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›Heimkehren‹ spannt einen kühnen Bogen vom Ghana des 18. Jahrhunderts bis in die USA der Gegenwart. Die Geschichte setzt mit Effia und Esi ein – Schwestern, deren Lebenswege von Anfang an getrennt verlaufen. Es ist Effias Stamm, die Fante, der Hand in Hand mit den Briten das Geschäft der Versklavung Tausender betreibt. Über Jahrhunderte profitieren Effias Nachkommen davon oder verzweifeln daran, so wie ihr Enkel James. Dessen Urenkel wiederum, der kluge Yaw, muss erkennen, dass man in diesem gnadenlosen Spiel als Schwarzer nur verlieren kann, weil am Ende stets die Weißen profitieren.

Esi, ihre Kinder und Kindeskinder kämpfen vom ersten Tag an in Amerika ums Überleben. Ihre willensstarke Tochter Ness nimmt jedes Leid auf sich, um ihr Kind zu retten. Ihr Enkel schuftet in den Kohleminen Alabamas für ein besseres Leben in Freiheit, das jedoch selbst noch seiner Tochter Willie im Harlem der Sechzigerjahre verwehrt bleibt. Hat die vorerst letzte Generation schließlich die Chance, einen Platz in der Gesellschaft zu finden, den sie Heimat nennen kann und wo man nicht als Menschen zweiter Klasse angesehen wird?

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  • Издательство:
  • Содержание
  • Дополнительная информация об издании

    ISBN: 78-3-8321-6460-7

    Год издания: 2018

    Язык: Немецкий

    Übersetzung: Anette Grube

  • Жанры
  • Критика

    “Gyasi’s characters are so fully realized, so elegantly carved—very often I found myself longing to hear more. Craft is essential given the task Gyasi sets for herself—drawing not just a lineage of two sisters, but two related peoples. Gyasi is deeply concerned with the sin of selling humans on Africans, not Europeans. But she does not scold. She does not excuse. And she does not romanticize. The black Americans she follows are not overly virtuous victims. Sin comes in all forms, from selling people to abandoning children. I think I needed to read a book like this to remember what is possible. I think I needed to remember what happens when you pair a gifted literary mind to an epic task. Homegoing is an inspiration.”

    —Ta-Nehisi Coates, National Book Award-winning author of Between the World and Me


    "Homegoing is a remarkable feat—a novel at once epic and intimate, capturing the moral weight of history as it bears down on individual struggles, hopes, and fears. A tremendous debut.”

    —Phil Klay, National Book Award-winning author of Redeployment


    “I could not put this book down”

    —Roxane Gay


    “It is hard to overstate how much I LOVE this book”

    —Michele Norris


    “The hypnotic debut novel by Yaa Gyasi, a stirringly gifted writer . . . magical . . . the great, aching gift of the novel is that it offers, in its own way, the very thing that enslavement denied its descendants: the possibility of imagining the connection between the broken threads of their origins.”

    —Isabel Wilkerson, The New York Times Book Review


    "It’s impossible not to admire the ambition and scope of “Homegoing,” and thanks to Ms. Gyasi’s instinctive storytelling gifts, the book leaves the reader with a visceral understanding of both the savage realities of slavery and the emotional damage that is handed down, over the centuries, from mothers to daughters, fathers to sons. At its best, the novel makes us experience the horrors of slavery on an intimate, personal level; by its conclusion, the characters’ tales of loss and resilience have acquired an inexorable and cumulative emotional weight."

    —Michiko Kakutani, The New York Times


    "The brilliance of this structure, in which we know more than the characters do about the fate of their parents and children, pays homage to the vast scope of slavery without losing sight of its private devastation . . . . [Toni Morrison’s] influence is palpable in Gyasi’s historicity and lyricism; she shares Morrison’s uncanny ability to crystalize, in a single event, slavery’s moral and emotional fallout. What is uniquely Gyasi’s is her ability to connect it so explicitly to the present day: No novel has better illustrated the way in which racism became institutionalized in this country.”

    —Megan O’Grady, Vogue


    “Toni Morrison’s masterpiece, “Beloved,” seared into our imagination the grotesque distortions of antebellum life. And now, Yaa Gyasi’s rich debut novel, “Homegoing,” confronts us of the involvement of Africans in the enslavement of their own people . . . the speed with which Gyasi sweeps across the decades isn’t confusing so much as dazzling, creating a kind of time-elapsed photo of black lives in America and in the motherland . . . haunting . . . Gyasi has developed a style agile enough to reflect the remarkable range of her first novel. As she moves across the centuries, from old and new Ghana and to pre-Civil War Alabama and modern-day Palo Alto, her prose modulates subtly according to time and setting: The 18th-century chapters resonate with the tones of legend, while the contemporary chapters shine with clear-eyed realism. And somehow all this takes place in the miraculous efficiency of just 300 pages . . . truly captivating.”

