Лан Саманта Чанг0.0 The residents of Haven, Wisconsin, have dined on the Fine Chao Restaurant’s delicious Americanized Chinese food for thirty-five years, happy to ignore any unsavory whispers about the family owners. But when brash, charismatic, and tyrannical patriarch Leo Chao is found dead―presumed murdered―his sons discover that they’ve drawn the exacting gaze of the entire town.
The ensuing trial brings to light potential motives for all three brothers: Dagou, the restaurant’s reckless head chef; Ming, financially successful but personally tortured; and the youngest, gentle but lost college student James.
Джералдин Брукс0.0 A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner tells a sweeping story of spirit, obsession, and injustice across American history
Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamour of any racetrack.
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a 19th equestrian oil painting of mysterious provenance.
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse-one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
Based on the remarkable true story of the record-breaking thoroughbred, Lexington, who became America’s greatest stud sire, Horse is an original ,gripping, multi-layered reckoning with the legacy of enslavement and racism in America.
Matthew F. Delmont0.0 The definitive history of World War II from the African American perspective, written by civil rights expert and Dartmouth history professor Matthew Delmont
Over one million Black men and women served in World War II. Black troops were at Normandy, Iwo Jima, and the Battle of the Bulge, serving in segregated units and performing unheralded but vital support jobs, only to be denied housing and educational opportunities on their return home. Without their crucial contributions to the war effort, the United States could not have won the war. And yet the stories of these Black veterans have long been ignored, cast aside in favor of the myth of the “Good War” fought by the “Greatest Generation.”
Half American is American history as you’ve likely never read it before. In these pages are stories of Black heroes such as Thurgood Marshall, the chief lawyer for the NAACP, who investigated and publicized violence against Black troops and veterans; Benjamin O. Davis, Jr., leader of the Tuskegee Airmen, who was at the forefront of the years-long fight to open the Air Force to Black pilots; Ella Baker, the civil rights leader who advocated on the home front for Black soldiers, veterans, and their families; James Thompson, the 26-year-old whose letter to a newspaper laying bare the hypocrisy of fighting against fascism abroad when racism still reigned at home set in motion the Double Victory campaign; and poet Langston Hughes, who worked as a war correspondent for the Black press. Their bravery and patriotism in the face of unfathomable racism is both inspiring and galvanizing. In a time when the questions World War II raised regarding race and democracy in America remain troublingly relevant and still unanswered, this meticulously researched retelling makes for urgently necessary reading.
Саид Джонс0.0 ierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.
In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.
Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what's within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we've been living on top of fault lines. As these poems seek ways to love and survive through America's existential threats, Jones ushers his readers toward the realization that the end of the world is already here--and the apocalypse is a state of being.
Percival Everett4.5 Percival Everett’s The Trees is a page-turner that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.
The detectives suspect that these are killings of retribution, but soon discover that eerily similar murders are taking place all over the country. Something truly strange is afoot. As the bodies pile up, the MBI detectives seek answers from a local root doctor who has been documenting every lynching in the country for years, uncovering a history that refuses to be buried. In this bold, provocative book, Everett takes direct aim at racism and police violence, and does so in fast-paced style that ensures the reader can’t look away. The Trees is an enormously powerful novel of lasting importance from an author with his finger on America’s pulse.
Тия Алисия Майлз0.0 In a display case in the Smithsonian’s National Museum of African American History and Culture sits a rough cotton bag, called Ashley’s Sack, embroidered with just a handful of words that evoke a sweeping family story of loss and of love, passed down through generations.
In 1850s South Carolina, an enslaved woman named Rose gave this sack filled with a few precious items to her daughter, Ashley, as a token of love and to try to ensure Ashley’s survival as well. Soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the bag in spare yet haunting language—including Rose’s wish that “It be filled with my Love always.” Now, in this illuminating, deeply moving new book inspired by Rose’s gift to Ashley, historian Tiya Miles carefully unearths these women’s faint presence in archival records and draws on objects and art, to follow the paths of their lives—and the lives of so many women like them—in a singular and revelatory history of the experience of slavery, and the uncertain freedom afterward, in the United States.
All That She Carried is a poignant story of resilience and of love passed down through generations of women against steep odds. It honors the creativity and fierce resourcefulness of people who preserved family ties even when official systems refused to do so.
Джордж Макари0.0 By 2016, it was impossible to ignore an international resurgence of xenophobia. What had happened? Looking for clues, psychiatrist and historian George Makari started out in search of the idea’s origins. To his astonishment, he discovered an unfolding series of never-told stories. While a fear and hatred of strangers may be ancient, he found that the notion of a dangerous bias called "xenophobia" arose not so long ago.
Coined by late-nineteenth-century doctors and political commentators and popularized by an eccentric stenographer, xenophobia emerged alongside Western nationalism, colonialism, mass migration, and genocide. Makari chronicles the concept’s rise, from its popularization and perverse misuse to its spread as an ethical principle in the wake of a series of calamites that culminated in the Holocaust, and its sudden reappearance in the twenty-first century. He investigates xenophobia’s evolution through the writings of figures such as Joseph Conrad, Albert Camus, and Richard Wright, and innovators like Walter Lippmann, Sigmund Freud, Jean-Paul Sartre, Simone de Beauvoir, and Frantz Fanon. Weaving together history, philosophy, and psychology, Makari offers insights into varied, related ideas such as the conditioned response, the stereotype, projection, the Authoritarian Personality, the Other, and institutional bias.
Masterful, original, and elegantly written, Of Fear and Strangers offers us a unifying paradigm by which we might more clearly comprehend how irrational anxiety and contests over identity sweep up groups and lead to the dark headlines of division so prevalent today.
Доника Келли0.0 An extraordinary collection of endurance and transformation by the award-winning author of Bestiary
The Renunciations is a book of resilience, survival, and the journey to radically shift one’s sense of self in the face of trauma. Moving between a childhood marked by love and abuse and the breaking marriage of that adult child, Donika Kelly charts memory and the body as landscapes to be traversed and tended. These poems construct life rafts and sanctuaries even in their most devastating confrontations with what a person can bear, with how families harm themselves. With the companionship of “the oracle”—an observer of memory who knows how each close call with oblivion ends—the act of remembrance becomes curative, and personal mythologies give way to a future defined less by wounds than by possibility.
In this gorgeous and heartrending second collection, we find the home one builds inside oneself after reckoning with a legacy of trauma—a home whose construction starts “with a razing.”
Джеймс Макбрайд4.0 В сентябре 1969 года неуклюжий, капризный, старый церковный дьякон по прозвищу Спортивный Пиджак, вваливается во двор жилого комплекса в Южном Бруклине, вытаскивает из кармана пистолет 38-го калибра и на глазах у всех стреляет в упор в местного наркоторговца Динса Клеменса. Когда-то Клеменс был подающим надежды питчером в бейсбольной команде, которую тренировал Пиджак. Все гадают, почему Пиджак подстрелил наркоторговца.
Распутывая историю, автор рассказывает обо всех, кто имеет к ней отношение: Клеменсе, свидетелях афроамериканцах и латиноамериканцах, белых соседях, местных полицейских, членах баптистской церкви, где Пиджак был дьяконом, итальянских гангстерах и самом Пиджаке. По мере того как повествование углубляется, становится ясно, что жизни персонажей, оказавшихся в бурном водовороте Нью-Йорка 1960-х годов, пересекаются неожиданным образом. Когда правда все же всплывает, Макбрайд показывает нам, что не все секреты нужно скрывать, что лучший способ вырасти — это встретить перемены без страха, и что семена любви лежат в надежде и сострадании.
Входит в десятку лучших романов 2020 года по версиям New York Times, Goodreads, Entertainment Weekly и TIME Magazine, номинант премии «Киркус» 2020 года. Одна из любимых книг года Барака Обамы и рекомендация книжного клуба Опры Уинфри.
Компания Sister Pictures, стоящая за производством «Чернобыля», приступает к разработке нового сериала — телеадаптации романа «Deacon King Kong». Сценарий к проекту напишет автор оригинального произведения, лауреат премии National Book Awards Джеймс МакБрайд.
Винсент Браун0.0 A gripping account of the largest slave revolt in the eighteenth-century British Atlantic world, an uprising that laid bare the interconnectedness of Europe, Africa, and America, shook the foundations of empire, and reshaped ideas of race and popular belonging.
In the second half of the eighteenth century, as European imperial conflicts extended the domain of capitalist agriculture, warring African factions fed their captives to the transatlantic slave trade while masters struggled continuously to keep their restive slaves under the yoke. In this contentious atmosphere, a movement of enslaved West Africans in Jamaica (then called Coromantees) organized to throw off that yoke by violence. Their uprising—which became known as Tacky’s Revolt—featured a style of fighting increasingly familiar today: scattered militias opposing great powers, with fighters hard to distinguish from noncombatants. It was also part of a more extended borderless conflict that spread from Africa to the Americas and across the island. Even after it was put down, the insurgency rumbled throughout the British Empire at a time when slavery seemed the dependable bedrock of its dominion. That certitude would never be the same, nor would the views of black lives, which came to inspire both more fear and more sympathy than before.
