely able to read and write in English and refusing to speak for the last several years, she immerses herself in her garden and leaves elaborately cooked meals anonymously for her solitary neighbor. Emilie's oldest daughter Josephine, middle aged and still living with her mother and married brother, struggles to regain the independence and confidence she had as a young girl in Lebanon. Young Marie, stifled by her conservative family, is determined to study at Berkeley and to leave behind her immigrant identity. All three are drawn to their mysterious neighbor, nicknamed Loom, whose loneliness and isolation mirror their own and kindle within each woman a desire to make a connection. When Emilie takes off during the blizzard in the direction of Loom's house and the rest of the family follows in her pursuit, their act is both an escape and a reaching out. Beautifully written and teeming with vivid portraits, Chehade's novel is both heartfelt and wise.
As a blizzard blankets the northeast United States, burying residents and shutting down airports, the Zaydan family eagerly awaits the arrival of Eva, a cousin visiting from…
For more than half a century, Thomas Szasz has devoted much of his career to a radical critique of psychiatry. His latest work, Psychiatry: The Science of Lies, is a culmination of his life’s work: to portray the integral role of deception in the history and practice of psychiatry. Szasz argues that the diagnosis and treatment of mental illness stands in the same relationship to the diagnosis and treatment of bodily illness that the forgery of a painting does to the original masterpiece. Art historians and the legal system seek to distinguish forgeries from originals. Those concerned with medicine, on the other hand―physicians, patients, politicians, health insurance providers, and legal professionals―take the opposite stance when faced with the challenge of distinguishing everyday problems in living from bodily diseases, systematically authenticating nondiseases as diseases. The boundary between disease and nondisease―genuine and imitation, truth and falsehood―thus becomes arbitrary and uncertain.
There is neither glory nor profit in correctly demarcating what counts as medical illness and medical healing from what does not. Individuals and families wishing to protect themselves from medically and politically authenticated charlatanry are left to their own intellectual and moral resources to make critical decisions about human dilemmas miscategorized as “mental diseases” and about medicalized responses misidentified as “psychiatric treatments.” Delivering his sophisticated analysis in lucid prose and with a sharp wit, Szasz continues to engage and challenge readers of all backgrounds.
For more than half a century, Thomas Szasz has devoted much of his career to a radical critique of psychiatry. His latest work, Psychiatry: The Science of Lies, is a culmination…
Evelyn C. Shakir paints tales that are rich in history and background. She sets her stories in different eras, from the 1960s to the present, peopled with Lebanese women of different ages, sometimes writing letters, often reminiscing, looking back as far as the turn of the century.
In different ways, these first and second-generation women struggle with feminist issues overshadowed by the demands of dual cultures. In Young Ali a teenager tries to listen to her beloved father's time-honored tales of males in friendship and marriage. Aggie of House Calls is a deceased matriarch who returns to haunt her family with reminders of the customs she fought to uphold while alive. Shakir's other heroines include a thrice-divorced thirty-year-old woman quibbling with a modern matchmaker, an elderly non-Lebanese woman who spies on Muslim neighbors in the wake of 9/11, and a traditional wife and mother who thinks she has found a route out of Old World womanly duties. Many of the authors's women grapple with reclaiming or abandoning ancestral demands, and finessing age-old male-female relationships. In Oh, Lebanon a war-haunted Lebanese-born woman willfully departs from the mores of her upbringing, with surprising results. With agile humor and emotional truth, Shakir offers multiple perspectives on Lebanese women trying to change roles in a new landscape without surrendering cultural identity.
Evelyn C. Shakir paints tales that are rich in history and background. She sets her stories in different eras, from the 1960s to the present, peopled with Lebanese women of…
An introductory text to the Irish language as spoken around the eighth-century c.e., covering all aspects of the grammar in a clear and intuitive format. David Stifter's Sengoidelc (SHAN-goy-delth) provides a comprehensive introduction to Old
An introductory text to the Irish language as spoken around the eighth-century c.e., covering all aspects of the grammar in a clear and intuitive format. David Stifter's…
Disciples of Passion chronicles the civil war in Lebanon through the troubled and sometimes quasi-hallucinatory mind of a young man who has experienced kidnapping, hostage exchange, and hospital internment. As he recalls his village childhood and recounts his relationship with a woman of a different faith, his fragmented narrative probes the uncertainties of political testimonial and ascriptions of responsibility in wartime. Marilyn Booth's fluid translation brings to an English audience one of the Arabic language's finest contemporary novelists. Widely celebrated in France, where she currently lives in exile (from Lebanon), Hoda Barakat writes from personal experience: her novels focus on the civil war in Lebanon and how it shaped the lives of people marginalized by the conflict. Compelling scenarios of war and its aftermath of suffering and destruction are integrated into subtle psychological portraits - with protagonists often propelled into unexpected action.