    —Ron Charles, Washington Post

    “Gyasi echoes [James] Baldwin’s understanding of a common culture marked by both yearning and pain, in which black people can confront each other across differences and reach a political understanding about what unites them. What distinguishes Gyasi’s presentation of this idea is its scope: She does not present us with a single moment, but rather delivers a multigenerational saga in which two branches of a family, separated by slavery and time, emerge from the murk of history in a romantic embrace . . . . . HOMEGOING is a reminder of the tenacity of fathers and mothers who struggle to keep their kin alive. The novel succeeds when it retrieves individual lives from the oblivion mandated by racism and spins the story of the family’s struggle to survive.”

    —Amitava Kumar, Bookforum


    “Rich, epic . . . . Each chapter is tightly plotted, and there are suspenseful, even spectacular climaxes.”

    —Christian Lorentzen, New York Magazine


    “Gripping.”

    —Sam Sacks, Wall Street Journal


    “A memorable epic of changing families and changing nations.”

    —Chicago Tribune


    "Remarkable...compelling...powerful."

    —Rebecca Steinitz, Boston Globe


    "Epic...astonishing...page-turning."

    —Entertainment Weekly


    “The arrival of a major new voice in American literature”

    —Poets & Writers


    "Tremendous...spectacular...[HOMEGOING is] essential reading from a young writer whose stellar instincts, sturdy craftsmanship and penetrating wisdom seem likely to continue apace — much to our good fortune as readers."

    —SF Chronicle


    “A blazing success . . . . The sum of Homegoing’s parts is remarkable, a panoramic portrait of the slave trade and its reverberations, told through the travails of one family that carries the scars of that legacy . . . . Gyasi’s characters may be fictional, but their stories are representative of a range of experience that is all too real and difficult to uncover. Terrible things happen to them; they’re constantly cleaved apart, and in the process, cut off from their own stories. In her ambitious and sweeping novel, Gyasi has made these lost stories a little more visible.”

    —Steph Cha, Los Angeles Times

    “The most powerful debut novel of 2016 . . . . Carrying on in the tradition of her foremothers—like Toni Morrison, Edwidge Danticat, Assia Djebar and Bessie Head—Gyasi has created a marvelous work of fiction that both embraces and re-writes history.”

    — Shannon M. Houston, Paste Magazine


    “Heart-wrenching . . . . Gyasi’s unsentimental prose, her vibrant characters and her rich settings keep the pages turning no matter how mournful the plot . . . . The horror of being present at the wrong place and the wrong time, whether black or white, is handled poignantly . . . . The chapters change narrators effortlessly and smoothly transition between time periods . . . . I kept expecting a Henry Louis Gates ‘Find Your Roots’ TV show . . . . Yaa Gyasi’s assured Homegoing is a panorama of splendid faces.”

    —Soniah Kamal, Atlanta Journal-Constitution


    “A remarkable achievement, marking the arrival of a powerful new voice in fiction.”

    —Kelsey Ronan, St. Louis Post-Dispatch


    "Gyasi's lyrical, devastating debut more than deserves to be held in its own light.... Gyasi traces black history from the Middle Passage to the Great Migration and beyond, bringing every Asante village, cotton plantation, and coal mine into vivid focus. The rhythm of her streamlined sentences is clipped and clean, with brilliant bursts of primary color...the luminous beauty of Gyasi’s unforgettable telling. A–"

    --Leah Greenblatt, Entertainment Weekly


    “Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives . . . . A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.”

    —Kirkus Reviews, March 15, 2016


    “Homegoing is an epic novel in every sense of the word — spanning three centuries, Homegoing is a sweeping account of two half-sisters in 18th-century Ghana and the lives of their many generations of descendants in America. A stunning, unforgettable account of family, history, and racism, Homegoing is an ambitious work that lives up to the hype.”

    —Jarry Lee, Buzzfeed


    “Stunning . . . . [HOMEGOING] may just be one of the richest, most rewarding reads of 2016.”

    —Meredith Turits, ELLE Magazine’s “19 Summer Books That Everyone Will Be Talking About”


    "Rarely does a grand, sweeping epic plumb interior lives so thoroughly. Yaa Gyasi's Homegoing is a marvel."