Tracing the roots, routes, and reverberations of this event across disparate parts of the Atlantic world, Vincent Brown offers us a superb geopolitical thriller. Tacky’s Revolt expands our understanding of the relationship between European, African, and American history, as it speaks to our understanding of wars of terror today.
Victoria Chang0.0 After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of "the way memory gets up after someone has died and starts walking." These poems reinvent the form of newspaper obituary to both name what has died ("civility," "language," "the future," "Mother's blue dress") and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living.
Намвали Серпелл4.0 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond. As the generations pass, their lives—their triumphs, errors, losses and hopes—emerge through a panorama of history, fairytale, romance and science fiction.
From a woman covered with hair and another plagued with endless tears, to forbidden love affairs and fiery political ones, to homegrown technological marvels like Afronauts, microdrones and viral vaccines, this gripping, unforgettable novel is a testament to our yearning to create and cross borders, and a meditation on the slow, grand passage of time.
Чарльз Кинг0.0 A dazzling group portrait of Franz Boas, the founder of cultural anthropology, and his circle of women scientists, who upended American notions of race, gender, and sexuality in the 1920s and 1930s--a sweeping chronicle of how our society began to question the basic ways we understand other cultures and ourselves.
At the end of the 19th century, everyone knew that people were defined by their race and sex and were fated by birth and biology to be more or less intelligent, able, nurturing, or warlike. But one rogue researcher looked at the data and decided everyone was wrong. Franz Boas was the very image of a mad scientist: a wild-haired immigrant with a thick German accent. By the 1920s he was also the foundational thinker and public face of a new school of thought at Columbia University called cultural anthropology. He proposed that cultures did not exist on a continuum from primitive to advanced. Instead, every society solves the same basic problems--from childrearing to how to live well--with its own set of rules, beliefs, and taboos.
Boas's students were some of the century's intellectual stars: Margaret Mead, the outspoken field researcher whose Coming of Age in Samoa is one of the most widely read works of social science of all time; Ruth Benedict, the great love of Mead's life, whose research shaped post-Second World War Japan; Ella Deloria, the Dakota Sioux activist who preserved the traditions of Native Americans of the Great Plains; and Zora Neale Hurston, whose studies under Boas fed directly into her now-classic novel, Their Eyes Were Watching God. Together, they mapped vanishing civilizations from the Arctic to the South Pacific and overturned the relationship between biology and behavior. Their work reshaped how we think of women and men, normalcy and deviance, and re-created our place in a world of many cultures and value systems.
Gods of the Upper Air is a page-turning narrative of radical ideas and adventurous lives, a history rich in scandal, romance, and rivalry, and a genesis story of the fluid conceptions of identity that define our present moment.
Ilya Kaminsky3.5 Finalist for the National Book Award for Poetry
Finalist for the T. S. Eliot Prize
Finalist for the Forward Prize for Best Collection
Ilya Kaminsky’s astonishing parable in poems asks us, What is silence?
Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya’s girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky’s long-awaited Deaf Republic confronts our time’s vicious atrocities and our collective silence in the face of them.
Томми Ориндж3.6 Литература и кино сформировали романтизированный образ индейцев, живущих в полной гармонии с природой. Но коренное население Америки – народ, который прошел трагический путь и был загнан в резервации. Это история двенадцати индейцев, родившихся в больших городах. Каждый из них пытается найти свое место в жизни и справиться с вызовами современного общества. У них разные судьбы, и только неугасающая связь с предками помогает сохранить свою идентичность в этом мире.
Andrew Delbanco0.0 This book tells the story of America's original sin--slavery--through politics, law, literature, and above all, through the eyes of enslavedblack people who risked their lives to flee from bondage, thereby forcing the nation to confront the truth about itself. The struggle over slavery divided not only the American nation but also the hearts and minds of individual citizens faced with the timeless problem of when to submit to unjust laws and when to resist. The War Before the War illuminates what brought us to war with ourselves and the terrible legacies of slavery that are with us still.
Джесмин Уорд3.9 В этой истории три рассказчика. Леони, далеко не идеальная мать двоих детей, в вечном конфликте с собой и с окружающими. Ее тринадцатилетний сын Джоджо, который куда больше, чем Леони, заботится о своей пятилетней сестренке, учится у деда тому, что значит быть мужчиной. И еще один рассказчик — это погибший в тюрьме Парчман мальчик Ричи, ровесник Джоджо. Леони с детьми отправляется в ту самую тюрьму, забирать их только что освобожденного отца, Майкла. В пути по Миссисипи и сами герои, и читатели узнают многое и о тайнах семьи, и о тяготах жизни на американском Юге.
Кевин Янг0.0 Has the hoax now moved from the sideshow to take the center stage of American culture?
Award-winning poet and critic Kevin Young tours us through a rogue’s gallery of hoaxers, plagiarists, forgers, and fakers—from the humbug of P. T. Barnum and Edgar Allan Poe to the unrepentant bunk of JT LeRoy and Donald J. Trump. Bunk traces the history of the hoax as a peculiarly American phenomenon, examining what motivates hucksters and makes the rest of us so gullible. Disturbingly, Young finds that fakery is woven from stereotype and suspicion, race being the most insidious American hoax of all. He chronicles how Barnum came to fame by displaying figures like Joice Heth, a black woman whom he pretended was the 161-year-old nursemaid to George Washington, and What Is It?, an African American man Barnum professed was a newly discovered missing link in evolution.
Bunk then turns to the hoaxing of history and the ways that forgers, plagiarists, and journalistic fakers invent backstories and falsehoods to sell us lies about themselves and about the world in our own time, from pretend Native Americans Grey Owl and Nasdijj to the deadly imposture of Clark Rockefeller, from the made-up memoirs of James Frey to the identity theft of Rachel Dolezal. In this brilliant and timely work, Young asks what it means to live in a post-factual world of “truthiness” where everything is up for interpretation and everyone is subject to a pervasive cynicism that damages our ideas of reality, fact, and art.
Шейн Маккрей0.0 Winner of the Lannan Literary Award for Poetry (2017)
Acclaimed poet Shane McCrae's latest collection is a book about freedom told through stories of captivity. Historical persona poems and a prose memoir at the center of the book address the illusory freedom of both black and white Americans. In the book's three sequences, McCrae explores the role mass entertainment plays in oppression, he confronts the myth that freedom can be based upon the power to dominate others, and, in poems about the mixed-race child adopted by Jefferson Davis in the last year of the Civil War, he interrogates the infrequently examined connections between racism and love.
Питер Хо Дэвис0.0 Sly, funny, intelligent, and artfully structured, The Fortunes recasts American history through the lives of Chinese Americans and reimagines the multigenerational novel through the fractures of immigrant family experience.
Inhabiting four lives—a railroad baron’s valet who unwittingly ignites an explosion in Chinese labor, Hollywood's first Chinese movie star, a hate-crime victim whose death mobilizes Asian Americans, and a biracial writer visiting China for an adoption—this novel captures and capsizes over a century of our history, showing that even as family bonds are denied and broken, a community can survive—as much through love as blood.
Building fact into fiction, spinning fiction around fact, Davies uses each of these stories—three inspired by real historical characters—to examine the process of becoming not only Chinese American, but American.
Каран Махаджан4.0 When brothers Tushar and Nakul Khurana, two Delhi schoolboys, pick up their family’s television set at a repair shop with their friend Mansoor Ahmed one day in 1996, disaster strikes without warning. A bomb—one of the many “small” bombs that go off seemingly unheralded across the world—detonates in the Delhi marketplace, instantly claiming the lives of the Khurana boys, to the devastation of their parents. Mansoor survives, bearing the physical and psychological effects of the bomb. After a brief stint at university in America, Mansoor returns to Delhi, where his life becomes entangled with the mysterious and charismatic Ayub, a fearless young activist whose own allegiances and beliefs are more malleable than Mansoor could imagine. Woven among the story of the Khuranas and the Ahmeds is the gripping tale of Shockie, a Kashmiri bomb maker who has forsaken his own life for the independence of his homeland.
Karan Mahajan writes brilliantly about the effects of terrorism on victims and perpetrators, proving himself to be one of the most provocative and dynamic novelists of his generation.
NOW A MAJOR MOTION PICTURE
Oscar Nominated For Best Picture and Best Adapted Screenplay
Set amid the civil rights movement, the never-before-told true story of NASA’s African-American female mathematicians who played a crucial role in America’s space program.
Before Neil Armstrong walked on the moon, a group of professionals worked as ‘Human Computers’, calculating the flight paths that would enable these historic achievements. Among these were a coterie of bright, talented African-American women. Segregated from their white counterparts, these ‘colored computers’ used pencil and paper to write the equations that would launch rockets, and astronauts, into space.
Moving from World War II through NASA’s golden age, touching on the civil rights era, the Space Race, the Cold War, and the women’s rights movement, Hidden Figures interweaves a rich history of mankind’s greatest adventure with the intimate stories of five courageous women whose work forever changed the world.
Тихимба Джесс0.0 Part fact, part fiction, Tyehimba Jess's much anticipated second book weaves sonnet, song, and narrative to examine the lives of mostly unrecorded African American performers directly before and after the Civil War up to World War I. Olio is an effort to understand how they met, resisted, complicated, co-opted, and sometimes defeated attempts to minstrelize them.