Disciples of Passion chronicles the civil war in Lebanon through the troubled and sometimes quasi-hallucinatory mind of a young man who has experienced kidnapping, hostage…
The earliest turkish verses, dating from the sixth century A.D., were love lyrics. Since then, love has dominated the Turks’ poetic modes and moods―pre-Islamic, Ottoman, classical, folk, modern. This collection covers
love lyrics from all periods of Turkish poetry. It is the first anthology of its kind in English. The translations, faithful to the originals, possess a special freshness in style and sensibility.
Here are lyrics from pre-Islamic Central Asia, passages from epics, mystical ecstasies of such eminent thirteenth-century figures as Rumi and Yunus Emre, classical poems of the Ottoman Empire (including Süleyman the Magnificent and women court poets), lilting folk poems, and the work of the legendary communist Nazim Hikmet (who is arguably Turkey’s most famous poet internationally), and the greatest living Turkish poet, Fazil Hüsnü Daglarca.
The verses in this collection are true to the Turkish spirit as well as universal in their appeal. They show how Turks praise and satirize love, how they see it as a poetic experience. Poetry was for many centuries the premier Turkish genre and love its predominant theme. Some of the best expressions produced by Turkish poets over a period of fifteen centuries can be found in this volume.
The earliest turkish verses, dating from the sixth century A.D., were love lyrics. Since then, love has dominated the Turks’ poetic modes and moods―pre-Islamic, Ottoman,…
Sait Faik may well be named "the Turkish Chekhov." In Turkey, critics and readers regard him as their finest short story writer. Since his death in 1954 at the age of forty-eight, his stature has grown on the strength of his narrative art, which is both realistic and whimsical with a poetic touch. Süha Oguzertem, a premier authority on Turkish fiction, writes in his introduction to Sleeping in the Forest that "As an anti-bourgeois writer and fierce democrat, Sait Faik has always sided with the underdog" and that no characters remain " 'common' or 'ordinary' once they enter Sait Faik's stories; his piercing gaze and thoughtful vision transform them lovingly into unique beings."
Sait Faik's fiction ranges from the realistic to the surrealistic, from the romantic to the modern, from the cynical to the compassionate. With virtuosic skill, he captures the spirit and the spleen of the city of Istanbul and its environs. In evoking the mystery of that great metropolis through such ordinary characters as Armenian fishermen, Greek Orthodox priests, and the disillusioned and disfranchised, he creates for us a marvelous microcosm of tragicomedy. Few writers, in Turkey or elsewhere, command Sait Faik's mastery of the ironic.
Sleeping in the Forest features twenty-two stories, an excerpt from a novella, and fifteen poems rendered into English by some of the best-known translators of Turkish literature. Sait Faik's chiaroscuro world is brought into focus by an introductory essay on utopian poetics and lyrical stylistics of this great Turkish writer. The book is a stimulating exploration into Turkish mood and milieu.
Sait Faik may well be named "the Turkish Chekhov." In Turkey, critics and readers regard him as their finest short story writer. Since his death in 1954 at the age of forty-eight,…
A reference designed by the directors of this prestigious workshop to guide aspiring writers of TV sitcoms and dramas. In this essential guide Deborah Pearlman and Abby Finer of the Warner Bros. Television Writers Workshop reveal in this
A reference designed by the directors of this prestigious workshop to guide aspiring writers of TV sitcoms and dramas. In this essential guide Deborah Pearlman and Abby Finer of…
Thomas Szasz suggests that governments have overstepped their bounds in labeling and prohibiting certain drugs as "dangerous" substances and incarcerating drug "addicts" in order to cure them. Szasz asserts that such policies scapegoat illegal drugs and the persons who use and sell them, and discourage the breaking of drug habits by pathologizing drug use as "addiction." Readers will find in Szasz's arguments a cogent and committed response to a worldwide debate.
Thomas Szasz suggests that governments have overstepped their bounds in labeling and prohibiting certain drugs as "dangerous" substances and incarcerating drug "addicts" in order…