    —Dave Wheeler, associate editor, Shelf Awareness


    “Gyasi gives voice, and an empathetic ear, to the ensuing seven generations of flawed and deeply human descendants, creating a patchwork mastery of historical fiction.”

    —Cotton Codinha, Elle Magazine


    “[A] commanding debut . . . will stay with you long after you’ve finished reading. When people talk about all the things fiction can teach its readers, they’re talking about books like this.”

    —Steph Opitz, Marie Claire


    "Stunning, unforgettable... Homegoing is an ambitious work that lives up to the hype."

    —Buzzfeed


    "Striking... With racial inequality at the forefront of America’s consciousness, Homegoing is a reminder of slavery’s rippling repercussions, not only in America, Gyasi points out, but around the world."

    —Departures Magazine


    "HOMEGOING is sprawling, epic.”

    —Hope Wabuke, The Root


    “An important, riveting page-turner filled with beautiful prose, Homegoing shoots for the moon and lands right on it.”

    —Isaac Fitzgerald, Buzzfeed


    "Each chapter is filled with so much emotion and depth and tackles so many different topics.... I didn't want to put it down."

    —BookRiot


    "Dazzling."

    —Mother Jones


    "Lyric and versatile . . . [Yaa Gyasi] writes with authority about history and pulls her readers deep into her characters' lives through the force of her empathetic imagination . . . striking . . . [a] strong debut novel."

    —Maureen Corrigan, NPR's Fresh Air


    "Stunning...vivid and poignant"

    —WBUR


    “Bewitching, eye-opening”

    —Goodreads


    "Courageous . . . [Yaa Gyasi] approaches tough topics with unflinching honesty."

    —The Washington Independent Review of Books


    "[HOMEGOING] lives up to the hype."

    —New York Magazine Approval Matrix


    “Epic . . . The destinies of Effia Otcher and Esi Asare in Yaa Gyasi’s spellbinding Homegoing recall those of sisters Celie and Nettie in Alice Walker’s The Color Purple, switched-at-birth infants Saleem and Shiva in Salman Rushdie’s Midnight's Children and compatriot clones Sydney Carton and Charles Darnay in Charles Dickens’ A Tale of Two Cities. Gyasi’s debut novel effortlessly earns its spot alongside these distinguished classics . . . . The author’s penetrating prose draws intimate and deeply cultivated connections between rival tribes, languages lost and found, real love and a hardness of spirit. And in the process, Gyasi has written a nuanced, scintillating investigation into the myriad intricacies and institutions that shape a family.”

    — Anjali Enjeti, Minneapolis Star-Tribune

    “Impressive . . . intricate in plot and scope . . . . Homegoing serves as a modern-day reconstruction of lost and untold narratives — and a desire to move forward.”

    —Dana De Greff, Miami Herald

    “No debate at all: Yaa Gyasi’s Homegoing is impressive, impassioned, and utterly original . . . a story so personalized, so urgent and timely, especially for today’s readers and the many who do not seem to understand why African Americans are so conflicted.”

    —Charles R. Larson, Counterpunch

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Little_Dorrit

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Yaa Gyasi - Homegoing
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Прочитав этот роман, «Дорога домой», мне хочется сказать одну такую простую вещь – да, было хорошо, да хорошо написано, но это для меня не стало чем-то уникальным и потрясающим. Но полностью отдаю должное тому, что это обширный и полномасштабный роман и мы сможем посмотреть и на жизнь в США и на жизнь в Африке.

Роман начинается в XVIII веке на западном побережье Африки. Одна из сестёр Эффиа выходит замуж за человека, кто занимается торговлей рабами. Ну это мне показалось для красного словца, чтобы как-то историю начать, потому что по факту никто бы не позволил такому браку состояться, максимум стать рабыней согревающей постель при господине, ну да ладно, в общем вышла замуж. Вторая же сестра Эси оказывается на противоположной стороне, чтобы стать рабыней в США.

И вот собственно о…

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elena_020407

elena_020407

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Нашла совсем немного подборок, в которых есть НАСТОЯЩИЕ семейные саги. Такие, чтобы описывалась жизнь нескольких поколений. Чтобы громко гремели скелеты в шкафу. Чтобы мозги кипели от напряжения, когда пытаешься вспомнить, кто кому кем приходится. Чтобы семейка была - террариум друзей и серпентарий единомышленников. Чтобы…

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