So, while I lead this choir, I still find that
I'm being led…I'm a missionary
mending my faith in the midst of this flock…
I toil in their fields of praise. When folks see
these freedmen stand and sing, they hear their God
speak in tongues. These nine dark mouths sing shelter;
they echo a hymn's haven from slavery's weather.
Detroit native Tyehimba Jess' first book of poetry, leadbelly, was a winner of the 2004 National Poetry Series. Jess, a Cave Canem and NYU Alumni, has received fellowships from the Whiting Foundation, National Endowment for the Arts, Illinois Arts Council, and the Provincetown Fine Arts Work Center. Jess is also a veteran of the 2000 and 2001 Green Mill Poetry Slam Team. He exhibited his poetry at the 2011 TEDxNashville Conference. Jess is an Associate Professor of English at College of Staten Island.
Мэри Моррис0.0 Acclaimed author Mary Morris returns to her Chicago roots in this sweeping novel that brilliantly captures the dynamic atmosphere and the dazzling music of the Jazz Age.
In the midst of boomtown Chicago, two Jewish families have suffered terrible blows. The Lehrmans, who run a small hat factory, lost their beloved son Harold in a blizzard. The Chimbrovas, who run a saloon, lost three of their boys on the SS Eastland when it sank in 1915. Each family holds out hope that one of their remaining children will rise to carry on the family business. But Benny Lehrman has no interest in making hats. His true passion is piano—especially jazz.
At night he sneaks down to the South Side, slipping into predominantly black clubs to hear jazz groups play. Along the way he meets a black trumpeter, a man named Napoleon who becomes Benny’s close friend and musical collaborator. Their adventures together take Benny far from the life he knew as a delivery boy. Pearl Chimbrova recognizes their talent and invites them to start playing at her family’s saloon, which Napoleon dubs The Jazz Palace. Even as the novel charts the story of its characters, it also tells the tale of the city where they live. It is a world of gangsters, musicians, and clubs, in which black musicians are no freer than they were before the Civil War, white youths head down to the South Side to “slum,” and Al Capone and Louis Armstrong become legends. As The Jazz Palace steams through the 1920s, Benny, Pearl, and Napoleon forge a bond that is as memorable as it is lasting.
Лилиан Фадерман0.0 The sweeping story of the modern struggle for gay, lesbian, and trans rights from the 1950s to the present—based on amazing interviews with politicians, military figures, legal activists, and members of the entire LGBT community who face these challenges every day.
The fight for gay, lesbian, and trans civil rights—the years of outrageous injustice, the early battles, the heart-breaking defeats, and the victories beyond the dreams of the gay rights pioneers—is the most important civil rights issue of the present day. Based on rigorous research and more than 150 interviews, The Gay Revolution tells this unfinished story not through dry facts but through dramatic accounts of passionate struggles, with all the sweep, depth, and intricacies only an award-winning activist, scholar, and novelist like Lillian Faderman can evoke.
The Gay Revolution begins in the 1950s, when law classified gays and lesbians as criminals, the psychiatric profession saw them as mentally ill, the churches saw them as sinners, and society victimized them with irrational hatred. Against this dark backdrop, a few brave people began to fight back, paving the way for the revolutionary changes of the 1960s and beyond. Faderman discusses the protests in the 1960s; the counter reaction of the 1970s and early eighties; the decimated but united community during the AIDS epidemic; and the current hurdles for the right to marriage equality.
In the words of the eyewitnesses who were there through the most critical events, The Gay Revolution paints a nuanced portrait of the LGBT civil rights movement. A defining account, this is the most complete and authoritative book of its kind.
A spectacularly vibrant and continually surprising collection from one of the poetry world's rising young stars
"Who the hell's heaven is this?" Rowan Ricardo Phillips offers many answers, and none at all, in Heaven, the piercing and revelatory encore to his award-winning debut, The Ground. Swerving elegantly from humor to heartbreak, from Colorado to Florida, from Dante's Paradise to Homer's Iliad, from knowledge to ignorance to awe, Phillips turns his gaze upward and outward, probing and upending notions of the beyond.
"Feeling, real feeling / with all its faulty / Architecture, is / Beyond a god's touch"--but it does not elude Phillips. Meditating on feverish boyhood, on two paintings by Chuck Close, on Shakespeare's Measure for Measure, on a dead rooster by the side of the road in Ohio, on an elk grazing outside his window, his language remains eternally intoxicating, full of play, pathos, and surprise.
"The end," he writes, "like / All I've ever told you, is uncertain." Or, elsewhere: "The only way then to know a truth / Is to squint in its direction and poke." Phillips--who received a 2013 Whiting Writers' Award as well as the PEN/Joyce Osterweil Award--may not be certain, but as he squints and pokes in the direction of truth, his power of perception and elegance of expression create a place where beauty and truth come together and drift apart like a planet orbiting its star. The result is a book whose lush and wounding beauty will leave its mark on readers long after they've turned the last page.
Марлон Джеймс3.5 3 декабря 1976 года. Ямайка на пороге гражданской войны, а в гетто Кингстона льется кровь. В этот день «король регги» Боб Марли готовился к грандиозному концерту, призванному ослабить напряжение в ямайском обществе. Внезапно семеро стрелков, вооруженных автоматическим оружием, вломились к нему в дом и буквально изрешетили всё вокруг. Певец выжил – и даже провел концерт, несмотря на ранения в грудь и руку. Но неясные, темные слухи об этом покушении еще долго будоражили весь мир…
Ричард Слейтор Данн0.0 Forty years ago, after publication of his pathbreaking book Sugar and Slaves, Richard Dunn began an intensive investigation of two thousand slaves living on two plantations, one in North America and one in the Caribbean. Digging deeply into the archives, he has reconstructed the individual lives and collective experiences of three generations of slaves on the Mesopotamia sugar estate in Jamaica and the Mount Airy plantation in tidewater Virginia, to understand the starkly different forms slavery could take. Dunn's stunning achievement is a rich and compelling history of bondage in two very different Atlantic world settings.
From the mid-eighteenth century to emancipation in 1834, life in Mesopotamia was shaped and stunted by deadly work regimens, rampant disease, and dependence on the slave trade for new laborers. At Mount Airy, where the population continually expanded until emancipation in 1865, the "surplus" slaves were sold or moved to distant work sites, and families were routinely broken up. Over two hundred of these Virginia slaves were sent eight hundred miles to the Cotton South.
In the genealogies that Dunn has painstakingly assembled, we can trace a Mesopotamia fieldhand through every stage of her bondage, and contrast her harsh treatment with the fortunes of her rebellious mulatto son and clever quadroon granddaughter. We track a Mount Airy craftworker through a stormy life of interracial sex, escape, and family breakup. The details of individuals' lives enable us to grasp the full experience of both slave communities as they labored and loved, and ultimately became free.
Мэрилин Чин0.0 Marilyn Chin is a poet acclaimed by Adrienne Rich for her "powerful, uncompromised, and unerring" poems. Dancing brilliantly between Eastern and Western forms, fusing ancient Chinese history and contemporary American popular culture, she is one of the most celebrated Asian-American poets writing today.
Chin's fourth volume of poems, Hard Love Province, is composed of erotic elegies in which the speaker grieves for the loss of her beloved. In "Void" she writes with the imagistic, distilled quietude of a solitary mourner: "It’s not that you are rare / Nor are you extraordinary // O lone wren sobbing on the bodhi tree / You are simple and sincere." In "Formosan Elegy," by contrast, she is that mourner, beyond simplicity or quietude, crying out for a lover: "I sing for you but my tears have dried in my gullet / Walk the old dog give the budgies a cool bath / Cut a tender melon let it bleed into memory."
Here, too, are poems inspired by Chin’s poetic forbearers and mentors—Dickinson, Plath, Ai, Gwendolyn Brooks, Tu Fu, Adrienne Rich, and others—honoring their work and descrying the global injustice they addressed. "Whose life is it anyway?" she asks in a poem for Rich, "She born of chrysalis and shit / Or she born of woman and pain?"
Emotionally nuanced and electric with high-flying verbal experimentation, image after image, line by line, Chin's spectacular reinventions, her quatrains, sonnets, allegories, and elegies, are unforgettable.
Jericho Brown0.0 In The New Testament, Jericho Brown continues his tender examination of race, masculinity, and sexuality. These poems bear witness to survival in the face of brutality, while also elegizing two brothers haunted by shame, two lovers hounded by death, and an America wounded by war and numbered by religion. Brown summons myth, fable, and fairytale not to merely revise the Bible—more so to write the kind of lyric poetry we find at the source of redemption—for the profane and for the sacred.
Энтони Марра2.0 In A Constellation of Vital Phenomena, Anthony Marra takes us to snow-covered Chechnya during the Second Chechen War. The novel, a remarkable decade-spanning debut, opens with eight-year-old Havaa looking on as her father is dragged off by Russian soldiers for a crime he did not commit. The soldiers set fire to Havaa's home, and next-door neighbor Akhmed attempts to hide her at nearby hospital. Sonya, the doctor who runs the facility, is hesitant to harbor Havaa, as the child invites unnecessary risk to her barely functioning hospital, but both she and Akhmed realize that Havaa represents something greater than a single life: she is the key to maintaining humanity in an ethnic conflict that is absurd and unjust. "There are things a person shouldn't understand," Akhmed says. "There are things a person has a moral duty never to understand." But by the end of Vital Phenomena, we do understand--with deeply emotional characters and gripping depiction of wartorn Chechnya, Marra makes us understand. --Kevin Nguyen
Адриан Матейка0.0 A finalist for both the Pulitzer Prize and the National Book Award in Poetry—a collection that examines the myth and history of the prizefighter Jack Johnson
The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka’s third work of poetry, follows the fighter’s journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka’s book is part historic reclamation and part interrogation of Johnson’s complicated legacy, one that often misremembers the magnetic man behind the myth.
Ари Шавит0.0 With both unprecedented internal and external pressures, Israel today is at a moment of existential crisis. In My Promised Land, one of Israel's most influential columnists sets out to answer the question of how his beloved country has arrived at this unsettling moment. Rather than rehashing the established narrative--one of wars, treaties, and noted political figures--Ari Shavit tells the stories of ordinary citizens--the grassroots leaders, the farmers, the immigrants, the nightclub owners, the settlers, and the Arabs--who came to shape the moral fabric of the country. With each chapter focusing on an underappreciated moment in history or an untold story, My Promised Land paints a nuanced picture of a small country whose identity and presence has a crucial role not only in the Middle East but in the Western world. It tells a riveting story that is both deeply human and of profound historical dimension.
Юджин Глория0.0 A third collection from an award-winning poet whose "gift is breathtaking" (Naomi Shihab Nye)The themes of identity, relationships, and the poet's sense of origin are at the heart of Eugene Gloria's rich and captivating new collection. The title poem weaves together Japan's sixteenth-century warlord Hideyoshi with a meditation about the poet's father's dementia; "Here on Earth" embraces post-racial America and the speaker's own sense of displacement in the Midwest. In elegy and psalm, as well as ancient forms from Asia such as the haibun and pantoum, these elegant and passionate poems enact rage, civility, love, travel, and art as well as explore Gloria's own fears of frailty and erasure.
"There is always a surprise in the voice and in the heart of Laird Hunt's stories, with its echoes of habit caught in a timeless dialect, so we see the world he gives us as if new. 'You hear something like that and it walks out the door with you.'"—Michael Ondaatje
"Laird Hunt's Kind One, about two slave girls who take their white mistress into captivity, is a profound meditation on the sexual and racial subconscious of America. . . . [A] gorgeous and terrifying novel."—Danzy Senna
As a teenage girl, Ginny marries Linus Lancaster, her mother's second cousin, and moves to his Kentucky pig farm "ninety miles from nowhere." In the shadows of the lush Kentucky landscape, Ginny discovers the empty promises of Linus' "paradise"—a place where the charms of her husband fall away to reveal a troubled man and cruel slave owner. Ginny befriends the young slaves Cleome and Zinnia who work at the farm—until Linus' attentions turn to them, and she finds herself torn between her husband and only companions. The events that follow Linus' death change all three women for life. Haunting, chilling, and suspenseful, Kind One is a powerful tale of redemption and human endurance in antebellum America.
Laird Hunt is the author of several works of fiction and a finalist for the 2010 PEN Center USA Award in Fiction. Currently on the faculty of the University of Denver's creative writing program, he and his wife, the poet Eleni Sikelianos, live in Boulder, Colorado, with their daughter, Eva Grace.
Эндрю Соломон4.5 Быть особенным, не таким, как все, — это основа человеческой природы; и эта непохожесть и есть то, что объединяет нас. Из этой предпосылки исходил Эндрю Соломон, начав собирать материалы для книги. Так получилась повесть о родителях, справляющихся с глухотой, карликовостью, синдромом Дауна, аутизмом, шизофренией и множественными психическими и физическими недостатками своих детей; с детьми-гениями, детьми, зачатыми в результате насилия, малолетними преступниками и трансгендерами. Любая из этих особенностей может отделить ребенка и его семью от мира; между тем все эти семьи объединяет опыт, обретенный, когда ее члены пытались нащупать новые границы нормального. И в каждой главе автор дотошно документирует эпизоды, когда любовь одерживала верх над предрассудками. За 10 лет Эндрю Соломон провел интервью более чем с тремя сотнями сложных семей; и под этой обложкой красноречивый ответ простых людей на вопрос: как принять дорого человека, если он не такой, как все? Эндрю Соломон — профессор клинической психологии в медицинском центре при Колумбийском университете, лектор Йельского университета, лектор TED, автор статей для New York Times и New Yorker, в прошлом — глава американского ПЕН-центра.
Эси Эдугян3.3 Chip told us not to go out. Said, don't you boys tempt the devil. But it been one brawl of a night, I tell you.The aftermath of the fall of Paris, 1940. Hieronymous Falk, a rising star on the cabaret scene, was arrested in a cafe and never heard from again. He was twenty years old. He was a German citizen. And he was black.Fifty years later, Sid, Hiero's bandmate and the only witness that day, is going back to Berlin. Persuaded by his old friend Chip, Sid discovers there's more to the journey than he thought when Chip shares a mysterious letter, bringing to the surface secrets buried since Hiero's fate was settled. In Half Blood Blues, Esi Edugyan weaves the horror of betrayal, the burden of loyalty and the possibility that, if you don't tell your story, someone else might tell it for you. And they just might tell it wrong ...
Дэвид Уильям Блайт0.0 Standing on the steps of the Lincoln Memorial on August 28, 1963, a century after the signing of the Emancipation Proclamation, Martin Luther King, Jr., declared, "One hundred years later, the Negro still is not free." He delivered this speech just three years after the Virginia Civil War Commission published a guide proclaiming that "the Centennial is no time for finding fault or placing blame or fighting the issues all over again."
David Blight takes his readers back to the centennial celebration to determine how Americans then made sense of the suffering, loss, and liberation that had wracked the United States a century earlier. Amid cold war politics and civil rights protest, four of America's most incisive writers explored the gulf between remembrance and reality. Robert Penn Warren, the southern-reared poet-novelist who recanted his support of segregation; Bruce Catton, the journalist and U.S. Navy officer who became a popular Civil War historian; Edmund Wilson, the century's preeminent literary critic; and James Baldwin, the searing African-American essayist and activist--each exposed America's triumphalist memory of the war. And each, in his own way, demanded a reckoning with the tragic consequences it spawned.
Blight illuminates not only mid-twentieth-century America's sense of itself but also the dynamic, ever-changing nature of Civil War memory. On the eve of the 150th anniversary of the war, we have an invaluable perspective on how this conflict continues to shape the country's political debates, national identity, and sense of purpose.
Дэвид Ливингстон Смит0.0 A revelatory look at why we dehumanize each other, with stunning examples from world history as well as today’s headlines
“Brute.” “Cockroach.” “Lice.” “Vermin.” “Dog.” “Beast.” These and other monikers are constantly in use to refer to other humans—for political, religious, ethnic, or sexist reasons. Human beings have a tendency to regard members of their own kind as less than human. This tendency has made atrocities like the Holocaust, the genocide in Rwanda, and the slave trade possible, and yet we still find it in phenomena such as xenophobia, homophobia, military propaganda, and racism. Less Than Human draws on a rich mix of history, psychology, biology, anthropology and philosophy to document the pervasiveness of dehumanization, describe its forms, and explain why we so often resort to it.
David Livingstone Smith posits that this behavior is rooted in human nature, but gives us hope in also stating that biological traits are malleable, showing us that change is possible. Less Than Human is a chilling indictment of our nature, and is as timely as it is relevant.
Николь Краусс3.9 "Большой дом" - захватывающая история об украденном столе, который полон загадок и незримо привязывает к себе каждого нового владельца. Одинокая нью-йоркская писательница работала за столом двадцать пять лет подряд: он достался ей от молодого чилийского поэта, убитого тайной полицией Пиночета. И вот появляется девушка - по ее собственным словам, дочь мертвого поэта. За океаном, в Лондоне, мужчина узнает пугающую тайну, которую пятьдесят лет скрывала его жена. Торговец антиквариатом шаг за шагом воссоздает в Иерусалиме отцовский кабинет, разграбленный нацистами в 1944 году. Огромный стол со множеством ящиков связывает эти, казалось бы, параллельные жизни: может наделить своего владельца силой или, наоборот, отнять ее. Для его хозяев стол - воплощенное напоминание обо всем, что сгинуло в водовороте жизни: о детях, родителях, целых народах и цивилизациях. Николь Краусс удалось написать удивительной силы роман о том, как память пытается удержать самое дорогое перед лицом неизбежной потери.
Николь Краусс - новая звезда американской прозы, автор нашумевшего романа "Хроники любви", посвященного ее мужу, знаменитому писателю Джонатану Сафрану Фоеру. "Большой дом" - третий и последний на сегодняшний день роман Краусс. В 2010 году книга стала финалистом Национальной книжной премии, одной из самых престижных литературных наград США.
Мэри Хелен Стефаньяк0.0 A big-hearted story of a Depression-era small town turned upside down by a worldly teacher.
Narrator Gladys Cailiff is eleven years old in 1938 when a new, well-traveled young schoolteacher turns a small Georgia town upside down. Miss Grace Spivey believes in field trips, Arabian costumes, and reading aloud from her ten-volume set of The Thousand Nights and a Night. The real trouble begins when she decides to revive the annual town festival as an exotic Baghdad bazaar. Miss Spivey transforms the lives of everyone around her: Gladys's older brother Force (with his movie-star looks), her pregnant sister May (a gifted storyteller herself), and especially the Cailiffs' African American neighbor, young Theo Boykin, whose creative genius becomes the key to a colorful, hidden history of the South.
Populated by unforgettable characters—including three impressive camels—The Cailiffs of Baghdad, Georgia rides a magic carpet from a segregated schoolroom in Georgia to the banks of the Tigris (and back again) in an entrancing feat of storytelling.
Дэвид Элтис, Дэвид Ричардсон0.0 Between 1501 and 1867, the transatlantic slave trade claimed an estimated 12.5 million Africans and involved almost every country with an Atlantic coastline. In this extraordinary book, two leading historians have created the first comprehensive, up-to-date atlas on this 350-year history of kidnapping and coercion. It features nearly 200 maps, especially created for the volume, that explore every detail of the African slave traffic to the New World. The atlas is based on an online database (www.slavevoyages.org) with records on nearly 35,000 slaving voyages—roughly 80 percent of all such voyages ever made. Using maps, David Eltis and David Richardson show which nations participated in the slave trade, where the ships involved were outfitted, where the captives boarded ship, and where they were landed in the Americas, as well as the experience of the transatlantic voyage and the geographic dimensions of the eventual abolition of the traffic. Accompanying the maps are illustrations and contemporary literary selections, including poems, letters, and diary entries, intended to enhance readers’ understanding of the human story underlying the trade from its inception to its end.
This groundbreaking work provides the fullest possible picture of the extent and inhumanity of one of the largest forced migrations in history.
Isabel Wilkerson0.0 In this epic, beautifully written masterwork, Pulitzer Prize–winning author Isabel Wilkerson chronicles one of the great untold stories of American history: the decades-long migration of black citizens who fled the South for northern and western cities, in search of a better life.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER
LYNTON HISTORY PRIZE WINNER
HEARTLAND AWARD WINNER
DAYTON LITERARY PEACE PRIZE FINALIST
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY
The New York Times • USA Today • O: The Oprah Magazine • Amazon • Publishers Weekly • Salon • Newsday • The Daily Beast
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
The New Yorker • The Washington Post • The Economist • Boston Globe • San Francisco Chronicle • Chicago
Tribune • Entertainment Weekly • Philadelphia Inquirer • The Guardian • The Seattle Times • St. Louis Post-Dispatch • The Christian Science Monitor
From 1915 to 1970, this exodus of almost six million people changed the face of America. Wilkerson compares this epic migration to the migrations of other peoples in history. She interviewed more than a thousand people, and gained access to new data and official records, to write this definitive and vividly dramatic account of how these American journeys unfolded, altering our cities, our country, and ourselves.
With stunning historical detail, Wilkerson tells this story through the lives of three unique individuals: Ida Mae Gladney, who in 1937 left sharecropping and prejudice in Mississippi for Chicago, where she achieved quiet blue-collar success and, in old age, voted for Barack Obama when he ran for an Illinois Senate seat; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, where he endangered his job fighting for civil rights, saw his family fall, and finally found peace in God; and Robert Foster, who left Louisiana in 1953 to pursue a medical career, the personal physician to Ray Charles as part of a glitteringly successful medical career, which allowed him to purchase a grand home where he often threw exuberant parties.
Wilkerson brilliantly captures their first treacherous and exhausting cross-country trips by car and train and their new lives in colonies that grew into ghettos, as well as how they changed these cities with southern food, faith, and culture and improved them with discipline, drive, and hard work. Both a riveting microcosm and a major assessment, The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is destined to become a classic.
Kamila Shamsie4.0 August 9th, 1945, Nagasaki. Hiroko Tanaka steps onto her veranda, wrapped in a kimono with three black cranes swooping across the back. She is twenty-one and on the verge of marrying Konrad Weiss. In a split second, the world turns white. In the numbing aftermath of a bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost.
Two years later, in search of new beginnings, Hiroko travels to Delhi to find Konrad's relatives and falls in love with their employee, Sajjad Ashraf. As the years unravel, new homes replace those left behind and old wars are seamlessly usurped by new conflicts. But the shadows of history - personal, political - are cast over the entwined worlds of the different families as they are transported from Pakistan to New York, and to Afghanistan in the wake of 9/11.
Louise Erdrich0.0 A beautiful, compelling, utterly original new novel from one of the most important American writers of our time, and winner of the National Book Award for Fiction, 2012
Pluto, North Dakota, is a town on the verge of extinction. Here, everybody is connected – by love or friendship, by blood, and, most importantly, by the burden of a shared history.
Growing up on the reservation is Evelina Harp, witty and ambitious, and prone to falling hopelessly in love. Listening to her grandfather's tales, she learns of a horrific crime that has marked both Ojibwe and whites. Nobody understands it better than Judge Antone Bazil Coutts, who keeps watch over Pluto's inhabitants and recounts their lives with compassion and rare insight.
Louise Erdrich's sense of the comic and the tragic sweeps readers along to the surprising conclusion of this stunning novel, a portrait of the complex allegiances, passions and drama of a haunting land and its all-too-human people.
Nam Le0.0 The Boat takes us from a tourist in Tehran to a teenage hit man in Colombia; from an aging New York artist to a boy coming of age in a small Victorian fishing town; from the city of Hiroshima just before the bomb is dropped to the haunting waste of the South China Sea in the wake of another war. Each story uncovers a raw human truth. Each story is as absorbing and fully realised as a novel. Together, they make up a collection of astonishing diversity and achievement.
About the Author
Nam Le's first book, The Boat, received the Australian Prime Minister's Literary Award, the Melbourne Prize (Best Writing Award), the Dylan Thomas Prize, the Anisfield-Wolf Book Award and the PEN/Malamud Award, among other honours. It was selected as a New York Times Notable Book and Editor's Choice, the best debut of 2008 by the Australian Book Review and New York Magazine, and a book of the year by The Age, The Sydney Morning Herald, The Australian, The Herald Sun, The Monthly, and numerous sources around the world. The Boat has been translated into thirteen languages and its stories widely anthologised. Le is the fiction editor of the Harvard Review.
Аннет Гордон-Рид0.0 This epic work tells the story of the Hemingses, whose close blood ties to our third president had been systematically expunged from American history until very recently. Now, historian and legal scholar Annette Gordon-Reed traces the Hemings family from its origins in Virginia in the 1700s to the family’s dispersal after Jefferson’s death in 1826.
In the mid-1700s the English captain of a trading ship that made runs between England and the Virginia colony fathered a child by an enslaved woman living near Williamsburg. The woman, whose name is unknown and who is believed to have been born in Africa, was owned by the Eppeses, a prominent Virginia family. The captain, whose surname was Hemings, and the woman had a daughter. They named her Elizabeth.
So begins The Hemingses of Monticello, Annette Gordon-Reed’s “riveting history” of the Hemings family, whose story comes to vivid life in this brilliantly researched and deeply moving work. Gordon-Reed, author of the highly acclaimed historiography Thomas Jefferson and Sally Hemings: An American Controversy, unearths startling new information about the Hemingses, Jefferson, and his white family. Although the book presents the most detailed and richly drawn portrait ever written of Sarah Hemings, better known by her nickname Sally, who bore seven children by Jefferson over the course of their thirty-eight-year liaison, The Hemingses of Monticello tells more than the story of her life with Jefferson and their children. The Hemingses as a whole take their rightful place in the narrative of the family’s extraordinary engagement with one of history’s most important figures.
Not only do we meet Elizabeth Hemings—the family matriarch and mother to twelve children, six by John Wayles, a poor English immigrant who rose to great wealth in the Virginia colony—but we follow the Hemings family as they become the property of Jefferson through his marriage to Martha Wayles. The Hemings-Wayles children, siblings to Martha, played pivotal roles in the life at Jefferson’s estate.
We follow the Hemingses to Paris, where James Hemings trained as a chef in one of the most prestigious kitchens in France and where Sally arrived as a fourteen-year-old chaperone for Jefferson’s daughter Polly; to Philadelphia, where James Hemings acted as the major domo to the newly appointed secretary of state; to Charlottesville, where Mary Hemings lived with her partner, a prosperous white merchant who left her and their children a home and property; to Richmond, where Robert Hemings engineered a plan for his freedom; and finally to Monticello, that iconic home on the mountain, from where most of Jefferson’s slaves, many of them Hemings family members, were sold at auction six months after his death in 1826.
As The Hemingses of Monticello makes vividly clear, Monticello can no longer be known only as the home of a remarkable American leader, the author of the Declaration of Independence; nor can the story of the Hemingses, whose close blood ties to our third president have been expunged from history until very recently, be left out of the telling of America’s story. With its empathetic and insightful consideration of human beings acting in almost unimaginably difficult and complicated family circumstances, The Hemingses of Monticello is history as great literature. It is a remarkable achievement.
Джуно Диас3.9 Очень заковыристо все в жизни Оскара, доброго, но прискорбно тучного романтика и фаната комиксов и фантастики из испано-язычного гетто в Нью-Джерси, мечтающего стать доминиканским Дж. Р. Р. Толкиеном, но прежде всего — найти любовь, хоть какую-нибудь. Но мечтам его так и остаться бы мечтами, если бы не фуку — древнее проклятье, преследующее семью Оскара на протяжении многих поколений: тюрьма, пытки и страдания, трагические происшествия и, самое печальное, несчастная любовь — таков удел семьи Оскара. Его мать Бели — божественная красавица с неукротимым и буйным нравом, испытала на себе всю силу семейного проклятия. Его сестра попыталась сбежать от неизбежности. И Оскар, с отрочества тщетно мечтающий о первом поцелуе, был бы лишь очередной жертвой фуку — пока одним знаменательным летом он не решил избавить семью от страшного проклятья.
С невероятной энергией, литературным обаянием и знанием предмета Джуно Диас погружает читателя в бурную жизнь Оскара, его своенравной сестры Лолы и их неистовой матери Белисии, красавицы с королевской статью, а также в историю эпического путешествия семьи из прекрасного, но печального Санто-Доминго в обыкновенный американский городок Патерсон и обратно. Искренности и юмору автора трудно противостоять. "Короткая фантастическая Оскара Вау" живописует современный мир в непривычном, тревожном и завораживающем ракурсе, повествуя об извечной готовности человека претерпеть все — и рискнуть всем — во имя любви.
Иначе, как подлинным литературным триумфом этот роман назвать невозможно, и со всей очевидностью, Джуно Диас — один из самых необычных, своеобразных и притягательных писателей наших дней.
Mohsin Hamid3.7 Invited to join the mysterious stranger at a Lahore cafe for tea, you learn his name and what led this speaker of immaculate English to seek you out. For he is more worldly than you might expect; better travelled and better educated. He knows the West better than you do. And as he tells you his story, of how he embraced the Western dream - and a Western woman - and how both betrayed him, so the night darkens. Then the true reason for your meeting becomes abundantly clear...
Ayaan Hirsi Ali4.9 One of today’s most admired and controversial political figures, Ayaan Hirsi Ali burst into international headlines following the murder of Theo van Gogh by an Islamist who threatened that she would be next. She made headlines again when she was stripped of her citizenship and resigned from the Dutch Parliament.
Infidel shows the coming of age of this distinguished political superstar and champion of free speech as well as the development of her beliefs, iron will, and extraordinary determination to fight injustice. Raised in a strict Muslim family, Hirsi Ali survived civil war, female mutilation, brutal beatings, adolescence as a devout believer during the rise of the Muslim Brotherhood, and life in four troubled, unstable countries ruled largely by despots. She escaped from a forced marriage and sought asylum in the Netherlands, where she earned a college degree in political science, tried to help her tragically depressed sister adjust to the West, and fought for the rights of Muslim women and the reform of Islam as a member of Parliament. Under constant threat, demonized by reactionary Islamists and politicians, disowned by her father, and expelled from family and clan, she refuses to be silenced.
Ultimately a celebration of triumph over adversity, Hirsi Ali’s story tells how a bright little girl evolves out of dutiful obedience to become an outspoken, pioneering freedom fighter. As Western governments struggle to balance democratic ideals with religious pressures, no other book could be more timely or more significant.
Чимаманда Нгози Адичи4.3 Красавица Оланна из богатой семьи никогда не отличалась дерзостью, как ее сестра-двойняшка Кайнене, но именно Оланна решилась оставить полную комфорта жизнь ради любви. Переезжая в маленький городок, где жил и работал ее будущий муж, профессор местного университета, она вряд ли понимала, что бесповоротно меняет свою судьбу. Деревенский мальчик Угву, поступивший в услужение в профессорский дом, тоже не догадывался, что отныне его жизнь изменится необратимо и непредсказуемо. Застенчивый молодой англичанин Ричард, приехавший в Нигерию, чтобы написать книгу, вовсе не собирался оставаться здесь навсегда. А непокорная и избалованная Кайнене вряд ли думала, что взвалит на свои хрупкие плечи ответственность за жизнь огромного числа людей. Но война, обрушившаяся на страну, не только корежила судьбы людей, но и меняла их самих, вытаскивая наружу то, что в обычной жизни скрывается за лоском цивилизованности. Оланне, Угву, Ричарду и всем остальным героям романа предстоит пройти сквозь немыслимые ужасы войны, не раз лицом к лицу столкнуться со смертью и вновь обрести себя после страшных испытаний. Полный напряженного драматизма роман "Половина желтого солнца" рассказывает истории нескольких людей, — истории, которые сплелись самым поразительным образом. Читатели назвали роман Адичи "африканским "Бегущим за ветром"", а британские критики присудили ему престижнейшую премию "Оранж".
Марта Коллинз0.0 A stunning account of racism, mob violence, and cultural responsibility as rendered by the poet Martha Collins
the victim hanged, though not on a tree, this
was not the country, they used a steel arch
with electric lights, and later a lamppost, this
was a modern event, the trees were not involved.
—from "Blue Front"
Martha Collins's father, as a five-year-old, sold fruit outside the Blue Front Restaurant in Cairo, Illinois, in 1909. What he witnessed there, with 10,000 participants, is shocking.
In Blue Front, Collins describes the brutal lynching of a black man and, as an afterthought, a white man, both of them left to the mercilessness of the spectators. The poems patch together an arresting array of evidence—newspaper articles, census data, legal history, postcards, photographs, and Collins's speculations
about her father's own experience. The resulting work, part lyric and part narrative, is a bold investigation into hate, mob mentality, culpability, and what it means to be white in a country still haunted by its violently racist history.
Скотт Рейнольдс Нельсон0.0 The ballad "John Henry" is the most recorded folk song in American history and John Henry--the mighty railroad man who could blast through rock faster than a steam drill--is a towering figure in our culture. But for over a century, no one knew who the original John Henry was--or even if there was a real John Henry.
In Steel Drivin' Man, Scott Reynolds Nelson recounts the true story of the man behind the iconic American hero, telling the poignant tale of a young Virginia convict who died working on one of the most dangerous enterprises of the time, the first rail route through the Appalachian Mountains. Using census data, penitentiary reports, and railroad company reports, Nelson reveals how John Henry, victimized by Virginia's notorious Black Codes, was shipped to the infamous Richmond Penitentiary to become prisoner number 497, and was forced to labor on the mile-long Lewis Tunnel for the C&O railroad. Nelson even confirms the legendary contest between John Henry and the steam drill (there was indeed a steam drill used to dig the Lewis Tunnel and the convicts in fact drilled faster).
Equally important, Nelson masterfully captures the life of the ballad of John Henry, tracing the song's evolution from the first printed score by blues legend W. C. Handy, to Carl Sandburg's use of the ballad to become the first "folk singer," to the upbeat version by Tennessee Ernie Ford. We see how the American Communist Party appropriated the image of John Henry as the idealized American worker, and even how John Henry became the precursor of such comic book super heroes as Superman or Captain America.
Attractively illustrated with numerous images, Steel Drivin' Man offers a marvelous portrait of a beloved folk song--and a true American legend.
Зэди Смит3.8 В своем новом романе Зэди Смит повествует о двух университетских профессорах-врагах. Белей и Кипсе, чьи семьи оказываются тесно связанными друг с другом. Это комедия положений, разворачивающаяся в академическом межкультурном пространстве, такая же яркая, как и первый роман Смит "Белые зубы".
В доме Белей, в Бостоне, исповедуют идеи равенства всех людей, бесспорное превосходство демократии, все модные теории об искусстве, пренебрегают идеей богатства и презирают политику. В доме Кипсов говорят о реальной политике, о деньгах, об экономике, объявляют равенство мифом, а мультикультурализм - модной выдумкой. Это противостояние приводит ко многим трагикомическим событиям...
Это роман о любви, о понимании того, что есть красота.
В 2006 году Зэди Смит получила за роман "О красоте" премию "Оранж" (Orange Broadband Prize for Fiction) - одну из самых престижных в англоязычном мире премий.
Джилл Лепор0.0 Pulitzer Prize Finalist
Anisfield-Wolf Award Winner
Over a frigid few weeks in the winter of 1741, ten fires blazed across Manhattan. With each new fire, panicked whites saw more evidence of a slave uprising. In the end, thirteen black men were burned at the stake, seventeen were hanged and more than one hundred black men and women were thrown into a dungeon beneath City Hall.
In New York Burning, Bancroft Prize-winning historian Jill Lepore recounts these dramatic events, re-creating, with path-breaking research, the nascent New York of the seventeenth century. Even then, the city was a rich mosaic of cultures, communities and colors, with slaves making up a full one-fifth of the population. Exploring the political and social climate of the times, Lepore dramatically shows how, in a city rife with state intrigue and terror, the threat of black rebellion united the white political pluralities in a frenzy of racial fear and violence.
Edwidge Danticat0.0 In this award-winning, bestselling work of fiction that moves between Haiti in the 1960s and New York in the present day, we meet an unusual man who is harboring a vital, dangerous secret. He is a quiet man, a good father and husband, a fixture in his Brooklyn neighborhood, a landlord and barber with a terrifying scar across his face. As the book unfolds, we enter the lives of those around him, and his secret is slowly revealed. Edwidge Danticat’s brilliant exploration of the “dew breaker”-- or torturer-- is an unforgettable story of love, remorse, and hope; of personal and political rebellions; and of the compromises we make to move beyond the most intimate brushes with history. It firmly establishes her as one of America’s most essential writers.
А. Ван Джордан0.0 "Jordan is a wizard at capturing vernacular in both conventional forms and his own invention." --Black Issues Book Review
In 1936, teenager MacNolia Cox became the first African American finalist in the National Spelling Bee Competition. Supposedly prevented from winning, the precocious child who dreamed of becoming a doctor was changed irrevocably. Her story, told in a poignant nonlinear narrative, illustrates the power of a pivotal moment in a life.
Джеффри Уорд0.0 WINNER OF THE WILLIAM HILL SPORTS BOOK OF THE YEAR AWARD
He was the first black heavyweight champion in history (1908-15) and the most celebrated - and most reviled - African American of his age. In Unforgivable Blackness, prize-winning biographer Geoffrey C. Ward brings to vivid life the real Jack Johnson, a figure far more complex than the newspaper headlines could ever convey.
Johnson battled his way from obscurity to the top of the heavyweight ranks and in 1908 won the
Edward P. Jones4.3 One of the most acclaimed novels in recent memory, The Known World is a daring and ambitious work by Pulitzer Prize winner Edward P. Jones.
The Known World tells the story of Henry Townsend, a black farmer and former slave who falls under the tutelage of William Robbins, the most powerful man in Manchester County, Virginia. Making certain he never circumvents the law, Townsend runs his affairs with unusual discipline. But when death takes him unexpectedly, his widow, Caldonia, can't uphold the estate's order, and chaos ensues. Jones has woven a footnote of history into an epic that takes an unflinching look at slavery in all its moral complexities.
Айра Берлин0.0 Ira Berlin traces the history of African-American slavery in the United States from its beginnings in the seventeenth century to its fiery demise nearly three hundred years later.
Most Americans, black and white, have a singular vision of slavery, one fixed in the mid-nineteenth century when most American slaves grew cotton, resided in the deep South, and subscribed to Christianity. Here, however, Berlin offers a dynamic vision, a major reinterpretation in which slaves and their owners continually renegotiated the terms of captivity. Slavery was thus made and remade by successive generations of Africans and African Americans who lived through settlement and adaptation, plantation life, economic transformations, revolution, forced migration, war, and ultimately, emancipation.
Berlin's understanding of the processes that continually transformed the lives of slaves makes Generations of Captivity essential reading for anyone interested in the evolution of antebellum America. Connecting the "Charter Generation" to the development of Atlantic society in the seventeenth century, the "Plantation Generation" to the reconstruction of colonial society in the eighteenth century, the "Revolutionary Generation" to the Age of Revolutions, and the "Migration Generation" to American expansionism in the nineteenth century, Berlin integrates the history of slavery into the larger story of American life. He demonstrates how enslaved black people, by adapting to changing circumstances, prepared for the moment when they could seize liberty and declare themselves the "Freedom Generation."
This epic story, told by a master historian, provides a rich understanding of the experience of African-American slaves, an experience that continues to mobilize American thought and passions today.
Адриан Николь Леблан4.5 In her extraordinary bestseller, Adrian Nicole LeBlanc immerses readers in the intricacies of the ghetto, revealing the true sagas lurking behind the headlines of gangsta glamour, gold-drenched drug dealers, and street-corner society. Focusing on two romances—Jessica’s dizzying infatuation with a hugely successful young heroin dealer, Boy George, and Coco’s first love with Jessica's little brother, Cesar—"Random Family" is the story of young people trying to outrun their destinies. Jessica and Boy George ride the wild adventure between riches and ruin, while Coco and Cesar stick closer to the street, all four caught in a precarious dance between survival and death. Friends get murdered; the DEA and FBI investigate Boy George; Cesar becomes a fugitive; Jessica and Coco endure homelessness, betrayal, the heartbreaking separation of prison, and, throughout it all, the insidious damage of poverty.
Charting the tumultuous cycle of the generations—as girls become mothers, boys become criminals, and hope struggles against deprivation—LeBlanc slips behind the cold statistics and sensationalism and comes back with a riveting, haunting, and true story.
Стивен Л. Картер0.0 Intricate, superbly written, often scathingly funny - a brilliantly crafted tapestry of ambition, family secrets, murder, integrity tested, and justice has gone terribly wrong.
An extraordinary fiction debut: a large, stirring novel of suspense that is, at the same time, a work of brilliantly astute social observation. The Emperor of Ocean Park is set in two privileged worlds: the upper crust African American society of the eastern seaboard--old families who summer on Martha's Vineyard--and the inner circle of an Ivy League law school. It tells the story of a complex family with a single, seductive link to the shadowlands of crime.
The Emperor of the title, Judge Oliver Garland, has just died, suddenly. A brilliant legal mind, conservative and famously controversial, Judge Garland made more enemies than friends. Many years before, he'd earned a judge's highest prize: a Supreme Court nomination. But in a scene of bitter humiliation, televised across the country, his nomination collapsed in scandal. The humbling defeat became a private agony, one from which he never recovered.
But now the Judge's death raises, even more, questions--and it seems to be leading to a second, even more, terrible scandal. Could Oliver Garland have been murdered? He has left a strange message for his son Talcott, a professor of law at a great university, entrusting him with "the arrangements"--a mysterious puzzle that only Tal can unlock, and only by unearthing the ambiguities of his father's past. When another man is found dead, and then another, Talcott--wry, straight-arrow, almost too self-aware to be a man of action--must risk his career, his marriage, and even his life, following the clues his father left him.
Intricate, superbly written, often scathingly funny, The Emperor of Ocean Park is a triumphant work of fiction, packed with character and incident--a brilliantly crafted tapestry of ambition, family secrets, murder, integrity tested, and justice has gone terribly wrong.
Ретика Вазирани0.0 Born in India and raised in the U.S., Reetika Vazirani is at the forefront of a group of young immigrant writers who are questioning citizenship and the effects of migration and immigration on the discovery of one’s self. The topics she writes about—eastern culture meeting west—are both timely and timeless, as she demonstrates a love for storytelling, delights in the music and flavors of the world, and displays a subtle understanding of cross-cultural conflicts for women.
Divided into two sections, "Inventing Maya" and "It’s Me, I’m Not at Home," World Hotel gives voice to those who are struggling with the burden of being different while also experiencing the thrill of transformation. There are poems written in memory of family members, to husbands, to lovers, and poems from mother to daughter. Through her exquisite formal skills and linguistic range, Vazirani ultimately creates a home in poetry; for her readers she creates penetrating portraits and keen glimpses into a world which—for all its unfamiliarity—we recognize as strikingly similar to our own.
The Chapel Hill Rotary invited me twice,
and I wore Aunty’s yellow sari. I laugh,
for ten years I lived on a mountain.
I show them Mussoorie.
They say it looks like the Blue Ridge.
They’re fascinated by so much silk—six
yards on one girl—but I like dresses and
scarves, red nail polish, and I will
have to learn to dance. . . .
—from "Friday Mixer"
Born in India, Reetika Vazirani’s first book, White Elephants, was selected for the Barnard New Women Poets Prize. She has received much recognition for her poetry, including a Pushcart Prize, a "Discovery" award from The Nation, and inclusion in Best American Poetry. Educated at Wellesley College and the University of Virginia, Vazirani serves as an advisory editor for Callaloo.
Саманта Пауэр4.2 Former UN Ambassador Samantha Power's Pulitzer Prize-winning analysis of America's repeated failure to stop genocides around the world
In her Pulitzer Prize-winning examination of the last century of American history, Samantha Power asks the haunting question: Why do American leaders who vow "never again" repeatedly fail to stop genocide? Power, a professor at the Harvard Kennedy School and the former US Ambassador to the United Nations, draws upon exclusive interviews with Washington's top policymakers, thousands of declassified documents, and her own reporting from modern killing fields to provide the answer. "A Problem from Hell" shows how decent Americans inside and outside government refused to get involved despite chilling warnings and tells the stories of the courageous Americans who risked their careers and lives in an effort to get the United States to act. A modern classic, "A Problem from Hell" has forever reshaped debates about American foreign policy.
Colson Whitehead4.0 In a glowing review of Colson Whitehead's first novel, The Intuitionist, the" New York Times Book Review "concluded, "Literary reputations may not always rise and fall as predictably as elevators, but if there's any justice in the world of fiction, Colson Whitehead's should be heading toward the upper floors." With John Henry Days, Colson Whitehead delivers on the promise of his critically acclaimed debut in a magnificent new novel: a retelling of the legend of John Henry that sweeps across generations and cultures in a stunning, hilarious, and unsettling portrait of American society.
Immortalized in folk ballads, John Henry has been a favorite American hero since the mid-nineteenth century. According to legend, John Henry, a black laborer for the Chesapeake & Ohio Railroad, was a man of superhuman strength and stamina. He proved his mettle in a contest with a steam drill, only to die of exhaustion moments after his triumph.
In John Henry Days, Colson Whitehead transforms the simple ballad into a contrapuntal masterpiece. The narrative revolves around the story of J. Sutter, a young black journalist. Sutter is a "junketeer," a freeloading hack who roams from one publicity event to another, abusing his expense account and mooching as much as possible. It is 1996, and an assignment for a travel Web site takes Sutter to West Virginia for the first annual "John Henry Days" festival, a celebration of a new U.S. postal stamp honoring John Henry. And there the real story of John Henry emerges in graceful counterpoint to Sutter's thoroughly modern adventure.
As he explores the parallels between the lives of these two black men, and between the Industrial Age, which literally killedJohn Henry, and the Digital Age that is destroying J. Sutter's soul, Whitehead adds multiple dimensions to the myth of the steel-driving man. And in dazzling set pieces, he traces the evolution of the famous ballad over the past century. John Henry Days" "is a novel of extraordinary scope and mythic power that juxtaposes history and popular culture, the blatant bigotry of the past with the more insidious racism of the present, and laugh-out-loud humor with unforgettable poignancy.
Куинси Джонс0.0 Musician, composer, producer, arranger, and pioneering entrepreneur Quincy Jones has lived large and worked for five decades alongside the superstars of music and entertainment -- including Frank Sinatra, Michael Jackson, Steven Spielberg, Oprah Winfrey, Ray Charles, Will Smith, and dozens of others. Q is his glittering and moving life story, told with the style, passion, and no-holds-barred honesty that are his trademarks.
Quincy Jones grew up poor on the mean streets of Chicago’s South Side, brushing against the law and feeling the pain of his mother’s descent into madness. But when his father moved the family west to Seattle, he took up the trumpet and was literally saved by music. A prodigy, he played backup for Billie Holiday and toured the world with the Lionel Hampton Band before leaving his teens. Soon, though, he found his true calling, inaugurating a career whose highlights have included arranging albums for Frank Sinatra, Ray Charles, Dinah Washington, Sarah Vaughan, and Count Basie; composing the scores of such films as The Pawnbroker, In Cold Blood, In the Heat of the Night, and The Color Purple, and the theme songs for the television shows Ironside, Sanford and Son, and The Cosby Show; producing the bestselling album of all time, Michael Jackson’s Thriller, and the bestselling single “We Are the World”; and producing and arranging his own highly praised albums, including the Grammy Award—winning Back on the Block, a striking blend of jazz, African, urban, gospel, and hip-hop. His musical achievements, in a career that spans every style of American popular music, have yielded an incredible seventy-seven Grammy nominations, and are matched by his record as a pioneering music executive, film and television producer, tireless social activist, and business entrepreneur–one of the most successful black business figures in America. This string of unbroken triumphs in the entertainment industry has been shadowed by a turbulent personal life, a story he shares with eloquence and candor.
Q is an impressive self-portrait by one of the master makers of American culture, a complex, many-faceted man with far more than his share of talents and an unparalleled vision, as well as some entirely human flaws. It also features vivid testimony from key witnesses to his journey–family, friends, and musical and business associates. His life encompasses an astonishing cast of show business giants, and provides the raw material for one of the great African American success stories of this century.
Аннет Гордон-Рид, Вернон Ю. Джордан-младший0.0 From the civil rights revolution to the halls of power, the life story of an American leader. As a student in Atlanta, Vernon Jordan had a summer job driving a white banker around town. During the man's afternoon naps, Jordan passed the time reading books, a fact that astounded his boss. Vernon can read! the man exclaimed to his relatives. Nearly 50 years later, Vernon Jordan, long-time civil rights leader, adviser and close friend to presidents and business leaders, and one of the most charismatic figures in America, has written this book about his life and times. It is a story that encompasses the sweeping struggles, changes, and dangers of black life during the civil rights revolution.
Дэвид Леверинг Льюис0.0 This monumental biography--eight years in the research and writing--treats the early and middle phases of a long and intense career: a crucial fifty-year period that demonstrates how Du Bois changed forever the way Americans think about themselves.
Ф. Кс. Тул0.0 Seventy-year-old F.X. Toole has exploded onto the literary scene with this astonishing first collection of stories drawn from his own experiences in boxing. In these powerful and moving tales, he reveals a complex web of athletes, trainers, and promoters and their extended families, all players in an unforgiving business where victory, like defeat, comes at a dark and painful price.
F. X. Toole breathes life into vivid, compelling characters who radiate the fierce intensity of the worlds they inhabit. In "The Monkey Look," an aging cut man with an incorrigible sweet tooth works the corner for Hoolie, a featherweight "bleeder" with attitude. "Black Jew" brings Reggie Valentine Love and his camp to a brutal elimination bout in Atlantic City, where they are treated like second-class citizens by a promoter. In "Million $$$ Baby," seasoned trainer Frankie Dunn faces the most daunting challenge of his life when he agrees to aid the fearless Maggie Fitzgerald in her quest to become a champion boxer. "Fightin' in Philly" and "Frozen Water" are stories in which youthful dreams of glory and celebrity are threatened by the harsh realities that suffuse both of these narratives. The novella "Rope Burns" is the crowning achievement of the collection, offering a gritty, heartrending account of the indestructible bond that develops between a devoted fighter and his trainer.
In Rope Burns F.X. bole exhibits the skill of a miniaturist: in precise and exquisite detail, he peoples a world rich in unforgettable characters, like Señora Cabrera, the owner of the Acapulco café, who makes low-fat refried beans to keep a local fighter in top form, and an anonymous museum guard with a soft spot for Michelangelo. Toole's faithful dialogue crackles and bites, and the flawed characters he creates cannot help but remind us of our own too fragile humanity. He brings a new understanding to the violence and purity of the sweet science and the world it engenders, opening a window into the fighter's soul that can never he closed.
Chang-Rae Lee4.0 The tragic tension between Franklin's need to communicate the horror which has shaped his life, and the guilt which has kept him silent are at the heart of this unforgettable work of humane understanding.
Эдвард Вади Саид0.0 From one of the most important intellectuals of our time comes an extraordinary story of exile and a celebration of an irrecoverable past. A fatal medical diagnosis in 1991 convinced Edward Said that he should leave a record of where he was born and spent his childhood, and so with this memoir he rediscovers the lost Arab world of his early years in Palestine, Lebanon, and Egypt.
Said writes with great passion and wit about his family and his friends from his birthplace in Jerusalem, schools in Cairo, and summers in the mountains above Beirut, to boarding school and college in the United States, revealing an unimaginable world of rich, colorful characters and exotic eastern landscapes. Underscoring all is the confusion of identity the young Said experienced as he came to terms with the dissonance of being an American citizen, a Christian and a Palestinian, and, ultimately, an outsider. Richly detailed, moving, often profound, Out of Place depicts a young man's coming of age and the genesis of a great modern thinker.
Russell Banks2.5 This brilliant recounting of the events surrounding John Brown's legendary raid on the armory at Harpers Ferry is a masterpiece of modern American storytelling that will be remembered as the crowning achievement of Russell Banks' celebrated career. Russell Banks' gift for creating compelling stories populated by gritty and startlingly realcharacters has resulted in such acclaimed masterworks as "Continental Drift," "The Sweet Hereafter" and his most recent bestseller, "Rule of the Bone." Now Banks takes on one of American history's most misunderstood figures, John Brown, whose October 1859 raid on the federal arsenal at Harpers Ferry, Virginia, crossed the line from civil protest to armed struggle, prefiguring the greatest conflagration in this country's history. Narrated by the enigmatic abolitionist's son Owen, the novel dazzlingly recreates the fractured political and social landscape of pre-Civil War America, when slavery and talk of secession were tearing the country apart. But "Cloudsplitter" is about much more than one man's quest for political change and social justice. It is a moving and powerfully told story of fathers and sons, of racial conflict and division, as well as an intimate portrait of 19th-century family life. Rich in incident and exquisite detail, "Cloudsplitter" is the novel that will elevate Russell Banks to the highest rank of 20th-century American authors.
Джон Роберт Льюис0.0 An eloquent, epic firsthand account of the civil rights movement by a man who lived it-an American hero whose courage, vision, and dedication helped change history. The son of an Alabama sharecropper, and now a sixth-term United States Congressman, John Lewis has led an extraordinary life, one that found him at the epicenter of the civil rights movement in the late '50s and '60s. As Chairman of the Student Nonviolent Coordinating Committee (SNCC), Lewis was present at all the major battlefields of the movement. Arrested more than forty times and severely beaten on several occasions, he was one of the youngest yet most courageous leaders.
Written with charm, warmth, and honesty, Walking with the Wind offers rare insight into the movement and the personalities of all the civil rights leaders-what was happening behind the scenes, the infighting, struggles, and triumphs. Lewis takes us from the Nashville lunch counter sit-ins to the Edmund Pettus Bridge in Selma, Alabama, where he led more than five hundred marchers on what became known as "Bloody Sunday." While there have been exceptional books on the movement, there has never been a front-line account by a man like John Lewis. A true American hero, his story is "destined to become a classic in civil rights literature." (Los Angeles Times)
